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All Journal Jurnal Sain Veteriner Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Jurnal Akuntansi Multiparadigma Journal of Urban Society´s Arts Jurnal Pengabdian Kepada Masyarakat Sakai Sambayan Biota Jurnal Pendidikan dan Kajian Seni Konversi MUDRA Jurnal Seni Budaya Jurnal Bahasa Rupa Jurnal Biodjati Didaktis: Jurnal Pendidikan dan Ilmu Pengetahuan Indonesian Journal Of Civil Engineering Education Gondang: Jurnal Seni dan Budaya Pelataran Seni : Jurnal Pendidikan dan Kajian Seni Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Jurnal Seni Tari Jurnal Aplikasi Akuntansi Jurnal Litbang Sukowati : Media Penelitian dan Pengembangan International Journal of Cultural and Art Studies (IJCAS) Social, Humanities, and Educational Studies (SHEs): Conference Series Bisman (Bisnis dan Manajemen): The Journal of Business and Management SEMAR Jurnal Pengabdian kepada Masyarakat Nusantara Jurnal Alwatzikhoebillah : Kajian Islam, Pendidikan, Ekonomi, Humaniora International Journal of Research in Community Services Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Jurnal Akuntansi dan Keuangan (JAK) Transekonomika : Akuntansi, Bisnis dan Keuangan Jurnal Kajian Seni Jurnal bahasa, sastra, seni, dan pengajarannya Jurnal Pustaka Mitra : Pusat Akses Kajian Mengabdi Terhadap Masyarakat Musik Etnik Nusantara Soshum: Jurnal Sosial dan Humaniora Media Informasi Journal of Biotechnology and Natural Science Jurnal Sains, Teknologi dan Kesehatan Jurnal Bahasa Rupa Exploration In Early Childhood Research (JSM) Jurnal Seni Musik Harmonia: Journal of Arts Research and Education Proceeding of The International Conference on Social Sciences and Humanities Innovation Jurnal Bahasa Rupa Disable: Law Review Al-Kautsar: Knowledge Advancemenets in Teaching Strategies and Research Jurnal bahasa, sastra, seni, dan pengajarannya EKONOMIKA: Manajemen, Akuntansi dan Perbankan Syari’ah
Aris Setiawan
Institut Seni Indonesia (ISI) Surakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Medicine & Pharmacology Public Health Social Sciences Veterinary Other

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Iron Melodies From Kusumodilagan: An Exploration Sugiyanto, Sugiyanto; Aris Setiawan
Jurnal Seni Musik Vol. 13 No. 2 (2024): December 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v13i2.16851

Abstract

Kusumodilagan is an area renowned for its iron market, where the livelihoods of the community predominantly rely on iron processing. The various types of iron produced reflect the character of individuals within the society, along with the accompanying phenomena and challenges. Community activities, characterized by the sounds of iron work, have served as a source of inspiration for musical creation. This study aims to explore how to develop a musical presentation that encapsulates the lives of iron workers in Kusumodilagan. The methodology employed in this research is participatory observation, which seeks to understand and recognize the diverse sound characteristics and their social phenomena as the primary approach in the preparation of musical compositions. The findings indicate that the sounds of iron can serve as a compositional idea for musical harmony, while also engaging iron workers in the creative process. The objective of this study extends beyond artistic experience; it emphasizes the recognition of community members' existence and fosters a sense of togetherness among them.
Variasi Gaya Vokal dalam Keroncong Asli: Menafsirkan Estetika Ngeroncongi melalui Penampilan Mus Mulyadi, Toto Salmon dan Ismanto Soladi, Soladi; Setiawan, Aris; Ji Pyo, Chung
PROMUSIKA Vol 13, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v13i2.15379

