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<![CDATA[PENDAMPINGAN EDUKASI KREATIVITAS TEKNIK LUKIS BATIK GUTTA KEPADA JEMAAT WANITA DI GEREJA UTUSAN PANTEKOSTA BANDUNG ]]>
<![CDATA[Aryani, Dewi Isma]]>;
<![CDATA[Fatimah, Dina]]>;
<![CDATA[Tjandra, Miki]]>;
<![CDATA[Agustine, Saskia Putri]]>
<![CDATA[ Abdi Seni Vol. 16 No. 1 (2025) ]]>
Publisher : <![CDATA[Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/abdiseni.v16i1.5951
<![CDATA[Through joint community service projects, Universitas Kristen Maranatha and Universitas Komputer Indonesia (UNIKOM) Bandung educate female congregation partners from the Gereja Utusan Pantekosta Bandung on the creative uses of gutta batik painting techniques. ISTANA KAEN industrial partners are involved in this activity and support to provide all participants' demands for fabric. Mentoring is the method employed in PkM. Four faculty members and sixteen FSRD student volunteers made up the service team for the offline PkM implementation. Additional members included one faculty member from Universitas Kristen Maranatha's Bachelor of Information Systems Program and one faculty member from the Bachelor of Management Program., also one faculty member from UNIKOM's Bachelor of Interior Design Program. Twenty female members of the Gereja Utusan Pantekosta Bandung congregation participated in this activity. The PkM process is completed in the Even semester of 2023–2024 and takes around three months from planning to implementation. The outcomes of this PkM are expected to demonstrate how the gutta batik painting method may foster creativity and enhance artistic abilities in all female congregation members at the Gereja Utusan Pantekosta Bandung. The primary goal of this activity is to increase participants' awareness of artistic creativity values, particularly as it relates to gutta batik painting techniques.]]>
<![CDATA[Perancangan media edukasi untuk mengenal perbedaan batik tulis, cap, kombinasi, dan printing ]]>
<![CDATA[Adeline, Jessica Lorensia]]>;
<![CDATA[Rismantojo, Sandy]]>;
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ Canting : Jurnal Batik Indonesia Vol 2 No 2 (2025): Canting: Jurnal Batik Indonesia ]]>
Publisher : <![CDATA[Fakultas Teknik Universitas Pekalongan bekerjasama dengan Asosiasi Perajin dan Pengusaha Batik (APPBI) ]]>
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DOI: 10.31941/cjbi.v2i2.634
<![CDATA[Batik merupakan warisan budaya takbenda Indonesia yang memiliki nilai historis, artistik, dan ekonomi tinggi. Namun, masih banyak masyarakat, khususnya generasi muda, yang belum memahami perbedaan teknik pembuatannya seperti batik tulis, cap, kombinasi, dan printing, sehingga seringkali menimbulkan kesalahpahaman dalam menghargai nilai dan harga batik. Penelitian ini bertujuan merancang media edukasi berbasis media sosial yang komunikatif dan visual-interaktif untuk meningkatkan apresiasi terhadap teknik batik. Metode yang digunakan adalah penelitian kualitatif dengan perolehan data melalui wawancara, observasi lapangan, dan kuesioner kepada 100 responden. Hasil penelitian menunjukkan bahwa mayoritas responden tidak dapat membedakan jenis batik secara visual, meskipun mengaku mengetahui jenis-jenis batik. Media sosial dipilih sebagai media paling efektif karena mampu menyajikan informasi visual secara interaktif dan mudah diakses. Melalui konten edukatif yang menarik, edukasi ini diharapkan mampu meningkatkan kesadaran masyarakat terhadap pentingnya pelestarian batik, terutama batik tulis sebagai simbol identitas budaya Indonesia. Edukasi ini juga berpotensi memperkenalkan nilai budaya batik ke ranah global serta diharapkan dapat menjadi langkah awal pelestarian batik melalui jalur edukasi kreatif dan kolaboratif.]]>
<![CDATA[Buku Fotografi Tari Lengger Lanang: Media Pembelajaran Berbasis Visual untuk Pendidikan Seni dan Budaya ]]>
