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THE FUNCTIONS OF FLOATING MAXIM THAT UTTERED BY CHARACTERS OF THE HUNGER GAMES MOVIE Adiari, Ni Putu Yuana Jelita; Maharani, Putu Devi; Utami, Ni Made Verayanti
LITERA : Jurnal Bahasa Dan Sastra Vol. 7 No. 1 (2021): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v7i1.1421

Abstract

ABSTRACTBased on Grice's theory (1989), cooperative principle makes communication becomeunderstandable so that the meaning of the utterances can be well received by the interlocutor.However, in daily lives, this principle is often floated by the speaker and interlocutor becausesometimes the speakers want the interlocutor to get the meaning of the utterances that cannotbe expressed explicitly. This violation is known as floating maxim. This study aims to explorethe functions of floating maxims that occurs in conversations between characters in the movieentitled The Hunger Games. The function refers to the speech act theory, in which Searle(1979) states that there are five points of speech acts, namely functioning as representative,directive, commissive, expressive and declarative. The methods used in this research areobservational and qualitative methods, by watching movies and reading the script of themovie’s conversation while taking notes the conversations that contain floating maxim,classifying the functions of floating maxim occurred by Searle's (1979) theory and supportedby theory of context situation by Halliday (1985). The results of this study indicate that thereare 30 floating maxim obtained, 19 data (63%) have function as representatives, five data(17%) have function as directive statements, one data (3%) has function as commissivestatements and 5 data (17%) have functions as expressive utterance.Keywords: Floating maxim, function, movieABSTRAKDalam teori Grice (1989), prinsip kerjasama dalam sebuah komunikasi akan membantukomunikasi menjadi lancar dan dimengerti oleh penutur dan mitra tutur sehingga maksud dariujaran dapat diterima baik. Namun dalam kesehariannya, prinsip ini sering dilanggar olehmitra tutur karena penutur ingin mitra tutur menangkap maksud ujarannya yang tidak bisadiutarakan secara eksplisit. Pelanggaran ini dikenal dengan pelanggaran maksim. Penelitianini bertujuan untuk mencari fungsi pelanggaran maksim yang terjadi dalam percakapan antartokoh pada film berjudul The Hunger Games. Fungsi yang dimaksud mengacu pada teoritindak tutur, yang mana Searle (1979) menyebutkan ada lima poin tindak tutur yakni berfungsisebagai representatif, direktif, komisif, ekspresif dan deklaratif. Metode yang digunakan dalampenelitian ini adalah metode observasi dan kualitatif, dengan cara menonton film danmencatat percakapan yang mengandung pelanggaran maksim, mengklasifikasikan fungsipelanggaran maksim dengan teori Searle (1979) yang didukung dengan teori konteks olehHalliday (1985). Hasil penelitian ini menunjukkan dari 30 pelanggaran maksim yangdiperoleh, terdapat 19 data (63%) berfungsi sebagai representatif, lima data (17%) berfungsisebagai pernyataan direktif, satu data (3%) berfungsi sebagai pernyataan komisif dan 5 data(17%) berfungsi sebaai pernyataan ekspresif.Kata kunci: Pelanggaran maksim, fungsi, film
AN ANALYSIS OF FIGURATIVE LANGUAGE IN LADY GAGA’S SONG LYRICS Wahab, Abdul; Utami, Ni Made Verayanti; Maharani, Putu Devi
LITERA : Jurnal Bahasa Dan Sastra Vol. 8 No. 2 (2022): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v8i2.2008

