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Journal : Panggung

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Estetika Tari Réndéng Bojong Karya Gugum Gumbira Ramlan, Lalan; Jaja, Jaja
PANGGUNG Vol 29 No 4 (2019): Keragaman Seni dan Inovasi Estetik
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v29i4.1048

Abstract

ABSTRAKTari Réndéng Bojongyang diciptakan oleh Gugum Gumbira pada tahun 1978 dan sepanjang tahun 1980-an, sangat populer di kalangan masyarakat Sunda.Akan tetapi, sejak pertengahan tahun 1990-an bentuk tarian ini tidak pernah terlihat lagi.Tujuan penelitian ini adalah untuk mengetahui secara komprehensif mengenai berbagai unsur yang membentuknya.Penelitian kualitatif ini mengggunakan teori estetika instrumental dengan metode deskriptif analisis yang tahapan penggalian datanya dilakukan melalui studi pustaka, observasi, dan studi dokumentasi.Berdasarkan hasil analisis diperoleh simpulan, bahwa tari jaiponganRéndéng Bojong itu wujudnya dibentuk oleh tiga unsur utama, yaitu “bentuk” terdiri dari struktur koreografi, struktur karawitan, dan penataan rias-busana; “bobot” terdiri dari eksistensi senimannya, konsep garap, dan proses garap; “penyajian” yaitu tarian berpasangan yang bernuansa pergaulan.Ketiga unsur tersebut terintegrasi menjadi sebuah kristalisasi estetika tari yang menjadi identitas tari Réndéng Bojong.Kata kunci: Estetika tari, jaipongan, Gugum Gumbira, tari Réndéng Bojong, estetika instrumental. ABSTRACTThe Réndéng Bojong dance, which was created by Gugum Gumbira in 1978 and throughout the 1980s, is prevalent among Sundanese people. However, since the mid-1990s, this dance form has never been seen again. The purpose of this study is to understand various elements forming it. This qualitative research uses the theory of instrumental aesthetics with descriptive analysis methods in which data collection uses several stages: library study, observation, and documentation study. The results of the analysis are the Jaipongan Réndéng Bojong dance was formed by three main elements, namely, first, "form" consisting of a choreographic structure, musical structure, and makeup arrangement. Second, "weight" includes the existence of the artist, the concept of working on, and the working process. Third, "presentation" is a paired dance with a social nuance. The three elements integrated into a dance aesthetic crystallization, which is the identity of Réndéng Bojong dance.Keywords: dance aesthetics, jaipongan, Gugum Gumbira, Réndéng Bojong dance, instrumental aesthetics.
Co-Authors Abdul Rozak Adhi W., Satia Ading Rahman Sukmara Agnes, Siska Amelia R., Riska Andita Permatasari Radia, Dewi Anggini, Megah Dewi Ani Rusilowati Ardiansyah, Muhammad Fauzan Asrizal Wahdan Wilsa Awalia, Afni Ayoub, Tawseef Shaikh Azzahra, Delia Cahyo Hasanudin Damayanti, Wulan Ariani Destania, Fany Dewi Puspasari Dewi Ratna Sari Dewi, Khisti Hanila Dianne Amor Kusuma Dwiniasih Endang Susilaningsih Fahrizal, Diki Fatia S., Sifah Fatoni, Puad Fauziyah, Salma Ferdinand, Ihsan Fernandes Simangunsong, Fernandes Gani, Toriq Abdul Herlawati Herlawati Hidayat, Gilang Farid Ibrahim, Aray Faqih Ilmi, Riyadul Indriani, Puput Ira Rahayu Jajo Firman Raharjo Jimat Susilo Karimah, Siti Kartiwa, Aa Kurnia, Maya Dewi Kurniawan, Dady Lalan Ramlan M, Fadia Martiana, Novi Siti Rizki Nur Maulana, Gagah Rizki Maulana, Ihrom Maulidah, Yeni Maya Dewi Kurnia Maya Kurnia Dewi, Maya Kurnia Mufidin, Pidin Muhammad Irfan Nur'arif Mulia, Septya Widi Ningsih, Salsa Widiya Nining Kurniasih Nita Delima Nurendang, Nadia Nurfauzia, Fadila Nurlaeli, Nisa Nurpadillah, Veni Nurtanti, Anisa Fauziah Nuryadin, Ade Permadi, Zahra Astri Dwi Pratika, Sendy Dien Prayoga, Fauzan Huda Purnamasari, Mita Putri Purwanti, Santi Puspitasari, Nita Karlina Putri Andhini Rachmayati, Regia Ramadhani Rakhmayudhi Rakhmayudhi Rakhmayudhi, Rakhmayudhi Rosmaya, Elin Sajidin, Fajar Sari, Irma Resti Yulfita Sindi Apriliyanti Suherli Kusmana Suherli Kusmana, Suherli Sukmayadi Sukmayadi Surya, Irgi Syuroyah, Do'atusy Triana N., Lita Ulfa Ulfa Wangi, Rima Diana Putri Yusida Gloriani Zuhria, Azeta Fatha