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All Journal Buletin Udayana Mengabdi Jurnal Pendidikan Seni Rupa Jurnal Ilmiah Desain & Konstruksi Gorga : Jurnal Seni Rupa Harmonia: Journal of Research and Education Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vitruvian : Jurnal Arsitektur, Bangunan, dan Lingkungan MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Panggung Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Jurnal Syntax Transformation Jurnal Filsafat Indonesia International Journal of Social Science Jurnal Vastukara: Jurnal Desain Interior, Budaya, dan Lingkungan Terrbangun International Journal of Multidisciplinary Research and Literature (IJOMRAL) Jurnal Locus Penelitian dan Pengabdian Journal of Aesthetics, Creativity and Art Management Kartala Visual Studies Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara International Journal of Economic, Finance and Business Statistics (IJEFBS) Journal of Aesthetics, Design, and Art Management Panggung Global Art Creativity Conference Harmonia: Journal of Arts Research and Education
Remawa, Anak Agung Gede Rai
Institut Seni Indonesia Bali
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FROM COMMON SENSE TO REFLECTIVE REALISM: A DIALECTICAL STUDY OF THOMAS REID'S PHILOSOPHY: Dari Akal Sehat ke Realisme Reflektif: Kajian Dialektis atas Filsafat Thomas Reid handry happy; Anak Agung Gede Rai Remawa; I Ketut Sariada
Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Vol 10 No 3 (2026): SANTHET: (JURNAL SEJARAH, PENDIDIKAN DAN HUMANIORA) 
Publisher : Proram studi pendidikan Sejarah Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/santhet.v10i1.6777

Abstract

This study explores Thomas Reid’s philosophy of common sense as a response to the epistemological crisis of the Enlightenment era, marked by skepticism and idealism. Through a dialectical approach, the research examines Reid’s concepts of first principles, direct realism, and moral sense, highlighting their role in restoring trust in reality and moral responsibility. The analysis employs hermeneutic and constructive-dialectical methods to critically assess Reid’s position and its limitations, particularly regarding claims of universality and cultural neutrality. The findings propose a reinterpretation of Reid’s thought into reflective realism and dialogical morality, emphasizing the need for epistemic trust combined with critical openness and ethical dialogue in pluralistic societies. This synthesis offers significant implications for contemporary philosophy of science and ethics, especially in addressing challenges of post-truth and relativism. Reid’s philosophy, when read reflectively, becomes not only a defense of rationality but also a call for intellectual honesty and moral responsibility in navigating modern complexity.
MATERIAL REGENERATION AND CULTURAL SUSTAINABILITY THROUGH MODULAR FASHION DESIGN: RECONCEPTUALIZING BALINESE ENDEK WEAVING SCRAPS Ni Kadek Yuni Diantari; Gede Bayu Segara Putra; Anak Agung Gede Rai Remawa; I Wayan Dedy Prayatna; I Putu Udiyana Wasista
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 9 No. 1 (2026)
Publisher : Institut Seni Indonesia Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lksn.v9i1.3908

Abstract

The fashion industry generates textile waste throughout the production and consumption stages, while leftover Balinese endek weaving fabric is still frequently treated as production residue that remains underutilized. This study aims to develop a sustainable modular fashion design model based on leftover Balinese endek fabric by integrating the principles of less waste design, subtraction pattern, draping, Traditional Ecological Knowledge (TEK), and regenerative design. The research employed a qualitative approach using a Research Through Design strategy, involving participant observation of the design process, visual documentation, in-depth interviews with designers and artisans, analysis of pattern and prototype documentation, as well as thematic and design analysis. The findings reveal that leftover endek fabric can be classified according to size, motif, texture, grain direction, and joining potential to form structural panels, visual elements, and transitional modules. Subtraction pattern and draping enable irregular fabric remnants to be negotiated with the body, while the modular system expands possibilities for configuration, functionality, and product life cycles. These findings demonstrate that leftover endek fabric should not be viewed merely as textile waste but as a cultural material that embodies ecological, technical, and symbolic values. This article contributes to the sustainable fashion discourse by proposing the concept of tradition subtraction as a design approach that connects material efficiency, the regeneration of local textile values, and the development of a tradition-based circular economy.
Kompleksitas Naratif dari Time Loop dan Perjalanan Waktu dalam Film Indonesia SORE: Istri dari Masa Depan" Yohanes Yogaprayuda; I Wayan Swandi; Anak Agung Gede Rai Remawa; Gede Pasek Putra Adnyana Yasa
Kartala Virtual Studies Vol 5 No 1 (2026): Januari 2026
Publisher : Universitas Budi Luhur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36080/kvs.v5i1.309

