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All Journal Jurnal Adabiyah IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Wanastra : Jurnal Bahasa dan Sastra JURNAL LENTERA : Kajian Keagamaan, Keilmuan dan Teknologi Tawarikh : Journal of Historical Studies Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam CALL Nathiqiyyah : Jurnal Psikologi Islam Jurnal Riset Rumpun Ilmu Pendidikan (JURRIPEN) Pragmatik : Jurnal Rumpun Ilmu Bahasa dan Pendidikan Jurnal Intelek Dan Cendikiawan Nusantara Akhlak: Jurnal Pendidikan Agama Islam Dan Filsafat An Najah (Jurnal Pendidikan Islam dan Sosial Keagamaan) Jejak digital: Jurnal Ilmiah Multidisiplin Sujud: Jurnal Agama, Sosial dan Budaya Jurnal Teologi Islam
Dadan Firdaus
UIN Sunan Gungung Djati Bandung
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Physics Public Health Social Sciences Other

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Studi Komparatif Konsep Tauhid dalam Mazhab Sunni dan Syiah: Analisis Teologis Lutfi Ahmad Mutorik; Disyela Apriswa Mandai; Sofa Nur Alfiah; Muhammad Raka Iqbal Fadil Muharom; Rifky Ali Perdiansyah; Muhammad Dzaky Maulana Putra; Dadan Firdaus
JURNAL RISET RUMPUN ILMU PENDIDIKAN Vol. 4 No. 2 (2025): Agustus : JURRIPEN : Jurnal Riset Rumpun Ilmu Pendidikan
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurripen.v4i2.6108

Abstract

This study aims to comparatively analyze the concept of tawhid in Sunni and Shi'a Imamiyyah schools from a theological perspective. Using an exploratory qualitative approach and literature study method, this research examines the theological structures of both traditions, identifying points of convergence and key differences in their understanding of God's oneness. The findings reveal that although both traditions uphold tawhid as the core of faith, differing epistemological approaches and authoritative frameworks lead to significant distinctions. The Sunni tradition emphasizes three dimensions of tawhid—rububiyyah, uluhiyyah, and asma’ wa sifat—while the Shi’a Imamiyyah integrates the concept with the doctrines of imamah and walayah. The study further highlights that such theological diversity can enrich Islamic intellectual tradition and foster constructive inter-sectarian dialogue when managed inclusively. The research recommends promoting sectarian tolerance education and inter-traditional dialogue as key strategies to enhance Islamic unity.
Hassan Hanafi’s Actual Theology: From Anthropocentrism to Revolution Firdaus, Dadan; Pauji, Resa Restu
Jurnal Adabiyah Vol 25 No 2 (2025): December (Islamic Humanities)
Publisher : Faculty of Adab and Humanities - Alauddin State Islamic University of Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24252/jad.v25i2a10