<![CDATA[Galen, Bintang Abdad]]>;
<![CDATA[Rismantojo, Sandy]]>;
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ Cetta: Jurnal Ilmu Pendidikan Vol 8 No 4 (2025) ]]>
Publisher : <![CDATA[Jayapangus Press ]]>
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DOI: 10.37329/cetta.v8i4.4877
<![CDATA[Lengger Lanang is a traditional Banyumas dance art whose existence is threatened by changes in public perception. This art, which originally functioned as a ritual for Dewi Sri and even a war tactic during the Diponegoro era, has experienced a shift in values due to the stigma against cross-gender culture. This study aims to design educational media to preserve Lengger Lanang by providing an in-depth perspective on the history and lives of its dancers. The study uses a descriptive qualitative approach with creative methods. Data collection was carried out through literature studies, observations, and in-depth interviews with Lengger Lanang dancers. Data were analyzed thematically to identify key narratives. The results show that the philosophical values of Lengger Lanang are far deeper than just a cross-gender performance. Three main narratives were identified: (1) spirituality and its relationship to agriculture, (2) heroism and cultural strategies in fighting colonialism, and (3) the struggle for identity and dedication of Lengger Lanang dancers who maintain tradition. These narratives were then realized in the design of a photographic novel book that combines strong visuals with narrative text. The photographic novel book has proven effective as a strategic medium for educating the public. This media successfully shifted the focus from gender stigma to an appreciation of the historical, artistic, and human interest values behind the Lengger Lanang mask. The study's conclusions recommend the use of a narrative-based creative design approach to preserve other intangible cultural heritage.]]>
<![CDATA[Eco-Friendly Material Education with Tie Dye Technique For Ready-to-use Interior Products at Al-Mumtaza Orphanage ]]>
<![CDATA[Isfiaty, Tiara]]>;
<![CDATA[Aryani, Dewi Isma]]>;
<![CDATA[Paqih, Rizqi Mohammad]]>
<![CDATA[ Indonesian Journal of Teaching in Science Vol 5, No 2 (2025): (ONLINE FIRST) IJOTIS: September 2025 ]]>
Publisher : <![CDATA[Universitas Pendidikan Indonesia (UPI) ]]>
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DOI: 10.17509/ijotis.v5i2.84176
<![CDATA[This study examines the applicability of strategies with educational methods through the use of eco-friendly materials in tie-dye training activities. The training activity served as a way to teach kids and young people from underrepresented groups at the Al-Mumtaza Orphanage in Bandung about the different kinds of eco-friendly materials and their applications. The activity was conducted to develop artistic creativity and knowledge of environmentally safe textile dyes used in ready-to-use interior products that are tie-dyed. With implications for curiosity and a desire to learn about environmental issues, both of which are critical to design, especially interior design, positive responses are expected. The methodology used combines content analysis with a descriptive qualitative approach. The content research approach (content analysis) is one of the ways used in dynamic processes to investigate and disclose the core based on educational strategy and methods. Qualitative research has two primary goals, which are to describe and explore, also to describe and explain. This is appropriate for describing the creation process and responses that take place throughout training sessions. The findings show that hands-on learning activities promote creativity, independence, and participants' motivation to improve. The findings also show that hands-on learning is at the heart of education's social purpose.]]>