Abstract

Kajian ini mengeksplorasi perbedaan gaya vokal dalam interpretasi Keroncong Asli melalui studi komparatif terhadap tiga maestro keroncong Indonesia: Mus Mulyadi, Toto Salmon, dan Ismanto. Ketiganya menyanyikan lagu “Kr. Hanya Untukmu” karya Sapari dan WS Nardi, namun dengan pendekatan vokal yang berbeda secara signifikan. Penelitian ini menggunakan metode kualitatif dengan pendekatan analisis musik tekstual, yang dipadukan dengan data resepsi pendengar sebagai bentuk triangulasi untuk memperkuat validitas temuan. Hasil analisis menunjukkan bahwa Mus Mulyadi menampilkan gaya vokal yang ekspresif dengan cengkok agresif dan penuh ornamen, Toto Salmon menyanyikan lagu dengan artikulasi yang jelas dan mengikuti notasi baku, sementara Ismanto memperlihatkan karakter suara yang sumeleh dengan improvisasi yang terukur dan bersahaja. Ketiga pendekatan tersebut ditelaah lebih lanjut melalui persepsi penghayat musik keroncong untuk mengungkap nilai-nilai estetis yang membentuk identitas vokal Keroncong Asli. Konsep ngeroncongi—yakni cara bernyanyi khas yang ekspresif namun berakar kuat pada struktur estetika tradisi—digunakan sebagai bingkai pemaknaan. Kajian ini menyimpulkan bahwa kreativitas individu, selama tetap berpijak pada koridor estetika genre, memainkan peran penting dalam pembentukan gaya vokal dalam tradisi keroncong yang terus berkembang dan beradaptasi dengan zaman. Vocal Style Variety in Keroncong Asli: Interpreting the Aesthetic of Ngeroncongi through the Performances of Mus Mulyadi, Toto Salmon, and IsmantoAbstractThis study examines the differences in vocal styles in interpreting Keroncong Asli through a comparative analysis of three Indonesian keroncong maestros: Mus Mulyadi, Toto Salmon, and Ismanto. All three sing "Kr. Hanya Untukmu" by Sapari and WS Nardi, but with significantly different vocal approaches. This research employs a qualitative method with a textual music analysis approach, combined with listener reception data as a form of triangulation to strengthen the validity of the findings. The analysis results indicate that Mus Mulyadi displays an expressive vocal style with aggressive inflections and abundant ornamentation, Toto Salmon sings the song with precise articulation and follows standard notation. At the same time, Ismanto exhibits a smooth vocal character with measured and understated improvisation. These three approaches are further examined through the perceptions of Keroncong music enthusiasts to uncover the aesthetic values that shape the vocal identity of Keroncong Asli. We use the concept of ngeroncongi—a distinctive singing style that is expressive yet deeply rooted in traditional aesthetic structures—as a framework for interpretation. This study concludes that individual creativity, as long as it remains within the aesthetic boundaries of the genre, plays an essential role in shaping vocal styles within the evolving and adapting tradition of keroncong.Keywords: Original Keroncong; Vocal Style; Ngeroncongi; Musical Aesthetics
Daryono's artistic creativity journey in the body of Surakarta Style Javanese Dance Lambangsari, Sonia Pangesti; Widyastutieningrum, Sri Rochana; Setiawan, Aris
Gelar: Jurnal Seni Budaya Vol. 21 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.4952

Abstract

This study aimed to explore the Daryono’s artistic, creative journey in the body in the Surakarta Style of Javanese Dance. The research method was carried out through observation of dance performances presented by Daryono, that is, Beksan Diradameta. Through this dance, the researcher studied the form and characteristics of Daryono's dance expertise. The observation focused on the process of achieving the quality of Daryono dance through various stages. In-depth interviews were conducted to reinforce the data obtained through the observation. The results showed that the factors and stages that were passed caused Daryono's expertise in Javanese dance, Surakarta style, to reach taksu. The stages are mastery of techniques, formation of the body, spiritual mastery, and awareness of philosophical concepts. On spiritual and philosophical principles, Daryono has always adhered to the concepts of Hasthasawanda, Joged Mataram, Mandala, and Asta Brata. This research can contribute to the development of artistic knowledge, especially Javanese dance in the Surakarta style.
Sacred Dimensions of Barong Ngelawang Sungsungan: Mythology, Process, and Performance Sukerna, I Nyoman; Setiawan, Aris
Harmonia: Journal of Arts Research and Education Vol. 24 No. 2 (2024): December 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v24i2.18558

