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All Journal RETORIKA: Jurnal Ilmu Bahasa LITE: Jurnal Bahasa, Sastra, dan Budaya Insignia: Journal of International Relations Lingua Cultura EXPOSURE JOURNAL Journal of Language and Literature MUDRA Jurnal Seni Budaya SPHOTA: Jurnal Linguistik dan Sastra WIDYABHAKTI Jurnal Ilmiah Populer Journal of Educational Research and Evaluation TEKNOSASTIK Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris British: Jurnal Bahasa dan Sastra Inggris Yavana Bhasha : Journal of English Language Education Scope: Journal of English Language Teaching Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat Journal of Language and Literature Ethical Lingua: Journal of Language Teaching and Literature Madaniya JL3T (Journal of Linguistics, Literature and Language Teaching) Journal of Humanities, Social Science, Public Administration and Management (HUSOCPUMENT) TRAVERSE - Journal of Language and Applied Linguistics Jurnal Impresi Indonesia Austronesian: Journal of Language Science & Literature International Journal of English Learning and Applied Linguistics (IJELAL) Jurnal Ilmiah MEA (Manajemen, Ekonomi, dan Akuntansi) Jurnal Abdi Dharma Masyarakat Yavana Bhasha: Journal of English Language Education Journal of Artificial Intelligence and Digital Business Elysian Journal : English Literature, Linguistics, and Translation Studies BINA CIPTA LOKATARA SARASWATI SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Subasita: Jurnal Pendidikan, Bahasa, Aksara dan Sastra Daerah Journal of Linguistics, Culture and Communication Litera : Jurnal Bahasa dan Sastra Lire Journal (Journal of Linguistics and Literature) e-Journal of Linguistics
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A Linguistic Study of Code-Switching in Retno Marsudi’s Instagram Captions Ni Luh Seri Wangi; Putu Devi Maharani
RETORIKA: Jurnal Ilmu Bahasa Vol. 12 No. 1 (2026)
Publisher : Program Studi Magister Ilmu Linguistik Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jr.12.1.2026.25-35

Abstract

Code-switching has emerged as a prominent linguistic phenomenon in today’s digital communication, especially among public figures aiming to engage diverse audiences. However, few studies have explored code-switching within the context of political and diplomatic communication on social media platforms. This study aims to analyze the types and functions of code-switching found in diplomacy-themed Instagram captions posted by Indonesia’s Minister of Foreign Affairs, Retno Marsudi. A descriptive qualitative method was applied, using Poplack’s theory (as cited in Romaine, 1995) to identify the types of code-switching, and Leech’s (1974) theory to analyze their communicative functions. The data consisted of Instagram captions published between January and December 2024. The findings revealed that inter-sentential code-switching was the most dominant type (91.67%), followed by intra-sentential code-switching (8.33%), with no instances of tag-switching. In terms of language functions, the captions often served expressive, informative, and directive purposes. These results indicate that code-switching was not used randomly but rather as a deliberate strategy to reach both domestic and international audiences, combining a formal diplomatic tone with personal engagement. Overall, this study contributes to a better understanding of multilingual strategies in digital diplomacy and highlights the intentional use of code-switching in constructing political image and facilitating global communication.
PENGARUH LEVERAGE, UKURAN PERUSAHAAN DAN SALES GROWTH TERHADAP KINERJA KEUANGAN PERUSAHAAN SEKTOR PROPERTY & REAL ESTATE Putu Devi Maharani; Putu Pande R. Aprilyani Dewi
Jurnal Ilmiah Manajemen, Ekonomi, & Akuntansi (MEA) Vol 9 No 3 (2025): Edisi September - Desember 2025
Publisher : LPPM STIE Muhammadiah Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31955/mea.v9i3.6709

Abstract

Penelitian ini berupaya mengidentifikasi dan mengukur kontribusi variabel leverage, ukuran perusahaan, dan sales growth terhadap kinerja keuangan perusahaan properti dan real estate yang tercatat di Bursa Efek Indonesia dalam kurun waktu 2022 hingga 2024. Penelitian ini menggunakan teknik purposive sampling sebagai penentu sampel, menghasilkan 73 perusahaan property dan real estate dengan 207 observasi. Teknik analisis data menggunakan regresi linier berganda dengan SPSS. Hasil penelitian menunjukkan bahwa leverage berpengaruh negatif dan signifikan terhadap kinerja keuangan, Sementara itu, ukuran perusahaan dan sales growth berpengaruh positif namun tidak signifikan terhadap kinerja keuangan. Studi ini memberikan kontribusi praktis berupa panduan bagi manajemen dalam mengelola struktur modal dan referensi analisis bagi investor yang berkepentingan dengan sektor properti dan real estate.
Selected Figurative Language in the Album Native by OneRepublic I Komang Tirta Anggi Wicaksana; Ida Bagus Gde Nova Winarta; Putu Devi Maharani
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 6 No. 2 (2026): Elysian Journal: English Literature, Linguistics, and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36733/elysian.v6i2.13771

