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Kontribusi Mahasiswa terhadap Pelayanan Administrasi Publik Bidang pengelolaan Keuangan Nensilianti, Nensilianti; Ridwan, Ridwan; Saguni, Suarni Syam; Filawati, Filawati; Humaira, Annisa Nur Afiat; Hidayanti, Novy; Abd. Kadir T, Nabila
Abdimas Langkanae Vol. 6 No. 1 (2026)
Publisher : Pustaka Digital Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53769/jpm.v6i1.626

Abstract

Kegiatan Magang yang dilakukan dalam pelayanan administrasi publik di bidang pengelolaan keuangan bertujuan untuk meningkatkan pengalaman dan pengetahuan mahasiswa dalam administrasi Badan Pengelolaan Keuangan Daerah Gowa pada bidang Anggaran, Perbendaharaan, dan Akuntansi. Metode pelaksanaan yang digunakan dalam kegiatan meliputi keterlibatan aktif mahasiswa secara langsung dalam tugas-tugas yang diberikan di setiap bidang, mulai dari menulis, memberikan stempel, mengirimkan berkas arsip, serta mengobservasi berkas-berkas yang berhubungan dengan setiap bidang seperti berkas SP2D, SPJ,SKPD, SPP, DAN SPM. Hasil Praktik magang mahasiswa sastra dalam bidang pelayanan administrasi publik dapat disimpulkan relvansi antara mahasiswa dan instansi memiliki relevansi yang signifikan. Kemampuan utama yang dimiliki mahasiswa sastra, seperti kecermatan dalam menulis, ketelitian dalam membaca dan memahami dokumen, serta keahlian dalam berkomunikasi efektif secara tertulis, mampu menjadi modal penting dalam mendukung pekerjaan administratif yang menuntut ketepatan dan kejelasan informasi.
FENOMENA HIBRIDITAS DALAM NOVEL 1890 KARYA AYU DEWI: POSTKOLONIAL HOMI K. BHABHA Sakti M, Reztu Dwi; Nensilianti, Nensilianti; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82453

Abstract

This study aims to examine the phenomenon of hybridity in Ayu Dewi's 1890 novel using Homi K. Bhabha's postcolonial concept. This study uses a descriptive qualitative method through text content analysis. Data collection was conducted through thorough reading and recording of relevant quotations, while data analysis used the Miles and Huberman model (reduction, presentation, conclusion drawing). The results of the study show the phenomenon of hybridity that gives rise to a new identity as a result of the mixing of colonial and local cultures. This phenomenon appears in three forms: linguistic hybridity (the use of Dutch and Malay), lifestyle hybridity (the adoption of European lifestyles), and character identity hybridity (such as Pamungkas and Utari). Hybridity functions as a mechanism for negotiating power, a form of resistance, and an attempt to build social mobility for colonized subjects.
PENULISAN PEREMPUAN DAN BAHASA PEREMPUAN DALAM MENGUNGKAPKAN FENOMENA KEHIDUPAN PADA NOVEL BELENGGU MERAH MUDA KARYA TYAS DAMARIA: KRITIK SASTRA FEMINISME ELAINE SHOWALTER Aprilia, Arzety; Nensilianti, Nensilianti; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82591

Abstract

This study describes women’s writing and women’s language in the novel Belenggu Merah Muda by Tyas Damaria using Elaine Showalter’s gynocritics approach. This qualitative descriptive research uses textual data from the novel that reflect the female characters’ life experiences. The analysis focuses on three aspects: explicit and implicit sentences, body expressions, and multifocal elements in women’s language. The results show that Damaria portrays women’s experiences through emotional, metaphorical, and reflective language. Explicit sentences reveal the burdens and roles of women, while implicit sentences appear through metaphors that signify the protagonist’s emotional wounds. Body expressions emerge in open, fragmented, and flowing forms, illustrating the character’s psychological conditions. Furthermore, the multifocal aspect reflects women’s layered and complex perspectives on life. These findings affirm that women’s literature serves as a space to articulate women’s experiences authentically
CINTA DAN PENGORBANAN DALAM NOVEL KEMBALI KE PELUKAN CINTA KARYA FREDY S: KONSEP CINTA ERICH FROMM Selvi, Selvi; Nensilianti, Nensilianti; Faisal, Faisal
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.77878