Abstract

This study analyzes the narrative structure of the SORE: Wife from the Future with a focus on the time loop pattern and its integration with time travel elements. The main objective of this study is to examine how the temporal configuration in this film works and to identify possible extensions to the time loop typology formulated by Brütsch. This study uses a descriptive qualitative approach with narrative and interpretive analysis methods of the scenes, dialogues, and time repetition structure in the film. The results show that SORE: Wife from the Future does not fully fit into the four existing variants of the time loop typology, but rather combines the characteristics of several variants simultaneously. This film introduces a hybrid form that combines an external mission (preventing death) and internal transformation (inner healing), as well as uniting time travel and time loops in a cohesive structure. These findings encourage the formulation of a fifth variant in the time loop typology and demonstrate the relevance of the hypertime approach in explaining the logic of transitions between timelines. Keywords: time loop, time travel, temporal structure, SORE: Wife from the Future film
Exploring Nietzsche's Philosophical Idea on Nihilism: “The Question of the Essence of Morality in Humanizing Humans”: Menelisik pemikiran filsafat Nihilisme Nietzsche: “Persoalan Hakikat Moralitas Memanusiakan Manusia” Faldi Hendrawan; Anak Agung Gede Rai Remawa; I Ketut Sariada
Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Vol 10 No 1 (2026): SANTHET: (JURNAL SEJARAH, PENDIDIKAN DAN HUMANIORA)
Publisher : Proram studi pendidikan Sejarah Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/santhet.v10i1.6798

Abstract

This article discusses a critical analysis of Friedrich Nietzsche's thought by highlighting the main issues related to the foundations of nihilism and the relevance of two of his central ideas, namely the will to power and the Übermensch, as an effort to overcome the collapse of traditional values. The research uses a qualitative approach with a subjectivism-humanities paradigm through a literature study of Nietzsche's works, especially Thus Spoke Zarathustra and The Will to Power, as well as secondary studies from philosophers and historians of thought. The analytical method is carried out through textual hermeneutics to interpret Nietzsche's aphorisms that are unsystematic but full of philosophical meaning. The results of the study show that Nietzsche's nihilism is not merely a rejection of values, but a diagnosis of the crisis of modern culture that has lost its foundation of meaning; in this context, the will to power functions as a creative human drive to overcome old moral determinations, while the Übermensch becomes an ideal concept of humans who are capable of creating values ​​autonomously. These findings confirm that Nietzsche's thought makes a significant contribution to the development of contemporary philosophy through a rereading of values, freedom, and human existence
Monumentalitas Hibrida dan Perlawanan Ruang dalam Arsitektur Indonesia Pasca-Kolonial I Putu Udiyana Wasista; Anak Agung Gede Rai Remawa; I Kadek Dwi Noorwatha; I Made Bayu Pramana
PANGGUNG Vol 36 No 1 (2026): Echoes of Archipelago Mythos: Interweaving Tradition, Symbolism, and Narrative i
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v36i1.4335

Abstract

This study analyzes tensions between indigenous cosmology and Indonesian nationalism in the Monumen Perjuangan Rakyat Bali as an expression of Hindu Balinese spatial logic responding to modern nation-building. A qualitative interpretive approach employs semi-structured interviews with architects and historians, along with systematic document analysis. Lefebvre’s spatial triad and Bhabha’s hybridity frame the analysis. Findings show the monument as a sedimented temporal space where mythological and historical narratives coexist without final synthesis. Use of the Samudramanthana epic in nationalist pedagogy produces cultural differentiation rather than a unified identity. Popular adoption of the vernacular name Bajra Sandhi reflects a form of semantic reappropriation privileging religious over nationalist identification. Construction across three gubernatorial administrations indicates ongoing hegemonic negotiation. The study concludes that postcolonial monuments operate as agonistic spaces enabling contestation of meaning while advancing understanding of spatial politics where local cosmology intersects with state projects.
BUKU ILUSTRASI SEBAGAI MEDIA INFORMASI WARIGA BAGI GENERASI Z DENGAN PENDEKATAN DESIGN THINKING Ida Bagus Gede Darma Putra Pidada; Anak Agung Gede Rai Remawa; I Gusti Putu Sudarta
Tanra: Jurnal Desain Komunikasi Visual Fakultas Seni Dan Desain Universitas Negeri Makassar Vol 13, No 2 (2026): Agustus
Publisher : Universitas Negeri makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/tanra.v13i2.85020

