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All Journal JURNAL KOMUNIKATIO PERSPEKTIF Jurnal Syntax Transformation Jurnal Ilmiah Publika Journal of Economics and Business UBS International Journal of Business, Economics, and Social Development Devotion: Journal of Research and Community Service International Journal of Social Service and Research Sibatik Journal : Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Abdimas Awang Long: Jurnal Pengabdian dan Pemberdayaan Masyarakat Indonesian Journal of Multidisciplinary Science Journal of Social Research Journal Of World Science International Journal of Humanities Education and Social Sciences Journal Indonesia Law and Policy Review (JILPR) Jurnal Signal Journal of Comprehensive Science Edunity: Kajian Ilmu Sosial dan Pendidikan Journal of Social Science Asian Journal of Management Analytics INJURITY: Journal of Interdisciplinary Studies Journal Research of Social Science, Economics, and Management Jurnal Ekonomi, Teknologi dan Bisnis ATHENA: Journal of Social Culture and Society Apollo: Journal of Tourism and Business Indonesian Journal of Advanced Research (IJAR) Jurnal Psikologi Journal Of Public Policy (Social Politics) Sciences (Polisci) Asian Journal of Social and Humanities INTERACTION Communication Studies Journal CONVERSE Journal Communication Science Federalisme : Jurnal Kajian Hukum Dan Ilmu Komunikasi Jurnal Greenation Sosial dan Politik Dialogika : Jurnal Penelitian Komunikasi dan Sosialisasi Journal Socio Humanities Review Immortalis Journal of Interdisciplinary Studies INTERNATIONAL JOURNAL OF SOCIETY REVIEWS (INJOSER) INTERNATIONAL JOURNAL OF FINANCIAL ECONOMICS (IJEFE) Jurnal Komunikasi Siber Nusantara of Law and Politic Review (SNLPR)
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Direction Wedding Photography In Creating Visual Aesthetic Creations Adie Alfariz N; Nuruzzaman nuruzzaman; Aghnia Dian Lestari
Journal of Social Research Vol. 3 No. 10 (2024): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v3i10.2242

Abstract

This research examines the crucial role of Direction Wedding Photography in Creating Visual Aesthetic Creations that meet contemporary expectations and trends in the wedding photography industry. The aim of this research is to analyze the key factors that influence the success of wedding photography, identify innovative techniques used by professional photographers, and understand the role of social media and digital platforms in shaping client preferences and expectations. Through a qualitative approach with descriptive analysis, this research explores the perspectives of professional photographers and clients to understand the complex dynamics in producing aesthetic and meaningful wedding photography work. The research results reveal that success in wedding photography depends on the integration of several key factors: technical expertise, artistic sensibility, effective communication and adaptability to contemporary trends. Photographers are required to master innovative techniques such as strobist lighting systems and optical manipulation using prism rod glass, which allows them to produce visual images that are not only documentary but also artistic. The analysis shows that visual aesthetics in wedding photography is a subjective concept, involving the photographer's personal interpretation and the client's individual preferences. Furthermore, this research reveals the significant impact of social media and digital platforms in shaping client preferences and expectations. So Direction Wedding Photography in the contemporary era is a complex synthesis of technical expertise, artistic creativity, emotional intelligence, and a deep understanding of socio-technological dynamics.
Using the Instagram Reels Feature @aryusaraah as a Medium for Self-Presentation Nina Amelia; Aghnia Dian Lestari
Journal of Social Research Vol. 5 No. 5 (2026): Journal of Social Research
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/josr.v5i5.3146

