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All Journal Jurnal Pendidikan Sosiologi dan Humaniora EGALITA Paramita: Historical Studies Journal Prosodi: Jurnal Ilmu Bahasa dan Sastra Transformasi: Jurnal Pengabdian Masyarakat Jurnal Penelitian Humaniora Masyarakat, Kebudayaan dan Politik Lingua Franca: Jurnal Bahasa, Sastra, dan Pengajarannya Jurnal Bindo Sastra Wanastra : Jurnal Bahasa dan Sastra CaLLs : Journal of Culture, Arts, Literature, and Linguistics Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan Jurnal Madah Satwika : Kajian Ilmu Budaya dan Perubahan Sosial JSM (Jurnal Seni Musik) Puitika ETNOREFLIKA: Jurnal Sosial dan Budaya SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia International Journal of Cultural and Art Studies (IJCAS) Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) Ghancaran: Jurnal Pendidikan Bahasa dan Sastra Indonesia Anaphora: Journal of Language. Literary and Cultural Studies Edukasi Lingua Sastra Humanism : Jurnal Pengabdian Masyarakat ENLIT STLISTIKA: Jurnal Bahasa, Sastra, dan Pengajarannya Arif: Jurnal Sastra dan Kearifan Lokal Journal of Language, Literature, Social and Cultural Studies Journal of Literature and Education Mantra Jurnal Sastra Indonesia (Sastra, Bahasa, Budaya)
Nadya Afdholy
Universitas Airlangga
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Public Health Social Sciences Other

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WOMEN EMPOWERMENT AND GENDER EQUALITY IN THE SALE OF BORAN RICE IN LAMONGAN INDONESIA Yuniar, Dea Hernawati; Riyanto, Edi Dwi; Afdholy, Nadya
EGALITA Vol 19, No 2 (2024): December
Publisher : Pusat Studi Gender UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/egalita.v19i2.27389

Abstract

Abstract Women's empowerment and equality in the economic sector have become widespread due to the successful implementation of the feminist movement. In socialist feminism, the oppression of women in the world of work was rampant, and this has slowly diminished with the empowerment of women in the social and economic sectors. The selling of boran rice by women only in Lamongan, East Java, Indonesia, has a uniqueness because it is one of Lamongan's traditional foods. This research aims to discuss women's empowerment and gender equality in the production and selling practice of boran rice in Lamongan. This research uses descriptive qualitative methods and a phenomenological approach. The data taken in this study is from interviews with boran rice sellers in Lamongan. The results of this research suggest that boran rice sellers do not mind being supporters of the family economy. The women empowerment act is found in the association that houses boran rice sellers in the west of the Lamongan plaza. The gender equality found in the opportunity for women to have a job. This reflects that women and men have their own roles, and their skills are equally useful.. Keywords: Boran Rice; Gender Equality; Women EmpowermentAbstrak Pemberdayaan dan kesetaraan perempuan di sektor ekonomi berkembang pesat karena adanya Gerakan feminisme. Dalam Gerakan feminisme sosialis, penindasan terhadap perempuan di dunia kerja merajalela perlahan-lahan berkurang dengan adanya pemberdayaan perempuan di sektor sosial dan ekonomi. Nasi boran merupakan makanan tradisional Lamongan, Jawa Timur, yang telah menjadi sebuah komoditas. Keunikan dari komoditas ini ialah penjualan nasi boran hanya dilakukan oleh perempuan di Lamongan, Jawa Timur yang tidak dapat ditemukan di daerah lain. Penelitian ini bertujuan untuk mendiskusikan pemberdayaan perempuan dan aspek kesetaraan gender dalam penjualan nasi boran di Lamongan. Penelitian ini menggunakan metode kualitatif deskriptif dan pendekatan fenomenologi. Data yang diambil dalam penelitian ini berasal dari hasil wawancara dengan penjual nasi boran di Lamongan. Hasil wawancara penelitian ini menunjukkan bahwa penjual nasi boran tidak keberatan menjadi salah satu pendukung ekonomi keluarga. Upaya pemberdayaan perempuan ini terdapat pada paguyuban yang menaungi para penjual nasi boran di Lamongan, dan penyerahan tanggung jawab penjualan nasi boran sepenuhnya kepada perempuan. Hal ini mencerminkan bahwa perempuan dan laki-laki memiliki perannya masing-masing, dan keterampilan yang dimiliki masing-masing memiliki manfaat yang sama. Kata Kunci: Nasi Boran; Kesetaraan Gender; Pemberdayaan Perempuan
IWATIK BATIK: EMPOWERING WOMEN AND CULTURAL IDENTITY OF BALIKPAPAN CITY Romiana, Romiana; Afdholy, Nadya
Jurnal Penelitian Humaniora Vol 25, No 2: Agustus 2024
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/humaniora.v25i2.23617

