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All Journal Jurnal Sendratasik Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Jurnal Perikanan dan Kelautan Inspirasi Manajemen Pendidikan Harmonia: Journal of Research and Education Journal of Urban Society´s Arts Bioedukasi: Jurnal Pendidikan Biologi JITRO (Jurnal Ilmiah dan Teknologi Peternakan Tropis) Jurnal Pembelajaran Berpikir Matematika KALAMATIKA Jurnal Pendidikan Matematika Pendas : Jurnah Ilmiah Pendidikan Dasar Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni JURNAL PENDIDIKAN TAMBUSAI Jambura History and Culture Journal alfazuna: Jurnal Pembelajaran Bahasa Arab dan Kebahasaaraban Al-Ikhtibar : Jurnal Ilmu Pendidikan Jurnal Pengabdian kepada Masyarakat Nusantara Ekonomica Sharia: Jurnal Pemikiran dan Pengembangan Ekonomi Syariah Pinisi Business Administration Review Jurnal Ilmiah Wahana Pendidikan Al Intisyar: Jurnal Pendidikan Bahasa Arab TRIBUTE: JOURNAL OF COMMUNITY SERVICES Edu Society: Jurnal Pendidikan, Ilmu Sosial dan Pengabdian Kepada Masyarakat Electronic Journal of Education, Social Economics and Technology Avant-garde: Jurnal Ilmiah Pendidikan Seni Pertunjukan Cendikia: Jurnal Pendidikan dan Pengajaran Journal of Innovative and Creativity Jurnal Perikanan dan Kelautan
Fuji Astuti
Halu Oleo University
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Analisis Pembelajaran Seni Rupa Berbasis Proyek Terhadap Hasil Belajar Peserta Didik Smp Negeri 35 Kerinci Ramadani, Arfenia; Astuti, Fuji; Ardipal, Ardipal
Journal of Innovative and Creativity Vol. 6 No. 1 (2026)
Publisher : Fakultas Ilmu Pendidikan Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/joecy.v6i1.7334

Abstract

Pembelajaran seni rupa berbasis proyek merupakan pendekatan pembelajaran yang menempatkan peserta didik sebagai subjek aktif melalui keterlibatan langsung dalam proses perencanaan, pelaksanaan, evaluasi, dan refleksi karya secara sistematis. Penelitian ini bertujuan untuk menganalisis implementasi pembelajaran seni rupa berbasis proyek serta kontribusinya terhadap hasil belajar peserta didik di SMP Negeri 35 Kerinci. Penelitian ini menggunakan pendekatan deskriptif kualitatif dengan teknik pengumpulan data berupa observasi proses pembelajaran, wawancara guru dan peserta didik, dokumentasi karya proyek, serta analisis penilaian hasil belajar. Data dianalisis melalui tahapan reduksi data, penyajian data, dan penarikan kesimpulan yang diperkuat melalui triangulasi sumber. Hasil penelitian menunjukkan bahwa pembelajaran seni rupa berbasis proyek memberikan dampak positif terhadap peningkatan hasil belajar peserta didik, baik pada ranah kognitif, afektif, maupun psikomotorik. Pada ranah kognitif, peserta didik mengalami peningkatan pemahaman terhadap unsur dan prinsip seni rupa serta kemampuan menginterpretasikan tema visual. Pada ranah afektif, pembelajaran ini berkontribusi terhadap penguatan sikap disiplin, tanggung jawab, kerja sama, dan apresiasi terhadap karya seni. Pada ranah psikomotorik, terjadi peningkatan keterampilan teknik berkarya, pengolahan media, serta konsistensi dalam proses penciptaan karya. Dengan demikian, pembelajaran seni rupa berbasis proyek layak direkomendasikan sebagai pendekatan strategis dalam peningkatan mutu proses dan hasil belajar seni rupa di SMP Negeri 35 Kerinci.
Upaya Memelihara Kebhinekaan Indonesia: Gagasan Pendidikan Multikultural di SMA BOPKRI 2 Yogyakarta Astuti, Fuji; Fahri, Ardian; Indah, Mayang
Jambura History and Culture Journal Vol 8, No 1 (2026): Januari
Publisher : Universitas Negeri Gorontalo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37905/jhcj.v8i1.35016

