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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) PROMUSIKA: Jurnal Pengkajian, Penyajian, dan Penciptaan Musik Harmonia: Journal of Research and Education Journal of Urban Society´s Arts Biota Jurnal Pendidikan dan Kajian Seni Konversi MUDRA Jurnal Seni Budaya Jurnal Bahasa Rupa Jurnal Biodjati Didaktis: Jurnal Pendidikan dan Ilmu Pengetahuan Gondang: Jurnal Seni dan Budaya Pelataran Seni : Jurnal Pendidikan dan Kajian Seni Sorai: Jurnal Pengkajian dan Penciptaan Musik Abdi Seni Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Jurnal Seni Tari Jurnal Litbang Sukowati : Media Penelitian dan Pengembangan AKURASI: Jurnal Riset Akuntansi dan Keuangan Bisman (Bisnis dan Manajemen): The Journal of Business and Management Jurnal Pengabdian kepada Masyarakat Nusantara Jurnal Alwatzikhoebillah : Kajian Islam, Pendidikan, Ekonomi, Humaniora International Journal of Research in Community Services Enggang: Jurnal Pendidikan, Bahasa, Sastra, Seni, dan Budaya Jurnal Akuntansi dan Keuangan (JAK) Transekonomika : Akuntansi, Bisnis dan Keuangan Jurnal Kajian Seni Jurnal bahasa, sastra, seni, dan pengajarannya Musik Etnik Nusantara Soshum: Jurnal Sosial dan Humaniora Media Informasi Journal of Biotechnology and Natural Science Jurnal Bahasa Rupa Exploration In Early Childhood Research Akurasi (JSM) Jurnal Seni Musik Harmonia: Journal of Arts Research and Education Jurnal Bahasa Rupa Jurnal bahasa, sastra, seni, dan pengajarannya
Aris Setiawan
Institut Seni Indonesia (ISI) Surakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Immunology & microbiology Languange, Linguistic, Communication & Media Library & Information Science Materials Science & Nanotechnology Medicine & Pharmacology Social Sciences Other

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Iron Melodies From Kusumodilagan: An Exploration Sugiyanto, Sugiyanto; Aris Setiawan
Jurnal Seni Musik Vol. 13 No. 2 (2024): December 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsm.v13i2.16851

Abstract

Kusumodilagan is an area renowned for its iron market, where the livelihoods of the community predominantly rely on iron processing. The various types of iron produced reflect the character of individuals within the society, along with the accompanying phenomena and challenges. Community activities, characterized by the sounds of iron work, have served as a source of inspiration for musical creation. This study aims to explore how to develop a musical presentation that encapsulates the lives of iron workers in Kusumodilagan. The methodology employed in this research is participatory observation, which seeks to understand and recognize the diverse sound characteristics and their social phenomena as the primary approach in the preparation of musical compositions. The findings indicate that the sounds of iron can serve as a compositional idea for musical harmony, while also engaging iron workers in the creative process. The objective of this study extends beyond artistic experience; it emphasizes the recognition of community members' existence and fosters a sense of togetherness among them.
Variasi Gaya Vokal dalam Keroncong Asli: Menafsirkan Estetika Ngeroncongi melalui Penampilan Mus Mulyadi, Toto Salmon dan Ismanto Soladi, Soladi; Setiawan, Aris; Ji Pyo, Chung
PROMUSIKA Vol 13, No 2 (2025): Oktober 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/promusika.v13i2.15379