Abstract

Batik is a cultural identity introduced by the Balikpapan City Government as a typical product of this city. This was done in connection with the increasing development in Balikpapan City, which is a multicultural city that is currently also a buffer city for the new state capital, Nusantara. IWATIK is an organization founded by empowered women in Balikpapan City to enhance batik art abilities while encouraging the advancement of arts and culture in Mekarsari, a ward of Balikpapan City. This research examines the cultural identity embedded in IWATIK batik art and analyses potential implications for women's empowerment and local community development. This research used a qualitative method. The data collection methods were in-depth interviews and observation with IWATIK members. The technique used in this research was inductive analysis. The results show that Preserving Balikpapan batik is a measure taken to protect the cultural heritage of Balikpapan City. Batik serves not only as a traditional textile but also as a means for presenting the cultural identity of Balikpapan City, a very multicultural area with abundant natural resources. Furthermore, in IWATIK the women's participation in strategic decision-making, including goal formulation and team management, fosters an inclusive and competitive environment. AbstrakBatik merupakan identitas budaya yang diperkenalkan oleh Pemerintah Kota Balikpapan sebagai produk khas kota ini. Hal ini dilakukan sehubungan dengan semakin meningkatnya pembangunan di Kota Balikpapan yang merupakan kota multikultural yang saat ini juga menjadi kota penyangga ibu kota negara baru, Nusantara. IWATIK merupakan organisasi yang didirikan oleh perempuan-perempuan berdaya di Kota Balikpapan untuk meningkatkan kemampuan seni membatik sekaligus mendorong kemajuan seni dan budaya di Mekarsari, salah satu kelurahan Kota Balikpapan. Penelitian ini mengkaji identitas budaya yang tertanam dalam seni batik IWATIK dan menganalisis potensi implikasinya terhadap pemberdayaan perempuan dan pengembangan masyarakat lokal. Penelitian ini menggunakan metode kualitatif. Metode pengumpulan data yang digunakan adalah wawancara mendalam dan observasi terhadap anggota IWATIK. Teknik yang digunakan dalam penelitian ini adalah analisis induktif. Hasil penelitian menunjukkan bahwa Melestarikan batik Balikpapan merupakan upaya yang dilakukan untuk menjaga warisan budaya Kota Balikpapan. Batik tidak hanya berfungsi sebagai tekstil tradisional tetapi juga sebagai sarana menampilkan identitas budaya Kota Balikpapan, daerah yang sangat multikultural dengan sumber daya alam yang melimpah. Selain itu, di IWATIK, partisipasi perempuan dalam pengambilan keputusan strategis, termasuk perumusan tujuan dan manajemen tim, menumbuhkan lingkungan yang inklusif dan kompetitif
Konstruksi Makna Budaya Ngopi Kopag (Kopi Pagi) Masyarakat Kota Malang Faizin, Ahmad; Khusyairi, Johny Alfian; Afdholy, Nadya
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 4 No. 2 (2025): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.042.01