Abstract

Education carries an important mission in shaping and developing the students’ ability to play an active role in unravelling the conflict threads of cultural community life. This article seeks to determine the development carried out by SMA BOPKRI 2 Yogyakarta in accommodating various cultures and interests in society. This article uses a qualitative research method with a phenomenological approach. The result shows that SMA BOPKRI 2 Yogyakarta which builds its branding as an Indonesia Multicultural School (SMI) appears in the learning and life processes of students in a school environment which is based on multicultural elements. Educational programs developed specifically are formulated to form new understandings and foster toleranci in students based on diversity they have. The concept of education is implemented practically and is oriented towards the diversity of Indonesia’s cultural community as a whole. Therefore, the multicultrual-based educational paradigm has the right place if it is applied to a school environment with a higher level of heterogeneity.
ANALISIS KOMPARATIF KELEBIHAN DAN KELEMAHAN METODE EVALUASI DALAM PEMBELAJARAN SENI TARI Deskariani, Uci; Astuti, Fuji; Yuliasma
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.40363

Abstract

His paper analyzes several assessment approaches employed in dance education by comparing their educational benefits and inherent limitations. The study aims to provide insight into how specific evaluation techniques influence learners’ achievements in dance learning contexts. Using a qualitative literature review design, this research synthesizes academic sources discussing performance-based assessment, product evaluation, project assessment, and portfolio assessment. The review indicates that each assessment approach contributes differently to students’ artistic growth, technical mastery, creativity, and reflective capacity. However, challenges also arise in terms of objectivity, time efficiency, and standardization. The study concludes that combining multiple assessment strategies is necessary to ensure a comprehensive and fair evaluation of dance learning outcomes
LABORATORIUM PEMBELAJARAN SENI TARI:RUANG KOLABORATIF UNTUK PENGEMBANGAN KREATIVITAS DAN PENELITIAN ARTISTIK DI PERGURUAN TINGGI Umrintha, Dinna; Astuti, Fuji; Nerosti
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026 Public
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.40982

Abstract

The dance art learning laboratory is an important facility for developing creativity, research, and innovation in art education at the university level. This facility is not merely a place for physical practice or training; it also serves as a reflective and collaborative space that combines theoretical aspects, research, and artistic exploration. This conceptual study aims to analyze the role, function, and application of dance art learning laboratories in academic settings, particularly in the Master of Arts Education program. This research uses a conceptual approach with a literature review method thru analysis of relevant literature on art pedagogy, creativity, and learning innovation. The analysis results indicate that the dance art laboratory plays an important role in fostering esthetic sensitivity, critical thinking skills, and creativity among graduate students. Thru artistic research, creative reflection, and interdisciplinary collaboration, the dance art learning laboratory serves as the foundation for building an art education ecosystem that is adaptive, dynamic, and contextual. Keywords: learning laboratory, dance art, creativity, art education, higher education
STRATEGI PEMBELAJARAN SENI TARI BERBASIS PRAKTIK SEBAGAI RESPONS TERHADAP TANTANGAN PENDIDIKAN SENI MASA KINI : STUDI LITERATUR Miranda Jamil, Alhani; Astuti, Fuji; Nerosti
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.41027

Abstract

This study aims to examine practice-based dance learning strategies as a response to contemporary challenges in arts education. As an integral component of arts education, dance learning requires direct engagement through bodily experience, exploration, and reflective processes. However, current educational practices tend to prioritize theoretical approaches, which often limit students’ active participation in learning. This research employed a qualitative descriptive approach using a qualitative literature review method. Data were collected from national and international scholarly sources, including peer-reviewed journal articles, academic books, and educational policy documents published between 2020 and 2025. The data were analyzed thematically to identify key challenges, conceptual patterns, and pedagogical strategies related to practice-based dance learning. The findings indicate that practice-based learning strategies play a crucial role in addressing contemporary challenges in arts education by enhancing student engagement, creativity, and aesthetic experience. Furthermore, such strategies contribute to strengthening cultural awareness and contextualized learning. The study concludes that practice-based dance learning offers significant theoretical and practical contributions to the development of contemporary arts education and provides a relevant pedagogical framework for educators in designing meaningful and experience-oriented dance learning processes.
ANALISIS PROSES EVALUASI PEMBELAJARAN PADA MATA KULIAH EVALUASI PENDIDIKAN SENI TARI Ranti Arfira Nofeni; Astuti, Fuji; Yuliasma
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.41126