<![CDATA[Teaching Kids Fruit and Veggie Benefits through Media Book Design ]]>
<![CDATA[Cahyadi, Eky]]>;
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ Equilibrium: Jurnal Pendidikan Vol. 13 No. 2 (2025): EQUILIBRIUM : JURNAL PENDIDIKAN ]]>
Publisher : <![CDATA[Universitas Muhammadiyah Makassar ]]>
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DOI: 10.26618/equilibrium.v13i2.17642
<![CDATA[A healthy lifestyle is a habit that can be instilled from an early age. Consuming vegetables and fruits as a healthy lifestyle has many benefits for health and fitness. Vegetables and fruits play an important role in helping the growth and development of early childhood. This study is part of the design process carried out through a descriptive quantitative method approach. From the data collection carried out, it was found that early childhood has an interest in interactive and attractive media. One of the media in question is a book design with educational and interactive content. Book design media can be one solution that can anticipate the low interest of early childhood in Indonesia in consuming vegetables and fruits. Interactive educational books are the right media in providing knowledge and insight to early childhood because in addition to being informative, they are also equipped with useful interactive aspects. Introduction to shapes, colors, and information about vegetables and fruits can be packaged comprehensively in interactive book media. The ultimate goal of this interactive educational book is to increase the knowledge, insight, and interest of early childhood, especially 6-10 years old, in vegetables and fruits as part of their healthy lifestyle.]]>
<![CDATA[Pelatihan Pembuatan Tas Kain bagi Kelompok Usaha Bersama Maju Bersama Sejahtera sebagai Program Community Empowerment ]]>
<![CDATA[Aryani, Dewi Isma]]>;
<![CDATA[Tan, Tan]]>;
<![CDATA[Janty, Indra]]>
<![CDATA[ Bakti Budaya: Jurnal Pengabdian kepada masyarakat Vol 5 No 1 (2022): 2022: Edisi 1 ]]>
Publisher : <![CDATA[Faculty of Cultural Sciences, Universitas Gadjah Mada ]]>
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DOI: 10.22146/bakti.3609
<![CDATA[Maranatha Christian University has a vision and mission of the Three Pillars of Higher Education based on ICE values: integrity, care, excellence. Community service activities are aimed at community groups assisted by Kota Baru Parahyangan (KBP), members of the Maju Bersama Sejahtera Joint Business Group (KUBE). The method carried out through mentoring and creative experimental practices using treated fabric with ecoprint technique and sewn into the cloth bag products. Through this training hoped could create a community that is independent and able to work or be a creative entrepreneur to produce bag products that have aesthetic and even economic value. The activities carried out offline with 4 FSRD UK. Maranatha lecturers, 2 FSRD students, and 20 KUBE Maju Bersama Sejahtera participants, assisted by 6 committee members from the KBP team. The final activity result is that participants are able to produce cloth bags that have been trained by the lecturers. ===== Universitas Kristen Maranatha memiliki visi dan misi Tridharma Perguruan Tinggi berdasarkan nilai ICE, yakni integrity (integritas), care (kepedulian), dan excellence (keprimaan). Kegiatan pengabdian kepada masyarakat ditujukan bagi kelompok masyarakat binaan Kota Baru Parahyangan (KBP) yang tergabung dalam Kelompok Usaha Bersama (KUBE) Maju Bersama Sejahtera. Metode pelaksanaan dilakukan melalui pendampingan dan praktik eksperimental kreatif menggunakan kain yang diperlakukan secara teknik ecoprint dan dijahit menjadi produk pakai berupa tas kain. Diharapkan pelatihan ini nantinya dapat menciptakan masyarakat yang mandiri dan mampu berkarya atau berwirausaha kreatif untuk menghasilkan produk tas yang memiliki nilai estetika bahkan ekonomis. Pelaksanaan kegiatan dilaksanakan secara luring dengan jumlah anggota tim sebanyak 4 tenaga pengajar FSRD UK Maranatha, 2 orang mahasiswa FSRD, dan 20 peserta KUBE Maju Bersama Sejahtera, serta dibantu oleh 6 orang panitia dari tim KBP. Hasil akhir kegiatan ini adalah peserta mampu menghasilkan produk tas kain yang telah diajarkan oleh para pemateri saat pelatihan berlangsung.]]>
