Articles
<![CDATA[Application of Chinese Miao Tribe Typical Embroidery and Beadings in Women's Ready-to-Wear Clothing ]]>
<![CDATA[Lunardi, Ardisa Devana]]>;
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ TEKNOBUGA: Jurnal Teknologi Busana dan Boga Vol 12, No 1 (2024) ]]>
Publisher : <![CDATA[Jurusan Pendidikan Kesejahteraan Keluarga, Fakultas Teknik, Universitas Negeri Semarang ]]>
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DOI: 10.15294/teknobuga.v12i1.49837
<![CDATA[In modern times, more and more women's roles and emancipation have emerged in almost all fields. The role of these women is even seen in several cultures and beliefs in the world, one of which is the Miao New Year Festival in China. The participation of Miao tribal women in the annual festival became a source of inspiration for designing a ready-to-wear collection entitled MINZU. The MINZU collection packs a symbol of Miao belief in a modern form so that it can be accepted and used by urban residents in big cities. The MINZU collection features a jacket silhouette typical of China combined with traditional Miao clothing to display the overall impression of ethnicity. The modern impression is obtained by applying several material manipulations, namely embroidery and beads. The objectives of this design are to: 1) Create a ready-to-wear women's clothing collection with the inspiration of the Miao New Year festival, 2) Apply material manipulation techniques in the form of embroidery and beads typical of the Miao tribe to the urban women's clothing collection. The method used is the PBL (Project Based Learning) method, which is the learning method that uses real projects through information search and data synthesis, material exploration, feasibility assessment, and design interpretation to produce final results.]]>
<![CDATA[Komparasi Visual Tokoh Rangda Dalam Studi Desain Kazuma Kaneko ]]>
<![CDATA[Calvin, Calvin]]>;
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 6, No 2 (2024): Visual Heritage: Jurnal Kreasi Seni Dan Budaya ]]>
Publisher : <![CDATA[Universitas Indraprasta PGRI ]]>
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DOI: 10.30998/vh.v6i2.8189
<![CDATA[Pelestarian budaya Indonesia telah menjadi sesuatu yang susah untuk dipertahankan dalam era globalisisasi ini. Masyarakat Bali memegang teguh kepercayaan dan budaya mereka dalam kehidupan sehari-harinya. Tetapi mereka pun tidak terlepas dari pengaruh globalisasi, seperti bisa dilihat pada rendahnya ketertarikan generasi muda di Bali terhadap Tari Barong. Dengan banyaknya informasi yang masuk ke dalam Indonesia, maka banyak pula informasi yang tersebar dari Indonesia. Legenda Rangda yang diabaikan oleh generasi muda bisa-bisa sampai dikenali oleh orang-orang dari luar negeri dan bahkan diadaptasikan dalam sebuah game, seperti dalam seri Shin Megami Tensei. Dengan ketertarikan terhadap video game dan kubudayaan luar negeri, generasi muda di Bali kembali diperkenalkan oleh legenda Rangda yang telah di komodifikasikan. Dibanding dengan ketika melihat tari Barong, mayoritas generasi muda merasa lebih bangga ketika melihat kebudayaan Indonesia di representasikan pada media moderan, populer, atau dari luar negeri. Berdasarkan hal ini, komodifikasi menjadi sebuah metode pelestarian budaya yang cukup kuat dalam menarik perhatian generasi muda. Tetapi melalui proses komodifikasi, penggambaran tokoh Rangda terasa jauh berbeda dari yang ada di Bali sendiri. Tujuan pembuatan jurnal ini adalah untuk membandingkan penggambaran Rangda yang ada di desain Kazuma Kaneko dengan desain original dari Bali.]]>
<![CDATA[Tinjauan Komparasi Visual Topeng Dayak: Hudoq Dan Sababuka ]]>
<![CDATA[Ramadhani, Halefi Syifa]]>;
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 6, No 2 (2024): Visual Heritage: Jurnal Kreasi Seni Dan Budaya ]]>
Publisher : <![CDATA[Universitas Indraprasta PGRI ]]>
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DOI: 10.30998/vh.v6i2.8188
