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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Journal of Urban Society´s Arts Biota Jurnal Pendidikan dan Kajian Seni Konversi MUDRA Jurnal Seni Budaya Jurnal Bahasa Rupa Jurnal Biodjati Didaktis: Jurnal Pendidikan dan Ilmu Pengetahuan Gondang: Jurnal Seni dan Budaya Pelataran Seni : Jurnal Pendidikan dan Kajian Seni Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Jurnal Seni Tari Jurnal Litbang Sukowati : Media Penelitian dan Pengembangan AKURASI: Jurnal Riset Akuntansi dan Keuangan Bisman (Bisnis dan Manajemen): The Journal of Business and Management Jurnal Pengabdian kepada Masyarakat Nusantara Jurnal Alwatzikhoebillah : Kajian Islam, Pendidikan, Ekonomi, Humaniora International Journal of Research in Community Services Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Jurnal Akuntansi dan Keuangan (JAK) Transekonomika : Akuntansi, Bisnis dan Keuangan Jurnal Kajian Seni Jurnal bahasa, sastra, seni, dan pengajarannya Musik Etnik Nusantara Soshum: Jurnal Sosial dan Humaniora Media Informasi Journal of Biotechnology and Natural Science Jurnal Bahasa Rupa Exploration In Early Childhood Research Akurasi (JSM) Jurnal Seni Musik Harmonia: Journal of Arts Research and Education Jurnal Bahasa Rupa Jurnal bahasa, sastra, seni, dan pengajarannya
Aris Setiawan
Institut Seni Indonesia (ISI) Surakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Library & Information Science Materials Science & Nanotechnology Medicine & Pharmacology Social Sciences Other

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KENDAL CITY BRANDING Ismiati, Dwi; Rachman, Anung; Setiawan, Aris
Jurnal Bahasa Rupa Vol. 6 No. 2 (2023): Jurnal Bahasa Rupa April 2023
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v6i2.1249

Abstract

In 2021, Kendal district launched the city branding program through Kendal Handal "Beautiful Land Good Bussines". This research aims to describe and analyze meaning of symbols contained in Kendal logo. Logo is a symbol represents person and used to visualize the image or characteristic institution, company or organization. This research uses qualitative method with theory iconography and iconology by Erwin Panofsky to reveal meaning of logo through the aesthetic aspects of design. Through a semiotic approach by Charles Sanders Peirce to examine in depth elements of meaning in Kendal logo. Based on the findings of analysis, Kendal logo able to carry local wisdom values that characterize regional uniqueness. Visual element Kendal logo shown from use of colors, variety icons and visual stylization structure that radiates and spreads. An important findings this research that conceptually Kendal logo does not imply a logo that looks simpler. The signs on elements Kendal logo in line with vision and mission of Kendal government, to become leading industrial and tourism center. The meaning shape logo is not something static, surely will be change according to conditions inside. Kendal logo is part existing dynamics and represents geographical, historical and cultural conditions in every era.
Polemic and Reasons for Reusing Wayang and Gamelan as A Medium for Contemporary Preaching Islam Religion in Central Java, Indonesia Setiawan, Aris
Harmonia: Journal of Arts Research and Education Vol 22, No 2 (2022): December 2022
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v22i2.37525

Abstract

This study aims to reveal the main reasons why wayang kulit (shadow puppets) and gamelan music were used again as tools of Islamic da’wah after the Wali Sanga era (Nine Saints). In Central Java (Banyumas, Solo, Demak, Pati), there has been a phenomenon of Islamic preaching and recitation performed by Kiai using wayang kulit and gamelan music. This study uses a phenomenological approach, which is to get an explanation of the apparent reality. This approach focuses on events that are seen as having an impact, polemic, and discourse on life. This study also uses a critical approach, looking critically at the phenomenon of -art- being researched to test how far the view that puts that wayang (and gamelan) is not by religious rules is accepted, rejected, and even opposed. The result shows that although da’wah using wayang and gamelan has sparked a lot of polemics, the use of wayang and gamelan music is considered more effective in spreading Islamic teachings to grassroots communities due to two factors. First, continuing the trace of tradition brought by the first Islamic missionaries in Java (Wali Sanga). Second, to make people aware, especially young santri (prospective preachers) or congregation today, realize that Islam is spread peacefully and without resistance through art.
Kidungan Jula-juli in East Java: Media of Criticism and Propaganda (From The Japanese Occupation Era to The Reform Order in Indonesia) Setiawan, Aris
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.27116