Abstract

This research aims to explore the sacred dimensions of the Barong Ngelawang Sungsungan based on the interconnectedness of mythology, the process of sacralization, and its sacredness in performance. During religious ceremonies, the Barong symbolizes pride, magical power, grandeur, and divinity. The ethnographic methodology is employed to gain insights into cultural aspects observed, heard, and concluded, thereby understanding cultural knowledge from the perspective of the local community. Research findings indicate that from a mythological perspective, the Barong Ngelawang Sungsungan serves functionally as a sacred symbol, reinforcing the laws of cause and effect that must be obeyed and revered and a tool for creating a harmonious life. In its holy purpose, ngelawang can be manifested as a practice to strengthen fraternal bonds, interpreted as a signal of awareness, and a means of detoxification from the natural environment to eliminate negatively oriented forces..
Macapat Ambiya as a Medium for Educating Islamic Values during the Neonatal Period Rosy Tristanti; Aris Setiawan; Suyoto
Exploration in Early Childhood Research Vol. 1 No. 1 (2024): Exploration in Early Childhood Research
Publisher : Sekolah Pascasarjana Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Macapat Ambiya is a traditional art form that continues to exist to this day. This art thrives and develops in the village of Kemloko, Nglegok subdistrict, Blitar regency. Macapat Ambiya is regularly performed during the birth of a baby and is held for seven consecutive nights. Macapat Ambiya, derived from the Serat An Nabiya, which contains many Islamic values, is sung by a group of men who visit the house of the newborn. The purpose of this performance is to introduce Islamic values to the baby. It is hoped that the Islamic education given from the first day of the baby's life will create a strong and lasting foundation for the newborn. The gentle and soothing chants of macapat are also expected to help the mother and baby feel calm and relaxed. The problem addressed in this research is: What is the role of Macapat Ambiya as a medium for instilling Islamic values during the neonatal period? This study aims to analyze the role of Macapat Ambiya as a medium for instilling Islamic values in newborns, which will be explored through the text of the macapat derived from Serat An Nabiya, which contains many Islamic stories about the prophets. This research uses a qualitative descriptive approach, focusing on the lyrics of the macapat ambiya songs that reference Islamic education for newborns. The results of this study show that the lyrics of the macapat ambiya songs, sourced from Serat An Nabiya by Yasadipura I especially in Pupuh Asmaradana contain many Islamic values that can be used as a medium for instilling Islamic values in newborns during the neonatal period.
KENDAL CITY BRANDING Ismiati, Dwi; Rachman, Anung; Setiawan, Aris
Jurnal Bahasa Rupa Vol. 6 No. 2 (2023): Jurnal Bahasa Rupa April 2023
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v6i2.1249

Abstract

In 2021, Kendal district launched the city branding program through Kendal Handal "Beautiful Land Good Bussines". This research aims to describe and analyze meaning of symbols contained in Kendal logo. Logo is a symbol represents person and used to visualize the image or characteristic institution, company or organization. This research uses qualitative method with theory iconography and iconology by Erwin Panofsky to reveal meaning of logo through the aesthetic aspects of design. Through a semiotic approach by Charles Sanders Peirce to examine in depth elements of meaning in Kendal logo. Based on the findings of analysis, Kendal logo able to carry local wisdom values that characterize regional uniqueness. Visual element Kendal logo shown from use of colors, variety icons and visual stylization structure that radiates and spreads. An important findings this research that conceptually Kendal logo does not imply a logo that looks simpler. The signs on elements Kendal logo in line with vision and mission of Kendal government, to become leading industrial and tourism center. The meaning shape logo is not something static, surely will be change according to conditions inside. Kendal logo is part existing dynamics and represents geographical, historical and cultural conditions in every era.
Gedruk, Estetika Dalam Campursari Bayu Aji, Nur Seto; Setiawan, Aris
Jurnal Litbang Sukowati : Media Penelitian dan Pengembangan Vol 9 No 2 (2025): Vol. 9 No. 2, November 2025
Publisher : Badan Perencanaan Pembangunan, Riset dan Inovasi Daerah Kabupaten Sragen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32630/sukowati.v9i2.2167

Abstract

This study explores the aesthetics of gedruk music, focusing on the tonal blend of bonang, kempul, and saron within campursari. The integration of gedruk reflects the cultural dynamics of an evolving society, enriching the music while offering a fresh identity that revitalizes local culture. In campursari performances, gedruk creates a new spatial and temporal form, opening unique musical horizons. Using a descriptive qualitative method with a phenomenological approach, this study examines how gedruk emerges and transforms campursari. The sounds and rhythms of gedruk produce a distinct aesthetic that enriches the genre. Data collection includes document and video analysis of campursari performances featuring gedruk, alongside direct observations and interviews with performers and groups. Aesthetic analysis aims to understand how folk art adapts into popular music, focusing on rhythm, harmony, expression, and contextual elements. The study finds gedruk introduces a fresh aesthetic to campursari, blending traditional elements into popular music. This fusion simplifies complex tonal structures, reducing monotony for performers. Psychologically, this simplicity creates a fresh atmosphere and enhances enthusiasm among performers and audiences, demonstrating how folk elements like gedruk can redefine and enrich modern campursari music.
FACTORS INFLUENCING FINANCIAL STATEMENT FRAUD IN THE PENTAGON'S FRAUD PERSPECTIVE Apriandy, Roynaldi Buwono; Widyastuti, Reni Dwi; Setiawan, Aris
Jurnal Akuntansi dan Keuangan (JAK) Vol 31 No 1 (2026): JAK Volume 31 No 1 Tahun 2026
Publisher : Faculty of Economics and Business

