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All Journal Prosodi: Jurnal Ilmu Bahasa dan Sastra Jurnal Obsesi: Jurnal Pendidikan Anak Usia Dini Hasta Wiyata Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Bahasa: Jurnal Keilmuan Pendidikan Bahasa dan Sastra Indonesia Stilistika: Jurnal Pendidikan Bahasa dan Sastra Cakrawala Indonesia SULUK: Jurnal Bahasa, Sastra, dan Budaya Dinamika: Jurnal Bahasa, Sastra, dan Pembelajarannya Ideguru: Jurnal Karya Ilmiah Guru Abdimas Langkanae Gurindam: Jurnal Bahasa dan Sastra Pena: Jurnal Pendidikan Bahasa dan Sastra WAHANA LITERASI: Journal of Language, Literature, and Linguistics Jurnal Diksatrasia : Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Journal of Educational Sciences Neologia: Jurnal Bahasa dan Sastra Indonesia Jurnal Sastra Indonesia ASMARALOKA : Jurnal Pendidikan, Linguistik dan Sastra Indonesia Journal of Humanities and Social Studies Jurnal Tradisi Lisan Nusantara Belajar Bahasa : Jurnal Ilmiah Program Studi Pendidikan Bahasa dan Sastra Indonesia MANIFESTASI : Jurnal Pendidikan dan Pengajaran
Nensilianti Nensilianti
Fakultas Bahasa dan Sastra
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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FENOMENA HIBRIDITAS DALAM NOVEL 1890 KARYA AYU DEWI: POSTKOLONIAL HOMI K. BHABHA Sakti M, Reztu Dwi; Nensilianti, Nensilianti; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82453

Abstract

This study aims to examine the phenomenon of hybridity in Ayu Dewi's 1890 novel using Homi K. Bhabha's postcolonial concept. This study uses a descriptive qualitative method through text content analysis. Data collection was conducted through thorough reading and recording of relevant quotations, while data analysis used the Miles and Huberman model (reduction, presentation, conclusion drawing). The results of the study show the phenomenon of hybridity that gives rise to a new identity as a result of the mixing of colonial and local cultures. This phenomenon appears in three forms: linguistic hybridity (the use of Dutch and Malay), lifestyle hybridity (the adoption of European lifestyles), and character identity hybridity (such as Pamungkas and Utari). Hybridity functions as a mechanism for negotiating power, a form of resistance, and an attempt to build social mobility for colonized subjects.
PENULISAN PEREMPUAN DAN BAHASA PEREMPUAN DALAM MENGUNGKAPKAN FENOMENA KEHIDUPAN PADA NOVEL BELENGGU MERAH MUDA KARYA TYAS DAMARIA: KRITIK SASTRA FEMINISME ELAINE SHOWALTER Aprilia, Arzety; Nensilianti, Nensilianti; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82591

Abstract

This study describes women’s writing and women’s language in the novel Belenggu Merah Muda by Tyas Damaria using Elaine Showalter’s gynocritics approach. This qualitative descriptive research uses textual data from the novel that reflect the female characters’ life experiences. The analysis focuses on three aspects: explicit and implicit sentences, body expressions, and multifocal elements in women’s language. The results show that Damaria portrays women’s experiences through emotional, metaphorical, and reflective language. Explicit sentences reveal the burdens and roles of women, while implicit sentences appear through metaphors that signify the protagonist’s emotional wounds. Body expressions emerge in open, fragmented, and flowing forms, illustrating the character’s psychological conditions. Furthermore, the multifocal aspect reflects women’s layered and complex perspectives on life. These findings affirm that women’s literature serves as a space to articulate women’s experiences authentically
CINTA DAN PENGORBANAN DALAM NOVEL KEMBALI KE PELUKAN CINTA KARYA FREDY S: KONSEP CINTA ERICH FROMM Selvi, Selvi; Nensilianti, Nensilianti; Faisal, Faisal
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.77878

Abstract

This study aims to reveal the forms of love and sacrifice found in Fredy S.’s novel Kembali ke Pelukan Cinta based on Erich Fromm’s concept of love. This research employs a descriptive qualitative method with a literary psychology approach. The data consist of textual excerpts, sentences, and dialogues in the novel that represent Fromm’s five objects of love: brotherly love, motherly love, erotic love, self-love, and love of God. The results show that the novel portrays love in various dimensions of humanity accompanied by sacrifice as a logical consequence of love itself. Brotherly love appears in the friendships between characters; motherly love is shown through the parents’ care for their children; erotic love is depicted through the relationship between Rosana and Herman; self-love is seen in the characters’ efforts to accept themselves and their past; while love of God emerges from the characters’ religious awareness of divine power. Each form of love is always accompanied by acts of sacrifice—physical, emotional, or spiritual. These findings affirm the relevance of Erich Fromm’s concept of love in understanding the dynamics of love and humanity in literary works
Pergerseran Dialek Mesolect ke Dialek Acrolect dalam Penggunaan Bahasa Indonesia Artis Ibu Kota Asal Makassar Wulandari, Putri; Nensilianti, Nensilianti; Jahrir, Andi Sahtiani
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82460