Abstract

This research aims to determine the historical construction of criticism and propaganda formed in Kidungan Jula-juli performance in each era. Kidungan is a song in the Gending Jula-juli in East Java. The musical text presented in the song seems to be open (blak-blakan [openness]), assertive, and emotionally becomes the power of criticism. Historical issues concerning the function of Kidungan Jula-juli are interesting enough to be known, thus encouraging this study to get a basic and detailed understanding of the historical stages of the role of Kidungan Jula-juli from the Japanese era to the reformation era. This study using a historical approach and emphasizes the problem of music function. The analysis was carried out by looking at the ideas, concepts, and cultural references that accompanied the performance of Kidungan Jula-juli. The results of this study indicate the dynamics of the function of criticism and propaganda in Kidungan Jula-juli. During the Japanese occupation era, Kidungan Jula-juli was very sharp in its role as an instrument of the independence movement; from 1950 to 1965, Kidungan Jula-juli was used by political parties to strengthen political support and propaganda. In the New Order Era, kidungan lost the function of criticism.  The state controlled it for the sake of propaganda and the legitimacy of power.  Kidungan Jula-juli is more open and present on a stage with other performing arts in the era of the reform order.
Keroncong Arrangement as an Expression of Freedom Congrock 17 Satria, Dioda; Setiawan, Aris; Darlenis, Teti
Resital: Jurnal Seni Pertunjukan Vol 25, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i1.9462

Abstract

This study aims to analyze the results of the arrangement of keroncong music performed by Congrock 17. Congrock 17 is a well-known progressive keroncong music group from Semarang City, Central Java, Indonesia. This study’s two musical works are the object of analysis: Keroncong Pemuda-Pemudi and Perdamaian. This study uses a musicological approach emphasizing the concepts of arrangement, freedom, expression, and musical form. These concepts determine how far Congrock 17 can create new characters and nuances in existing musical works. Musical considerations were made by Congrock 17 by keeping the fundamental nature of keroncong the same, especially in the use of musical instruments such as cak, cuk, bass, violin, and cello. As a result, the arrangement of old works by Congrong 17 was intended so that keroncong would develop more progressively, be liked by the younger generation, and avoid monotony.
KENDAL CITY BRANDING Dwi Ismiati; Anung Rachman; Aris Setiawan
Jurnal Bahasa Rupa Vol. 6 No. 2 (2023): Jurnal Bahasa Rupa April 2023
Publisher : Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v6i2.1249

Abstract

In 2021, Kendal district launched the city branding program through Kendal Handal "Beautiful Land Good Bussines". This research aims to describe and analyze meaning of symbols contained in Kendal logo. Logo is a symbol represents person and used to visualize the image or characteristic institution, company or organization. This research uses qualitative method with theory iconography and iconology by Erwin Panofsky to reveal meaning of logo through the aesthetic aspects of design. Through a semiotic approach by Charles Sanders Peirce to examine in depth elements of meaning in Kendal logo. Based on the findings of analysis, Kendal logo able to carry local wisdom values that characterize regional uniqueness. Visual element Kendal logo shown from use of colors, variety icons and visual stylization structure that radiates and spreads. An important findings this research that conceptually Kendal logo does not imply a logo that looks simpler. The signs on elements Kendal logo in line with vision and mission of Kendal government, to become leading industrial and tourism center. The meaning shape logo is not something static, surely will be change according to conditions inside. Kendal logo is part existing dynamics and represents geographical, historical and cultural conditions in every era.
KELOMPOK MUSIK CV. BINTANG GRUP: MEDIA MERAWAT IDENTITAS ADAT BATAK MELALUI MUSIK DI SOLO RAYA Barasa, Zepanya Saputra; Setiawan, Aris
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.6158

