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Penerapan Struktur Naratif Tiga Babak dalam Penulisan Naskah Video Feature “Setu Babakan: Rumah Betawi Hari Ini” Siti Noorhayati Fajriani; Ridha Elsarah Affendi; Encang Saepudin; Kurnia Lucky Fadillah
Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain Vol. 3 No. 3 (2026): Juli: Realisasi : Ilmu Pendidikan, Seni Rupa dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/realisasi.v3i3.1132

Abstract

The existence of Betawi traditional houses amid the rapid modernization of Jakarta has indicated a shift in their function from residential spaces to symbols of cultural preservation. This condition encouraged the creation of the video feature entitled “Setu Babakan: Rumah Betawi Hari Ini” through the implementation of the three-act narrative structure in scriptwriting. This final project report aimed to describe the role of the scriptwriter in applying the three-act narrative structure during the creation process. A descriptive approach was employed by systematically explaining the pre-production, production, and post-production stages based on the creative experience. During pre-production, the scriptwriter conducted research, developed the concept, wrote the script, and prepared interview questions. The implementation of the three-act structure was reflected in the first act, which introduced Setu Babakan as a center of Betawi cultural preservation; the second act, which explored the history, architectural forms, and cultural values of Betawi traditional houses; and the third act, which presented reflections and expectations regarding the continuity of Betawi culture in modern society. During production and post-production, the scriptwriter ensured that all audiovisual elements remained aligned with the predetermined narrative structure. It was concluded that the implementation of the three-act narrative structure assisted the script writer in organizing cultural research findings into a coherent and communicative storyline that effectively conveyed cultural messages to the audience.
Co-Authors -, Fitriawati Aditya, Farel Admadyana, Rafi Agung Budiono Agung Budiono Agus Rusmana Agus Rusmana Andri Yanto Anjani, Salsabiila Asep Saeful Rohman Aulia, Tengku Nadila Ayumsari, Ratri Azmi Maharani Azzahra, Tsabitah Siti Chandra, Devita Cshe Sukma Aeni, Via Dani, Ocxiela Imel Devi Rizkyana Dhea Shena Oktaviananda Dhiya, Silvi Alin Diah Sri Rejeki Dwi Nurina Pitasari Edwin Rizal Eka Evriza eka evriza, eka Eleora, Vanessa Valencia Elnovani Lusiana Evi Nursanti Rukmana Fadhilah Muhammad Gumgum Gumilar Heru Ryanto Budiana Jatmiko, Sinta Ary Karrany, Zahra Nurfabella Kokom Komariah Kurnia Lucky Fadillah Kurnia, Yani M. Rifki Adinur Zein Maharani, Defitria Mas Halimah Maula Siti Sarah Maulina, Ajri Rhaysa McArthur, James M.B. Muchammad Ikmal Abdillah Muhammad Daffa Ramadhani Muthmainnah, Hana Mutiara Amisyah Nadhirotus Sofia Nadia Nur Azizah Nazwa Salsabila Neneng Komariah Neneng Komariah Neneng Komariah Neneng Komariah Neneng Komariah Ninis Agustini Damayani Nirma Yuniar NISA, LUTFIATUN Nuning Kurniasih Nurmaya Prahatmaja Nurmaya Prahatmaja Nursinta, Putri Martina Oktapiyadi, Wandi Oktaviananda, Dhea Shena Pawit M Yusup Pawit Muhammad Yusup, Pawit Muhammad Putri, Anneke Renaldi, Muhammad Reza Ardhian Ridha Elsarah Affendi Ridha Elsarah Effendi Rifky Adinur Zein Rinda Aunillah Sirait Rizki Nurislaminingsih Rully Khairul Anwar Ryan Krisna Gautama Saeful Fatah Zaelani Saleha Rodiah Sally Amanda Salsabila Maharani Putri Savitri, Regina Siti Noorhayati Fajrian Siti Noorhayati Fajriani Srirezeki, Nur Indah Sukaesih Sukaesih Sukaesih, Sukaesih Sukaesih, - Suwardi, Adi Tasya Rahmadini Tine Silvana Rachmawati Tine Silvana Rachmawati Toto Sugito Ute Lies Siti Khadijah Vanamamalai, Ratnamala Yani Kurnia Yunus Winoto