Abstract

This study explores the lyrics of OneRepublic’s album Native to uncover the deep human emotions and experiences hidden within the songs. The goal is to identify different types of figurative language, explain how they function within the music, and understand why these "hidden messages" are important to the listener. To keep the findings clear and organized, the study uses a quantitative method according to Sudalryalnto (1993) to track and count the data. The analysis is built on two key academic theories: Knickerbocker and Reninger (1974:283): This theory is used to identify and categorize the specific types of figurative language found across the 12 songs. And Leech (1981:9-19): This theory is applied to explain the deeper meanings behind the lyrics, providing a more effective way to interpret what the songwriter is trying to communicate. By combining these two theories, the research offers a structured look at how creative language helps express complex feelings in popular music.
Derived Adjectives in English Sentences: A Morphosyntactic Study of Cecelia Ahern’s Novel The Time of My Life Putu Devi Maharani Maharani; Komang Dian Puspita Chandra; Ni Komang Sri Budari Dana Putri
Journal of linguistics, culture and communication Vol 3 No 2 (2025): Journal of Linguistics, Culture, and Communication
Publisher : CV. Rustam

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61320/jolcc.v3i2.285-299

Abstract

This study investigates the intersection between morphology and syntax, known as morphosyntax, focusing on the formation and syntactic roles of derived adjectives in the novel The Time of My Life. The objectives of this research are to identify the morphological types of derived adjectives and to analyze their syntactic functions within sentence structures. The study employs the theories proposed by Quirk et al. (1985), Plag (2002), and Brown & Miller (1994) as the analytical framework. The data were collected through a library research method and analyzed qualitatively using both formal and informal descriptive techniques. The findings reveal that thirteen suffixes are used to form derived adjectives in the novel, namely –ful, –able, –ish, –ous, –al, –ic, –less, –y, –ive, –ly, –ing, –ed, and –ary. These suffixes contribute to the creation of adjectives that serve three main syntactic functions, such are predicative, attributive, and postpositive. The study highlights the dynamic relationship between morphological processes and syntactic distribution, illustrating how derivational morphology contributes to syntactic variation in English literary texts.
THE PREVALENCE OF INTRA-SENTENTIAL SWITCHING IN SEPET MOVIE: REFLECTING MULTILINGUALISM REALITIES IN THE SOCIETY Ni Wayan Yuni Lastari; Putu Devi Maharani
Lire Journal (Journal of Linguistics and Literature) Vol. 10 No. 1 (2026): Lire Journal (Journal of Linguistics and Literature)
Publisher : Elite Laboratory Jurusan Sastra Inggris Universitas Bangka Belitung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33019/lire.v10i1.530

Abstract

Code-switching is a common phenomenon now and has also entered the socio-cultural environment. Nowadays, code-switching is used in everyday speech, for instance, when producing a video or giving a formal presentation. The current research discusses language switching within a single sentence, or intra-sentential switching, in Yasmin Ahmad's movie Sepet (2004), which vividly presents Malaysia's multilingual society, including Malay, English, and Cantonese, seamlessly integrated into a single statement. The most frequent type of language switching was intra-sentential, indicating a very high degree of bilingual competence among speakers and the sociocultural reality of flexible identity negotiation in multicultural interaction. This research is focused on the analysis of syntactical units such as words, phrases, clauses, and language functions-for example, referential, expressive, and directive. The data were analysed using descriptive qualitative methods. This study has two objectives:(1) to characterize the syntactic units in the Sepet movie by Yasmin Ahmed, and (2) to examine language functions and matrix language used in the Sepet movie. Data indicate that people frequently communicate in a mix of languages. From the results of this study, it was found that film characters frequently used intra-sentence changes to communicate, and the most frequent language functions applied were referential, expressive, and directive. This reflects how these changes serve as a communicative strategy in cinematic discourse for linking up linguistic theory to real-world multilingual practices.
Global Governance on The Responses Toward Illegal Organ Transplantation and Trafficking in Pakistan Katong Ragawi Numadi; Ni Putu Devi Maharani
Insignia: Journal of International Relations Vol 12 No 2 (2025): November 2025
Publisher : Laboratorium Hubungan Internasional, FISIP, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.ins.2025.12.2.17085