Abstract

Wariga atau sistem penanggalan tradisional Bali merupakan salah satu wujud budaya dan kearifan lokal masyarakat Bali yang digunakan sebagai pedoman kehidupan. Perubahan zaman yang terjadi dengan cepat menimbulkan fenomena baru yang berdampak pada pelestarian Wariga, khususnya bagi Generasi Z sehingga diperlukan alternatif media informasi baru yang lebih relevan seperti buku ilustrasi yang berfungsi sebagai jembatan pengetahuan Wariga kepada Generasi Z. Penelitian ini bertujuan untuk (1) Menghasilkan konsep perancangan media buku ilustrasi Wariga yang komunikatif bagi Generasi Z, serta (2) Menghasilkan narasi media buku ilustrasi Wariga yang tepat bagi Generasi Z. Untuk mencapai tujuan penelitian peneliti menggunakan teori dan pendekatan Transformasi Budaya, Narasi Visual, dan Desain Komunikasi Visual. Penelitian ini menggunakan kombinasi Metode Penelitian Design Thinking Stanford oleh David Kelley serta Metode Glass Box (Kotak Kaca) dan Black Box (Kotak Hitam) oleh Christoper Jones. Terdapat tiga tahapan pokok yang digunakan, yaitu: Input (Define, Analyze), Proses (Ideate), dan Output (Prototype, Testing). Teknik pengumpulan data menggunakan wawancara, dokumentasi, dan angket. Metode analisis data menggunakan model interaktif, yaitu reduksi data, penyajian data, dan verifikasi/penarikan kesimpulan. Berdasarkan penelitian reka desain yang telah dilakukan, diketahui bahwa: (1) Konsep media buku ilustrasi Wariga yang diwujudkan berupa buku ilustrasi bergaya komik infografis dalam dua jenis format yaitu format digital berupa e-book interaktif dan format cetak, serta media pendukung berupa pembatas buku, gantungan kunci, dan sticker vinyl, (2) Narasi media buku ilustrasi Wariga yang diwujudkan terdiri atas tiga babak cerita yaitu Set Up (Pengenalan karakter dan konfllik), Confrontation (Penyajian materi Wariga untuk menjawab konflik), Resolution (Penyelesaian konflik). Hasil uji coba kepada 122 responden yaitu Generasi Z dalam lingkup wilayah Denpasar, Bali, menunjukkan  perolehan skor 4409 dari skor maksimum 4880 dengan persentase 90.3% yang termasuk dalam kategori sangat baik. Maka, dapat disimpulkan hasil yang diwujudkan layak digunakan sebagai alternatif media informasi Wariga bagi Generasi Z.
Co-Authors Adhitama, Gregorius Prasetyo Alit Kumala Dewi Anak Agung Sagung Istri Trisnadewi Artadi, I Made Pande Bangun, Jabatin BAYU SEGARA PUTRA, GEDE Faldi Hendrawan Farhan Farhan Gede Pasek Putra Adnyana Yasa Gede Pasek Putra Adnyana Yasa handry happy Hanindharputri, Made Arini I Gede Mugi Raharja I Gusti Ngurah Ardana I Gusti Putu Sudarta I Ketut Adi Sugita I Ketut Muka I Ketut Sariada I Ketut Sariada I Ketut Sariada, I Ketut I Ketut Sida Arsa I Komang Indra Wira Pranata I Komang Sudirga I Made Bayu Pramana I Made Jayadi Waisnawa I Made Radiawan I Made Ruta I Made Suparta I Nengah Wirakesuma, I Nengah I Nyoman Artayasa I Nyoman Sedana I Nyoman Yoga Sumadewa I Putu Udiyana Wasista I Putu Udiyana Wasista I Wayan Adnyana I Wayan Adnyana I Wayan Dedy Prayatna I Wayan Mudra, I Wayan I Wayan Suardana I Wayan Swandi I Wayan Swandi I.M. Radiawan I.N. Puja Ida Bagus Gede Darma Putra Pidada Imam Santosa Kadek Anggia Sandra Dewi Ketut Indira Suasti Prayojani Komang Yudistia Kondra, I Wayan Made Ida Mulyati Made Tiartini Mudarahayu N.L.R. Purnawan N.M.I. Muliyati Ni Gusti Ayu Paramita Ni Ketut Seminari Ni Luh Desi In Diana Sari, Ni Luh Desi In Noorwatha, I Kadek Dwi Nyoman Dewi Pebryani Padmanaba, Cok Gd Rai Pasek, I Gede Pebriyani, Nyoman Dewi Pernyata, Ramadhan S. Putu Ari Darmastuti Putu Ariella Peggy Sabella Ratna Cora Sudharsana, Tjok Istri Sri Listiani Suranjaya I .Gd Toddy Hendrawan Yupardhi, Toddy Hendrawan Totton, Mary Louise Wasista, I Putu Udiyana Yayat Yayat Yohanes Yogaprayuda Yuni Diantari, Ni Kadek