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All Journal Poetika: Jurnal Ilmu Sastra Caraka : Jurnal Ilmu Kebahasaan, Kesastraan, dan Pembelajarannya Jurnal Ilmiah Universitas Batanghari Jambi Berkala Arkeologi Gramatika: Jurnal Ilmiah Kebahasaan dan Kesastraan JETL (Journal Of Education, Teaching and Learning) GERVASI: Jurnal Pengabdian kepada Masyarakat Literasi : Jurnal Bahasa dan Sastra Indonesia serta Pembelajarannya Titian: Jurnal Ilmu Humaniora SULUK: Jurnal Bahasa, Sastra, dan Budaya Didaktik : Jurnal Ilmiah PGSD STKIP Subang CrossOver:Journal of Adaptation Studies Kajian Linguistik dan Sastra Takuana: Jurnal Pendidikan, Sains, dan Humaniora PKM Linggau: Jurnal Pengabdian dan Pemberdayaan Masyarakat Proceeding International Conference on Malay Identity Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Prosiding Seminar Nasional Humaniora BAHASTRA Berkala Arkeologi JURNAL PENDIDIKAN BAHASA Deiksis: Jurnal Pendidikan Bahasa dan Sastra Indonesia Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi
Dwi Rahariyoso, Dwi
Unknown Affiliation
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Earth & Planetary Sciences Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Social Sciences Other

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DINAMIKA EMOSI TOKOH UTAMA DALAM NOVEL SEPORSI MIE AYAM SEBELUM MATI KARYA BRIAN KHRISNA Medikana, Rosaria; Maizar Karim; Dwi Rahariyoso
Didaktik : Jurnal Ilmiah PGSD STKIP Subang Vol. 12 No. 01 (2026): Volume 12 No. 01, Maret 2026 Release
Publisher : STKIP Subang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36989/didaktik.v12i01.12083

Abstract

This study aims to describe the emotional dynamics of the main character, Ale, in the novel Seporsi Mie Ayam Sebelum Mati by Brian Khrisna using David Krech’s theory of emotions. The focus of the study is to identify the forms of emotions experienced by the character based on the categories of guilt, repressed guilt, self-punishment, shame, sadness, hatred, and love. This research employs a literary psychology approach with a qualitative descriptive method. The data consist of narrative excerpts and dialogues that reflect the emotional expressions of the main character. The data were collected through close reading and note-taking techniques and then analyzed based on emotional indicators proposed by Krech. The findings reveal that Ale’s emotional dynamics are predominantly characterized by self-punishment, shame, and sadness. These emotions emerge as a result of bullying, social rejection, and unfair treatment he has experienced since childhood through adulthood. Meanwhile, guilt, repressed guilt, hatred, and love are not portrayed significantly. The study concludes that prolonged social rejection shapes destructive emotional patterns that influence the main character’s self-concept and psychological condition.
Struktur Naratif Seymour Chatman Dalam Kumpulan Cerpen Memburu Muhammad Karya Feby Indirani Dwi Fernanda, Aviriyanto; Wilyanti, Liza Septa; Rahariyoso, Dwi
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 5 No. 3 (2025): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v5i3.2086

Abstract

This study aims to describe the narrative structure in the short story collection Memburu Muhammad by Feby Indirani by applying Seymour Chatman’s theoretical framework, which distinguishes between the components of story and discourse. The research is grounded in the need to understand how contemporary literary works construct meaning through narrative organization, particularly those addressing social, spiritual, and humanistic issues. The data consist of textual excerpts, events, actions, characters, and discourse elements found in five selected short stories Rahasia Rumah Kami, Bakso Terenak di Dunia, Dia Bertanya Tentang Tuhan, Kisah Cinta Azazil, and Melukis Tuhan, with the short story collection serving as the primary data source. Data were collected through close reading, observation, and note-taking, followed by systematic classification using Chatman’s analytical categories. The analysis employed a qualitative descriptive method by reducing data, identifying the structure of story and discourse, interpreting their narrative functions, and examining how both components interact to shape the thematic meaning of each story. Data validation was conducted through theoretical triangulation and referential adequacy to ensure the accuracy of interpretation. The results show that all five stories exhibit coherent story structures composed of kernels, character actions, events, characterizations, and settings, while their discourse elements appear through variations in narrative sequencing, flexible points of view, and symbolic-reflective linguistic style. These findings indicate that Feby Indirani successfully integrates story and discourse to create meaningful narratives that are communicative, aesthetically rich, and capable of encouraging readers to engage critically with moral, spiritual, and humanistic issues.
Narrative structures and platform influences in digital prose: A study of Gérard Genette’s structural narratology and Marie-Laure Ryan’s transmedial narratology Wulandari, Sovia; Fitriah, Siti; Triandana, Anggi; Putri, Aprilia Kartika; Rahariyoso, Dwi
BAHASTRA Vol. 46 No. 1 (2026): BAHASTRA
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26555/bs.v46i1.1741