Abstract

Instagram Reels, which are used as a medium for sharing daily life, have led to the emergence of mom influencers who use social media as a space for self-image formation. This study aims to analyze the self-presentation strategies of the Instagram account @aryusaraah through Reels by examining the management of the front stage and backstage, as well as understanding the motivation for using Reels as a means of self-image formation. This study uses Erving Goffman's dramaturgy theory to understand role management and the boundaries between private and public spaces. The method used is descriptive qualitative with data collection techniques in the form of interviews with account owners and active followers, as well as observation of Reels content. The results show that @aryusaraah consistently manages her personal front stage through adjustments to content themes, expressions, settings, appearances, and interaction patterns. The front stage presents the image of a young mother who is active in her activities while still taking care of her children, while the back stage is evident in the curation process and the restriction of personal aspects that are not in line with the image being built. The motivation to produce Reels is driven by the desire to share experiences, express oneself, and receive responses from followers. Through her Reels posts, Aryu Sarah successfully presents herself in line with the image she has built, without straying far from her real life.
Fear of Missing Out (FOMO): The Red Line #SLine Trend on Tiktok Among Gen Z Aghnia Dian Lestari; Zaenab Nurhabibah
Interdiciplinary Journal and Hummanity (INJURITY) Vol. 5 No. 3 (2026): Injurity: Interdiciplinary Journal and Humanity
Publisher : Pusat Publikasi Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58631/injurity.v5i3.1527

Abstract

Fear of Missing Out (FOMO) is one of the phenomena driving Generation Z's participation in social media, particularly in the S Line Trend on TikTok. This trend is sensitive and contrary to norms, thus causing controversy. Using a descriptive qualitative approach based on the Fear of Missing Out (FOMO) theory, this study aims to analyze how FOMO drives Generation Z's participation in the S Line Trend on TikTok, identify the factors that cause FOMO, and identify its impact on moral values and digital behavior. Primary data were obtained through interviews with eight Generation Z TikTok users aged 19–28 who followed the S Line Trend, while secondary data were obtained through observation of S Line Trend content on TikTok and documentation. The results show that Generation Z's experience of FOMO manifests itself in the form of fear of being left behind, concern about social judgment, and anxiety about remaining relevant in their social circle. Exposure to the TikTok algorithm, coupled with entertainment motives, social pressure in social circles, and the need for validation and self-existence, are the contributing factors. This superficial participation has the effect of creating negative perceptions from the surrounding environment, which makes Generation Z more cautious in following trends. FOMO not only acts as a motivator but also shapes the consequences, so Generation Z needs to be more critical in using social media.
Building a Brand Experience: The Role of PT Kai’s Public Relations Department in the Branding of The Panoramic Train Zain, Yoga Pramudya Azhar; Khumayah, Siti; Lestari, Aghnia Dian
Federalisme: Jurnal Kajian Hukum dan Ilmu Komunikasi Vol. 3 No. 2 (2026): Mei: Federalisme : Jurnal Kajian Hukum dan Ilmu Komunikasi
Publisher : Asosiasi Peneliti dan Pengajar Ilmu Hukum Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/federalisme.v3i2.1740

Abstract

This study explores the role of the Public Relations (PR) Department of PT KAI in developing the brand experience of the Panoramic Train service. It focuses on identifying the PR Department’s roles, communication strategies employed, and key factors determining the success of branding efforts. A qualitative case study approach was used, with data collected through interviews with PR staff and Panoramic Train passengers, supported by field observations and document analysis. Data were analyzed using thematic content analysis with within-source and between-source triangulation to ensure validity. The findings reveal that the PR Department plays three main roles: as a team member responsible for developing the Panoramic Train brand experience, as a visual image developer, and as a message propagator. The communication strategies implemented include storytelling, social media utilization, collaboration with strategic partners, visual content creation, passenger education regarding train features, and passenger training initiatives. The success of the branding effort is influenced by service design quality, alignment between communicated messages and actual service delivery, emotional engagement with the public, and passengers’ willingness to share their experiences. Overall, the Panoramic Train has evolved beyond a transportation service into an experience-based product with added value, strategically managed by PT KAI’s PR Department to enhance corporate image and strengthen brand equity.
The Roblox Metaverse As An Interaction Media For School-Aged Children Lusiana Herawati; Siti Khumayah; Aghnia Dian Lestari
CONVERSE Journal Communication Science Vol. 2 No. 4 (2026): April
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/converse.v2i4.5716

