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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Journal of Urban Society´s Arts Lakon : Jurnal Kajian Sastra dan Budaya Jurnal Pendidikan dan Kajian Seni MUDRA Jurnal Seni Budaya Jurnal Bahasa Rupa Didaktis: Jurnal Pendidikan dan Ilmu Pengetahuan Gondang: Jurnal Seni dan Budaya Pelataran Seni : Jurnal Pendidikan dan Kajian Seni Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Jurnal Seni Tari Jurnal Ners Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Akuntansi Bisnis & Manajemen (ABM) Jurnal Kajian Seni Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Musik Etnik Nusantara Soshum: Jurnal Sosial dan Humaniora Prosiding Simposium Nasional Rekayasa Aplikasi Perancangan dan Industri IKHLAS: Jurnal Pengabdian Dosen dan Mahasiswa Jurnal Bahasa Rupa Exploration In Early Childhood Research (JSM) Jurnal Seni Musik Jurnal At-Tamwil: Kajian Ekonomi Syariah Harmonia: Journal of Arts Research and Education
Aris Setiawan
Institut Seni Indonesia (ISI) Surakarta
Religion Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mechanical Engineering Medicine & Pharmacology Nursing Social Sciences Other

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ANALISIS BENTUK DAN MAQOM SHOLAWAT TARKHIM DI MASJID JAMI’ ASSAGAF, PASAR KLIWON, SURAKARTA Wardana, Sapto; Setiawan, Aris; Manggala, Bondan Aji
Jurnal Kajian Seni Vol 10, No 2 (2024): Jurnal Kajian Seni Vol 10 No 2 April 2024
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.95380

Abstract

Penelitian ini berawal dari ketertarikan mengamati takmir Masjid Jami’ Assagaf yang selalu konsisten mengumandangkan Sholawat Tarkhim, yang dipancarkan melalui pengeras suara yang berada di menara masjid, pada setiap menjelang adzan di waktu sholat Subuh, Dhuhur, Ashar, Mgrib, kecuali sholat Isya’, karena waktu antara Magrib ke Isya’ digunakan untuk kegiatan rutin (pengajian). Aktifitas tersebut sudah berlangsung sejak tahun 1990, hingga sekarang (2024). Penelitian ini bertujuan untuk memahami bentuk pelaguan Sholawat Tarkhim di Masjid Jami’ Assagaf, yang dilafalkan oleh Mahmoud Khalil Al Hussary, dan menjelaskan dampak dari Sholawat Tarkhim terhadap Masyarakat sekitar Masjid Jami’ Assagaf. Dalam penelitian ini dikaji menggunakan teori bentuk musik dan teori fungsi musik. Teori bentuk musik digunakan untuk mempermudah dalam menelaah dan memahami bentuk lagu Sholawat Tarkhim, dan teori fungsi musik digunakan untuk mengetahui fungsi lagu Sholawat Tarkhim. Hasil penelitian menunjukkan: pertama, bahwa bentuk pelaguan Sholawat Tarkhim memiliki 3 (tiga) bagian yakni Verse, Courus, dan Reff. Kedua, bahwa Sholawat Tarkhim menggunakan Maqam Bayati, namun memiliki ciri khas irama sendiri. Ketiga, Sholawat Tarhim yang dikumandangkan di Masjid Jami’ Assagaf memiliki dampak positif terhadap masyarakat sekitar. Kata Kunci : Sholawat Tarkhim, Masjid Jami’ Assagaf.
KENDAL CITY BRANDING Ismiati, Dwi; Rachman, Anung; Setiawan, Aris
Jurnal Bahasa Rupa Vol. 6 No. 2 (2023): Jurnal Bahasa Rupa April 2023
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v6i2.1249