Abstract

This study aims to reveal the forms of love and sacrifice found in Fredy S.’s novel Kembali ke Pelukan Cinta based on Erich Fromm’s concept of love. This research employs a descriptive qualitative method with a literary psychology approach. The data consist of textual excerpts, sentences, and dialogues in the novel that represent Fromm’s five objects of love: brotherly love, motherly love, erotic love, self-love, and love of God. The results show that the novel portrays love in various dimensions of humanity accompanied by sacrifice as a logical consequence of love itself. Brotherly love appears in the friendships between characters; motherly love is shown through the parents’ care for their children; erotic love is depicted through the relationship between Rosana and Herman; self-love is seen in the characters’ efforts to accept themselves and their past; while love of God emerges from the characters’ religious awareness of divine power. Each form of love is always accompanied by acts of sacrifice—physical, emotional, or spiritual. These findings affirm the relevance of Erich Fromm’s concept of love in understanding the dynamics of love and humanity in literary works
Pergerseran Dialek Mesolect ke Dialek Acrolect dalam Penggunaan Bahasa Indonesia Artis Ibu Kota Asal Makassar Wulandari, Putri; Nensilianti, Nensilianti; Jahrir, Andi Sahtiani
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82460

Abstract

This research aims to describe the forms of dialectal shift and identify its contributing factors. Employing a qualitative descriptive approach, data were collected from social media content, podcasts, films, and television programs featuring Makassar artists such as Arief Brata, Denny Sumargo, Indah Permatasari, Eca Aura, Maizura, and Musdalifah. The analysis was conducted using Joshua A. Fishman’s domain theory of language use. The findings reveal three forms of shift: functional, domain, and identity shifts. The main driving factors include urbanization, globalization, and the professional demands of the entertainment industry. The study concludes that this dialect shift is both a sociolinguistic and sociocultural phenomenon, reflecting the marginalization of local dialects in modern public communication.
PENERAPAN STRATEGI POLITENESS BROWN DAN LEVINSON DALAM KONFLIK CERPEN PERSIMPANGAN KARYA RADITYA DIKA Nensilianti, Nensilianti; Ridwan; Nuna nk, Nurhidayah Aprilia
ASMARALOKA: Jurnal Bidang Pendidikan, Linguistik, dan Sastra Indonesia Vol. 4 No. 1 (2026): Volume 4 Nomer 1 Februari 2026
Publisher : Universitas Islam Zainul Hasan Genggong

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55210/asmaraloka.v4i1.651

Abstract

This study explores the politeness methods described by Brown and Levinson (1987) in dealing with emotional conflict in the short story "Persimpangan" by Raditya Dika (2023). The main objective of this study is to analyze face-threatening acts (FTAs), positive face (the desire to empathize), negative face (freedom without interference), and various FTA strategies (direct, positive politeness, negative politeness, indirect) that emerge in the interaction between Indah and Ardi. The findings of this study reveal a sociolinguistic irony while methods of maintaining social face may be successful, they lead to the loss of the "face of happiness" over a longer period of time (Indah experiences severe trauma, while Ardi experiences freedom but is trapped in a state of sorrowful regret).
Konstruksi Subjek Feminin dan Posisi Pembaca Paya Nie: Wacana Kritis Sara Mills Ridwan, Ridwan; Nensilianti, Nensilianti; Adriani, Rani
Prosodi Jurnal Ilmu Bahasa dan Sastra Vol 20, No 1 (2026): Prosodi
Publisher : Program Studi Bahasa Inggris Universitas Trunodjoyo Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21107/prosodi.v20i1.33114

Abstract

Abstract: This study examines the construction of women in Ida Fitri’s novel Paya Nie using Sara Mills’ critical discourse analysis, focusing on the subject-object positions of female characters and the author’s strategies for positioning the reader. The method employed was a qualitative description. The results indicate that women are represented as subjects who voice their experiences, yet also face powerlessness and resistance. The character Khadijah is shackled by patriarchy, whereas Ubiet evolves from victimhood into an empowered subject. The author engages the reader through a first-person perspective and conflicts that evoke empathy. It is concluded that women are not merely passive victims but also process agency within the discourse of power and gender.Abstrak. Peneltitian ini bertujuan untuk menelaah konstruksi perempuan dalam novel Paya Nie karya Ida Fitri dengan menggunakan analisis wacana kritis Sara Mills, yang berfokus pada posisi subjek-objek tokoh perempuan serta strategi penulis dalam memosisikan pembaca. Metode yang digunakan adalah deskripsi kualitatif. Hasil penelitian menunjukkan bahwa perempuan direpresentasikan sebagai subjek yang menyuarakan pengalaman mereka, namun juga menghadapi ketidakberdayaan dan perlawanan. Tokoh Khadijah terbelenggu oleh patriarki, sedangkan Ubiet berkembang dari korban menjadi subjek yang berdaya. Penulis melibatkan pembaca melalui sudut pandang orang pertama dan konflik yang membangkitkan empati. Disimpulkan bahwa perempuan tidak hanya menjadi korban pasif, tetapi juga memiliki agensi dalam wacana kekuasaan dan gender.