Abstract

Roblox, as a Metaverse platform, is increasingly recognized as a medium that supports interaction for school-aged children (7–12 years old), which also has the potential to shape children's communication patterns and social skills. This study aims to explore the role of Roblox as a medium of interaction for school-aged children, analyze the communication patterns that emerge between children, and identify whether children's communication skills can be improved through various communication features in Roblox. The research method used is descriptive qualitative, with the research location in Windujaya Village. Data were collected through in-depth interviews and also participatory observation of children and parents, supported by library observation, then analyzed through the stages of data reduction, data presentation, and conclusions. The results show that Roblox is proven to function as a relatively rich communication medium with the integration of verbal cues (chat), nonverbal cues (avatars, emotes, dances), rapid feedback, and identity personalization through avatar customization through its various features. Knowledge is also formed of two-way (personal) and multi-way (group) interaction patterns, which have the potential to be a means of cooperation, negotiation, and coordination during play. Thus, Roblox certainly plays a role as an interactive medium that can improve children's communication skills, although it still requires parental supervision and the use of security features to minimize negative factors in virtual interactions.
Digital Branding Strategy through Instagram in Shaping the Brand Image of Giggle's Wedding Organizer Elga Elgia Eprin; Siti Khumayah; Aghnia Dian Lestari
Immortalis Journal of Interdisciplinary Studies Vol. 2 No. 2 (2026): April - June
Publisher : PT. Caesarindo Triloka Persada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.67307/ijis.v2i2.104

Abstract

The use of Instagram as a marketing communication medium is increasingly playing an important role in the formation of brand image, especially in the creative services industry such as wedding organizers. Instagram's visual-focused character makes it a strategic space to display brand identity and build audience perception. This study aims to examine how the visual representation of Giggle's Wedding Organizer's Instagram content is displayed, how the brand image is formed, and how the audience interprets the content. This study uses a qualitative approach. Data collection was carried out through interviews and observations on @giggleweddingorganizer_'s Instagram account. The results show that consistent management of visual content, including wedding documentation, uniformity of visual style, and the use of supporting narratives, plays a role in shaping the brand image of Giggle's Wedding Organizer as a professional and trusted service provider. In addition, audiences actively interpret content based on visual experience and preferences, so that meaning helps strengthen the brand's image. This study concludes that the formation of brand image through Instagram is the result of the interaction between the visual representation strategy carried out by the brand and the audience interpretation process of the content presented.
Semiotics of Home Sweet Loan Movie: Family Representation and Communication Rosa Marcella; Agnest Aprillia; Aghnia Dian Lestari
International Journal of Business, Economics, and Social Development Vol. 6 No. 3 (2025): International Journal of Business, Economics, and Social Development (IJBESD)
Publisher : Rescollacom (Research Collaborations Community)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46336/ijbesd.v6i3.971

Abstract

Family communication is one of the most important aspects in creating a harmonious family environment. This research aims to find out the picture of family communication in the movie Home Sweet Loan through semiotics using Charles Sanders Peirce's theory. There are 10 scenes that represent family communication. Each scene in this movie will be decomposed into signs, objects, and interpretations that describe the complex dynamics of communication regarding the challenges faced by large families in maintaining harmony and balance in the family. This research is descriptive with a qualitative approach based on Charles Sanders Peirce's semiotic theory. Data collection techniques in this research include observation, interviews with Home Sweet Loan movie viewers, and documentation. Observations were made at the Home Sweet Loan movie, and in-depth observations were made through the Home Sweet Loan Press Conference. Based on the 10 scenes taken by the author to be observed, the findings obtained are Sign, interaction that shows the communication process established in the Kaluna family, Object a cut picture of the Kaluna family, Interpretant a picture of communication in the film about the reality of the family displayed and felt by the audience.
Emotional Control in Interpersonal Communication Among Female Students at SMPN 1 Weru Lutfi Nur Baity; Siti Khumayah; Aghnia Dian Lestari
Jurnal Psikologi Vol. 3 No. 4 (2026): August
Publisher : Indonesian Journal Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47134/pjp.v3i4.5981