<![CDATA[PENYULUHAN MATERI PEMBUATAN KEMASAN KREATIF DALAM PROGRAM KKN TEMATIK MANDIRI DI DESA CIPANJALU ]]>
<![CDATA[Aryani, Dewi Isma]]>;
<![CDATA[Manurung, Rosida Tiurma]]>
<![CDATA[ Abdi Seni Vol. 15 No. 1 (2024) ]]>
Publisher : <![CDATA[Institut Seni Indonesia Surakarta ]]>
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DOI: 10.33153/abdiseni.v15i1.5763
<![CDATA[Universitas Kristen Maranatha has managed the Indonesian University thematic community service program (KKN)annually. Thematic KKN at Cipanjalu Village, Bandung Regency, was during the even semester of 2022/2023, withthirteen meetings and ten work programs. The 9th meeting of the thematic KKN featured MSME actors in CipanjaluVillage, with the topic “Tips and Tricks for Making Product Packaging Creatively.” The group consists of teachingstaff and 14 students from different departments of Universitas Kristen Maranatha for the thematic KKN at CipanjaluVillage, Bandung Regency. The seventh work program in this community service focuses on helping to createinventive and ecologically friendly product packaging. A creative, autonomous, and environmentally responsiblecommunity is developing through the work program at thematic KKN in Cipanjalu Village, which is intended toboost the economy and progress MSMEs by implementing efficient technologies.]]>
<![CDATA[Visualisasi Kapal Naga Viking dan Simbol Vegvisir dalam Produk Busana Siap Pakai ]]>
<![CDATA[Kolonica, Felicia]]>;
<![CDATA[Aryani, Dewi Isma]]>;
<![CDATA[Tan, Indra Janty]]>
<![CDATA[ CandraRupa : Journal of Art, Design, and Media Vol. 3 No. 1 (2024): Vol.3 No.1, March (2024) ]]>
Publisher : <![CDATA[Universitas Dinamika ]]>
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DOI: 10.37802/candrarupa.v3i1.606
<![CDATA[Viking adalah suku bangsa dari Skandinavia (Denmark, Norwegia, dan Swedia). Bangsa Viking biasa disebut Norseman atau Northman adalah bangsa yang terkenal suka bertarung, gemar menjarah, dan meneror kawasan dekat perairan di seluruh wilayah Eropa di akhir abad ke-8 Masehi. Bangsa Viking kerap menjelajah ke daerah lain menggunakan kapal panjang yang layar petaknya berwarna merah dan putih, serta memiliki ciri khas berupa lambang kepala naga di depan kapal. Lambang tersebut menggambarkan karakteristik Bangsa Viking yang tidak mengenal rasa takut, untuk menakuti roh jahat, monster laut, dan musuh. Inspirasi kapal Bangsa Viking tersebut menjadi inspirasi perancangan koleksi busana siap pakai ORTHRAI yang ditujukan bagi wanita dan pria. ORTHRAI didesain dengan siluet H serta penerapan teknik sablon dan smocking melalui motif kepala naga dan simbol Vegvisir milik Bangsa Viking. Tujuan dari perancangan ini untuk: 1) Menciptakan koleksi busana siap pakai yang terinspirasi dari kapal Viking, 2) Menerapkan teknik manipulasi material berupa sablon dan smocking dengan motif khas Viking. Metode penelitian menerapkan pembelajaran berbasis proyek berupa proyek nyata, mulai dari pencarian informasi dan integrasi data, eksplorasi material, evaluasi kelayakan, dan interpretasi desain hingga hasil akhir berupa koleksi busana untuk pria dan wanita.]]>
<![CDATA[Perancangan Koleksi Busana Siap Pakai VIRTERNITY dengan Inspirasi Komunitas Pengendara Sepeda Motor ]]>
<![CDATA[Inggrid, Beatrix Levina]]>;
<![CDATA[Aryani, Dewi Isma]]>
<![CDATA[ Besaung : Jurnal Seni Desain dan Budaya Vol. 8 No. 2 (2023) ]]>