Abstract

Illegal organ trafficking is a complex transnational criminal issue faced by Pakistan. The process of globalization, coupled with various socio-political and economic problems, has created the preconditions for the rapid growth of human organ trafficking in several regions in Pakistan. Consequently, the number of cases and victims of illegal organ transplantation and trafficking in Pakistan continues to rise. This study aims to analytically describe several efforts to combat the existence of illegal organ trafficking criminal networks in Pakistan within a global governance framework. The efforts involve not only strengthening Pakistani government policies but also implementing international cooperation and initiatives from civil society organizations and networks. In examining the global governance aspects of addressing transnational illegal organ trafficking in Pakistan, this study employs a descriptive qualitative method by using a literature review technique. The initial research revealed that the Pakistani government has taken various measures to eradicate illegal organ trafficking criminal networks in Pakistan. One of which is the creation of specific national legal regulations, which become the basis for strengthening preventive policies and intensifying prosecution actions. Internationally, Pakistan actively participates in a series of international anti-human trafficking and anti-organ trafficking frameworks and protocols. Meanwhile, the role of civil society organizations, particularly from medical professionals such as the Sindh Institute of Urology and Transplantation (SIUT Pakistan), cannot be ignored in the advocacy and legislative processes to address the threat of transnational human organ trafficking in Pakistan. Keywords: Pakistan, Transplantation, Organ Trafficking, THOTA.
Translanguaging Emotion and Identity in Chinese-English Mixing of Everything Everywhere All at Once Ari Putri, Ni Kadek Dian; Maharani, Putu Devi
Lingua Cultura Vol. 20 No. 1 (2026): Lingua Cultura
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/lc.v20i1.14152