Abstract

The main aim of this research is to elaborate the narrative structure of digital prose across various online platforms and examine how digital media characteristics influence storytelling forms. A qualitative approach and the integration of Gérard Genette’s structural narratology with Marie-Laure Ryan’s transmedial narratology are applied. The object of this research is the selected texts from Wattpad, Webtoon, Fizzo, and Karyakarsa. The findings of this research show that digital prose tends to apply linear yet accelerated and fragmented narrative structures, characterized by dominant internal focalization and homodiegetic narration to enhance reader engagement. Furthermore, each platform shapes narrative configuration differently. For example, Webtoon emphasizes multimodal and spatialized storytelling, Wattpad facilitates participatory, community-driven narrative; third, Fizzo promotes compressed, fast-paced storytelling; and fourth, Karyakarsa integrates a narrative production with social and economic interaction. These results reveal that digital prose is not simply an extension of printed literature, but it is a platform-dependent narrative form which is shaped by the interaction between textual strategies (narratology structure) and technological affordances (transmedial narratology). This study contributes to digital narratology by highlighting how platform features actively reconfigure narrative structures and reader–text relationships in contemporary storytelling.
GONG BETINO DAN GONG JANTAN: KONSTRUKSI GENDER PADA ALAT MUSIK GONG BULUH KERINCI Amor Seta Gilang Pratama; Masvil Tomi; Dwi Rahariyoso
Keteg : Jurnal Pengetahuan, Pemikiran dan Kajian Tentang Bunyi Vol. 22 No. 2 (2022)
Publisher : Surakarta: Jurusan Karawitan Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/keteg.v22i2.4673

Abstract

This research focuses on the relationship between the cultural structure of Kerinci, and the Gong Buluh traditional music. What is being explored is how material culture is, also seen in treating the reed gong as a traditional musical instrument in Kerinci. The method used in this research is a qualitative method with a case study approach. The process of collecting data is by conducting ethnographic interviews. Ethnographic interview is a type of interview that is not too formal, friendly, but inserts ethnographic questions, such as questions that are descriptive, structural, and contrast. There are two stages of data analysis technique. The first stage is to codify the data that has been obtained. The second stage is to carry out an analysis between data, to see the relationship between the structure of the kerinci culture and Gong Buluh, using the theory or concept that has been referred to. The results of the study show that epistemologically, the structure of the reed gong is divided into two parts, namely the gong betina and the gong jantan. Gong betina have a higher sound intensity than gong jantan. The terms betina and jantan in the context of the gong become a duality related to the structure of the Kerinci culture. The Kerinci tribe adheres to a materiallineal system, in which women (ninik mamak, inner child) are the highest customary authority holders. The structure of the gong reed thus has a similarity to the construction of the Kerinci culture which is the basis and convention in rituals traditions, especially Kenduri Sko.
Representasi dan Resistensi Perempuan dalam Sihir Perempuan Karya Intan Paramaditha: Perspektif Kritik Sastra Feminis Ihwandi Ihwandi; Sovia Wulandari; Dwi Rahariyoso; Irma Suryani
Takuana: Jurnal Pendidikan, Sains, dan Humaniora Vol. 5 No. 1 (2026): Takuana (April-June)
Publisher : MAN 4 Kota Pekanbaru

