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All Journal JURNAL ILMU SOSIAL Jurnal Pendidikan Sosiologi dan Humaniora EGALITA Paramita: Historical Studies Journal IZUMI Prosodi: Jurnal Ilmu Bahasa dan Sastra Transformasi: Jurnal Pengabdian Masyarakat Jurnal Penelitian Humaniora Masyarakat, Kebudayaan dan Politik Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Jurnal Bindo Sastra Wanastra : Jurnal Bahasa dan Sastra CaLLs : Journal of Culture, Arts, Literature, and Linguistics Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Jurnal Madah Satwika : Kajian Ilmu Budaya dan Perubahan Sosial JSM (Jurnal Seni Musik) Puitika ETNOREFLIKA: Jurnal Sosial dan Budaya SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia International Journal of Cultural and Art Studies (IJCAS) Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Anaphora: Journal of Language. Literary and Cultural Studies Edukasi Lingua Sastra Humanism : Jurnal Pengabdian Masyarakat ENLIT STLISTIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Arif: Jurnal Sastra dan Kearifan Lokal Journal of Language, Literature, Social and Cultural Studies Journal of Literature and Education Mantra Jurnal Sastra Indonesia (Sastra, Bahasa, Budaya) Wanastra: Jurnal Bahasa dan Sastra
Nadya Afdholy
Universitas Airlangga
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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Representation and Regulation: Understanding Foods Served in Wayang Kulit Performances in Malang and Jombang Rasyid Fahmi Suroso; Adi Dwi Riyanto; Nadya Afdholy
ETNOREFLIKA: Jurnal Sosial dan Budaya Vol 14 No 2 (2025): Volume 14 Issue 2, June 2025
Publisher : Laboratory of Anthropology Department, Faculty of Humanity, Halu Oleo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/etnoreflika.v14i2.3025

Abstract

This study investigates foods served in wayang kulit performances in Malang and Jombang, employing the circuit of culture perspective as a methodological framework. It delivers an overview of the representation and regulation of foods served in wayang kulit performances. Data collection techniques consist of observation, documentation, and semi-structured interviews with two dalangs (shadow puppet masters), one in Bareng, Jombang, and the other in Blimbing, Malang. By analyzing foods served in wayang kulit performances in the circuit of culture, this study aims to provide more interpretations of the situation.
Menghalau Domestifikasi dan Feodalisme: Daya Subjektivitas NH. Dini dalam Novel "Jalan Bandungan" Afdholy, Nadya; Tjahjono, Tengsoe
Puitika Vol. 16 No. 1 (2020)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/puitika.16.1.29--47.2020

Abstract

The journey of Nh. Dini in fighting symbolicism can be examined through the relationship between Nh. Dini as a writer and her work sentitled Jalan Bandungan. Actions again symbolicism are categorized as effort stoliberate the subject to achieve the autonom ous. This study aim storeveal the subjectivity of Nh. Dini as the author of the novel Jalan Bandungan by utilizing the concep to subjectivity that was conceived by SlavojŽižek. This research uses a qualitative method and Todorov's point of view analysis approach. The object o fthis research is the novel by Nh. Dini entitled Jalan Bandungan. This study uses data collection techniques with comprehensive reading anduses data analysis techniques by recording. The results of this study indicate that the subjectivity of Nh. Dini in writing the novel Jalan Bandungan is a radical actagainst the symbolic prisons of domestification and feudalism. The entireprocess of writing the novel Jalan Bandungan shows radicalactions Nh. Dini. The action gave rise to symbolic changes that surrounded Nh. Dini and simultane ously attract subjectivity Nh. Dini to return to the symbolic. Keywords: Jalan Bandungan, Nh. Dini, subjectivity, symbolic, Žižekian.
Cerminan Era Taisho pada Cerpen Yabu no Naka Karya Akutagawa Ryunosuke : Kajian New Historisicm Ade Saikhu Sya'Ban; Antonius Rahmat Pujo Purnomo; Nadya Afdholy
IZUMI Vol 15, No 1 (2026): Current
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.15.1.11-23

Abstract

<em>This article examines Akutagawa Ryūnosuke&#039;s short story Yabu no Naka (1922) as a critical reflection of the socio-political transformations during Japan&#039;s Taishō era (1912-1926). Using a New Historicism approach, the study reveals how the story&#039;s multiperspective narrative technique not only challenges the notion of absolute truth but also represents the paradoxes of Japan&#039;s modernization, including class tensions, gender dynamics, and legal authority. Through characters such as the woodcutter, the priest, the bandit Tajōmaru, and the samurai&#039;s wife Masago, Akutagawa portrays a society caught between traditional values and Western modernity. The article concludes that Yabu no Naka is a brilliant sociological portrait of truth&#039;s relativity and the complexities of social change in the Taishō era</em>. <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor
Reorienting the global economy in China's belt and road initiative Probo Darono Yakti; Siti Rokhmawati Susanto; I Gede Wahyu Wicaksana; Nadya Afdholy; Rumi Azolla Ladiqi
JURNAL ILMU SOSIAL Vol 24, No 2 (2025)
Publisher : Faculty of Social and Political Sciences, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/jis.24.2.2025.263-285