<![CDATA[Topeng merupakan penutup muka terbuat dari berbagai bahan yang menggambarkan karakter jiwa manusia, binatang, dan makhluk tertentu. Topeng sendiri dibedakan dari peran dan fungsinya. Suku Dayak di Kalimantan memiliki berbagai macam upacara adat dengan menggunakan topeng sebagai perlengkapan khususnya. Diantaranya adalah topeng Hudoq dari Kalimantan Timur dan topeng Sababuka dari Kalimantan Tengah. Kedua topeng tersebut memiliki peran dan fungsi yang berbeda sesuai dengan pelaksanaan upacara adat yang diusungnya. Topeng Hudoq digunakan pada upacara adat membuka lahan untuk bercocok tanam, sedangkan topeng Sababuka digunakan saat tarian upacara adat kematian. Hal ini penting dikaji agar diketahui bahwa perbedaan peran dan fungsi topeng dapat memengaruhi visual topeng. Teori yang digunakan adalah teori Topeng dari Endo Suanda yang menganalisa topeng dari segi visualnya. Dari hasil perbangingan visualnya, dapat diolah dengan metode perceptual mapping. Hasil dari penelitian ini berupa kesimpulan tentang elemen-elemen visual yang sesuai dengan peran dan fungsi.]]>
<![CDATA[PENYULUHAN MATERI PEMBUATAN KEMASAN KREATIF DALAM PROGRAM KKN TEMATIK MANDIRI DI DESA CIPANJALU ]]>
<![CDATA[Aryani, Dewi Isma]]>;
<![CDATA[Manurung, Rosida Tiurma]]>
<![CDATA[ Abdi Seni Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/abdiseni.v15i1.5763
<![CDATA[Universitas Kristen Maranatha has managed the Indonesian University thematic community service program (KKN)annually. Thematic KKN at Cipanjalu Village, Bandung Regency, was during the even semester of 2022/2023, withthirteen meetings and ten work programs. The 9th meeting of the thematic KKN featured MSME actors in CipanjaluVillage, with the topic “Tips and Tricks for Making Product Packaging Creatively.” The group consists of teachingstaff and 14 students from different departments of Universitas Kristen Maranatha for the thematic KKN at CipanjaluVillage, Bandung Regency. The seventh work program in this community service focuses on helping to createinventive and ecologically friendly product packaging. A creative, autonomous, and environmentally responsiblecommunity is developing through the work program at thematic KKN in Cipanjalu Village, which is intended toboost the economy and progress MSMEs by implementing efficient technologies.]]>
<![CDATA[DINAMIKA PERUBAHAN KEMASAN SIGARET KRETEK DI INDONESIA SEBAGAI WUJUD WARISAN BUDAYA ]]>
<![CDATA[Dewi Isma Aryani]]>;
<![CDATA[Kristianus Satrio Budi Nugroho]]>
<![CDATA[ Jurnal Bahasa Rupa Vol. 5 No. 1 (2021): Jurnal Bahasa Rupa Oktober 2021 ]]>
Publisher : <![CDATA[Prahasta Publisher (manage by: DRPM Institut Bisnis dan Teknologi Indonesia) ]]>
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DOI: 10.31598/bahasarupa.v5i1.910
<![CDATA[The development of cloves cigarettes and their packaging can be called a manifestation of physical culture according to Koentjaraningrat's description that an object is a physical product and the activities, deeds, and works of all humans are concrete. In addition, the development of the type of cloves cigarettes and their packaging fulfills the requirements for the stipulation of an object/intangible as a cultural heritage in accordance with Law Number 11 Year 2010 Chapter III Article 5. Therefore, the author attempts to explain the common thread from the history of Haji Djamhari's pioneering cloves cigarettes to changes in Indonesia’s cigarettes packaging when it began to be marketed in a modern way by Nitisemito to its effect on packaging designs that exist and circulate in society today. Less recorded fact that the cigarettes industry existed and developed in 1870-1880 in Kudus, the historical development of cloves cigarettes and its packaging in Indonesia at that time, cigarettes industry declining due to the racial riots in 1918, and the emergence of the subscription system also influenced the philosophy of creating cigarette packaging in Indonesia. The method used is descriptive qualitative with the theory of design, packaging, and branding so that the changes in cigarette packaging that occur in Indonesia are caused by the influence of market leaders from each type that exists, the image element is no longer the main logo but is replaced by logotype and logofont elements on packaging.]]>