Abstract

Budaya ngopi di Kota Malang telah menjadi bagian dari identitas masyarakat lokal didorong dengan banyaknya coffee shop berdiri di penjuru kota. KOPAG merupakan salah satu kegiatan ngopi yang bertransformasi menjadi budaya ngopi baru. KOPAG terbentuk menjadi sebuah istilah tersendiri yang diucapkan, digunakan, dan disebarluaskan oleh Masyarakat di Malang semenjak tahun 2023, terutama pemuda-pemudi Malang. Penelitian ini bertujuan menelaah makna budaya ngopi KOPAG di Malang. Penelitian menggunakan teori representasi yang termasuk dalam penelitian kualitatif dengan pendekatan studi kasus. Koleksi data melalui wawancara terhadap pelaku budaya dari pihak konsumen dan produsen. Hasil penelitian  menunjukkan bahwa istilah KOPAG telah diserap oleh masyarakat dan membentuk makna tersendiri dan merepresentasikan “tombol” untuk mengawali hari bagi para pelaku budaya. KOPAG memberikan alternatif budaya ngopi menyesuaikan kehidupan para pelaku budaya. Di sisi lain, budaya KOPAG juga merepresentasikan media pemasaran yang inovatif bagi pelaku usaha coffee shop.
The Discourse of Cultural Identity Construction of Balikpapan City (A Study on Kelubut Batik Motif) Romiana, Romiana; Riyanto, Edi Dwi; Afdholy, Nadya
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 24 No 2 (2024): Parafrase Vol. 24 No. 2 Oktober, 2024
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v24i2.12041

Abstract

Batik is a form of cultural expression which can express the cultural identity in Indonesia, such as in Balikpapan city. The initiative of Balikpapan City's government to showcase the cultural identity pursued through the local batik motifs produced by the local artisans, one of them is the Kelubut batik motif. Beyond its application on batik fabrics, where it is commonly featured in traditional attire, the Kelubut motif has been embraced in various public spaces and infrastructures. Therefore, this study analyzed how Kelubut batik motifs are constructed as cultural identities of Balikpapan City through the local artisans perspectives. This study employs Foucauldian discourse analysis (FDA) theory to examine the process of discourse construction in shaping the cultural identity. This study used a qualitative method. The data collection technique was interview and observations. This study found that the discourse in constructing the cultural identity through this motif is carried out through various means, such as through the philosophical values present in the embedded motifs, use of motifs in traditional cloth, use in governmental events, use in training for batik artisans, use in school uniforms, and infrastructure decoration. The identity that is created as a product of that culture is continuously developed along with the policies carried out by the government. Therefore, the findings provide new insights into how policies can construct a cultural identity in a city.
Digital or Sad Poetry: The Enthusiasm over Sadness on Wattpad Mauludi, Anugrah Bulan; Afdholy, Nadya; Setijowati, Adi
Wanastra: Jurnal Bahasa dan Sastra Vol 17, No 1 (2025): March 2025
Publisher : LPPM Universitas Bina Sarana Informatika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31294/wanastra.v17i1.25054

Abstract

Despite of indicating the development of literature in a modern world, Wattpad allows any type of influence to enter its platform. Whereas there are many people who are under the age of adult, but they are writing poems that are popular. Wattpad’s poetry itself has many themes related to sadness. The aim of this research is to study about enthusiasm over sadness in Wattpad’s poetry. The method was based on qualitative-quantitative mixed method. It is found that the images of sadness revolve around guilt, depression, loneliness, trauma, and betrayal. Based on the qualitative approach, findings show that depression’s theme is portrayed more than the rest. This article proposes to conduct study of Wattpad literature based on popular works, also to use a qualitative approach to investigate the content of the platform itself. The neutrality of Wattpad’s comments is considered non-canonical from a quantitative sentiment analysis point of view and therefore requires greater attention for future research.
Temu Manten as Power Relation and Cultural Negotiation of Wedding Organizer: Surabaya Public Perspective Afriansyah, Teddy; Riyanto, Edi Dwi; Afdholy, Nadya
Jurnal Pendidikan Sosiologi dan Humaniora Vol 16, No 1 (2025): April 2025
Publisher : Universitas Tanjungpura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26418/j-psh.v16i1.88624

