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All Journal Language Circle : Journal of Language and Literature Wanastra : Jurnal Bahasa dan Sastra Jurnal Ilmiah Universitas Batanghari Jambi Eralingua : Jurnal Pendidikan Bahasa Asing dan Sastra Journal of Humanities and Social Studies Scope: Journal of English Language Teaching IJOLTL (Indonesian Journal of Language Teaching and Linguistics) LINGUA : Jurnal Bahasa, Sastra, dan Pengajarannya CALL LADU: Journal of Languages and Education English Education and Literature Journal (E-jou) Jurnal Abdimas Komunikasi dan Bahasa Prisma Sains: Jurnal Pengkajian Ilmu dan Pembelajaran Matematika dan IPA IKIP Mataram JR-ELT (Journal of Research in English Language Teaching) Journey: Journal of English Language and Pedagogy Wanastra: Jurnal Bahasa dan Sastra
Unpris Yastanti
Universitas Bina Sarana Informatika
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Civil Engineering, Building, Construction & Architecture Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Physics Social Sciences Other

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Todorov’s Five Stages of Narrative in The Little Mermaid Folktale wiruma Adi; Fadia Arbaatunnisa; Unpris Yastanti; Fitriyah Fitriyah
Wanastra: Jurnal Bahasa dan Sastra Vol. 18 No. 1 (2026): March
Publisher : LPPM Universitas Bina Sarana Informatika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31294/wanastra.v18i1.12541

Abstract

This study analyses Hans Christian Andersen’s The Little Mermaid using Todorov’s five stages of narrative: equilibrium, disruption, recognition, repair, and new equilibrium. The research aims to explain how the narrative structure contributes to the development of themes, character growth, and moral values in the story. Data were collected from the original folktale text and analysed qualitatively through content analysis based on Todorov’s narrative framework. The analysis focused on identifying key events, character actions, and plot transitions, which were then classified according to Todorov’s five narrative stages. The findings show that the folktale follows all five stages, beginning with the mermaid’s peaceful life under the sea and continuing through conflict, sacrifice, and spiritual transformation. The study also shows that the mermaid evolves from a curious young princess into a selfless character who prioritizes compassion over personal happiness. In addition, the story reflects moral values related to sacrifice, unconditional love, and spiritual growth. Overall, this study shows that Todorov’s theory can help explain how folktales construct meaning and continue to communicate ethical and cultural values across generations.
Post-Traumatic Stress Disorder and Defense Mechanism in A Good Person Movie Directed by Zach Braff Yahya, Rizqi Nabilla Yushodila; Yastanti, Unpris; Adi, Wiruma Titian; Nurmalia, Lia
Wanastra: Jurnal Bahasa dan Sastra Vol. 17 No. 1 (2025): March
Publisher : LPPM Universitas Bina Sarana Informatika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31294/wanastra.v17i1.11948

Abstract

Experiencing trauma after a distressing event can lead to post-traumatic stress disorder (PTSD). To protect themselves from fear and anxiety, individuals often employ defense mechanisms. The purpose of this study is to identify PTSD and defense mechanisms in the main character, Allison, in the movie A Good Person, directed by Zach Braff. This study uses a descriptive qualitative method and is based on Rasna Kaur Neelam’s theory, which is rooted in the Diagnostic and Statistical Manual of Mental Disorders (DSM-5). Additionally, Sigmund Freud’s theory of defense mechanisms is referenced in this research. The results of this study are as follows: (1) The PTSD type exhibited by the main character is comorbid. There are three symptoms: flashbacks, depression, and oxycodone addiction. (2) The predominant defense mechanism in the movie is denial. (3) Through a perspective analysis, it is evident that Allison's behavior is influenced by her id and ego, with an absence of the superego. This lack of the superego significantly impacts her moral judgment and self-criticism, indicating the influence of her PTSD on her psyche.
Co-Authors Akbar, Jamaluddin Muhamad Anggraini Anggraini Anggraini Anggraini Anggraini Anggraini, Anggraini Anggun Dwi Setiawati Ary Iswanto Ary Iswanto Wibowo Ary Iswanto, Ary Astrida Khairani Baiatun Nisa Bryan Kalbu Adhi Burhan Efendi Dewi Safitri Diyah Feronika Dovan Bahana Sakti Emma Soraya Fadia Arbaatunnisa Fadil, Ahmad Mahesa Faisal Faisal Faisal Faisal, Faisal Fania K, Ester Faridatul Hasanah Feliza, Dinda Yasmin Firdha Rizka Amelia Fitri Yeni, Fitri Fitriyah Fitriyah Frihatmawati, Rizky Hasyim Mahmud Wantu Irwin Ananta Vidada Isnia, Sinta Izzah, Nadila Nurul Jimmi Jimmi, Jimmi Khairunas, Sayyid Kirana Sakmiwata Kusuma, Pradipta Hadi Lestari, Indri Diah Lia Nurmalia Lia Nurmalia Luluk Gusliyanah Manar, Marsandi Mendrofa , Selviana Octa Pratama Putra Oktaviani, Allya Legina Perkasa, Galang Aji Rahmat, Muhamad Khatami Retno Ameliani Retno Wulan Sakti, Dovan Bahana Salis Radiaty Mu'amanah Satrio, Rama Febi Sayyid Khairunas Sayyid Khairunas, Sayyid Selvi Marcellia Sinta Isnia Situmorang, Sondang Indah Clara Solissa, Everhard Markiano Sri Mulyati Sri Mulyati Sukini Sukini Sulistyawati, Meiva Eka Sri Susilawati, Susilawati Titi Dewi Rohati Tomi Apra Santosa Virky Septian Dwi Putra Widya Warlina wiruma Adi Wiruma Titian Adi Yahya, Rizqi Nabilla Yusdhodila Yahya, Rizqi Nabilla Yushodila Yuskar, Bobby Octavia