Abstract

In 2021, Kendal district launched the city branding program through Kendal Handal "Beautiful Land Good Bussines". This research aims to describe and analyze meaning of symbols contained in Kendal logo. Logo is a symbol represents person and used to visualize the image or characteristic institution, company or organization. This research uses qualitative method with theory iconography and iconology by Erwin Panofsky to reveal meaning of logo through the aesthetic aspects of design. Through a semiotic approach by Charles Sanders Peirce to examine in depth elements of meaning in Kendal logo. Based on the findings of analysis, Kendal logo able to carry local wisdom values that characterize regional uniqueness. Visual element Kendal logo shown from use of colors, variety icons and visual stylization structure that radiates and spreads. An important findings this research that conceptually Kendal logo does not imply a logo that looks simpler. The signs on elements Kendal logo in line with vision and mission of Kendal government, to become leading industrial and tourism center. The meaning shape logo is not something static, surely will be change according to conditions inside. Kendal logo is part existing dynamics and represents geographical, historical and cultural conditions in every era.
Polemic and Reasons for Reusing Wayang and Gamelan as A Medium for Contemporary Preaching Islam Religion in Central Java, Indonesia Setiawan, Aris
Harmonia: Journal of Arts Research and Education Vol 22, No 2 (2022): December 2022
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v22i2.37525

Abstract

This study aims to reveal the main reasons why wayang kulit (shadow puppets) and gamelan music were used again as tools of Islamic da’wah after the Wali Sanga era (Nine Saints). In Central Java (Banyumas, Solo, Demak, Pati), there has been a phenomenon of Islamic preaching and recitation performed by Kiai using wayang kulit and gamelan music. This study uses a phenomenological approach, which is to get an explanation of the apparent reality. This approach focuses on events that are seen as having an impact, polemic, and discourse on life. This study also uses a critical approach, looking critically at the phenomenon of -art- being researched to test how far the view that puts that wayang (and gamelan) is not by religious rules is accepted, rejected, and even opposed. The result shows that although da’wah using wayang and gamelan has sparked a lot of polemics, the use of wayang and gamelan music is considered more effective in spreading Islamic teachings to grassroots communities due to two factors. First, continuing the trace of tradition brought by the first Islamic missionaries in Java (Wali Sanga). Second, to make people aware, especially young santri (prospective preachers) or congregation today, realize that Islam is spread peacefully and without resistance through art.
Kidungan Jula-juli in East Java: Media of Criticism and Propaganda (From The Japanese Occupation Era to The Reform Order in Indonesia) Setiawan, Aris
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.27116

Abstract

This research aims to determine the historical construction of criticism and propaganda formed in Kidungan Jula-juli performance in each era. Kidungan is a song in the Gending Jula-juli in East Java. The musical text presented in the song seems to be open (blak-blakan [openness]), assertive, and emotionally becomes the power of criticism. Historical issues concerning the function of Kidungan Jula-juli are interesting enough to be known, thus encouraging this study to get a basic and detailed understanding of the historical stages of the role of Kidungan Jula-juli from the Japanese era to the reformation era. This study using a historical approach and emphasizes the problem of music function. The analysis was carried out by looking at the ideas, concepts, and cultural references that accompanied the performance of Kidungan Jula-juli. The results of this study indicate the dynamics of the function of criticism and propaganda in Kidungan Jula-juli. During the Japanese occupation era, Kidungan Jula-juli was very sharp in its role as an instrument of the independence movement; from 1950 to 1965, Kidungan Jula-juli was used by political parties to strengthen political support and propaganda. In the New Order Era, kidungan lost the function of criticism.  The state controlled it for the sake of propaganda and the legitimacy of power.  Kidungan Jula-juli is more open and present on a stage with other performing arts in the era of the reform order.
Keroncong Arrangement as an Expression of Freedom Congrock 17 Satria, Dioda; Setiawan, Aris; Darlenis, Teti
Resital: Jurnal Seni Pertunjukan Vol 25, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i1.9462

Abstract

This study aims to analyze the results of the arrangement of keroncong music performed by Congrock 17. Congrock 17 is a well-known progressive keroncong music group from Semarang City, Central Java, Indonesia. This study’s two musical works are the object of analysis: Keroncong Pemuda-Pemudi and Perdamaian. This study uses a musicological approach emphasizing the concepts of arrangement, freedom, expression, and musical form. These concepts determine how far Congrock 17 can create new characters and nuances in existing musical works. Musical considerations were made by Congrock 17 by keeping the fundamental nature of keroncong the same, especially in the use of musical instruments such as cak, cuk, bass, violin, and cello. As a result, the arrangement of old works by Congrong 17 was intended so that keroncong would develop more progressively, be liked by the younger generation, and avoid monotony.
KENDAL CITY BRANDING Dwi Ismiati; Anung Rachman; Aris Setiawan
Jurnal Bahasa Rupa Vol. 6 No. 2 (2023): Jurnal Bahasa Rupa April 2023
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v6i2.1249