Abstract

This study aims to examine China's Belt and Road Initiative (BRI) cooperation under the leadership of President Xi Jinping with more than 100 countries in the Indo-Pacific region as a geo-economic order of developmentalism in the Indo-Pacific region to rival the United States (US) with its liberalism. BRI offers developmentalism based on investment-driven economic growth and infrastructure boom. BRI is also a geoeconomic phrase that shows China's geopolitical interest in controlling at least 45 percent of the world economy, whose potential lies along the Silk Road Economic Belt and the Maritime Silk Road. This explanatory research tries to explore further the grand strategy carried out by China in a transformation from the previous leadership era of Mao Zedong, Deng Xiaoping, and Hu Jintao, to Xi Jinping. Then, BRI expanded, as Chinese investment in infrastructure expanded throughout the Indo-Pacific. The data was drawn from a literature study spread across official Chinese government websites (china.gov), journal editors, online media, and e-book provider sites. The findings highlight the declining role of the US in the international world under the leadership of Donald Trump, so that it a strategic opportunity for China to overtake the US. However, the US is no longer the only world hegemon. China is trying to introduce developmentalism as a counter-order to the liberalism that has been promoted by the US.
PELATIHAN BISNIS SASTRA DIGITAL BAGI KOMUNITAS SUTEJO SPECTRUM CENTER PONOROGO Setya Yuwana Sudikan; Titik Indarti; Endah Imawati; Nadya Afdholy
Humanism : Jurnal Pengabdian Masyarakat Vol 7 No 1 (2026): April
Publisher : Universitas Muhammadiyah Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30651/hm.v7i1.27994

Abstract

Komunitas sastra Sutejo Spectrum Center (SSC) Ponorogo memiliki anggota penulis muda yang membutuhkan ruang untuk memasarkan karya terutama yang merupakan produk kebudayaan berupa sastra kreatif melalui media digital. Para penulis muda memiliki keterbatasan dalam menjual (baca: memasarkan) novel, cerita pendek, dan puisi yang diproduksi untuk mendapatkan keuntungan finansial. Sebagai upaya untuk mengatasi permasalahan tersebut, perlu dilakukan pelatihan penulisan, publikasi, dan bisnis sastra digital bagi anggota komunitas penulis Sutejo Spectrum Center (SSC) Ponorogo. Tim PKM Senat Akademik Universitas (SAU) Universitas Negeri Surabaya melaksanakan pendampingan penulisan, publikasi, dan bisbis sastra digital. Tim PKM SAU Unesa melakukan pendampingan secara atap muka (offline) dan tatap maya (online) yang berbentuk klinis. Kegiatan PKM ini bertujuan mendorong penggunaan platform aplikasi untuk memublikasikan produk sastra kreatif (novel, cerita pendek, dan puisi) secara luas dalam dua bahasa (Indonesia dan Inggris), meningkatkan kompetensi anggota komunitas sastra SSC Ponorogo dalam memanfaatkan teknologi digital, dan mendorong anggota komunitas sastra SSC untuk membaca peluang bisnis dari penulisan kreatif secara offline dan online, melalui berbagai aplikasi. Bentuk kegiatan PKM ini adalah ceramah, diskusi kelompok terpumpun, pelatihan, dan pendampingan. Kegiatan ini dilaksanakan secara luring dan daring, dari 17 Mei 2025 sampai 17 Juli 2025.
Digital or Sad Poetry: The Enthusiasm over Sadness on Wattpad Mauludi, Anugrah Bulan; Afdholy, Nadya; Setijowati, Adi
Wanastra: Jurnal Bahasa dan Sastra Vol. 17 No. 1 (2025): March
Publisher : LPPM Universitas Bina Sarana Informatika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31294/wanastra.v17i1.11896

Abstract

Despite indicating the development of literature in a modern world, Wattpad allows any type of influence to enter its platform. Many people are under the age of adulthood, but they are writing popular poems. Wattpad’s poetry itself has many images related to sadness. This research aims to study enthusiasm over sadness in Wattpad’s poetry. The method was based on a qualitative-quantitative mixed method. It is found that the images of sadness revolve around guilt, depression, loneliness, trauma, and betrayal. Based on the qualitative approach, findings show that depression’s image gets portrayed more than the rest. This article proposes to conduct a study of Wattpad literature based on popular works and also to use a qualitative approach to investigate the content of the platform itself. The neutrality of Wattpad’s comments is considered non-canonical from a quantitative sentiment analysis point of view and, therefore, requires greater attention for future research.
Comparison of Women and Prostitution in Woman at Point Zero and Tuhan Izinkan Aku Menjadi Pelacur Luzae Luzae; Adi Setijowati; Nadya Afdholy
Anaphora : Journal of Language, Literary, and Cultural Studies Vol. 6 No. 2 (2023): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v6i2.9662