Abstract

Wedding organizer who has been arranged in the role of organizing a meet and greet event are very important. It showed up from a cultural power and cultural negotiations that are owned between wedding organizer and the couple's family. So, the objectives of this research are 1) Explaining the form of power that can be exercised by the wedding organizer in the success of temu manten event and 2) Explaining the form of negotiation with cultural context that can be done by the Surabaya public to the wedding organizer. The method used in this research is descriptive qualitative. The results of the study found that 1) there is a form of power relations of the wedding organizer for temu manten event; a) Holding events/exhibitions for promotional events, b) Coordinating between the wedding organizer and the couple's family in depth, c) Preparing human resources from the wedding organizer by forming a committee, d) The wedding organizer must have flexibility and be able to adapt to the couple's family, and e) As an intercultural link from families with different cultural backgrounds. In addition, 2) there is a form of cultural context negotiation by the wedding organizer for temu manten event; a) Negotiating with a specific cultural approach, b) Conducting communication in rotation, c) Conducting negotiations based on consensus, and d) Giving appreciation to experts/professionals from the wedding organizer. So, the presence of forms of power and negotiations that arise, temu manten event is able to run as expected.
Nderek Kiai: Santri dalam Ideologi Politik Indonesia 2024: Nderek Kiai: Santri in 2024 Indonesian Political Ideology Fatikhatur Rizqya; Nadya Afdholy
Madah: Jurnal Bahasa dan Sastra Vol. 15 No. 2 (2024): Jurnal Madah
Publisher : Balai Bahasa Provinsi Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31503/madah.v15i2.820

Abstract

Penelitian ini bertujuan untuk mengkaji penggunaan frasa nderek Kiai sebagai wacana untuk melegitimasi kekuasaan dan mengarahkan santri guna memenangkan pasangan calon politik dalam pemilu 2024. Dengan menggunakan analisis wacana kritis dan teori ideologi Terry Eagleton, penelitian ini menganalisis berita media massa tentang deklarasi dukungan Gus Mudhlor, Bupati Sidoarjo. Hasil penelitian menunjukkan bahwa frasa nderek Kiai memiliki tujuan ideologis yang signifikan, yakni digunakan untuk membangun legitimasi politik dengan menghubungkan dukungan politik dengan otoritas religius kiai. Itu menciptakan narasi kuat yang beresonansi dengan komunitas santri, mengarahkan mereka sebagai bagian dari gerakan politik tertentu, dan mendorong dukungan untuk pasangan calon yang diinginkan. Penelitian ini mengungkap peran strategis frasa religius dalam memenangi kontes politik elektoral di Indonesia.
Representation and Regulation: Understanding Foods Served in Wayang Kulit Performances in Malang and Jombang Suroso, Rasyid Fahmi; Riyanto, Adi Dwi; Afdholy, Nadya
ETNOREFLIKA: Jurnal Sosial dan Budaya Vol 14 No 2 (2025): Volume 14 Issue 2, June 2025
Publisher : Laboratory of Anthropology Department of Cultural Science Faculty of Halu Oleo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/etnoreflika.v14i2.3025

Abstract

This study investigates foods served in wayang kulit performances in Malang and Jombang, employing the circuit of culture perspective as a methodological framework. It delivers an overview of the representation and regulation of foods served in wayang kulit performances. Data collection techniques consist of observation, documentation, and semi-structured interviews with two dalangs (shadow puppet masters), one in Bareng, Jombang, and the other in Blimbing, Malang. By analyzing foods served in wayang kulit performances in the circuit of culture, this study aims to provide more interpretations of the situation.
Exploring Bourgeoisie Dynamics through Coriolanus Snow’s Character: A Comparative Study of The Hunger Games: The Ballad of Songbirds and Snakes Book and Movie Adaptation: Mengeksplorasi Dinamika Borjuis melalui Karakter Coriolanus Snow: Studi Komparatif antara Buku dan Film “The Hunger Games: The Ballad of Songbirds and Snakes” Fatmarani, Widiasih; Melyana, Shafanda Putri; Rochmah, Devy Puspita Nor; Meyrasyawati, Dewi; Afdholy, Nadya
Journal of Literature and Education Vol. 3 No. 1 (2025)
Publisher : Himpunan Sarjana Kesusastraan Indonesia (HISKI) Komisariat Kalimantan Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69815/jle.v3i1.76

