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All Journal Abdimas Rekayasa: Jurnal Penerapan Teknologi dan Pembelajaran Teknobuga : Jurnal Teknologi Busana dan Boga Techno (Jurnal Fakultas Teknik, Universitas Muhammadiyah Purwokerto) Jurnal Ilmiah Dinamika Rekayasa (DINAREK) Fashion and Fashion Education Journal Beauty and Beauty Health Education Matrik : Jurnal Manajemen dan Teknik Industri Produksi Abdi Dosen : Jurnal Pengabdian Pada Masyarakat Jurnal Tata Rias (JTR) Prosiding Seminar Nasional Pascasarjana Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya JURNAL MULTIDISIPLIN ILMU AKADEMIK Jurnal Tata Rias (JTR) Beauty and Beauty Health Education Journal of Creativity Student Jurnal Pengabdian Masyarakat Terapan Journal of Industrial and Mechanical Engineering
Maria Krisnawati
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Religion Arts Humanities Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Education Electrical & Electronics Engineering Engineering Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mechanical Engineering Medicine & Pharmacology Public Health Social Sciences Other

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Development of Contemporary Ready-to-Wear “Viramrdu” Using Upcycle Denim and Tenun Bulu for Sustainable Fashion Faza, Najwa Mayla; Krisnawati, Maria
Journal of Creativity Student Vol. 8 No. 2 (2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jcs.v8i2.40198

Abstract

This study examines the development of contemporary ready-to-wear apparel “Viramrdu” by integrating upcycled denim and tenun bulu as an effort to address textile waste issues while preserving traditional Indonesian textiles. The rapid growth of the fashion industry has increased denim waste and reduced the relevance of local textiles in modern fashion, necessitating sustainable and innovative design approaches. This study employed a Research and Development (R&D) method using the ADDIE model, which includes analysis, design, development, implementation, and evaluation stages. Product feasibility was assessed through expert judgment involving three professional fashion designers using evaluation indicators covering design, size, aesthetics, sewing techniques, fashion performance, and product uniqueness. The findings indicate that the “Viramrdu” ready-to-wear fashhion achieved a “Highly Feasible” category across all assessment indicators, demonstrating strong design quality, proportional sizing, aesthetic value, functional comfort, and innovation in material exploration. The integration of upcycled denim and tenun bulu successfully produced a contemporary, edgy, and functional fashion while maintaining sustainability principles. This study concludes that combining upcycled materials with traditional textiles has significant potential to support the development of sustainable ready-to-wear fashion with a strong design identity and market relevance.
Ready-to-Wear Fashion "Klakka" Feasibility Test with an Exploration of the Congklak Game as Design Inspiration Supriyani, Supriyani; Krisnawati, Maria
Journal of Creativity Student Vol. 9 No. 1 (2026)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jcs.v9i1.41549

Abstract

Traditional games are a cultural heritage that is becoming less familiar to the younger generation, necessitating adaptive and relevant preservation media. This research developed the ready-to-wear clothing "Klakka," adapting the traditional game of congklak by representing congklak elements through cuts, decorations, motifs, and colors. This study aimed to test the feasibility of the ready-to-wear clothing "Klakka" as culture-based ready-to-wear clothing. The method used was descriptive quantitative, with the feasibility assessment processed as a percentage. Data collection used a feasibility assessment instrument assessed by three fashion expert validators. The instrument consisted of six indicators: design, size, sewing technique, aesthetics, performance, and uniqueness of the clothing. The results showed that the "Klakka" clothing achieved a feasibility score of 91%, which is classified as very feasible. These findings indicate that the application of cultural elements to ready-to-wear clothing can meet technical and aesthetic requirements and has potential for developing ent in the fashion industry targeting young consumers.
Dinamika Identitas Perempuan melalui Praktik Rias di Jepang, Korea, dan Tiongkok Lintang Azzikra Gantari; Maria Krisnawati; Anik Maghfiroh; Taqiya Cantika As Salma; Ega Rahmania Putri; Afrilia Ishmatul Khawa
Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya Vol. 3 No. 4 (2025): November: Semantik : Jurnal Riset Ilmu Pendidikan, Bahasa dan Budaya
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/semantik.v3i4.2479

Abstract

This article examines the evolution of the concept of femininity in East Asian makeup culture by tracing changes in style, function, and social meaning from traditional periods to the modern era. The study focuses on makeup practices in China, Japan, and Korea, which possess distinct cultural and historical backgrounds yet similarly demonstrate dynamic developments of femininity through visual expression. The research employs a literature review using a qualitative approach, complemented by an analysis of beauty trends emerging in each country. The findings indicate that facial makeup functions not merely as an aesthetic practice but also as a medium for representing personal identity, social status, gender roles, and prevailing cultural values within society. The transformation of makeup practices is influenced by various factors, including local traditional heritage, processes of modernization, changes in women’s roles, and globalization, which introduces new beauty standards. Nevertheless, traditional elements continue to be preserved and adapted, forming distinctive regional characteristics. Overall, this study emphasizes that the concept of femininity in East Asian makeup culture is dynamic and contextual, continually adapting to social change while remaining deeply rooted in longstanding cultural values.
Co-Authors Abigail Eldaa Eleale Ade Novi Nurul Ihsani Ade Novi Nurul Ihsani Adinda, Fitria Rama Afrilia Ishmatul Khawa Agus Cahyono Agustin, Eny Widya Al-Faruq, Moh. Yudik Anggraeni, Nelly Setyowati Anik Maghfiroh Apriliya, Siska Arvi, Faiza Hanida Aulia, Sofwah Bela, Herlina Tria Bias Pantura Fiandea Ananda Dedek Ella Natalisa Delta Apriyani, Delta Ega Rahmania Putri Elsa Rahmadianti Endah Wahyuningsih, Sri Erna Setyowati Erni Eka Ariyanti Faza, Najwa Mayla Hamidah, Inggrita Hamidah, Linda Tri Hayya, Hazrina Hidayah, Fitriya Nur Hidayati, Ratna I Gusti Ngurah Antaryama I Made Sudana Kartika, Feny Fitri Kharisma Isnaigi Maerda Kurniawan KINAYAH, ARUM Ksaktiana Marantika Lesa Paranti Lesatari, Citra Eka Lintang Azzikra Gantari Mayasari, Lenita Eka Muh Fakhrihun Naam Muh. Ibnan Syarif, Muh. Ibnan Muhammad, Katon Mujiyono Mujiyono Musmuallim Nadhiefa Dhiyaa Rizqy Zulfia Nadia Sigi Prameswari Niko Siameva Uletika Nur Aini, Tika Nur Qudus Nurhidayat, Akhlis Rahman Sari OKTAVIANI, SILFINA DWI Poernamasari, Diyah Ayu Catur Pramesti Adika Ratri Pramudya, Zulfa Diah Putri, Raisani Dianis Rachel Anggita Hutauruk Rani Aulia Imran Ratri, Pramesti Adika Septiningsih, Tri Sicilia Sawitri Siswandi Siswandi, Siswandi Sri Endah Wahyuningsih Sugeng Waluyo Suhandi, Naila Basmah Supriyani Supriyani Taqiya Cantika As Salma TATI NURHAYATI Tiara, Desia Nova Tigar Putri Adhiana Trisnani Widowati, Trisnani Vita Maulia Virgita, Vita Maulia Wanda Zefanya Wati, Nunik Mega Wulansari Prasetyaningtyas, Wulansari Yuanita Saraswati Yuwono Yundari, Yundari