<![CDATA[Pengembangan Karakter Generasi Alpha melalui Pendampingan Kreativitas Seni Rupa bagi Anak-Anak Sekolah Minggu Gereja Pandu Bandung ]]>
<![CDATA[Aryani, Dewi Isma]]>;
<![CDATA[Manurung, Rosida Tiurma]]>;
<![CDATA[Ida, Ida]]>;
<![CDATA[Pandanwangi, Ariesa]]>;
<![CDATA[Dewi, Belinda Sukapura]]>
<![CDATA[ Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 7 No 2 (2024): 2024: Edisi 2 ]]>
Publisher : <![CDATA[Faculty of Cultural Sciences, Universitas Gadjah Mada ]]>
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DOI: 10.22146/bakti.7798
<![CDATA[With a tridharma vision and mission founded on ICE values, namely Integrity, Care, and Excellence, Universitas Kristen Maranatha is one of the top ten best private university in Indonesia according to THE Impact Rankings 2022. The Pandu Church Sunday School students that attend the Bina Iman Lanjutan (BIL) are the target audience for community service projects. Using decorative buttons, flannel in various colors, and textile coloring markers on a drawstring fabric bag, the implementation approach is carried out through mentoring and creative experimental activities. This program is intended to foster the Alpha Generation's character among the Sunday School students of the Pandu Church. 26 FSRD students, 9 teaching staff from several faculties at Universitas Kristen Maranatha, 27 Sunday School participants, and 6 BIL’s Pandu Church supervisors helped with the offline activities. Participants are able to create crafts out of drawstring fabric bags as a result of this activity.]]>
<![CDATA[PEMBELAJARAN KOLABORATIF BERBASIS PROYEK PADA PEMBUATAN MURAL DI TB-TK SANTA URSULA BANDUNG ]]>
<![CDATA[Aryani, Dewi Isma]]>;
<![CDATA[Pandanwangi, Ariesa]]>;
<![CDATA[Wangsaputra, Priscylia Susanto]]>;
<![CDATA[Baene, Basituasi]]>
<![CDATA[ Servirisma Vol. 4 No. 1 (2024): Servirisma : Jurnal Pengabdian kepada Masyarakat ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian Masyarakat (LPPM) Universitas Kristen Duta Wacana ]]>
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DOI: 10.21460/servirisma.2024.41.62
<![CDATA[Maranatha Christian University is a private university in Bandung which claims to be a research- based teaching university by upholding the ICE values, namely integrity, care, excellence in its tridharma program. One of them is in the form of community service activities through the art medium of wall painting (murals) involving lecturers from the Bachelor of Visual Communication Design Program and the Bachelor of Fine Arts Program, Faculty of Fine Arts and Design as material formulators and facilitators. The activity entitled "Community Service through Making Flora and Fauna Themed Murals at TB-TK Santa Ursula Bandung" was carried out using the Asset Based Community Development (ABCD) method for project-based collaborative learning for the students involved in two implementation sessions. This activity targets partners, namely the basic education institution TB-TK Santa Ursula Bandung. This community service activity succeeded in providing technical insight and creativity in terms of illustration design in several public space locations at TB-TK Santa Ursula Bandung. These outcomes are demonstrated in several wall paintings, or murals, that the Maranatha Christian University faculty and student service team did.]]>
<![CDATA[TINJAUAN DAN KOMPARASI DESAIN MINUMAN KEKINIAN DENGAN PENDEKATAN SENSORY BRANDING ]]>
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ Jurnal Studi Komunikasi dan Media Vol 28 No No 1 (2024): JURNAL STUDI KOMUNIKASI DAN MEDIA (JSKM) ]]>
Publisher : <![CDATA[BPSDMP Kominfo Jakarta ]]>
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DOI: 10.17933/jskm.2024.5387