Abstract

This study investigates Chinese-English code-mixing in the film Everything Everywhere All at Once (2022), focusing specifically on insertion as theorized by Muysken. It examines how insertional code-mixing in scripted multilingual dialogue functions as a narrative strategy to convey identity, emotion, and cultural hybridity in diasporic contexts. Using a qualitative descriptive method, data were drawn from manually transcribed utterances in Mandarin, Cantonese, and English. Analysis applied Muysken’s typology alongside Halliday’s sociopragmatics framework to interpret the pragmatic and social factors underlying the insertions. A total of 29 insertions were identified and categorized into phrasal or clause insertions (48.28%), discourse features (41.38%), and lexical items (10.34%). Phrasal and clause insertions most frequently occurred in emotionally intense scenes, expressing affect, authority, or familial conflict. Discourse features such as interjections served to convey emotion and establish shared cultural understanding, while lexical functioned as cultural markers rooted in tradition. The findings demonstrate that insertional code-mixing is a deliberate narrative tool that enhances character depth, cultural resonance, and cinematic authenticity. This study contributes to a broader understanding of how multilingual media can represent bilingual subjectivity, challenge monolingual norms, and reflect complex sociocultural identities. By linking linguistic analysis with filmic representation, the research highlights the significance of studying multilingual cinema as a site where language, identity, and emotion intersect in diasporic storytelling.  
Co-Authors Abdul Wahab Adiari, Ni Putu Yuana Jelita Andadari, Miftah Karisma Wulan Anita , Ni Ketut Chandra Anom Gayatri Mahaputri Ardiningsih, Ni Luh Putu Ardiningsih, Ni Luh Putu Ari Putri, Ni Kadek Dian Arita Wastiana Konda Ariyaningsih, Ni Nym Deni Benny Benny Budiarta, Putu Thania Auginitha Cahaya Dwipayanti, Luh Ade Wulan Cahyani, Ni Luh Dian Candrasius, Yohanes Desak Putu Eka Pratiiwi Dewa Gede Bambang Erawan Dewa Gede Bambang Erawan Dewi, Ni Made Endri Santika Dita Nur Rahma Dwiyanti, Ni Kadek Chandra Emanuel Rivaldo Saputra Gampur Ernawati, Ni Wayan Sri Fasha Egi Mulyana, Putu Galuh Febriola, Ni Kadek Nia I Dewa Ayu Devi Maharani Santika I Dewa Ayu Gita Wardaning Putri I Dewa Ayu Salsa Bila Ninda Pradevi I Gede Krismon Andika Putra I Gede Mahendra I Gede Sumerta Yasa I Gusti Ayu Agung Sintha Satwika I Gusti Ayu Vina Widiadnya Putri I Gusti Bagus Wahyu Nugraha Putra I Gusti Ngurah Ratnadi I Kadek Agus Sugiantara I Kadek Rama Dwi Jayantha I Ketut Suartawan Mudayasa I Komang Asmara Utama I Komang Asmara Utama I Komang Sulatra I Komang Sulatra I Komang Sulatra I Komang Tirta Anggi Wicaksana I Made Agus Leo Miarta I Nyoman Yoga Pramarta Suma I Wayan Juniartha I Wayan Resen I Wayan Sidha Karya I Wayan Sidha Karya I.B. Gde Nova Winarta Ida Ayu Gde Atlantika Putri Arkuri Ida Ayu Made Wedasuwari Ida Ayu Mela Tustiawati Ida Bagus Suharta Adi Wiguna IGB Wahyu Nugraha Juwita Putri, Adelya Kadek Indiani Swari Kadek, Wahyu Muliawati Kartikasari, Dika Putri Karya, I Wayan Sidha Katong Ragawi Numadi Kevin Stephanus Komang Dian Pusita Candra Komang Dian Puspita Candra Komang Dian Puspita Chandra Kusuma Dewi, Ni Kadek Dita Novia Laksmiati, Ni Made Putri Lestari, Nidia Ayu Luh Herma Risthayani Luh Putri Pramesti Artayani Luh Putri Pramesti Artayani Lusiana, Ni Kadek Elva Made Yuyun Bestari Mahaputri, Anom Gayatri Marselina Helita Alus Miftah Karisma Wulan Andadari Muliadana, Dhiyo Muliadana, Suwardhiyo Nanda Putri, Ni Luh Ni Gusti Ayu Gede Ratih Aprilia Ni Kadek Alit Marta Dila Ni Kadek Martini Ni Kadek Nia Febriola Ni Kadek Sari Ni Ketut Ica Rahayuni Ni Komang Ratna Gaori Ni Komang Sri Ayu Laksmi Ni Komang Sri Budari Dana Putri Ni Luh Putu Ardiningsih Ni Luh Putu Indra Suardani Ni Luh Seri Wangi Ni Made Ratna Dewi Ni Made Verayanti Utami Ni Made Verayanti Utami Ni Made Wahyuni Ni Made, Verayanti Utami Ni Nyoman Deni Ariyaningsih Ni Putu Yeni Setiari Ni Wayan Ita Pratistita NI WAYAN SUASTINI Ni Wayan Suwastini Ni Wayan Yuni Damayanti Ni Wayan Yuni Lastari Nindy Dwi Febriana Nova Winarta, Ida Bagus Gde Novi Krismayanti, Novi Nugraha, I GB Wahyu Nurcahyadi, Yulian Kristalia Nyoman risma ayu Pradnyani Orlando, Alexander Goldy Paramita, Ni Putu Diah Pradnya Parwata, Komang Agus Pebriyani, Ni Putu Rita Permana, I Putu Andri Pramudya Dyah Putranti Pujastuti, Ida Ayu Gayatri Putra, I Gede Krismon Andika Putra, I Wayan Agus Adi Putri Utami, Ni Putu Cahyani Putri, Luh De Mila Noviana Putu Desi Anggerina Hikmaharyanti Putu Gede Budiartha Putu Nur Ayomi Putu Pande R. Aprilyani Dewi Putu Regina Yohana Pratiwi Rico Jonssa Aditya Samuel Prihambodo Quasimus Sari, Ni Kadek Sintya Purnama Sari, Ni Putu Nilam Sari, Ni Putu Shintya Permata Sri Aryanti, Ni Kadek Subakthiasih, Putu Sugiantini, Ni Made Putri Sukariyani, Ni Ketut Sulatra , I Komang Swastana, I Wayan Bayu System, Administrator Valentina, Ni Kadek Vinsensia Nidi Wibhisana, Made Dwika Winarta, I.B. Gde Nova Winartha , IB Gde Nova Winartha, IB Gde Nova Wulantari, Ni Putu Adelia Yani, Ni Kadek Windra Yanti, Ni Wayan Wahyudi Yanti Yohanes Candrasius Yulia Indriani Yustinus Gau