Publisher : <![CDATA[UNIVERSITAS INDO GLOBAL MANDIRI ]]>
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DOI: 10.36982/jsdb.v8i2.3213
<![CDATA[Perkembangan teknologi saat ini memiliki peranan yang cukup penting terhadap keberadaan sepeda motor, terutama di Indonesia. Makin beragamnya jenis dan kategori dengan keunggulan masing-masing yang diluncurkan produsen sepeda motor membuat popularitas kendaraan roda dua tersebut semakin diminati berbagai kalangan masyarakat. Tidak sedikit orang yang menyukai kendaraan beroda dua ini sehingga memunculkan suatu komunitas masyarakat yang mempunyai hobi terhadap motor dengan spesifikasi tertentu, salah satunya sepeda motor dengan mesin besar atau sering disebut dengan motor gede (moge). Inspirasi perkembangan sepeda motor bermesin besar dan komunitasnya tersebut menjadi inspirasi perancangan VIRTERNITY yakni koleksi busana siap pakai untuk wanita dan pria. Keseluruhan tampilan dengan aksesori khas berupa elemen-elemen yang mewakili ciri seorang pengendara motor gede dengan tujuan menjadi pusat perhatian. Koleksi busana VIRTERNITY memiliki detail yang memberikan kesan gagah sesuai dengan kesan yang ada pada komunitas pengendara motor bermesin besar. Tujuan dari perancangan ini adalah untuk: 1) Menciptakan koleksi busana wanita dan pria siap pakai dengan inspirasi pengendara dari komunitas sepeda motor bermesin besar (moge), 2) Menerapkan teknik manipulasi material berupa eyelet, studded, dan rantai yang khas dari komunitas pengendara motor gede ke dalam koleksi busana wanita dan pria yang tinggal di wilayah kota besar Indonesia. Metode yang digunakan yaitu metode PBL (Project Based Learning) berupa pembelajaran yang menggunakan projek nyata melalui pencarian informasi dan sintesis data, eksplorasi material, penilaian kelayakan, dan interpretasi desain untuk menghasilkan hasil akhir.]]>
<![CDATA[DINAMIKA PERUBAHAN KEMASAN SIGARET KRETEK DI INDONESIA SEBAGAI WUJUD WARISAN BUDAYA ]]>
<![CDATA[Aryani, Dewi Isma]]>;
<![CDATA[Nugroho, Kristianus Satrio Budi]]>
<![CDATA[ Jurnal Bahasa Rupa Vol. 5 No. 1 (2021): Jurnal Bahasa Rupa Oktober 2021 ]]>
Publisher : <![CDATA[Institut Bisnis dan Teknologi Indonesia ]]>
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DOI: 10.31598/bahasarupa.v5i1.910
<![CDATA[The development of cloves cigarettes and their packaging can be called a manifestation of physical culture according to Koentjaraningrat's description that an object is a physical product and the activities, deeds, and works of all humans are concrete. In addition, the development of the type of cloves cigarettes and their packaging fulfills the requirements for the stipulation of an object/intangible as a cultural heritage in accordance with Law Number 11 Year 2010 Chapter III Article 5. Therefore, the author attempts to explain the common thread from the history of Haji Djamhari's pioneering cloves cigarettes to changes in Indonesia’s cigarettes packaging when it began to be marketed in a modern way by Nitisemito to its effect on packaging designs that exist and circulate in society today. Less recorded fact that the cigarettes industry existed and developed in 1870-1880 in Kudus, the historical development of cloves cigarettes and its packaging in Indonesia at that time, cigarettes industry declining due to the racial riots in 1918, and the emergence of the subscription system also influenced the philosophy of creating cigarette packaging in Indonesia. The method used is descriptive qualitative with the theory of design, packaging, and branding so that the changes in cigarette packaging that occur in Indonesia are caused by the influence of market leaders from each type that exists, the image element is no longer the main logo but is replaced by logotype and logofont elements on packaging.]]>