<![CDATA[Franchising industry for contemporary beverage products, innovative branding is done utilizing sensory branding as a component of marketing, together with creativity and the use of appropriate design psychology as a difference. Contemporary beverage design is essential for producing aesthetic appeal and sensory experiences. Through the use of materials, color schemes, lighting, product and window displays, and sensory-branded store interiors, consumers are provided emotional experiences. The primary senses that will be explored in this research on sensory branding are sight and touch. Design psychology is meanwhile researched based on customer perceptions and patterns of human social interaction. In this study, contemporary beverage designs from several well-known companies will be analyzed and contrasted according to the sensory branding components used by seven popular contemporary beverage brands. Descriptive qualitative case studies are the research methodology employed. Consequently, by exposing sensory branding findings and design psychology elements from contemporary beverage franchises, particularly those relating to the image of store interior branding, style and design elements, as well as visual merchandising as a form of design recommendation, the results of this study will provide deeper insight into how contemporary beverage design can influence consumer preferences and their purchasing decisions.]]>
<![CDATA[Perancangan Media Promosi Wisata Taman Nasional Baluran Situbondo ]]>
<![CDATA[Putra, Fuzza Duwana]]>;
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Vol 2 No 1 (2022): DIVAGATRA #03 ]]>
Publisher : <![CDATA[Fakultas Desain Universitas Komputer Indonesia ]]>
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DOI: 10.34010/divagatra.v2i1.6236
<![CDATA[A national park is an area that is intended to preserve nature with the formation of native ecosystems using a zoning system. In addition to having a conservation function, national parks can be used for tourism purposes. Baluran National Park is one of the national parks in Indonesia. The name Baluran comes from Mount Baluran which is located in the Situbondo and Wongsorejo areas, Banyuwangi, East Java. Baluran National Park is considered less popular with tourists because of its location close to the islands of Bali and Lombok, making it less competitive. Baluran National Park has the potential as a tourist spot because it has a very wide savanna with a variety of wildlife, and its location is also close to the beach. Therefore, the design of promotional media is needed with the aim of introducing and being able to increase public interest in traveling to Baluran National Park through appropriate and interesting information media. The research method in this design is quantitative with observation and literature study. The results of this study were obtained in the form of design solutions in the form of promotional video designs and supporting media in the form of website advertising designs, web banners, billboards, and social media.]]>
<![CDATA[Penerapan Desain Produk Purple Goods dengan Pendekatan Strategi Diferensiasi ]]>
<![CDATA[Callista, Jesslyn]]>;
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Vol 3 No 1 (2023): DIVAGATRA #05 ]]>
Publisher : <![CDATA[Fakultas Desain Universitas Komputer Indonesia ]]>
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DOI: 10.34010/divagatra.v3i1.9019
<![CDATA[Product design is indispensable for innovation and promotion in a brand. Differentiation strategy is a strategy within a company or business in order to survive in the midst of business competition, with the inovation of new product in accordance to fullfil customers needs. These two things are related to the continuity of a business, a business should have something different from its competitors to ensure the convenience of products entering the market and increase brand awareness among the public. By differentiating its products and designs, a business can highlight its brand image by applying brand characteristics to their product designs. With an attractive product design, out of the box, and different from other brands, it will be easier to attract customers' attention and can be a certain value to determine the characteristics of a brand so that it can be patented by customers. Not only product design, the quality of a product also guarantees consumer decisions and perceptions in choosing a product.]]>