Abstract

Religion in the contemporary era is often predicted to lose its relevance, as human dependency on transcendence is replaced by material progress and routine practices. Theocentric discourse dominates theological studies while social reality receives insufficient attention. This research aims to explain Hassan Hanafi’s concept of actual theology as a liberation-oriented alternative capable of reconnecting faith with concrete social struggle. This research employs qualitative library research using phenomenology as the analytical framework, centered on Hassan Hanafi’s primary text Min al-ʿAqīdah ilā al-Thawrah and supported by his project al-Turāth wa al-Tajdīd. The findings show that Hanafi reconstructs Islamic theology by shifting its epistemological axis from a purely theocentric-dogmatic orientation toward a theological anthropocentrism focused on justice, liberation, and historical agency. The research concludes that Hanafi’s actual theology offers a transformative paradigm: from creed to revolution, from metaphysical doctrines to social emancipation, providing a substantive contribution to contemporary Islamic theological reform. ملخص غالبًا ما يُتوقع أن يفقد الدين في العصر الحديث أهميته مع استبدال الاعتماد البشري على التعالي بالتقدم المادي والروتين. كما تُركز الدراسات اللاهوتية بشكل أكبر على مسألة الله وحده، تاركةً الواقع الاجتماعي البشري دون تطور. تهدف هذه الدراسة إلى شرح المفهوم اللاهوتي الحالي لحسن حنفي كشكل من أشكال لاهوت التحرير الذي يسعى إلى ربط الإيمان بالنضالات الاجتماعية الملموسة. تعتمد هذه الدراسة على مراجعة نوعية للأدبيات وتحليل ظاهراتي من خلال دراسة نقدية لعمله الرئيسي، "من العقيدة إلى الثورة"، ومشروعه "التراث والتجديد". تُظهر النتائج أن حنفي أعاد بناء اللاهوت الإسلامي بتحويل توجهه المعرفي من لاهوت مركزي-عقائدي إلى لاهوت مركزي-بشري، مُركزًا على العدالة والتحرير والدور التاريخي للبشر. تخلص هذه الدراسة إلى أن الفقه الحنفي يقدم نموذجًا تحوليًا: من العقيدة إلى الثورة، ومن المذهب الميتافيزيقي إلى التحرر الاجتماعي، مما يُسهم إسهامًا كبيرًا في تجديد الفقه الإسلامي المعاصر Abstrak Agama pada era kontemporer kerap diprediksi kehilangan relevansinya karena ketergantungan manusia pada aspek transendensi semakin digantikan oleh kemajuan material dan rutinitas. Studi-studi teologi juga lebih banyak berkutat pada persoalan Tuhan semata, sehingga realitas sosial manusia kurang mendapatkan tempat. Penelitian ini bertujuan menjelaskan konsep teologi aktual Hassan Hanafi sebagai bentuk teologi pembebasan yang berupaya menghubungkan akidah dengan perjuangan sosial yang konkret. Penelitian ini merupakan penelitian kepustakaan dengan pendekatan kualitatif dan analisis fenomenologis melalui telaah kritis terhadap karya utama Min al-ʿAqīdah ilā al-Thawrah serta proyek al-Turāth wa al-Tajdīd. Hasil penelitian menunjukkan bahwa Hanafi melakukan rekonstruksi teologi Islam dengan menggeser orientasi epistemologisnya dari teosentris-dogmatis menuju teologi antroposentris yang berfokus pada keadilan, pembebasan, dan peran historis manusia. Penelitian ini menyimpulkan bahwa teologi aktual Hanafi menawarkan paradigma transformatif: dari akidah menuju revolusi, dari doktrin metafisik menuju emansipasi sosial, sehingga memberikan kontribusi signifikan bagi pembaruan teologi Islam kontemporer.
Tauhid Sebagai Landasan Kesadaran Lingkungan Dalam Perspektif Islam Hilmi Fuadi; Dadan Firdaus
Jurnal Intelek Dan Cendikiawan Nusantara Vol. 2 No. 5 (2025): Oktober - November 2025
Publisher : PT. Intelek Cendikiawan Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tauhid sebagai inti ajaran Islam tidak hanya memuat aspek teologis, tetapi juga memiliki dimensi etis dan ekologis yang penting untuk dikontekstualisasikan dalam menjawab krisis lingkungan modern. Penelitian ini bertujuan untuk mengkaji bagaimana konsep tauhid dapat diaktualisasikan sebagai kesadaran ekologis dalam kehidupan umat Islam. Dengan menggunakan metode kualitatif-deskriptif berbasis studi kepustakaan, penelitian ini menganalisis ayat-ayat kauniyah dalam Al-Qur’an, tafsir para ulama, serta literatur kontemporer yang membahas hubungan antara Islam dan lingkungan. Hasil penelitian menunjukkan bahwa tauhid mengandung prinsip-prinsip kosmologis seperti mīzān (keseimbangan), amanah, dan tanggung jawab khalifah yang menuntut manusia menjaga keteraturan ciptaan. Kerusakan lingkungan dipandang sebagai bentuk pengingkaran terhadap nilai tauhid, dan oleh karenanya aktualisasi tauhid dalam bentuk kesadaran ekologis menjadi penting. Integrasi nilai-nilai ini dalam pendidikan, dakwah, dan kebijakan publik dapat memperkuat kontribusi Islam dalam pembangunan berkelanjutan. Penelitian ini juga menekankan perlunya reinterpretasi tauhid sebagai basis etika ekologis Islam yang holistik dan transformatif.
Tauhid sebagai Fondasi Kesehatan Mental Islami: Tinjauan Literatur atas Krisis Psikologis Modern Mohamad Ihsan Kamaluddin; Dadan Firdaus
Nathiqiyyah Vol. 8 No. 2 (2025): Nathiqiyyah : Jurnal Psikologi Islam
Publisher : Program Studi Psikologi Islam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46781/nathiqiyyah.v8i2.1772

