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IBM: PENGGUNAAN SAMPAH SEBAGAI BAHAN PRAKTIKUM PEMBELAJARAN SByK Yusron Wikarya; Nurhasan Syah; Irwan Irwan; Yofita Sandra
Ranah Seni Vol 12 No 01 (2018): RANAH SENI
Publisher : Jurusan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ranahseni.v12i01.27

Abstract

Kegiatan pembelajaran SbyK di SDN 07 dan 08 Ulak Karang Padang sering kali diabaikan dan diganti dengan pelajaran lain. Guru-guru yang melaksanakan kegiatan pembelajaran SByK menggunakan bahan praktikum yang didapatkan dengan cara membeli. Padahal berbagai bahan terbuang (sampah) dapat dijadikan sebagai bahan praktikum. Pemecahan masalah dilaksanakan dengan: (1) Pembuatan model dan media presentasi, (2) penyuluhan, dan (3) pelatihan. Hasil yang didapatkan adalah: (1) Aspek manajemen bahan praktikum pembelajaran SbyK dengan hasil: (a) Guru SDN 07 dan SDN 08 Ulak Karang Padang telah dapat mengidentifikasi dan mengelola sampah yang ada di sekitar murid sebagai bahan praktikum pembelajaran SByK. (b) Guru SDN 07 dan SDN 08 Ulak Karang Padang telah dapat mengidentifikasi dan mengelola sampah yang ada di sekitar murid sebagai bahan praktikum pembelajaran SByK. (c) Sebanyak 80,52% materi manajemen bahan praktikum pembelajaran SByK sudah dikuasai oleh Guru SDN Mitra. (2) Aspek penguasaan dan penerapan materi pembelajaran SByK dari bahan sampah dengan hasil: (a) Guru SDN 07 dan SDN 08 Ulak Karang Padang telah dapat memahami pengertian, konsep, dan proses pembuatan teknik menggunting dan menempel dalam pembelajaran SbyK. Sebanyak 80,35% materi sudah dikuasai oleh Guru SDN Mitra. (b) Telah dihasilkan tiga model karya keterampilan dari bahan-bahan sampah. (c) Guru SDN 07 dan SDN 08 Ulak Karang Padang telah dapat membuat karya SByK dengan teknik menggunting dan menempel dari bahan sampah. Setiap peserta telah menghasilkan satu karya montase, satu karya kolase, dan satu karya mozaik mempergunakan bahan dari sampah.
MENINGKATKAN HASIL BELAJAR SISWA DALAM PEMBELAJARAN BUDAYA ALAM MINANGKABAU MENGGUNAKAN MEDIA AUDIO VISUAL DI KELAS VIII-5 SMP NEGERI 18 PADANG YUSMAINI, Drs. Suib Awrus, M.Pd, Yofita Sandra, S.Pd., M.Pd
Serupa The Journal of Art Education Vol 3, No 1 (2014): Seri E
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v3i1.5558

Abstract

This study aims to determine the improvement of student learning outcomes Alam Minangkabau culture of subjects in class VIII-5 Junior High School 18 Champaign totaling 34 people by using audio-visual media. Data collected using the research instruments and observation sheets. To see the changes in students' learning activities within two cycles of cycles I and II. Data were obtained and analyzed using percentages. The research findings indicate that student learning outcomes improved significantly, it can be seen from the average prasiklus 77.6 to 66.65 in the first cycle. In the second cycle is also increased by an average of 86. It can be concluded that the audio-visual media can improve student learning outcomes Alam Minangkabau culture of subjects in class VIII-5 Junior High School 18 Padang.Key words: Media Audio Visual, Peningkatan Hasil Belajar. Pelajaran Budaya Alam Minangkabau di kelas VIII-5 SMP Negeri 18 Padang
AYAM SEBAGAI INSPIRASI DALAM KARYA SENI GRAFIS ADRI FERNANDES, Drs. Irwan, M.Sn. Yofita Sandra, S.Pd., M.Pd.
Serupa The Journal of Art Education Vol 6, No 2 (2018): Seri C
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (632.307 KB) | DOI: 10.24036/sr.v6i2.9204

Abstract

The purpose of creating chicken as resemble human behavior. That is an inspiration in the work of graphic art with the technique of serigraphy. Chicken resemblance to human behavior. Is represent a half of human chiken in keeping relationship with spouse giving children and take good care of there.The method of creating works of art, using five stages: Preparation (tools and materials), elaboration stage, sistensis, concept realization, and Settlement. From several stages in the process of creating works of art has created ten graphic works in this final paper.This final work describes of chickens behavior that are similar to human behavior, from how to pair, give birth and take care of their children. The visual form of the work in the box with the title: Pejantan, Balanced, Fighting, crowing, Wingspan, Pair, Waiting, New Generation, Parent, Group.Keywords: Chicken Behavior and Human Behavior, Metaphors, Ideas, Graphics.
BENTUK, FUNGSI DAN MAKNA MOTIF BATIK BASUREK BENGKULU ANDI SAPUTRA, Drs. Erwin, M.Sn, Yofita Sandra, S.Pd., M.Pd
Serupa The Journal of Art Education Vol 2, No 3 (2014): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/sr.v2i3.5502