Abstract

ABSTRACTThis research aimed to analyze figurative language in Lady Gaga song of Chromatica album thatwere released in 2020. There are two problems that are formulated in this study, they are: (1) whatkinds of figurative language found in Lady Gaga song lyrics, (2) what are the meaning of figurativelanguage found in Lady Gaga song lyrics. There are two theories used in this research; the firsttheory proposed by Knickerbocker and Reninger (1963:367) that is used to identify the kinds offigurative language and the second theory is the theory of meaning which supported by Leech(1974) to analyze the meaning. The method used in collecting the data was done by formal andinformal method. The writer collected the data by downloading the song, listening carefully,reading the scripts, underling, and classifying the lyrics which are contain the kinds of figurativelanguage. The method of analyzing data was identifying, analyzing and making conclusions. Thefrequency of each kinds of figurative language was 18,18% contained simile type, 40,90%contained hyperbole type, 13,63% contained metaphor type, 4,54% contained personification type,4,54% contained paradox type, 9,90% contained metonymy type and 9,90% contained allusiontype. The result of meaning in Lady Gaga was conceptual meaning, connotative meaning, affectivemeaning and reflected meaning. It can be concluded that figurative language has important rolesin created the song lyricsKeywords: Figurative language, song lyrics and meaningABSTRAKPenelitian ini bertujuan untuk menganalisis bahasa kiasan dalam lagu Lady Gaga dari albumChromatica yang dirilis pada tahun 2020. Ada dua masalah yang dirumuskan dalam penelitianini, yaitu: (1) jenis bahasa kiasan apa yang ditemukan dalam lirik lagu Lady Gaga, ( 2) apa artibahasa kiasan yang ditemukan dalam lirik lagu Lady Gaga. Ada dua teori yang digunakan dalampenelitian ini; teori pertama dikemukakan oleh Knickerbocker dan Reninger (1963:367) yangdigunakan untuk mengidentifikasi jenis-jenis bahasa kiasan dan teori kedua adalah teori maknayang didukung oleh Leech (1974) untuk menganalisis makna. Metode yang digunakan dalampengumpulan data dilakukan dengan metode formal dan informal. Penulis mengumpulkan datadengan mengunduh lagu, mendengarkan dengan seksama, membaca skrip, menggarisbawahi, danmengklasifikasikan lirik yang mengandung jenis bahasa kiasan. Metode analisis data adalahmengidentifikasi, menganalisis dan membuat kesimpulan. Frekuensi masing-masing jenis majasadalah 18,18% mengandung tipe simile, 40,90% mengandung tipe hiperbola, 13,63%mengandung tipe metafora, 4,54% mengandung tipe personifikasi, 4,54% mengandung tipeparadoks, 9 ,90% mengandung tipe metonimi dan 9,90% mengandung tipe kiasan. Hasil maknadalam Lady Gaga adalah makna konseptual, makna konotatif, makna afektif dan makna refleksi.Dapat disimpulkan bahwa bahasa kiasan memiliki peran penting dalam menciptakan lirik laguKata kunci: Bahasa kiasan, lirik dan makna lagu
Directive Illocutionary Act Found in The Commuter Film Nurcahyadi, Yulian Kristalia; Candra, Komang Dian Puspita; Maharani, Putu Devi
LITERA : Jurnal Bahasa Dan Sastra Vol. 10 No. 2 (2024): LITERA: Jurnal Bahasa dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v10i2.3166

Abstract

The study aimed to analyze the type of directive illocutionary act spoken by all characters in the commuter film. The theory of Searle and Vanderveken (1985) on the type of directive illocutionary act is used in analyzing data findings. Halliday's theory (1985) of context of situation also supports the analysis in this study. Data were analyzed by using descriptive qualitative method.  There are 91 utterance of directive illocutionary act found in the movie. The most dominant type is commanding act with 44 data (49%) occurrences followed by asking act with 30 data (33%) occurrences. The last type is ordering act with 17 data (18%) occurrences. The movie that used as the data source is a thriller-themed movie about the main actor who works on a mission given by someone. Thus, this movie contained many types of command, ask and order act.
KOLABORASI EDUKATIF DALAM PENGAJARAN BAHASA INGGRIS BERBASIS MEDIA VISUAL DI SDN 2 JEHEM Komang Dian Puspita Candra; I Gusti Ayu Vina Widiadnya Putri; I Komang Sulatra; Putu Devi Maharani; I Gusti Bagus Wahyu Nugraha Putra
LOKATARA SARASWATI Vol 4 No 2 (2025): Lokatara Saraswati: Jurnal Pengabdian kepada Masayarakat
Publisher : Fakultas Bahasa Asing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/lokasaraswati.v4i2.12844

Abstract

This community service program aims to improve the basic English skills of elementary school students through a visual-based learning method. The teaching was carried out over 16 sessions at SDN 2 Jehem, Bangli, involving 27 students from a combined class of grades 4, 5, and 6. The materials taught included the Alphabet, Vegetables, Introduce Self, Introduce Other, and Parts of the Body. The learning method utilized visual media such as flashcards, posters, PowerPoint presentations, and was supported by songs and educational games. The results of the program showed that visual-based English teaching successfully increased students’ interest in learning English. The success indicators of using visual media demonstrated strong outcomes, with an average test score of 80.2 and a student mastery level of 98.6%. Students showed high enthusiasm when learning the topics of Alphabet, Fruits and Vegetables, and Parts of the Body.
The Maxim Violation on The Little Movie Putra, I Gede Krismon Andika; Putu Devi Maharani; Putu Desi Anggerina Hikmaharyanti
Journal of Language and Applied Linguistics Vol. 6 No. 1 (2025): Journal of Language and Applied Linguistics January 2025
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v6i1.143