Abstract

Migration is an activity that has become a tradition for the Batak people. The migration destinations extend beyond the island, one of which is in the Solo Raya area. The identity of the Batak community remains preserved during migration because their original customs and culture continue to be an integral part of their daily lives. The purpose of this journal is to explore the cultural life of the Batak community and the steps they have taken to preserve their traditional identity through music, specifically through CV. Bintang Group. The research method used in this journal is qualitative, collecting data through observation, interviews, literature studies, and several other methods. The findings indicate that the Batak community, represented by CV. Bintang Group, has successfully preserved their traditional identity through various means. These include teaching Batak music to their children, participat ing in cultural events outside of traditional Batak ceremonies, possessing a complete set of traditional Batak instruments, and being active on social media. The conclusion of this research is that the Batakcommunity has successfully maintained their traditional identity even while living in distant lands.
Gamelan Reinvented: Cultural Sound Transformation in Membranophone Ensembles of East Java Hidayatullah, Panakajaya; Simatupang, Gabriel Roosmargo Lono Lastoro; Setiawan, Aris; Livera, Kristen Angela
Resital: Jurnal Seni Pertunjukan Vol 25, No 3 (2024): Desember 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i3.14537

Abstract

This study explores the phenomenon of pèghâ' in the musical traditions of terbhâng ghendhing and kemplang in Probolinggo and Bondowoso, which emerged as a response to past religious prohibitions on the use of metal gamelan instruments. The research focuses on uncovering the adaptation of metal gamelan music into the membranophone ensembles of terbhâng ghendhing and kemplang from a musicological perspective. Using qualitative approaches and ethnographic methods, data were collected through participant observation, in-depth interviews, and literature review. The findings reveal that elements such as kejhungan, drumming patterns, bonang patterns, and gending structures were preserved, although the shift from metal to membrane caused significant changes. These changes resulted in a playing style that is more repetitive, dynamic, and aligned with the membranophone's characteristics. This study also challenges the conventional view of membranophones as purely rhythmic instruments, demonstrating their capability to perform complex melodic roles in terbhâng ghendhing and kemplang. The process of pèghâ' underscores traditional music as a dynamic entity that continues to evolve through local creativity, creating new musical identities while maintaining its cultural roots.
Superioritas Dalam Skena: Wacana Polisi Skena Dalam Musik Underground Studi Kasus Komunitas Youth Coffee Novotel Di Surakarta Diajeng Stevani; Aris Setiawan
ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Vol. 5 No. 2 (2025): JUNI:ENGGANG: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya
Publisher : FKIP, Universitas Palangka Raya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/enggang.v5i2.22191

Abstract

This research aims to examine how the discourse of “scene police” influences the spread of superiority attitudes in the underground music community. In practice, the scene police emerge as a challenge that creates a symbolic surveillance mechanism that can reinforce attitudes of superiority among music lovers. The underground music scene in Surakarta has developed as an alternative space for self-expression and identity-seeking among Gen Z members. Through a qualitative approach with descriptive analytical methods, this research uses in-depth interviews, field observations and literature studies to analyze how the scene police are influential in the community. Alfred Adler's theory of personality focuses on how to overcome inadequacy by pushing one towards feelings of superiority. As such, the scene police become a form of judgment to meet the standards of their community. Rooted in a sense of inadequacy in gaining recognition, they make superiority an effort to create power. The results of the research from the underground music community of Youth Coffee Novotel show that knowledge of clothing styles, music tastes and the history of the formation of a music group is a benchmark for gaining identity recognition in the community. This results in an attitude of being the most informed and creates exclusivity to the point of social pressure, especially for new members. This suggests that many individuals in the underground music scene aim for recognition through exclusivity has become a significant motivation for superiority.
PEMBACAAN ULANG SINGGÊTAN DALAM KARAWITAN JAWA GAYA SURAKARTA Putro, Galuh Argo; Suyoto, Suyoto; Setiawan, Aris
Jurnal Kajian Seni Vol 11, No 2 (2025): Jurnal Kajian Seni Vol 11 No 2 April 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.103588