Abstract

The study aims to :1) describe shape of batik basurek, 2)describe purposes of batik, and 3) describe of meaning batik basurek.This research is descriptive qualitative. The data sources are theprimary source directly by the informant, while secondary data wasfrom the documentation and bibliography. The data collectedthrough the initial review, the study of literature, observation,interviews, documentation. The findings of the study are kaligrafymotif, burung kuau, kembang melati, relung paku, kembangcengkeh, dan pohon hayat. Basurek functions such as batik scarf,headband, baby swing fabrics and trimmings pegantin booth.Meaning basurek motif is a depiction of the natural resources inBengkulu and form of gratitude towards God's creation.Kata Kunci : Bentuk, Fungsi dan Makna Motif Batik Basurek
GO GREEN DALAM KARYA SENI GRAFIS HANAFI, Drs. Irwan, M. Sn., Yofita Sandra, S>Pd., M.Pd.
Serupa The Journal of Art Education Vol 7, No 3 (2019): Seri A
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.108 KB) | DOI: 10.24036/sr.v7i3.103165

Abstract

This final task is aimed to visualize the damage in our environment which is caused by human behavior. The damage is visualized into graphic art by using relief technique print then we callit as go-green. Go green is a term wich point on greening or repairing the damage in environment. Methods in creating this final task is using 4 phases, they are preparation, elaboration, synthesis,and realization concept. Then this creation of go green is started with creating sketsa, preparing tools and materials, process of finishing this work. This final task will be finished with 10 categories: air pollution, water pollution, the remain hope, burnt world, friendly to environment, nature code, dependenceeach other, balance, life foundation, friendly environment. From this final task we expect that people will be more aware and more care to environment and make this as reference to graphic artin the nextime.Kata kunci: Go green, Kerusakan lingkungan, Seni Grafis
KEHIDUPAN ANAK NELAYAN DALAM KARYA SENI GRAFIS Novendra, Yofita Sandra, S.Pd., M.Pd. Drs. Irwan, M.Sn.
Serupa The Journal of Art Education Vol 6, No 2 (2018): Seri E
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (965.174 KB) | DOI: 10.24036/sr.v6i2.9641

Abstract

The creation of this final work aims how to visualize the reality of fisherman's child in the coastal areas. Fishermen child couldn’t enjoy education still have not gotten the right right when past the period where they should be ditahap education. The methods and work processes used in the creation of this graphic art work through several stages: preparation, elaboration, synthesis, concept realization, finishing. From this graphic artwork it can be concluded that there are still many fishermen who do not go to school because they help their parents to earn a living. The title of the work is in the lift "Small Fishermen, Waiting Father, Children Twilight, Gathering, Ports, Net of Life, Seaside, Selling Catch, Father and Mother and Back Home".Keywords: Fishermen’ child, graphic arts, serigraphy
DAUN SIRIH DALAM KARYA SENI GRAFIS Mido Putra, Drs, Irwan, M.Sn., Yofita sandra, S.Pd., M.Pd.
Serupa The Journal of Art Education Vol 5, No 2 (2017): Seri B
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (563.541 KB) | DOI: 10.24036/sr.v5i2.8220

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Creation of this finally project aims for how to visualize phenomena the use of betel leaf associated with Minangkabau culture shift. Betel leaf is closely related to the philosophy tradition that Betel leaf is the symbols of Inviting, receiving guests and other customary rituals.The methods and processes that used in the creation of this graphic art through several stages: a) preparation, b) Elaboration c) Synthesis d) Realization the e) FinishingFrom this graphic arts can be concluded that the betel leaf is a media of social communication in Minangkabau culture and inherited from ancestors.due to the ancestral era to the more sophisticated field, the write try to remember the using of betel leaves which slowly abandoned.Keywords: Betel Leaves, Graphic Art, serigraphy
AKTIVITAS PETANI GAMBIR TRADISIONAL DI KECAMATAN KAPUR IX DALAM KARYA SENI GRAFIS NAHDATUL AZMI, Yofita Sandra, S.Pd., M.Pd., Drs. Syafei, M. Ag.
Serupa The Journal of Art Education Vol 6, No 1 (2017): Seri D
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1361.017 KB) | DOI: 10.24036/sr.v6i1.8327