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56113/takuana.v5i1.539

Abstract

This study aims to analyze and comprehensively describe the representation of women in Sihir Perempuan, a collection of short stories by Intan Paramaditha, using the framework of feminist literary criticism. The research employed a qualitative descriptive method with content analysis as the primary analytical technique. The main data consisted of narrative texts, dialogues, and characters’ inner monologues found in ten selected short stories from the anthology. Data were collected through close reading and note-taking techniques, while theoretical triangulation was applied to ensure data validity. The findings reveal that the representation of women in the anthology is structurally categorized into three major dimensions. First, the physical dimension highlights bodily exploitation, clothing as a marker of social status, and the deconstruction of patriarchal beauty standards. Second, the psychological dimension portrays inner anxiety, existential trauma, obsession, and neurotic fear resulting from both domestic and public pressures. Third, the social dimension demonstrates the complexity of women's roles as subordinates within family institutions, secretaries subjected to workplace harassment, and victims of social marginalization due to mystical stigmas and collective rumors. Through the use of Gothic horror aesthetics and the deconstruction of conventional fairy tales, Intan Paramaditha not only depicts women's oppression but also articulates female agency, resistance, and radical forms of rebellion aimed at challenging and dismantling patriarchal social structures.
Struktur Fisik dan Batin Puisi dalam Perspektif Multimodalitas pada Kanal YouTube Fiksionalisme Arif Wahyu Widodo; Sovia Wulandari; Yoga Mestika Putra; Irma Suryani; Dwi Rahariyoso
Takuana: Jurnal Pendidikan, Sains, dan Humaniora Vol. 5 No. 1 (2026): Takuana (April-June)
Publisher : MAN 4 Kota Pekanbaru

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56113/takuana.v5i1.540

Abstract

The development of digital technology has transformed conventional text-based poetry into a form of digital literature that integrates textual, auditory, and visual elements. This study aims to describe the physical and inner structures of poetry from a multimodal perspective on the Fiksionalisme YouTube channel. The research employed a qualitative descriptive method using a structuralist approach to poetry. The data consisted of words, phrases, lines, and multimodal elements, including audio and visual components, collected through observation, note-taking, and screenshot documentation techniques. The findings reveal that the physical structure of the poems is characterized by the use of connotative and metaphorical diction, dominant figurative language (metaphor, personification, hyperbole, and simile), natural free rhyme, and dynamic digital typography. The inner structure predominantly reflects themes of love, longing, admiration, and inner conflict, accompanied by romantic-melancholic tones and reflective atmospheres. From a multimodal perspective, vocal intonation, background music, and visual imagery function as integral meaning-making resources that reinforce emotional expression and audience engagement. These findings demonstrate that poetry presented on the Fiksionalisme YouTube channel represents a contemporary form of digital literature in which linguistic and multimodal elements interact synergistically to enrich literary aesthetics and appreciation in the digital era.
Co-Authors Ahyatun Maghfiroh Amor Seta Gilang Pratama Anggi Triandana Aprilia Kartika Putri Ari Mukti Wardoyo Adi Arif Wahyu Widodo Dimas Sanjaya Dwi Fernanda, Aviriyanto Ernanda Ernanda ERNANDA, ERNANDA Firliyana, Nur Fitriyanti Fitriyanti Hidayat, Ruldi Ihwandi Ihwandi Ilham Falani Insani, Nurfadhila Fadlil Irma Suryani Irma Suryani Irma Suryani Izar, Julisah Kurniadi Ilham Layzi Sw Azzahra Layzi Sw Azzahra Liza Septa Wilyanti Mahanani, Nugrahadi Maizar Karim Maizar Karim Medikana, Rosaria Muhammad Iqbal Fahlefi Muhammad Rohiq Nainunis Aulia Izza Nazurty Nazurty Nopiansyah Radius Nurfitri Susanti OKTADINATA, ALEK Pratama, Amor Seta Gilang Putri Marsyanda Radius Nopiansyah Reli Handayani, Reli Riduansyah Riduansyah Rio Yudha Maulana Roudotul Janna Sari, Tika Siti Fitriah Sovia Wulandari Tomi, Masvil Warni Warni Wawan Junresti Daya Wilyanti, Liza Septa Wulandari, Sovia Yoga Mestika Putra Yovhandra Ockta Yundi Fitrah