Abstract

This research aims to describe the forms of dialectal shift and identify its contributing factors. Employing a qualitative descriptive approach, data were collected from social media content, podcasts, films, and television programs featuring Makassar artists such as Arief Brata, Denny Sumargo, Indah Permatasari, Eca Aura, Maizura, and Musdalifah. The analysis was conducted using Joshua A. Fishman’s domain theory of language use. The findings reveal three forms of shift: functional, domain, and identity shifts. The main driving factors include urbanization, globalization, and the professional demands of the entertainment industry. The study concludes that this dialect shift is both a sociolinguistic and sociocultural phenomenon, reflecting the marginalization of local dialects in modern public communication.
PENERAPAN STRATEGI POLITENESS BROWN DAN LEVINSON DALAM KONFLIK CERPEN PERSIMPANGAN KARYA RADITYA DIKA Nensilianti, Nensilianti; Ridwan; Nuna nk, Nurhidayah Aprilia
ASMARALOKA: Jurnal Bidang Pendidikan, Linguistik, dan Sastra Indonesia Vol. 4 No. 1 (2026): Volume 4 Nomer 1 Februari 2026
Publisher : Universitas Islam Zainul Hasan Genggong

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55210/asmaraloka.v4i1.651

Abstract

This study explores the politeness methods described by Brown and Levinson (1987) in dealing with emotional conflict in the short story "Persimpangan" by Raditya Dika (2023). The main objective of this study is to analyze face-threatening acts (FTAs), positive face (the desire to empathize), negative face (freedom without interference), and various FTA strategies (direct, positive politeness, negative politeness, indirect) that emerge in the interaction between Indah and Ardi. The findings of this study reveal a sociolinguistic irony while methods of maintaining social face may be successful, they lead to the loss of the "face of happiness" over a longer period of time (Indah experiences severe trauma, while Ardi experiences freedom but is trapped in a state of sorrowful regret).
Inklusi-Eksklusi Aktor Sosial pada Pembentukan Opini Publik oleh Konten Artificial Intelligence TikTok: Inclusion-Exclusion of Social Actors in Public Opinion Formation via TikTok Artificial Intelligence Content Nensilianti, Nensilianti; Sarina, Sarina; Ridwan, Ridwan
Pena : Jurnal Pendidikan Bahasa dan Sastra Vol. 16 No. 3 (2026): Pena: Jurnal Pendidikan Bahasa dan Sastra
Publisher : Program Studi Pendidikan Bahasa dan Sastra Fakultas Keguruan dan Ilmu Pendidikan Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/pena.v16i3.54455

Abstract

This study aims to uncover strategies for shaping public opinion through artificial intelligence (AI)-based content on the TikTok platform, with a focus on analyzing the inclusion and exclusion of social actors using Theo van Leeuwen’s (2008) model. This study employs a descriptive qualitative approach using multimodal critical discourse analysis. The data consists of five viral TikTok videos that use AI avatars, generative text, or synthetic voices, which were deliberately selected based on the following criteria: produced by AI, having ≥100,000 views, addressing public issues, and lasting 10–60 seconds. This analysis was conducted by identifying social actors, classifying inclusion/exclusion strategies, analyzing supporting multimodal data such as visuals, audio, and text, and interpreting the implications for public opinion. The results show that all five pieces of content consistently employ suppression strategies against critical actors such as spiritual leaders, health experts, experts in AI ethics, child safety experts, and regulators. Conversely, the content involves actors who promote the logic of entertainment, efficiency, and unreflective consumption through categorization, identification, or designation. Multimodal synergy-whether through visual-auditory dissonance or excessive harmony-reinforces this strategy. The implication is that public opinion is potentially steered toward downplaying existential issues, neglecting health and safety, blind technological optimism, and the normalization of artificial authority.
Co-Authors ., Haerana Abd. Kadir T, Nabila Adriani Safitri Akib Adriani, Milka Akhyar, Andi Imamul Amaliah M, Resky Ambo Dalle Aprilia, Arzety Aslan Abidin, Aslan Cahyani, Regita Purnama Damat*, Yultriani F.Z, Miftahuljannah Fadillah, Wulan Faisal Faisal Farah Tazkyatun Filawati Filawati Fitriyani Fitriyani Habibullah Habibullah Hajrah Hajrah, Hajrah Hasnatan, Hasnatan Hastab, Nur Amalia Hidayanti, Novy Humaira, Annisa Nur Afiat Ibrahim, Aprilyanti Nurna Nengsi Imelia Kristi Rante Allo Imran, Mirna Irma Satriani, Irma Irmawati Irmawati Istiqamah, Putri Nur Jahrir, Andi Sahtiani Johar Amir Juanda*, Juanda Juni, Riska Widati Khatimah, A. Nur Khusnul Langoday, Yohanes Redan Maddimunri, Abdul Rahman Magvira, Magvira Mahmudah Mahmudah Marwah Marwah Mora, Octadita Grace Muhammad Rapi Muhammad Rifai Taha Muhammad Saleh Nuna nk, Nurhidayah Aprilia Nur Azira Azis Nur Indah, Nur Nurmuslimah, Rahmi Putra, Hendra Pratama Putra, Muhammad Alif PUTRI WULANDARI Ridwan Ridwan Ridwan, Ridwan Rini Amriani Rustan, Megawati Saguni, Suryani SYam Sakti M, Reztu Dwi Salam, Salam Sarina Sarina Selvi Selvi St Syamsudduha Suarni Syam Saguni, Suarni Syam Sultan Sultan Sumarni Sumarni Syafiqah*, Nurul Syafiqah, Nurul Syam Saguni, Suarni Syukur, Fandi Talib, Arianti Tuflih, Muhammad Alfian Usman Usman Yusuf, Dwi Anggita