Abstract

This study concerns the types of Maxim Violation related to the language that consist in the dialogue of the Little movie. This study used the theory of maxim violation which was proposed by Paul Grice (1975). The method used a qualitative method by following the data with the observation through watching and analyzing the dialogue in characters’ utterances and also reading the dialogue repeatedly and taking notes in the process of analyzing the data. The analysis found the character’s utterances violate maxim types mostly conducted by the main participants or the character in the movie, where the total of data is 32 times of maxim violation. The highest is 11 data or 34,38% violation maxim of quality, followed by 10 data or 31,25% of violation maxim of quantity, 6 data or 18,75% violation of maxim relevance and lastly 5 data or 15, 62% maxim violation of manner
Personification in All Things Bright and Beautiful Selected Songs Juwita Putri, Adelya; Putu Devi Maharani; Putu Desi Anggerina Hikmaharyanti
Journal of Language and Applied Linguistics Vol. 6 No. 1 (2025): Journal of Language and Applied Linguistics January 2025
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v6i1.148

Abstract

The aims of this study to classified type of personification in All Things Bright and Beautiful selected songs and their meanings. The theory that is used for this research from Kennedy (1995:677) to analyze the type of personification from the lyrics in the songs, such as: Alligator Sky, Plant Life, Angels, The Real World which lyrics contain with personification in the lyrics. Meanwhile, to describe the meaning contained in the lyrics of the song, this research used theory meaning from Leech (1981:5-9) and used descriptive qualitative method based on context situation. In this study used a table to describe the classification of the data that were analyzed. After classifying the data according to the type of personification and the meanings obtained, it continued by concluding the meaning of lyrics in each selected song. There are several lyrics containing personification found, based on the theory from Kennedy (1995:677) but there were only found 4 types of meaning from 7 types meaning based on the theory of Leech (1981:5-9) they are affective meaning and reflected meaning.
The Translation Of Complex Sentences In “Cantik Itu Luka” Novel Orlando, Alexander Goldy; Utami, Ni Made Verayanti; Maharani, Putu Devi
RIGGS: Journal of Artificial Intelligence and Digital Business Vol. 4 No. 4 (2026): November - January
Publisher : Prodi Bisnis Digital Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/riggs.v4i4.3471

Abstract

This study investigates the sentence structures found in the novel and the acceptability of their translations in the target language. The data were collected through direct observation and analyzed using a descriptive qualitative method. The study was conducted because English exposure in countries where English is not the native language does not guarantee that people can fully understand and use it accurately. The analysis identified seven intentional complex sentences that were translated into corresponding complex sentences in the English version of the novel. The original author predominantly used the subordinators “untuk” and, in several parts, “agar.” In the English translation, a variety of subordinators were employed to maintain grammatical and contextual equivalence. The structural distribution shows that Independent–Dependent constructions appeared in 75% of the data, while Dependent–Independent constructions accounted for 25%. This indicates that the translator generally preferred maintaining the source text’s syntactic pattern, ensuring readability and coherence in the target language. Based on the questionnaire responses, approximately 88% of the translated complex sentences were considered easily understood by respondents, indicating high translation acceptability. However, according to Larson’s (1984) theory of Translation Acceptability, two sentences failed to meet the acceptability criteria due to minor issues in meaning equivalence and naturalness. Overall, the findings highlight the importance of syntactic and semantic accuracy in literary translation to preserve the author’s intent and maintain fluency in the target language, especially when translating complex sentence structures across linguistically distant languages.
WHO Video Advertisement Staying Mentally Healthy-Beat Covid-19: A Semiotic Study Komang Dian Puspita Candra; Putu Devi Maharani
e-Journal of Linguistics Vol. 19 No. 1 (2025): January
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.2025.v19.i01.p11