Abstract

Kajian ini mengeksplorasi perbedaan gaya vokal dalam interpretasi Keroncong Asli melalui studi komparatif terhadap tiga maestro keroncong Indonesia: Mus Mulyadi, Toto Salmon, dan Ismanto. Ketiganya menyanyikan lagu “Kr. Hanya Untukmu” karya Sapari dan WS Nardi, namun dengan pendekatan vokal yang berbeda secara signifikan. Penelitian ini menggunakan metode kualitatif dengan pendekatan analisis musik tekstual, yang dipadukan dengan data resepsi pendengar sebagai bentuk triangulasi untuk memperkuat validitas temuan. Hasil analisis menunjukkan bahwa Mus Mulyadi menampilkan gaya vokal yang ekspresif dengan cengkok agresif dan penuh ornamen, Toto Salmon menyanyikan lagu dengan artikulasi yang jelas dan mengikuti notasi baku, sementara Ismanto memperlihatkan karakter suara yang sumeleh dengan improvisasi yang terukur dan bersahaja. Ketiga pendekatan tersebut ditelaah lebih lanjut melalui persepsi penghayat musik keroncong untuk mengungkap nilai-nilai estetis yang membentuk identitas vokal Keroncong Asli. Konsep ngeroncongi—yakni cara bernyanyi khas yang ekspresif namun berakar kuat pada struktur estetika tradisi—digunakan sebagai bingkai pemaknaan. Kajian ini menyimpulkan bahwa kreativitas individu, selama tetap berpijak pada koridor estetika genre, memainkan peran penting dalam pembentukan gaya vokal dalam tradisi keroncong yang terus berkembang dan beradaptasi dengan zaman. Vocal Style Variety in Keroncong Asli: Interpreting the Aesthetic of Ngeroncongi through the Performances of Mus Mulyadi, Toto Salmon, and IsmantoAbstractThis study examines the differences in vocal styles in interpreting Keroncong Asli through a comparative analysis of three Indonesian keroncong maestros: Mus Mulyadi, Toto Salmon, and Ismanto. All three sing "Kr. Hanya Untukmu" by Sapari and WS Nardi, but with significantly different vocal approaches. This research employs a qualitative method with a textual music analysis approach, combined with listener reception data as a form of triangulation to strengthen the validity of the findings. The analysis results indicate that Mus Mulyadi displays an expressive vocal style with aggressive inflections and abundant ornamentation, Toto Salmon sings the song with precise articulation and follows standard notation. At the same time, Ismanto exhibits a smooth vocal character with measured and understated improvisation. These three approaches are further examined through the perceptions of Keroncong music enthusiasts to uncover the aesthetic values that shape the vocal identity of Keroncong Asli. We use the concept of ngeroncongi—a distinctive singing style that is expressive yet deeply rooted in traditional aesthetic structures—as a framework for interpretation. This study concludes that individual creativity, as long as it remains within the aesthetic boundaries of the genre, plays an essential role in shaping vocal styles within the evolving and adapting tradition of keroncong.Keywords: Original Keroncong; Vocal Style; Ngeroncongi; Musical Aesthetics
Daryono's artistic creativity journey in the body of Surakarta Style Javanese Dance Lambangsari, Sonia Pangesti; Widyastutieningrum, Sri Rochana; Setiawan, Aris
Gelar: Jurnal Seni Budaya Vol. 21 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v21i1.4952

Abstract

This study aimed to explore the Daryono’s artistic, creative journey in the body in the Surakarta Style of Javanese Dance. The research method was carried out through observation of dance performances presented by Daryono, that is, Beksan Diradameta. Through this dance, the researcher studied the form and characteristics of Daryono's dance expertise. The observation focused on the process of achieving the quality of Daryono dance through various stages. In-depth interviews were conducted to reinforce the data obtained through the observation. The results showed that the factors and stages that were passed caused Daryono's expertise in Javanese dance, Surakarta style, to reach taksu. The stages are mastery of techniques, formation of the body, spiritual mastery, and awareness of philosophical concepts. On spiritual and philosophical principles, Daryono has always adhered to the concepts of Hasthasawanda, Joged Mataram, Mandala, and Asta Brata. This research can contribute to the development of artistic knowledge, especially Javanese dance in the Surakarta style.
Sacred Dimensions of Barong Ngelawang Sungsungan: Mythology, Process, and Performance Sukerna, I Nyoman; Setiawan, Aris
Harmonia: Journal of Arts Research and Education Vol. 24 No. 2 (2024): December 2024
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v24i2.18558