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/jak.v31i1.4457

Abstract

Financial statement fraud is a serious problem in Indonesia, threatening investor confidence and damaging the integrity of public companies. This phenomenon causes huge losses for investors and stakeholders and erodes confidence in the capital market. This study aims to identify how the five elements of the fraud pentagon—pressure, opportunity, rationalization, capability, and arrogance—contribute to financial statement fraud. Using a quantitative approach, this study analyzes data from public companies listed on the Indonesia Stock Exchange (IDX) during the period 2021-2024. The sample was selected using purposive sampling, and the data were processed through logistic regression analysis using SPSS 30 software. The data used were obtained from annual financial reports, yielding 120 samples. The results indicate that only rationalization and capability are significant factors in fraud, while pressure, opportunity, and arrogance are not significant in financial statement fraud. In conclusion, this study confirms that the fraud pentagon is a comprehensive and useful framework for detecting potential fraudulent practices in financial statements. Therefore, companies are advised to invest in improving their internal control systems and ensuring effective supervision to prevent fraud.
The Effect of Coffee Fruit Skin Extract on Sperm Characteristics And Testicular of Mice With Ethanol-Induced Setiawan, Haris; Maliza, Rita; Maulana, Syaiful Adam; Hisbullah, Muhammad Ilham
Jurnal Biodjati Vol 5 No 2 (2020): November
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/biodjati.v5i2.9280

Abstract

Coffee fruit skin contains antioxidant compounds that can repair damaged tissues, especially those of reproductive or-gans. This study was designed to assess to what extent the metha-nolic extract of coffee fruit skin affected sperm characteristics and testicular histology in mice receiving 15% ethanol for 15 days. It used 25 male mice aged four months and employed a completely randomized design with two controls (K) and three treatments (P), namely K1 (without ethanol), K2 (15% ethanol), P1 (15% ethanol and the methanolic extract of coffee fruit skin, or MECS, at 125 mg/ kg BW), P2 (15% ethanol and MECS 250 mg/kg BW), and P3 (15% ethanol and MECS 500 mg/kg BW). These treatments were administered orally with a 1 mL disposable syringe for 15 days. The parameters observed were sperm characteristics (viability, morphology, and sperm count) and the microscopic structure of the testicles (lu-men area, diameter, and area of seminiferous tubules). These data were then analyzed using the one-way ANOVA, continued with the LSD and Duncan’s tests (P <0.05). The results showed that P2 (250 mg/kg BW) substantially improved sperm count (86.5x105±1.73 cells/ mL), sperm viability (87.26±0.05%), and the proportion of normal sperm morphology (93.33±0.004%) of mice with 15% ethanol-in-duced sperm damages. Testicular histology also confirmed improve-ments in spermatogenic cells, as evident from the lumen, diameter, and area seminiferous tubules after receiving P1 and P2. In conclu-sion, the optimum dose of the coffee skin extract for improving sperm quality and microscopic structures of mice testicles is 250 mg/kg BW. 
The impact of substituting water with eco enzyme in natural bar soap production Ginting, Simparmin Br; Agustian, Muhammad Rizki; Darni, Yuli; Setiawan, Aris
Konversi Vol 14, No 2 (2025): OCTOBER 2025
Publisher : Universitas Lambung Mangkurat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20527/k.v14i2.24357