Abstract

This study explores the central role of tawḥīd (Islamic monotheism) as a foundational concept in shaping Islamic approaches to mental health, particularly in addressing the psychological crisis of the modern era. Using a qualitative literature review method, the research analyzes classical and contemporary sources in Islamic theology and psychology to identify the theological, psychological, and therapeutic dimensions of tawḥīd. The findings demonstrate that tawḥīd, as the doctrine of divine oneness, offers more than metaphysical truth; it provides an existential framework that supports emotional stability, spiritual resilience, and psychological well-being. The study highlights how the three dimensions of tawḥīd—rubūbiyyah (divine lordship), ulūhiyyah (divine worship), and asmāʾ wa ṣifāt (divine names and attributes)—contribute to reducing anxiety, instilling purpose, and protecting individuals from identity confusion and spiritual emptiness in the face of social comparison, digital overstimulation, and moral relativism. Moreover, the research emphasizes the practical implementation of tawḥīd through education, daʿwah, and tauhīd-based therapy. It calls for a systemic integration of tawḥīd into modern mental health strategies for Muslim communities. The study concludes that the internalization of tawḥīd is not only essential to religious faith but is also a transformative paradigm for restoring personal peace, meaning, and collective emotional health in a fragmented world.
Nilai Ikhlas sebagai Pembentuk Pengendalian Emosi dalam Film Inside Out Salwa Rismilillah Akmalia; Wildan Muttaqiin Sandah; Sara Samrotul Atkia; Fazar Sidik; Dadan Firdaus
Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat Vol. 3 No. 3 (2026): Juli: Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat
Publisher : Asosiasi Riset Ilmu Pendidikan Agama dan Filsafat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/akhlak.v3i3.2314

Abstract

This study analyzes the representation of emotions in the animated film Inside Out (2015) through the lens of Islamic Ethics and Mysticism (Akhlak Tasawuf), focusing on the value of sincerity (al-ridha) as a shaping force in the emotional regulation of the main character, Riley. Employing a descriptive qualitative method through documentation technique, the study examines scenes, dialogues, and character expressions reflecting processes of emotional acceptance and management. Data were analyzed using a combined framework drawing from the concept of rida in Sufi ethics and the Process Model of Emotion Regulation, particularly cognitive change and response modulation strategies. Findings indicate that al-ridha functions as an inner stabilizer guiding Riley toward nafs muthmainnah (a tranquil soul), evidenced in key scenes such as Riley's emotional disclosure to her parents and the transformation of her core memories. The concept of itsar (empathy) also emerges as a social dimension of emotional regulation that conventional psychological models tend to overlook. This study contributes an interdisciplinary framework bridging the psychological and spiritual dimensions of film analysis, while addressing a gap in research on animated films from an Islamic perspective.
Representasi Tawakal dalam Lagu “Insha Allah” Karya Maher Zain Berdasarkan Perspektif Al-Ghazali Amanda Maharani Sandrina; Aria Raizal Muhammad; Shofy Zahwa Syakira; Dadan Firdaus
Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat Vol. 3 No. 3 (2026): Juli: Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat
Publisher : Asosiasi Riset Ilmu Pendidikan Agama dan Filsafat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/akhlak.v3i3.2333

Abstract

Music is one of the effective media for conveying Islamic values, including the concept of tawakal (trust in Allah). Through song lyrics, religious messages can be delivered to listeners in language that is easy to understand while conveying profound meaning. This study aims to analyze the representation of tawakal in the lyrics of Insha Allah by Maher Zain using a semantic approach based on Al-Ghazali’s perspective. This study employed a qualitative approach using the qualitative content analysis method. The research data consisted of selected song lyric excerpts, which were analyzed based on their lexical and contextual meanings and subsequently classified into the three aspects of tawakal according to Al-Ghazali, namely knowledge ('ilm), spiritual state (hal), and action (amal). The findings indicate that the lyrics of Insha Allah represent tawakal through faith in Allah, the transformation of one's inner state from despair to hope, and the act of returning to Allah through prayer and complete surrender. These findings demonstrate that the song functions not only as a form of entertainment but also as a medium for conveying Islamic spiritual values while enriching semantic studies on Islamic song lyrics.
Analisis Pragmatik dalam Kesantunan Tindak Tutur Tokoh pada Cerpen ‘Thank You, Ma’am’ Karya Langston Hughes Alifah Zahra Adhiyana; Putri Fatimah Azzahra; Wafiq Aziz Wardah; Dadan Firdaus
Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat Vol. 3 No. 3 (2026): Juli: Akhlak : Jurnal Pendidikan Agama Islam dan Filsafat
Publisher : Asosiasi Riset Ilmu Pendidikan Agama dan Filsafat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/akhlak.v3i3.2344