Abstract

The emotional development of adolescents in junior high school is very important for the quality of interpersonal communication. Adolescents’ emotional lability often has a negative effect on social interactions, emotional regulation is therefore an important factor of establishing effective relationships. This research is a descriptive study which aims to analyse the emotional regulation in interpersonal communication of female students at SMPN 1 Weru based on the Fundamental Interpersonal Relations Orientation (FIRO) theory which includes inclusion, control, and affection. This study uses a descriptive qualitative approach. The respondents of this research are seventh, eighth, and ninth grade students. Data were collected by interview, observation, and documentation, and analysed by triangulation techniques. The results indicate that students can handle emotions in interpersonal communication, but they still feel negative emotions like anxiety, fear of rejection and low self-esteem. The awareness of the needs for inclusion, control, and affection influences the quality of the social interactions of the students. Communication barriers are negative social experience and emotional instability. This study confirms the important role of emotion regulation in promoting effective interpersonal communication and contributes by integrating the concepts of emotion regulation and FIRO theory in the context of junior high school adolescents.
The Role of Assertive Communication in Managing Internal Conflicts Among Members of the Indonesian Islamic Student Movement (PMII) Ikah Marikah; Siti Khumayah; Aghnia Dian Lestari
Jurnal Greenation Sosial dan Politik Vol. 4 No. 2 (2026): Jurnal Greenation Sosial dan Politik (Mei - Juli 2026)
Publisher : Greenation Publisher & Yayasan Global Resarch National

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/jgsp.v4i2.628

Abstract

Differences in the orientations and backgrounds of student organization members have the potential to give rise to internal conflicts that can hinder the organization’s effectiveness if not managed properly. This study aims to analyze the practices and role of assertive communication in managing internal conflicts, as well as its contribution to solidarity and organizational sustainability among m embers of the PMII Green Campus Indramayu Branch. The study employs a descriptive qualitative approach through semi-structured in-depth interviews, participatory observation, and document analysis, utilizing the Miles and Huberman model. The findings indicate that assertive communication is implemented through the argumentative expression of opinions, decision-making based on collective deliberation, and the proportional management of emotions. Assertive communication plays a central role in conflict resolution through an integrative approach that accommodates the interests of all parties, while simultaneously strengthening members’ cohesion and sense of belonging to the organization. This study concludes that assertive communication is a strategic competency that functions as an integrative mechanism in maintaining the stability and sustainability of student organizations based on Islamic values.
The Use of Parody Content as a Marketing Tool for @danielalvinjr Among Gen Z Haikal Fajrin; Siti Khumayah; Aghnia Dian Lestari
Jurnal Greenation Sosial dan Politik Vol. 4 No. 2 (2026): Jurnal Greenation Sosial dan Politik (Mei - Juli 2026)
Publisher : Greenation Publisher & Yayasan Global Resarch National