Abstract

The purpose of this final paper is to visualize the activities of traditional gambir farmers in Kapur IX District in the work of Graphic Arts with Relief Print technique, namely Hardboard Cut. Gambir farmer activity starts from gambier leaf making, leaf processing until the sap comes out, freezing sap, gambier painting, and drying. Activities they do aim to meet their basic needs such as clothing, food, and boards. The method of creation of this final paper uses 5 stages of preparation, elaboration, synthesis, concept realization, and completion, and the last one to hold painting exhibition by using oil paint media on paper.
SEMUT RANGRANG DALAM KARYA SENI GRAFIS TEKNIK STENCIL PRINT Eki Wirahman; Ariusmedi Ariusmedi; Yofita Sandra
Serupa The Journal of Art Education Vol 9, No 1 (2020)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (545.278 KB) | DOI: 10.24036/stjae.v9i1.108172

Abstract

This final work visualizes the rangrang Ant in the form of graphic art, to be able to shape social behavior. The visualization of the rangrang ant is expected to be able to have a positive influence, on the lives of oneself and society, through graphic print art (serigraphy). The methods and processes used in the creation of a work include several stages: (1) preparation; (2) elaboration; (3) synthesis; (4) concept realization; (5) finising; discussion of graphic art works includes visualization of Semr rangrang. The titles of the work produced are: (1) Queuing; (2) Strong; (3) Interaction; (4) Responsibility; (5) Smart; (6) Trying to; (7) Believe; (8) Working; (9)Concern;(10)Sharing;Kata Kunci : semut rangrang, seni grafis,
KUPU-KUPU DALAM KARYA SENI GRAFIS Nopri Yandri Asri; Irwan Irwan; Yofita Sandra
Serupa The Journal of Art Education Vol 9, No 2 (2020)
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (490.255 KB) | DOI: 10.24036/sr.v8i3.107944

Abstract

The creation of this final work aims to visualize the metamorphosis of butterflies in stencil techniques. This work displays the object of a butterfly that is to social criticism. The embodiment method of this final work goes through five stages: preparation, elaboration, synthesis, concept realization, and completion. Author Successfully Realizing 10 works with the title: new life, sweet, short time, life's journey, freedom, life span, inspiration, survival, generation, and success.Keywords: Butterfly, Graphic Art, Cut Out Stencil Print
Co-Authors Achmad Nurmandi Aditya Indarto Adriyan Suhada Afridion Rezki Ajeng Dian Pertiwi Ajeng Dian Pertiwi, Ajeng Dian Akbar, Muhammad Naufal Ali Akbar Aminuyati Anggraini, Depi Aprizia, Rosalena Arif Prasetyo Ariusmedi Ariusmedi Asa, Ferdian Ondira Bambang Irawan Bobby Bachry Budiman Budiman Budiwirman Budiwirman Chairina Chairina Depi Anggraini Dian Suluh Kusuma Dewi Dimas Herjuno Dwi Puspita Sari Eki Wirahman Elija Pitri Eliya Pebriyeni Endriatmo Soetarto Ernis Ernis Eswendi . Evita Widyawati Fadhil Nugraha Wikarya Fahmi Ade Fahrezi Febriana Maharani Butidang, Betta Fitryona, Nessya FX Wardhiyono Geo Sugiwang Halimatus Sakdiah Hartrisari Hardjomidjojo I Gusti Ketut Arya Sunu I Nyoman Natajaya Igo Fernando Iradhad Taqwa Sihidi Irwan Irwan Irwan Irwan Johan Sentosa Linda Puspita, Siti Loilatu, Mohammad Jafar M. Zaim Mardhatillah, Mardhatillah Mela Rosita Melati Sukma Muhammad - Zaim Munzir Absa Murti, Rina NAVA ALFARIZI Nia Andriani Nopri Yandri Asri Novita . Nuraini Fatmi Nurbaiti . Okta Yunita Putri P.P.S, lfonsus Rifalrik Peri Pernando Pramesty, Isnaini Nur Putri Ayu Hayati Putri Ratricia Rahmadeni Rahmadeni Rahmat Rahmat Rahmi Oktayory Wikarya Ramlah Ramlah Refnaldi - Refnaldi Refnaldi Refnaldi Reno Tiora Rezki Pratama Riska Rahayu Rosalena Aprizia Ruci Wibowo Sami?un, Sami?un Sami’un Sami’un Saputri, Delia Sofyan Cholid, Sofyan Sotyania Wardhiana Suci Rahmayani Sugeng, Santoso Sumardjo Sutrisno Sutrisno Syafei Syafei Tambunan, Ayu Anggraini Taqyuddin Taqyuddin Toher Muhammad Toher Wahyu Ardiansyah Wahyu Pratama Yan Ellia H. Hutagaol Yopy Hidayat Yusron Wikarya Zaim, Rifqi Aulia Zayyadi Zayyadi Zulfadli Sayfulhak