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Adi Sutrisno
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Journal : Lexicon

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Gender Differences in the Directness of Request Strategies in the Movies Ocean’s Eight and Ocean’s Eleven Aracelly, Aisya; Sutrisno, Adi
Lexicon Vol 11, No 2 (2024)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lexicon.v11i2.81445

Abstract

This research examined the level of directness of request strategies found in the movies Ocean’s Eight and Ocean’s Eleven. The topic of request strategies itself is important to study in a way that even though all people use it in their daily lives, the act has been used differently by different people. This paper also aimed to see whether there are differences in request strategies made by male and female characters in terms of politeness strategies. The data used in this study are the utterances spoken by the characters that contain request strategies. The data then were analyzed using the theory proposed by Blum-Kulka and Olshtain (1984), followed by the classification of politeness strategies using the combined theory from Holmes (1995) and Brown and Levinson (1987). The result shows that the male characters used direct strategy (Mood Derivable) the most with 57 occurrences (58%). Meanwhile the female characters preferred using conventionally indirect strategy (Query Preparatory) the most with 18 occurrences (33%). Furthermore, this research found that male characters tended to use Bald-On-Record strategy while requesting (71%) and they also found using Referential Tags (2%) as Holmes (1995) stated that men prefer using the referential tag to check their statement’s accuracy. The strategy that was mostly used by female characters was Bald-On-Record as well (35%).  However, this strategy is balanced out with other strategies which were Affective Tags (31%). Affective Tags are preferred by women to soften their request or potential threat (Holmes, 1995).
Co-Authors ., Margiyono Abdul Rahim Abdul Rahman Abidah, Amelia Nur Aditia Syaprillah, Aditia Afandi, Titah Afkarina, Fika Sofiah Agang, Mohammad Wahyu Agang, Wahyu Ahmad Zein, Yahya Aisyah, Rasyidah Nur Amtiran, Maya Romanti Anggia Suci Pratiwi Anindya, Widya Dara Aracelly, Aisya Arief Budiono Arif Rohman Arifulloh, Mohammad Astutik, Lidia Azmi, Nazril Bramasto Nugroho Dendi Nosya, Akhmad Dudung Darusman DWI SANTOSO Dwiyanto, Efri Egra, Saat Elida Novita Fakhrurroja, Hanif Faojiah, Rahma Septiany Farid, Mifta Faza Hannan, Faza Hannan Febrina, Ria Fikri Fikri Hakim, Amirul Hosnol Wafa Hosnol Wafa, Hosnol Husin Ali, Muhammad I Dewa Putu Wijana Ilyas Pratama, Nuriana Imansyah, Ananda Adil Indra Tjahyadi Islamia, Hikmatul Kanoko, Nanda Putra Karlina Denistia, Karlina Kartodihardjo, Hariadi Kusnadi, Erwan Lidyana, Novita Maftuha, Rofiah Ulil Maharani, Reriskha Mahbub, Moh. Tarojjil Mailawati Ma’ruf, Amir Meiliana Nurfitriani, Meiliana Mohammad Zamroni Mulyono, Sugeng Edy Ni Gusti Ayu Roselani Nurfahmi*, Ardia Pramesti Nuril Hidayati Pramulya, Rahmat Pratiwi, Anggia Suci Purinanda, Faza Hannan Puspitasari, Devi Ambarwati Rasyidah Nur Aisyah Rustianawati, Mutimmah Sakaria Sakaria Sayaza, Mas Davino Setyawan, Rakha Siti Sudartini Sri Andayani Sri Andayani Sugeng Edy Mulyono Suhandano Sujianto Sujianto Suyani, Ida Sugeng Thomas Joko Priyo Sembodo Titing, Deny Tjahjo Tri Hartono Tofan Dwi Hardjanto Wahyuni, Etty Wahyuni, Ety Wibisono Yudhi Kurniawan Yani Yani