Abstract

The use of eco enzymes can enhance the quality of cleaning products, such as soap. These enzymes, including amylase, lipase, and protease, serve as catalysts and natural antibacterial agents, helping to break down carbohydrates, lipids, and proteins during the decomposition process. This study aims to evaluate the effect of adding eco enzymes on accelerating the saponification reaction and improving the quality of the produced bar soap. The method employed is the cold process, with variations of eco enzymes added at 0 g, 13 g, 26 g, and 39 g. All bar soap samples were analyzed according to the SNI 3532:2021 standard, and one sample that met this standard was selected for further enzymatic analysis. Of the five test parameters performed, soap products with the addition of 13 g, 26 g, and 39 g of eco enzymes complied with all SNI 3532:2021 standards. However, the soap with 0 g of eco enzymes did not meet one of the standards for total plate count microbe contamination, which produced a result of ≤ 4000 CFU/g. Additionally, lipase and protease enzymes were detected in the soap with the addition of 26 g of eco enzymes. The hardness levels of each soap variation were as follows: 1.3 N for 0 g, 1.7 N for 13 g, 2.03 N for 26 g, and 1.47 N for 39 g of eco enzymes.
Co-Authors Adham, Ibnu Adillah, Egga Aditya, Friska Agrisukma, Salsabilla Ari Sekar Agus Efendi Agustian, Muhammad Rizki Aida Mahmudah Aini, Wardatul Alhari Aminuddin, Ahamad Anindya, Felicia Anis Rahmawati Apriandy, Roynaldi Buwono Apris Yulianto Saefatu Araftake Blikololong, Yohanes Gala Ardiyanto, Ferry Arif, M. Fauzan Ariyanto, Jon Arridho, Ilham Ali Ayuati, Manggar Sari Azali, Aulia Syafadilla Barasa, Zepanya Saputra Bayu Aji, Nur Seto Belinda Astriddana Bondan Aji Manggala Bondet Wrahatnala Bramadi Arya Budi Setiyono Budi Siswanto Damayanti, Yusri Darlan Darlenis, Teti Dekanipa, Gendot Deki Prasetya Ardiansyah Diajeng Stevani Dwi Ismiati Dwi Widyastuti, Reni Ega Damayanti Ekawati Ekawati Endang Kristiawati, Endang Endriyati, Endriyati Erikawati, NiLuh Putu Fahrur Rozi Fakhrul Yahya, Rizki Fakih, Choerul Fatma Sukmawati, Fatma Ferawati, Sri Rahayu Galih Yatalaththov, Febriofca Handriyotopo Handriyotopo Hermawan, Endang Herti Utami Hisbullah, Muhammad Ilham Hussein, Muhammad I Nyoman Sukerna, I Nyoman Ichsan Luqmana Indra Putra, Ichsan Luqmana Indra Ida Ayu Putu Sri Widnyani Ismiati, Dwi Ji Pyo, Chung Joko Sulistyo Jungkung Setyo Utomo Khairul Imam Kriatiawati, Endang Kusumawardhani, Nindya Lambangsari, Sonia Pangesti Lismeri, Lia Livera, Kristen Angela Maharani, Arindy Mahardika, Heri Maliza, Rita Maulana, Syaiful Adam Mayasafitri, Rina Miller, Ethan J. Moch. Anil Syidqi Mohamad Judha Muh Nur Udin, Muh Nur Mukhtar Effendi Munawir Yusuf Mutiara Dewi Fatimah Nanik Sri Prihatini Nifa, Kholishotun Nugraha, Wisma Ch. R. Nurazizah, Intan Faya Nurrohiim, Annisaa’ Panakajaya Hidayatullah Pitaloka, Devanka Diaz Ayu Prasasti, Shinta Dwi Purbasari, Riris Purnomo, Muhammad Arif Jati Purwanto Purwanto Putro, Galuh Argo Rachman, Anung Rahmana, Jaka Rifa'i, M.Rifa'i Ronaldi Rosy Tristanti Sardjiastuti, Sardjiastuti Sari, Wilda Sartono Sartono, Sartono Satria Rizky Utama Satria, Dioda Setiawan, Arif Nur Sidik, Adi Permana Simatupang, Gabriel Roosmargo Lono Lastoro Simparmin br Ginting Simparmin Ginting Soladi, Soladi Sonia Pangesti Lambangsari Sri Rahayu Ferawati Sri Rochana Widyastutieningrum Subeqi Nur Hikmah, Subeqi Nur Sudiyanto Sudiyanto sugeng Nugroho Sugiyanto - Sunardi Sunardi Suyanto - Suyanto Suyanto Suyoto Suyoto Suyoto Suyoto Suyoto Syaidah, Rahimi Theresiana Ani Larasati, Theresiana Ani Timur, Yuddan Fijar Sugma udin, Muhhamad Nur Uray Andrey Indra Maulana Wahyu Widanarto, Wahyu Wardana, Sapto Wardani, Diah Kartika Widiasari, Aprilia Widyastuti, Reni Dwi Widyastutieningrum, Sri Rochana Wijayati, Heni Yashiro, Takashi Yeni Nuraeni, Yeni Yudyantoro, Jutta Aurora Citra Yuli Darni Yuningsih, Siti Hadiaty Zulkarnain Mistortoify