Abstract

This study aims to examine the dynamics of the bourgeoisie through the character of Coriolanus Snow in Suzanne Collins’ The Hunger Games: The Ballad of Songbirds and Snakes and its film adaptation. Utilizing a qualitative comparative method, the research applies Marxist social class theory to analyze how Snow’s character reflects and critiques bourgeois ideologies in both the novel and the movie. The data were collected through textual and cinematic analysis, focusing on Snow’s socio-economic background, interactions, and personal transformation. The study highlights how internal narration in the novel and visual representation in the film construct different emphases on class struggle, power ambition, and ideological control. The findings reveal substantial differences in character development and thematic focus, illustrating how literature and film uniquely represent class hierarchies within a dystopian society.
PERBANDINGAN STRUKTUR NARATIF PENDERITAAN PEREMPUAN DALAM CERPEN GADIS KOREK API DAN PESTA TUBUH Maulidia, Zulia Khikmatul; Afdholy, Nadya; Purnomo, Antonius Rahmat Pujo; Bramantio
SEBASA Jurnal Pendidikan Bahasa dan Sastra Vol 8 No 2 (2025): SeBaSa
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/sbs.v8i2.31262

Abstract

The aim of this study is to analyze the narrative structure in two short stories, Gadis Korek Api by Djenar Maesa Ayu and Pesta Tubuh by Oka Rusmini, using Genette’s narratology theory, particularly focusing on the aspects of order and frequency. The analysis shows that both stories employ the technique of analepsis, which is the insertion of past events into the present narrative in a non-chronological manner. In terms of frequency, Gadis Korek Api features anaphoric and iterative frequency, while Pesta Tubuh contains anaphoric and repetitive frequency. Both short stories present a non-linear narrative structure that emphasizes the recurring trauma and experiences of the main characters. The past is gradually revealed as part of a living narrative that shapes the characters’ identities. In terms of frequency, some events shows that the content of the fairy tale read or recited by the main character functions as a reinforcement and solace for the woman's suffering. This study demonstrates that the application of Genette’s narratology yields unique findings, particularly in identifying patterns of analepsis and narrative frequency in these two short stories. Thus, this research not only enriches the reading of both stories but also underscores the importance of structural approaches in modern narrative studies.
Co-Authors Abimardha Kurniawan, Abimardha Adiyani, Lady Khairunnisa Afifah, Talitha Afriansyah, Teddy Ahmad Faizin, Ahmad AMIRAH ANIS THALIB Anas Ahmadi Andalas, Eggy Fajar Antonius Rahmat Pujo Purnomo Arif Fatchur Rochmaniyah Arrasyid, Muhammad Azzahra, Syifa Shafira Bramantio Dewi Meyrasyawati Edi Dwi Riyanto Endang Sri Maruti Fanani, Urip Zaenal Fatikhatur Rizqya Fatmarani, Widiasih Ghanesya Hari Murti I Gede Wahyu Wicaksana, I Gede Wahyu Ida Ayu Putu Sri Widnyani Imawati, Endah INDARTI, TITIK Johny Alfian Khusyairi kamalia, mirza fathima jauhar Liana, Patricia Mauk, Vincentius Maulidia, Zulia Khikmatul Mauludi, Anugrah Bulan Melyana, Shafanda Putri Nur Rizky Dewi Angelita Probo Darono Yakti Purnawan Basundoro Purnomo, Antonius Rahmad Pujo Puspita, Yulia Mega Riki Nasrullah Rima Firdaus Riyanto, Adi Dwi Rochmah, Devy Puspita Nor Romiana, Romiana Saing, Muhammad Erwan Salsabila, Nur Shafa Santiana, Anindra Candrika Sekartaji, Pembayun Retno Ambarsari Septiana, Hespi Setijowati, Adi Sudikan, Setya Yuwana Suroso, Rasyid Fahmi Susanto, Siti Rokhmawati Syafitri, Hanun Dinah Tengsoe Tjahjono Tiantini, Wendy Belinda Tirtakayana, Bilqis Yuniar, Dea Hernawati