Abstract

This research aims to explore the sacred dimensions of the Barong Ngelawang Sungsungan based on the interconnectedness of mythology, the process of sacralization, and its sacredness in performance. During religious ceremonies, the Barong symbolizes pride, magical power, grandeur, and divinity. The ethnographic methodology is employed to gain insights into cultural aspects observed, heard, and concluded, thereby understanding cultural knowledge from the perspective of the local community. Research findings indicate that from a mythological perspective, the Barong Ngelawang Sungsungan serves functionally as a sacred symbol, reinforcing the laws of cause and effect that must be obeyed and revered and a tool for creating a harmonious life. In its holy purpose, ngelawang can be manifested as a practice to strengthen fraternal bonds, interpreted as a signal of awareness, and a means of detoxification from the natural environment to eliminate negatively oriented forces..
Macapat Ambiya as a Medium for Educating Islamic Values during the Neonatal Period Rosy Tristanti; Aris Setiawan; Suyoto
Exploration in Early Childhood Research Vol. 1 No. 1 (2024): Exploration in Early Childhood Research
Publisher : Sekolah Pascasarjana Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Macapat Ambiya is a traditional art form that continues to exist to this day. This art thrives and develops in the village of Kemloko, Nglegok subdistrict, Blitar regency. Macapat Ambiya is regularly performed during the birth of a baby and is held for seven consecutive nights. Macapat Ambiya, derived from the Serat An Nabiya, which contains many Islamic values, is sung by a group of men who visit the house of the newborn. The purpose of this performance is to introduce Islamic values to the baby. It is hoped that the Islamic education given from the first day of the baby's life will create a strong and lasting foundation for the newborn. The gentle and soothing chants of macapat are also expected to help the mother and baby feel calm and relaxed. The problem addressed in this research is: What is the role of Macapat Ambiya as a medium for instilling Islamic values during the neonatal period? This study aims to analyze the role of Macapat Ambiya as a medium for instilling Islamic values in newborns, which will be explored through the text of the macapat derived from Serat An Nabiya, which contains many Islamic stories about the prophets. This research uses a qualitative descriptive approach, focusing on the lyrics of the macapat ambiya songs that reference Islamic education for newborns. The results of this study show that the lyrics of the macapat ambiya songs, sourced from Serat An Nabiya by Yasadipura I especially in Pupuh Asmaradana contain many Islamic values that can be used as a medium for instilling Islamic values in newborns during the neonatal period.
RELASI MUSIK DAN SAWER DALAM PERTUNJUKAN DANGDUT NEW MONATA Utama, Satria Rizky; setiawan, aris
Jurnal Musik Etnik Nusantara Vol 4, No 1 (2024): Jurnal Musik Etnik Nusantara
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/jmen.v4i1.4175

Abstract

This research is motivated by sawer activities in the New Monata dangdut music performance space. Sawer and dangdut music have a close relationship as performing arts. What we want to explain in this article is how saweran occurs in New Monata dangdut music performances and what the relationship is between music and saweran activities. This research was conducted using qualitative methods with stages of observation, interviews, document study, data presentation, data analysis, and drawing conclusions. Based on the analysis, it was found that the saweran activity in the New Monata dangdut music performance was carried out during the song. The act of nyawer is a reflective (spontaneous) and non-reflective (planned) action of the audience. Sawer is part of the reaction to the action of New Monata's dangdut music presentation. The relationship between music and sawer is a cause and effect relationship. The action of New Monata's dangdut music is the cause, the audience's reaction is the effect. Action and reaction are a natural phenomenon in a dangdut performance, music as action, and sawer as reaction.
KENDAL CITY BRANDING Ismiati, Dwi; Rachman, Anung; Setiawan, Aris
Jurnal Bahasa Rupa Vol. 6 No. 2 (2023): Jurnal Bahasa Rupa April 2023
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v6i2.1249