Abstract

This study entitled WHO Video Advertisement “Staying Mentally Healthy – Beat Covid-19”: A Semiotic Study. The study aims to analyze the verbal and visual signs in this advertisement and also to identify the meaning of the signs. This study uses qualitative method to conduct a clear and well-organized description about the problems which is identified. The data were taken from YouTube audiovisual uploaded by World Health Organization (WHO) and analyzed by applying theory proposed by Saussure (1983), and theory of meaning by Barthes (1964), followed by supporting theory of color term by Wierzbicka (1996). The result of the study mentioned that verbal signs used as media to inform and emphasize the persuasive expression to people about a positive message from the advertiser. Meanwhile, the nonverbal signs contained conceptual and hidden meaning to beautify the advertisement and attract the audience attention. The characteristics of verbal signs occurred in form of word phrases and sentences while visual signs can be analyzed from the cartoon illustration, inanimate objects, and gestures
Types of Flouting Maxim in “No Hard Feelings” Movie Putu Regina Yohana Pratiwi; Putu Devi Maharani
RETORIKA: Jurnal Ilmu Bahasa Vol. 10 No. 3 (2024)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.10.3.2024.925-933

Abstract

TThis study analyzes the types of flouting maxim conveyed by the characters in the movie No Hard Feelings. No Hard Feelings is a movie about a desperate woman who almost loses her house and decides to date a wealthy couple’s son to solve the problem. Flouting maxim occurs when the participant disobeys Grice’s conversational maxims in a conversation. This study used the theory from Grice (1975) concerning the cooperative principle to discover the types of flouting maxims. The types of flouting maxims were collected by qualitative method through an observation of the utterances done by the characters in the movie. This study also used theory from Halliday (1989) to analyze the context of the situation based on the conversation. The result of this study revealed that there are 4 types of flouting maxim found in 25 data, namely flouting maxim of quantity, flouting maxim of quality, flouting maxim of manner, and flouting maxim of relevance. The highest flouting maxim in the No Hard Feeling movie is the flouting maxim of quantity because most of the characters added more or less unnecessary information to their statement. The main character disregarded most of the maxim of quantity. The main character flouted the maxim by providing excessive detail to stress the audience hence the character wanted to control the conversation to achieve her goal as a main character. This study focuses on demonstrating the dialogues that were considered flouts in the movie and correlates the flouts with linguistic theory.
Construction of Compound Sentence Phenomenon in Agoda.com Reviews I Dewa Ayu Salsa Bila Ninda Pradevi; Putu Devi Maharani
RETORIKA: Jurnal Ilmu Bahasa Vol. 10 No. 3 (2024)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.10.3.2024.934-945