Abstract

In 2021, Kendal district launched the city branding program through Kendal Handal "Beautiful Land Good Bussines". This research aims to describe and analyze meaning of symbols contained in Kendal logo. Logo is a symbol represents person and used to visualize the image or characteristic institution, company or organization. This research uses qualitative method with theory iconography and iconology by Erwin Panofsky to reveal meaning of logo through the aesthetic aspects of design. Through a semiotic approach by Charles Sanders Peirce to examine in depth elements of meaning in Kendal logo. Based on the findings of analysis, Kendal logo able to carry local wisdom values that characterize regional uniqueness. Visual element Kendal logo shown from use of colors, variety icons and visual stylization structure that radiates and spreads. An important findings this research that conceptually Kendal logo does not imply a logo that looks simpler. The signs on elements Kendal logo in line with vision and mission of Kendal government, to become leading industrial and tourism center. The meaning shape logo is not something static, surely will be change according to conditions inside. Kendal logo is part existing dynamics and represents geographical, historical and cultural conditions in every era.
KELOMPOK MUSIK CV. BINTANG GRUP: MEDIA MERAWAT IDENTITAS ADAT BATAK MELALUI MUSIK DI SOLO RAYA Barasa, Zepanya Saputra; Setiawan, Aris
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.6158

Abstract

Migration is an activity that has become a tradition for the Batak people. The migration destinations extend beyond the island, one of which is in the Solo Raya area. The identity of the Batak community remains preserved during migration because their original customs and culture continue to be an integral part of their daily lives. The purpose of this journal is to explore the cultural life of the Batak community and the steps they have taken to preserve their traditional identity through music, specifically through CV. Bintang Group. The research method used in this journal is qualitative, collecting data through observation, interviews, literature studies, and several other methods. The findings indicate that the Batak community, represented by CV. Bintang Group, has successfully preserved their traditional identity through various means. These include teaching Batak music to their children, participat ing in cultural events outside of traditional Batak ceremonies, possessing a complete set of traditional Batak instruments, and being active on social media. The conclusion of this research is that the Batakcommunity has successfully maintained their traditional identity even while living in distant lands.
Gamelan Reinvented: Cultural Sound Transformation in Membranophone Ensembles of East Java Hidayatullah, Panakajaya; Simatupang, Gabriel Roosmargo Lono Lastoro; Setiawan, Aris; Livera, Kristen Angela
Resital: Jurnal Seni Pertunjukan Vol 25, No 3 (2024): Desember 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i3.14537

Abstract

This study explores the phenomenon of pèghâ' in the musical traditions of terbhâng ghendhing and kemplang in Probolinggo and Bondowoso, which emerged as a response to past religious prohibitions on the use of metal gamelan instruments. The research focuses on uncovering the adaptation of metal gamelan music into the membranophone ensembles of terbhâng ghendhing and kemplang from a musicological perspective. Using qualitative approaches and ethnographic methods, data were collected through participant observation, in-depth interviews, and literature review. The findings reveal that elements such as kejhungan, drumming patterns, bonang patterns, and gending structures were preserved, although the shift from metal to membrane caused significant changes. These changes resulted in a playing style that is more repetitive, dynamic, and aligned with the membranophone's characteristics. This study also challenges the conventional view of membranophones as purely rhythmic instruments, demonstrating their capability to perform complex melodic roles in terbhâng ghendhing and kemplang. The process of pèghâ' underscores traditional music as a dynamic entity that continues to evolve through local creativity, creating new musical identities while maintaining its cultural roots.
Intervensi Terapi Musik Terhadap Penurunan Tingkat Cemas Pada Pasien Penyakit Kardiovaskular : Systematic Review Setiawan, Haris Fadjar; Nurachmah, Elly; Zahra, Anggri Noorana; Waluyo, Agung
Jurnal Ners Vol. 9 No. 2 (2025): APRIL 2025
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jn.v9i2.43064