Abstract

In 2021, Kendal district launched the city branding program through Kendal Handal "Beautiful Land Good Bussines". This research aims to describe and analyze meaning of symbols contained in Kendal logo. Logo is a symbol represents person and used to visualize the image or characteristic institution, company or organization. This research uses qualitative method with theory iconography and iconology by Erwin Panofsky to reveal meaning of logo through the aesthetic aspects of design. Through a semiotic approach by Charles Sanders Peirce to examine in depth elements of meaning in Kendal logo. Based on the findings of analysis, Kendal logo able to carry local wisdom values that characterize regional uniqueness. Visual element Kendal logo shown from use of colors, variety icons and visual stylization structure that radiates and spreads. An important findings this research that conceptually Kendal logo does not imply a logo that looks simpler. The signs on elements Kendal logo in line with vision and mission of Kendal government, to become leading industrial and tourism center. The meaning shape logo is not something static, surely will be change according to conditions inside. Kendal logo is part existing dynamics and represents geographical, historical and cultural conditions in every era.
Gedruk, Estetika Dalam Campursari Bayu Aji, Nur Seto; Setiawan, Aris
Jurnal Litbang Sukowati : Media Penelitian dan Pengembangan Vol 9 No 2 (2025): Vol. 9 No. 2, November 2025
Publisher : Badan Perencanaan Pembangunan, Riset dan Inovasi Daerah Kabupaten Sragen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32630/sukowati.v9i2.2167

Abstract

This study explores the aesthetics of gedruk music, focusing on the tonal blend of bonang, kempul, and saron within campursari. The integration of gedruk reflects the cultural dynamics of an evolving society, enriching the music while offering a fresh identity that revitalizes local culture. In campursari performances, gedruk creates a new spatial and temporal form, opening unique musical horizons. Using a descriptive qualitative method with a phenomenological approach, this study examines how gedruk emerges and transforms campursari. The sounds and rhythms of gedruk produce a distinct aesthetic that enriches the genre. Data collection includes document and video analysis of campursari performances featuring gedruk, alongside direct observations and interviews with performers and groups. Aesthetic analysis aims to understand how folk art adapts into popular music, focusing on rhythm, harmony, expression, and contextual elements. The study finds gedruk introduces a fresh aesthetic to campursari, blending traditional elements into popular music. This fusion simplifies complex tonal structures, reducing monotony for performers. Psychologically, this simplicity creates a fresh atmosphere and enhances enthusiasm among performers and audiences, demonstrating how folk elements like gedruk can redefine and enrich modern campursari music.
Pengaruh digitalisasi, literasi keuangan, dan dukungan teknologi terhadap kinerja keuangan UKM di Kota Pontianak Emilia, Yenni; Widyastuti, Reni Dwi; Setiawan, Aris
AKURASI: Jurnal Riset Akuntansi dan Keuangan Vol 7 No 3 (2025)
Publisher : LPMP Imperium

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36407/akurasi.v7i3.1760

Abstract

Small and Medium Enterprises (SMEs) play an essential role in supporting the economy, including in the city of Pontianak. However, they still face several challenges, including low financial literacy, limited digitalization, and a lack of technological support, which continue to hinder the development of SMEs. This study aims to analyze the influence of digitalization, financial literacy, and technological support on the financial performance of SMEs in Pontianak City. The research methodology is multiple regression analysis using SPSS 26. The research sample consisted of 100 SMEs in Pontianak City. The study finds that digitalization, financial literacy, and technological support have a positive and significant effect on SME financial performance. Financial literacy is the most critical factor in improving entrepreneurs' ability to manage finances and make sound business decisions. The conclusion of this study states that digitalization, financial literacy, and technological support are essential to improving the financial performance of SMEs. The higher a business owner's financial literacy, the better their financial performance will be. Public interest statements This study provides SME entrepreneurs with an understanding of the importance of financial literacy and the use of technology to improve business performance. This research supports SMEs in increasing their competitiveness and business sustainability.
FACTORS INFLUENCING FINANCIAL STATEMENT FRAUD IN THE PENTAGON'S FRAUD PERSPECTIVE Apriandy, Roynaldi Buwono; Widyastuti, Reni Dwi; Setiawan, Aris
Jurnal Akuntansi dan Keuangan (JAK) Vol 31 No 1 (2026): JAK Volume 31 No 1 Tahun 2026
Publisher : Faculty of Economics and Business