Abstract

Compound sentence, as a type of sentence structure, are sometimes considered easy to construct due to their limited range of conjunction options, such as for, and, nor, but, or, yet, so along with punctuation marks, such as semicolons (;) and commas (.) to bridge the clauses. However, the fact of its use is often inappropriate, especially in written form. The primary objective of this study is to identify the construction of coordination used in the compound sentences found in the reviews of The Apurva Kempinski Bali on Agoda.com website. Additionally, the study aims to analyze the constituent structure of each compound sentence using tree diagrams. The data of this study were taken from period of time April until July 2024. The data were analyzed by using the observation method and qualitative descriptive methods. To analyze the types of coordination in compound sentences, this study applied the theory proposed by Quirk and Greenbaum (1973). The constituent structure of each compound sentence was analyzed by using tree diagram theory proposed by Brown and Miller (1991). The result of this study show that there are three types of coordination in compound sentence: syndetic coordination, asyndetic coordination, and a combination of both types. Out of 40 data of compound sentences, there are 21 data that contain syndetic coordination, 15 data contain asyndetic coordination, and 4 data contain asyndetic coordination. The dominant type of coordination used is syndetic coordination. However, there is a type in which the sentence construction seems to belong to another type such as syndetic coordination which looks like a combination coordination between syndetic and asyndetic coordination.
Co-Authors Abdul Wahab Adiari, Ni Putu Yuana Jelita Andadari, Miftah Karisma Wulan Anita , Ni Ketut Chandra Anom Gayatri Mahaputri Ardiningsih, Ni Luh Putu Ardiningsih, Ni Luh Putu Ari Putri, Ni Kadek Dian Arita Wastiana Konda Ariyaningsih, Ni Nym Deni Benny Benny Budiarta, Putu Thania Auginitha Cahaya Dwipayanti, Luh Ade Wulan Cahyani, Ni Luh Dian Candrasius, Yohanes Desak Putu Eka Pratiiwi Dewa Gede Bambang Erawan Dewa Gede Bambang Erawan Dewi, Ni Made Endri Santika Dita Nur Rahma Dwiyanti, Ni Kadek Chandra Emanuel Rivaldo Saputra Gampur Ernawati, Ni Wayan Sri Fasha Egi Mulyana, Putu Galuh Febriola, Ni Kadek Nia I Dewa Ayu Devi Maharani Santika I Dewa Ayu Gita Wardaning Putri I Dewa Ayu Salsa Bila Ninda Pradevi I Gede Krismon Andika Putra I Gede Mahendra I Gede Sumerta Yasa I Gusti Ayu Agung Sintha Satwika I Gusti Ayu Vina Widiadnya Putri I Gusti Bagus Wahyu Nugraha Putra I Gusti Ngurah Ratnadi I Kadek Agus Sugiantara I Kadek Rama Dwi Jayantha I Ketut Suartawan Mudayasa I Komang Asmara Utama I Komang Asmara Utama I Komang Sulatra I Komang Sulatra I Komang Sulatra I Komang Tirta Anggi Wicaksana I Made Agus Leo Miarta I Nyoman Yoga Pramarta Suma I Wayan Juniartha I Wayan Resen I Wayan Sidha Karya I Wayan Sidha Karya I.B. Gde Nova Winarta Ida Ayu Gde Atlantika Putri Arkuri Ida Ayu Made Wedasuwari Ida Ayu Mela Tustiawati Ida Bagus Suharta Adi Wiguna IGB Wahyu Nugraha Juwita Putri, Adelya Kadek Indiani Swari Kadek, Wahyu Muliawati Kartikasari, Dika Putri Karya, I Wayan Sidha Katong Ragawi Numadi Kevin Stephanus Komang Dian Pusita Candra Komang Dian Puspita Candra Komang Dian Puspita Chandra Kusuma Dewi, Ni Kadek Dita Novia Laksmiati, Ni Made Putri Lestari, Nidia Ayu Luh Herma Risthayani Luh Putri Pramesti Artayani Luh Putri Pramesti Artayani Lusiana, Ni Kadek Elva Made Yuyun Bestari Mahaputri, Anom Gayatri Marselina Helita Alus Miftah Karisma Wulan Andadari Muliadana, Dhiyo Muliadana, Suwardhiyo Nanda Putri, Ni Luh Ni Gusti Ayu Gede Ratih Aprilia Ni Kadek Alit Marta Dila Ni Kadek Martini Ni Kadek Nia Febriola Ni Kadek Sari Ni Ketut Ica Rahayuni Ni Komang Ratna Gaori Ni Komang Sri Ayu Laksmi Ni Komang Sri Budari Dana Putri Ni Luh Putu Ardiningsih Ni Luh Putu Indra Suardani Ni Luh Seri Wangi Ni Made Ratna Dewi Ni Made Verayanti Utami Ni Made Verayanti Utami Ni Made Wahyuni Ni Made, Verayanti Utami Ni Nyoman Deni Ariyaningsih Ni Putu Yeni Setiari Ni Wayan Ita Pratistita NI WAYAN SUASTINI Ni Wayan Suwastini Ni Wayan Yuni Damayanti Ni Wayan Yuni Lastari Nindy Dwi Febriana Nova Winarta, Ida Bagus Gde Novi Krismayanti, Novi Nugraha, I GB Wahyu Nurcahyadi, Yulian Kristalia Nyoman risma ayu Pradnyani Orlando, Alexander Goldy Paramita, Ni Putu Diah Pradnya Parwata, Komang Agus Pebriyani, Ni Putu Rita Permana, I Putu Andri Pramudya Dyah Putranti Pujastuti, Ida Ayu Gayatri Putra, I Gede Krismon Andika Putra, I Wayan Agus Adi Putri Utami, Ni Putu Cahyani Putri, Luh De Mila Noviana Putu Desi Anggerina Hikmaharyanti Putu Gede Budiartha Putu Nur Ayomi Putu Pande R. Aprilyani Dewi Putu Regina Yohana Pratiwi Rico Jonssa Aditya Samuel Prihambodo Quasimus Sari, Ni Kadek Sintya Purnama Sari, Ni Putu Nilam Sari, Ni Putu Shintya Permata Sri Aryanti, Ni Kadek Subakthiasih, Putu Sugiantini, Ni Made Putri Sukariyani, Ni Ketut Sulatra , I Komang Swastana, I Wayan Bayu System, Administrator Valentina, Ni Kadek Vinsensia Nidi Wibhisana, Made Dwika Winarta, I.B. Gde Nova Winartha , IB Gde Nova Winartha, IB Gde Nova Wulantari, Ni Putu Adelia Yani, Ni Kadek Windra Yanti, Ni Wayan Wahyudi Yanti Yohanes Candrasius Yulia Indriani Yustinus Gau