Abstract

This study analyzes the politeness strategies of characters' speech acts in Langston Hughes' short story "Thank You, Ma'am" using Brown and Levinson's Politeness Theory (1987) integrated with the perspective of Islamic Moral Mysticism (Akhlak Tasawuf). A descriptive qualitative method was employed, with data collected through reading and noting techniques and purposive sampling. The primary data source consists of 15 utterances drawn from dialogues between the two main characters, Mrs. Luella Bates Washington Jones and Roger, analyzed using the Miles, Huberman, and Saldaña (2014) model. The findings identify three politeness strategies: positive politeness (53.3%), negative politeness (26.7%), and bald on record (20%), while the off-record strategy was absent. Positive politeness emerged as the dominant strategy, reflecting the characters' efforts to build solidarity and moral transformation. Concurrently, the Akhlak Tasawuf analysis identified three prevailing values—tawadhu' (humility), shiddiq (truthfulness and sincerity), and hifdzul lisan (guarding one's speech)—each correlating with the politeness strategies employed. These findings suggest that linguistic politeness in this short story functions not merely as a pragmatic face-management tool, but also as a representation of ethical and spiritual values that foster behavioral change and the restoration of interpersonal relationships.
Nilai Taubat dalam Lirik Lagu Forgive Me Karya Maher Zain: Analisis Semiotika Roland Barthes Dadan Firdaus; Dzulkhaffi Muhammad Arieful Husna; Laila Qadera Fitria; Muhammad Fuad Ramadhan; Syahla Fatia Zahra
Pragmatik : Jurnal Rumpun Ilmu Bahasa dan Pendidikan  Vol. 4 No. 3 (2026): Juli: Pragmatik : Jurnal Rumpun Ilmu Bahasa dan Pendidikan
Publisher : Asosiasi Periset Bahasa Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/pragmatik.v4i3.2779

Abstract

This study examines the representation of repentance (tawbah) in the lyrics of Maher Zain's song “Forgive Me” using Roland Barthes' theory of semiotics, viewed through the lens of Islamic moral teachings within the Sufi tradition. Released in 2009 on the album Thank You Allah, the song conveys a profound spiritual narrative of sin-awareness, remorse, and a sincere yearning for divine forgiveness. Employing a qualitative-descriptive approach, the lyrical text is examined at three levels of meaning based on Barthes' framework: denotation, connotation, and myth. The findings are then interpreted through the tawbah frameworks of Al-Ghazali (ilm, hal, and amal), Al-Qushayri (the spiritual stations of repentance), and Ibn Qayyim al-Jawziyyah (mahabbah and khawf). The results show that the lyrics of “Forgive Me” encompass all three core dimensions of tawbah: at the cognitive level, an awareness of wrongdoing; at the connotative level, genuine remorse coupled with a sincere desire to change; and at the mythological level, a belief in divine forgiveness and the necessity of seeking it. This study contributes to the field of contemporary Islamic literary studies by demonstrating that popular religious music can serve as a meaningful medium for expressing and transmitting Sufi spiritual values to a global audience.
Co-Authors Adam Maulana, Iyadh Alfina Nur Lutfiah Alifah Zahra Adhiyana Alika Marsya Salsabila Alya Rahmawati Amanda Maharani Sandrina Anisa Triani Apsari Eka Putri Arfia Diva Al Zahra Aria Raizal Muhammad Aura Pusparani, Syahla Bella Rodhiatammardiyah Desri Lestari Disyela Apriswa Mandai Dzulkhaffi Muhammad Arieful Husna Eriska Yani Safitri Erlan Aditya Ardiansyah Fadia Raihan Aqrandista Faizal Malik Sundana Farhan Maulana Trisnadi Farid Nur Fauzan Naufal Fathan Fadhlullah, Muhammad Sayyid Fazar Sidik Fitri Yulianti Hanifa, Alfira Hannifa Rojwa Thalib Hilmi Fuadi Ilmi Nurhanifah Irsyad Rauhillah Fa’iz Jenetha, Fatikha Putri Kartika Tri Puspita Sari Laila Qadera Fitria Lintang Asmaradana Listiani, Toneng Lutfi Ahmad Mutorik MAHI MAMAT HKIKMAT Mohamad Ihsan Kamaluddin Muhammad Dzaky Maulana Putra Muhammad Fuad Ramadhan Muhammad Ihwan Safrudin Muhammad Rafif Athallah Muhammad Raka Iqbal Fadil Muharom Nabilah, Nanda Aidila Fitri Nasywa Asyifa Salsabila Nisa Nuraeni Nisfah Nurfatihah Pauji, Resa Restu Putri Baheransyah, Zahwa Bilbina Putri Fatimah Azzahra Rafi Almas Izzatullah Rahman, Rezi Fauzi Reihan Irsyad Maulana Rifky Ali Perdiansyah Rizkya Halimatus Sya'diah Ruminda Ruminda Sabda Maulana Salwa Rismilillah Akmalia Sara Samrotul Atkia Sarah Novian Chand Shofy Zahwa Syakira Silvia Syifa Nur Padilah Siti Nurasyifa Sofa Nur Alfiah Sri Nita Sulasman Sulasman Suparman Suparman Syahla Fatia Zahra Wafiq Aziz Wardah Wildan Muttaqiin Sandah Wita Meilina Laura