Abstract

This study aims to analyze the learning evaluation process in the Dance Arts Education Evaluation course. Learning evaluation is an essential component of the educational process as it functions to measure the achievement of learning objectives, particularly in dance education, which emphasizes cognitive, affective, and psychomotor aspects. This research employed a qualitative approach using a descriptive method. The research subjects consisted of the course lecturer and students participating in the Dance Arts Education Evaluation course. Data were collected through observation, interviews, and documentation. Data analysis was carried out through the stages of data reduction, data presentation, and conclusion drawing. The results indicate that the learning evaluation process in the Dance Arts Education Evaluation course has included evaluation planning, evaluation implementation, and follow-up of evaluation results. The forms of evaluation used include assignment assessment, practical assessment, and final examinations, which are adjusted to the characteristics of dance learning. However, several constraints were still found, such as limited time and a lack of variety in assessment instruments. Therefore, it is necessary to develop more varied and contextual evaluation strategies so that the dance learning process can be carried out optimally.
INTEGRASI NILAI FILOSOFIS BUDAYA LOKAL DALAM PENGEMBANGAN MODEL PEMBELAJARAN TARI UNTUK MENINGKATKAN APRESIASI SENI SISWA Mahfud Tohari; Astuti, Fuji; Nerosti
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.41127

Abstract

The primary objective of this research is to analyze the incorporation of local philosophical principles into the creation of dance education frameworks aimed at elevating students' aesthetic awareness. Conventional dance instruction frequently prioritizes physical technique, often neglecting the intrinsic spiritual meanings of the art form. Utilizing a qualitative descriptive design centered on a literature review, this investigation synthesized data from various academic journals and policy reports published between 2020 and 2025. The results demonstrate that embedding local wisdom enables students to transition from mere mimicry to a profound comprehension of artistic intent. Consequently, the study suggests that reinforcing philosophical foundations in dance pedagogy is vital for sustaining cultural pertinence and spiritual integrity within modern education.
PENERAPAN PRINSIP OBJEKTIVITAS DALAM EVALUASI PEMBELAJARAN SENI TARI DI TINGKAT SEKOLAH MENENGAH Mairita; Astuti, Fuji; Yuliasma
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 01 (2026): Volume 11 No. 01 Maret 2026 Publish
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i01.41486

Abstract

This article examines the urgency of applying the principle of objectivity in the evaluation of dance learning in secondary schools. Objective evaluation is essential to provide an accurate representation of students' abilities, which in turn motivates them to improve their learning performance. Furthermore, objectivity in evaluation helps teachers design and improve the quality of the learning process. This research focuses on identifying the crucial factors that influence the objectivity of evaluation, with the ultimate goal of formulating practical recommendations to strengthen the objectivity of dance learning evaluation. This research uses a literature study approach and field practice analysis to identify challenges and opportunities in applying the principle of objectivity. The results of the study are expected to provide in-depth insights for dance educators, policymakers, and education researchers on effective strategies to improve the quality of evaluation. Thus, this article contributes to the development of a fairer, more transparent, and accountable evaluation system in the context of dance education.
Co-Authors - Sapriya abd, RAHMATUN N Abdullah, Arohiyah Aisyah Nasution, Siti Alfi, Khuzaimah Alfisyahrina, Khuzaimah Algiani, Hawa Madya Andesta, Gena Andi Tenriawaru Anggeresia Ginting, Wenny Anggono, Anggono Ardipal Ardipal Arviani, Yohana Bunda Halang Damayanti, Delvi Desfiarni Desfiarni Deskariani, Uci Dewi, Siska Dini, Siti Doloksaribu, William Tiodo Fahri, Ardian Fitra Mulia Jaya Fitria Nopita Sari Fitria, Laily Handayani, Fifi Hanisa, Eiza Nur Hati, Mustika Herlinda Mansyur Hidayat, Hengki Armez Husnul Khatimah Hwee Teng, Sauh Indah, Mayang Irham Taufiq, Irham Islamia, Raudhatan Julia Purnama Sari Jupri Jupri Kartika, Winny Lestari, Ranti Mahfud Tohari Mairita Malay, Aliyah Salsabila Mansor, Kamarul Ariffin Masya, Necya Khairyah Miranda Jamil, Alhani Mudinillah, Adam Muhammad Afif Muhibi, Muhibi Muslimah, Hidayatil Nana Sumarna Nazmi, Hendra Nerosti Nisak, Rahmatun Noorhidayati Noorhidayati Pratiwi, Soraya Ayu Ramadani, Arfenia Ranti Arfira Nofeni Rifdan . Risma Niswaty Safwan, Lola Rizki Santoso, Ahmad Yassar Mahdy saptiani, Saptiani Sari, Ayuthia Mayang Sari, Julia Puspita Sari, Lia Perwita Simanjutak, Saud Martua Siregar, Melinda Sri Adi Widodo Sri Okta Dinata, Vanesa Susmiarti Tama, Syella Deniecha Ade Umrintha, Dinna Valentineri, Nabila Azzahra Vinna Aulya Widowati Pusporini, Widowati Yorian, Anisa Suyana Yuliasma Yuliasma Zora Iriani