Abstract

Everyone has their rights from birth, but not everyone has the same degree of freedom as everyone else, especially if they belong to a minority group. Because of this, women have always been subject to male power and marginalized in all aspects. Due to disappointment toward the gender differences and objectification, many women fall into a profession that is considered taboo and dishonorable by society, that is as a prostitute. This article focuses on the feminist studies regarding women and how they ultimately choose the path of prostitution at last as experienced by the two main characters, that are Firdaus in Women at Point Zero and Nidah Kirani in Tuhan Izinkan Aku Menjadi Pelacur. This article aims to compare and describe women's issues related to prostitution in two different countries, which are Egypt and Indonesia. These two countries have the same religious background because both of them have a majority of Muslim population. To complement the research, a comparative literary approach is also employed to identify the similarities and differences to find the factor that determines the female characters to become sex worker. The results indicate that both of the novels tell the life story of a woman who chose to become a prostitute due to their disappointment in man. Despite the similarity, family issues are a significant contributing factor to Firdaus's becoming a sex worker. As for Nidah Kirani in Tuhan Izinkan Aku Menjadi Pelacur the failure to deal with certain issues effectively. Kirani’s belief in God and the Islamic organization that she thought would show her the real Islam has misled her and because of her disappointment, she turned to be a sex worker.
From Stage to Screen: Analysis of Women's Commodification in Dangdut Koplo via TikTok Pembayun Retno Ambarsari Sekartaji; Edi Dwi Riyanto; Nadya Afdholy
Anaphora : Journal of Language, Literary, and Cultural Studies Vol. 7 No. 2 (2024): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v7i2.12233

Abstract

Dangdut is a genre of music that has evolved into a cultural phenomenon within Indonesian society, particularly among the middle and lower socioeconomic classes. Dangdut music first featured lyrics with significant meaning and later evolved into dangdut koplo. Dangdut koplo is frequently linked to a rapid tempo and captivating vocalists. The objective of this study is to examine the commodification of female dangdut koplo singers within TikTok app. The research employed a visual ethnography approach to examine the commodification of female dangdut singers, focusing on their dress, cosmetics, and body motions that were captured in the video. The result of this study shows that there are elements or concepts of commodification of biduanita in dangdut koplo videos in TikTok. When performing on the stage, the singers generally utilized clothing, makeup, and body movements, to attract money or saweran from the crowds and increase popularity with their attractiveness. However, when the clip of the performance is used by unofficial accounts that do not belong to the artists or their production companies, it becomes a form of commodity for these accounts to acquire popularity on TikTok through likes and views. The bodies of these biduanitas then transform into commodity objects on social media platforms, promoting the sexualization and objetification of female dangdut singers.
Co-Authors Abimardha Kurniawan, Abimardha Ade Saikhu Sya&#039;Ban Adi Dwi Riyanto Adiyani, Lady Khairunnisa Afifah, Talitha Afriansyah, Teddy Ahmad Faizin, Ahmad AMIRAH ANIS THALIB Anas Ahmadi Andalas, Eggy Fajar Antonius Rahmat Pujo Purnomo Arif Fatchur Rochmaniyah Arrasyid, Muhammad Azzahra, Syifa Shafira Bramantio Dewi Meyrasyawati Edi Dwi Riyanto Endang Sri Maruti Fanani, Urip Zaenal Fatikhatur Rizqya Fatmarani, Widiasih Ghanesya Hari Murti I Gede Wahyu Wicaksana I Gede Wahyu Wicaksana, I Gede Wahyu Ida Ayu Putu Sri Widnyani Imawati, Endah INDARTI, TITIK Johny Alfian Khusyairi kamalia, mirza fathima jauhar Liana, Patricia Luzae Luzae Mauk, Vincentius Maulidia, Zulia Khikmatul Mauludi, Anugrah Bulan Melyana, Shafanda Putri Nur Rizky Dewi Angelita Pembayun Retno Ambarsari Sekartaji Probo Darono Yakti Purnawan Basundoro Purnomo, Antonius Rahmad Pujo Puspita, Yulia Mega Rasyid Fahmi Suroso Riki Nasrullah Rima Firdaus Rochmah, Devy Puspita Nor Romiana, Romiana Rumi Azolla Ladiqi Saing, Muhammad Erwan Salsabila, Nur Shafa Santiana, Anindra Candrika Septiana, Hespi Setijowati, Adi Setya Yuwana Sudikan Siti Rokhmawati Susanto Siti Rokhmawati Susanto Sudikan, Setya Yuwana Syafitri, Hanun Dinah Tengsoe Tjahjono Tengsoe Tjahjono, Tengsoe Tiantini, Wendy Belinda Tirtakayana, Bilqis Titik Indarti Yuniar, Dea Hernawati