Abstract

Penelitian ini bertujuan mengungkap singgêtan sebagai salah satu bagian penting dalam karawitan Jawa gaya Surakarta. Fokus utama meliputi analisis singgêtan dalam sajian gending gaya Surakarta. Singgêtan memiliki beragam jenis dan setiap jenis singgêtan memiliki tempat serta fungsi  yang berbeda. Penelitian ini menggunakan teori garap dengan pendekatan emic etic. Teori garap digunakan untuk menganalisis singgêtan dalam sajian gending gaya Surakarta. Pendekatan emic etic  digabungkan untuk memahami dan mandapat kejelasan mengenai objek penelitian secara tuntas. Penelitian ini menggunakan metode penelitian kualitatif deskriptif. Data dikumpulkan melalui studi pustaka dan pengamatan pertunjukan. Analisis dilakukan dengan menafsirkan kembali pemikiran dan pengalaman pengrawit yang diperoleh melalui realitas pragmatik. Berdasarkan penelitian disimpulkan bahwa singgêtan dimaknai sebagai pembatas sêkaran pada pola kendhangan ciblon gaya Surakarta. Singgêtan bersifat wajib ada dan merupakan salah satu penciri bentuk gending. Elemen pembentuk singgêtan frasa padhang ulihan lagu balungan, frasa padhang ulihan lagu vokal, dan jumlah gåtrå dari suatu bentuk gending.
KELOMPOK MUSIK CV. BINTANG GRUP: MEDIA MERAWAT IDENTITAS ADAT BATAK MELALUI MUSIK DI SOLO RAYA Barasa, Zepanya Saputra; Setiawan, Aris
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 17 No. 1 (2024): July
Publisher : Institut Seni Indonesia (ISI) Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v17i1.6158

Abstract

Migration is an activity that has become a tradition for the Batak people. The migration destinations extend beyond the island, one of which is in the Solo Raya area. The identity of the Batak community remains preserved during migration because their original customs and culture continue to be an integral part of their daily lives. The purpose of this journal is to explore the cultural life of the Batak community and the steps they have taken to preserve their traditional identity through music, specifically through CV. Bintang Group. The research method used in this journal is qualitative, collecting data through observation, interviews, literature studies, and several other methods. The findings indicate that the Batak community, represented by CV. Bintang Group, has successfully preserved their traditional identity through various means. These include teaching Batak music to their children, participat ing in cultural events outside of traditional Batak ceremonies, possessing a complete set of traditional Batak instruments, and being active on social media. The conclusion of this research is that the Batakcommunity has successfully maintained their traditional identity even while living in distant lands.
Co-Authors Adham, Ibnu Adillah, Egga Aditya, Friska Agustian, Muhammad Rizki Aida Mahmudah Aini, Wardatul Alhari Aminuddin, Ahamad Apriandy, Roynaldi Buwono Apris Yulianto Saefatu Araftake Blikololong, Yohanes Gala Arif, M. Fauzan Arridho, Ilham Ali Azali, Aulia Syafadilla Barasa, Zepanya Saputra Bayu Aji, Nur Seto Belinda Astriddana Bondan Aji Manggala Bondet Wrahatnala Bramadi Arya Darlenis, Teti Dekanipa, Gendot Deki Prasetya Ardiansyah Diajeng Stevani Dwi Ismiati Ega Damayanti Emilia, Yenni Fakih, Choerul Ferawati, Sri Rahayu Galih Yatalaththov, Febriofca Handriyotopo Handriyotopo Hermawan, Endang Hisbullah, Muhammad Ilham I Nyoman Sukerna, I Nyoman Ida Ayu Putu Sri Widnyani Ismiati, Dwi Ji Pyo, Chung Jungkung Setyo Utomo Lambangsari, Sonia Pangesti Livera, Kristen Angela Maliza, Rita Maulana, Syaiful Adam Mukhtar Effendi Mutiara Dewi Fatimah Nanik Sri Prihatini Nugraha, Wisma Ch. R. Nurazizah, Intan Faya Nurrohiim, Annisaa’ Panakajaya Hidayatullah Putro, Galuh Argo Rachman, Anung Rifa'i, M.Rifa'i Rosy Tristanti Satria, Dioda Sidik, Adi Permana Simatupang, Gabriel Roosmargo Lono Lastoro Simparmin br Ginting Soladi, Soladi Sonia Pangesti Lambangsari Sri Rahayu Ferawati Sri Rochana Widyastutieningrum sugeng Nugroho Sugiyanto - Suyanto - Suyanto Suyanto Suyoto Suyoto Suyoto Suyoto Suyoto Syaidah, Rahimi Timur, Yuddan Fijar Sugma Uray Andrey Indra Maulana Utama, Satria Rizky Wahyu Widanarto, Wahyu Wardana, Sapto Wardani, Diah Kartika Widyastuti, Reni Dwi Widyastutieningrum, Sri Rochana Yashiro, Takashi Yuli Darni Yuningsih, Siti Hadiaty Zulkarnain Mistortoify