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/jgsp.v4i2.657

Abstract

The rise of social media, particularly TikTok, has spurred the emergence of various types of creative content used as marketing strategies, including parodies. Gen Z, who prefer content that is simple, entertaining, and relatable to everyday life, are the most prominent participants in this phenomenon. The TikTok account @danielalvinjr consistently uses parody content to build his personal brand and reach Gen Z, particularly in the city of Cirebon. The objective of this study is to understand how Gen Z perceives the personal branding of TikTok influencers, identify the personal branding strategies employed by @danielalvinjr, and examine the variations in Gen Z’s perceptions of the parody content presented. In this study, a descriptive qualitative approach was used, and data collection was conducted through in-depth interviews with the creator as the primary informant and Gen Z in the city of Cirebon as supporting informants. The research indicates that parody content is viewed as an authentic means of personal branding. Gen Z evaluates personal branding strategies that emphasize consistency, uniqueness, and the delivery of messages without direct solicitation positively. Differences in Gen Z’s perceptions indicate that parody content serves not only as entertainment but also as a relevant social reflection of the dynamics of Gen Z’s lives.
Co-Authors ., Mahmudah Adie Alfariz N Aditya , Reynanda Rizky Agnest Aprillia Ahmad Khoiril Imam Alfitri, Alfi Alifa Amanda, Grisha Andika Aulia Anetta Livia Khanza Aninditto Rivally Sudarisman Aprilianti Noer Indah Suci Aprillia, Agnest Asyandika Alfian Avissa Abli Umayyah Ayu Cornelia Azhar Maulidani Azhira Zahranisa Basuki, Luthfi Nugraha Beby Thaharah Bharoto, Rd. Mahendra Haryo Bharoto, RM Haryo Billy Meisabillah Cintia cintia Cintia Cintia Cintia, Cintia Dedet Erawati Desak Nyoman Intan Dhelfa Nur Fadilah Dicky Triansyah Dimas Saputra Dimas Widi Dwiputra Dimas Zuanfaizin Pamungkas Diny Tri Agustin Diny Tri Agustin Elga Elgia Eprin Faiz Muhammad Kautsar Fakihani, Mukhamad Fani Maharani Fani Salmatuanisa Farida Nurfalah Farida Nurfalah, Farida Faudzi, Azwar Fernando, Farhan Frahmadan Almer Fresy Latifah Azies Gita Wibowo, Tifanny Aurelia Grisha Amanda Grisha Amanda Habib AL Anshor Haikal Fajrin Handayani, Amelia Dwi Hanna Mazlin Hape, Virnica Amanda Harsono, Yhonanda Herdiawati, Cut Dhien Hidayat, Moh. Taufik Ikah Marikah Indri Anzani Indryani, Safitri Ipik Permana Ipik Permana Irma Nirmala Silki Khaerudin Imawan Khansa Syarifah Alya Aziz Khikmawati, Nurlaili Khoirul Umam Khotimah, Aas Nur Lestari, Ratna Ayu Lita, Lita Lusiana Herawati Lutfi Nur Baity Maharani, Shara Mahmudah Mahmudah Marcella, Rosa Meisy Septia Muzdalifah Meylina, Cindy Miftahul Jannah Moh Sutarjo Moh. Sutarjo Moh. Taufik Hidayat Mohammad Fajrul Falaakh Muhammad Fauzan Hazami Muhammad Nuruzzaman Muhammad Nuruzzaman Muhammad Nuruzzaman Muhammad Riffat Alfito Muhammad Triesnabayu Muhammad Zainal Muttaqin Mukarto Siswoyo Nabila Nabila Nadia Nisa Aulia Nadia Putri Yunizar Nadiah Dwi Fitriandini Nafa Meliayana Naufal Noor Fadillah Nenden Dewianti Neni Yulianita Nina Amelia Nisa Anisa Pujianti Nisa, Lutfi Firda Nurjannah, Esa Noviana Nurohmah, Sintiya Putri Nursahidin . Nurudin Siraj Nurudin Siraj Nurul Sabilla Nuruzzaman nuruzzaman Oktaviany, Fanny Intan Otto Fajarianto Permata, Mochamad Rizky Pipit Putri Mayangsari Prafieta Amarta Pratiwi Kartika Sari Prayogi, Shandy Fitro Prihatmadji, Wiwiet Purwadini, Aminah Puspita, Tina Putri Amalia Putri, Ghina Fikriya Rd. Mahendra Haryo Bharoto Restu Holiskya Rismayanti Dewi Risti Agustina Ropiah Ropiah Rosa Marcella Safitri Indryani Salsa Azzahra Irvanianto Sarifhatul Aini Yuliyus Putri Sehan Yudha Fahreza Senliana, Silma Setyawan, Aldo Sevty Adinia Shalma Calista Zahra Silvia Dini Azzahra Siraj, Nurudin Siti Fatimah Siti Khumayah Sri Wulandari Sri Wulandari Suci, Aprilianti Noer Indah Susanti, Tantri Aditya Sutarjo, Moh Syahril Ramadhan, Raden Muhammad Tantri Aditya Susanti Tantri Aditya Susanti Teddy Arif Permana Thaharah, Beby Tita Wahyuni Triansyah, Dicky Tyas Nur Aini Wijayanti, Nurrul Fahmi Maulida Wiwiet Prihatmadji Yhonanda Harsono Yudha Fahreza, Sehan Zaenab Nurhabibah Zain, Yoga Pramudya Azhar Zalfa Khansa Ainiyyah