Abstract

Cardiovascular disease is often characterised by symptoms such as chest pain, palpitations, dyspnoea, excessive sweating, trembling, dizziness, and somatic symptoms such as pain and fatigue. In addition to physical problems, cardiovascular patients also often face psychological disorders, especially anxiety. High levels of anxiety in these patients can hinder the treatment process and worsen their condition. One effective nonpharmacological therapy to reduce anxiety in cardiovascular patients is music therapy, which can help calm and relax patients. Aim: to describe whether music therapy intervention is effective in reducing anxiety levels in cardiovascular patients. Methods: the writing of this article uses a systematic review conducted through a search strategy on 4 databases namely Scopus, scince direct, Pubmed, and Clinical key with a total of 3,824 articles obtained. The articles were then filtered based on inclusion and exclusion criteria to leave 5 articles. A total of 5 articles that met the criteria were then subjected to critical appraisal using the JBI Critical Appraisal Checklist guidelines. Results: In general, this systematic review shows that music therapy intervention is effective in reducing the anxiety level of cardiovascular patients.
Gendered Power Relations in the Language of Wayang Topeng Malangan in the Play Panji Dalang Patah Kuda Narawangsa, Kedungmonggo, Malang Regency Hadzrat Maulana Muhammad Zulfikar; Pramutomo; Aris Setiawan
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 14 No. 1 (2025): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/lakon.v14i1.67608

Abstract

The Wayang Topeng Malang performance titled Dhalang Patah Kuda Narawangsa is one of the unique plays staged by Padepokan Asmarabangun, alongside Ronggeng Rara Jiwa – Rara Tangis. This play presents peculiarities surrounding gender fluidity, which influence the power relations among characters through the dialogues delivered. To further explore this notion, this study employs Connell’s theory of gender hegemony as the primary analytical tool, and Peirce’s semiotics theory as a supporting framework to examine the language used through discourse analysis. In doing so, it contributes to the field of Linguistic Anthropology. This study aims to document the Wayang Topeng Malangan performance and investigate the systems and forms of power embedded within it through linguistic practices. The research shows that the language used constructs a system of masculine power when interacting with characters that present as either masculine or feminine. This practice creates hegemony by rejecting heterogeneous expressions of masculinity and their constitutive elements. Thus, gendered power emerges through linguistic choices—particularly those that convey emotional detachment and aggressiveness. Gendered power relations in the form of hegemony are present in both private spaces, such as the household, and public spaces, such as governance. The more frequent the enactment of power in these spaces, the greater the scale of masculinity that is produced.
Co-Authors Agung Waluyo Aida Mahmudah Alhari Anggri Noorana Zahra Apris Yulianto Saefatu Arif, M. Fauzan Barasa, Zepanya Saputra Belinda Astriddana Bondan Aji Manggala Bondet Wrahatnala Darlenis, Teti Dekanipa, Gendot Deki Prasetya Ardiansyah Diajeng Stevani Dwi Ismiati Ega Damayanti Elly Nurachmah Febriati, Febriati Hadzrat Maulana Muhammad Zulfikar Handriyotopo Handriyotopo I Nyoman Sukerna, I Nyoman Ida Ayu Putu Sri Widnyani Ismiati, Dwi jaurino Ji Pyo, Chung Jungkung Setyo Utomo Lambangsari, Sonia Pangesti Livera, Kristen Angela Mukhtar Effendi Mutiara Dewi Fatimah Nanik Sri Prihatini Nifa, Kholishotun Nugraha, Wisma Ch. R. Panakajaya Hidayatullah Pramutomo Putro, Galuh Argo Rachman, Anung Rizki Fakhrul Yahya Rosy Tristanti Sari, Wilda Sarjito, S Satria Rizky Utama Satria, Dioda Sidik, Adi Permana Simatupang, Gabriel Roosmargo Lono Lastoro Soladi, Soladi Sonia Pangesti Lambangsari Sri Rahayu Ferawati Sri Rochana Widyastutieningrum sugeng Nugroho Sugiyanto - Sunardi Suyanto - Suyanto Suyanto Suyoto Suyoto Suyoto Suyoto Suyoto Wahyu Widanarto, Wahyu Wardana, Sapto Widyastutieningrum, Sri Rochana Wilda Sari Yahya, Rizky Fakhrul Zulkarnain Mistortoify