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23960/jak.v31i1.4457

Abstract

Financial statement fraud is a serious problem in Indonesia, threatening investor confidence and damaging the integrity of public companies. This phenomenon causes huge losses for investors and stakeholders and erodes confidence in the capital market. This study aims to identify how the five elements of the fraud pentagon—pressure, opportunity, rationalization, capability, and arrogance—contribute to financial statement fraud. Using a quantitative approach, this study analyzes data from public companies listed on the Indonesia Stock Exchange (IDX) during the period 2021-2024. The sample was selected using purposive sampling, and the data were processed through logistic regression analysis using SPSS 30 software. The data used were obtained from annual financial reports, yielding 120 samples. The results indicate that only rationalization and capability are significant factors in fraud, while pressure, opportunity, and arrogance are not significant in financial statement fraud. In conclusion, this study confirms that the fraud pentagon is a comprehensive and useful framework for detecting potential fraudulent practices in financial statements. Therefore, companies are advised to invest in improving their internal control systems and ensuring effective supervision to prevent fraud.
Co-Authors Adham, Ibnu Adillah, Egga Aditya, Friska Agustian, Muhammad Rizki Aida Mahmudah Aini, Wardatul Alhari Aminuddin, Ahamad Apriandy, Roynaldi Buwono Apris Yulianto Saefatu Araftake Blikololong, Yohanes Gala Arif, M. Fauzan Arridho, Ilham Ali Azali, Aulia Syafadilla Barasa, Zepanya Saputra Bayu Aji, Nur Seto Belinda Astriddana Bondan Aji Manggala Bondet Wrahatnala Bramadi Arya Darlenis, Teti Dekanipa, Gendot Deki Prasetya Ardiansyah Diajeng Stevani Dwi Ismiati Ega Damayanti Emilia, Yenni Fakih, Choerul Ferawati, Sri Rahayu Galih Yatalaththov, Febriofca Handriyotopo Handriyotopo Hermawan, Endang Hisbullah, Muhammad Ilham I Nyoman Sukerna, I Nyoman Ida Ayu Putu Sri Widnyani Ismiati, Dwi Ji Pyo, Chung Jungkung Setyo Utomo Lambangsari, Sonia Pangesti Livera, Kristen Angela Maliza, Rita Maulana, Syaiful Adam Mukhtar Effendi Mutiara Dewi Fatimah Nanik Sri Prihatini Nugraha, Wisma Ch. R. Nurazizah, Intan Faya Nurrohiim, Annisaa’ Panakajaya Hidayatullah Putro, Galuh Argo Rachman, Anung Rifa'i, M.Rifa'i Rosy Tristanti Satria, Dioda Sidik, Adi Permana Simatupang, Gabriel Roosmargo Lono Lastoro Simparmin br Ginting Soladi, Soladi Sonia Pangesti Lambangsari Sri Rahayu Ferawati Sri Rochana Widyastutieningrum sugeng Nugroho Sugiyanto - Suyanto - Suyanto Suyanto Suyoto Suyoto Suyoto Suyoto Suyoto Syaidah, Rahimi Timur, Yuddan Fijar Sugma Uray Andrey Indra Maulana Utama, Satria Rizky Wahyu Widanarto, Wahyu Wardana, Sapto Wardani, Diah Kartika Widyastuti, Reni Dwi Widyastutieningrum, Sri Rochana Yashiro, Takashi Yuli Darni Yuningsih, Siti Hadiaty Zulkarnain Mistortoify