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PROSES PEWARISAN TALE HAJI DALAM MASYARAKAT DESA KOTO MAJIDIN KECAMATAN AIR HANGAT KABUPATEN KERINCI Syaiful Hayatunnufus; Syeilendra Syeilendra; Wimbrayardi Wimbrayardi
SENDRATASIK UNP Vol 2, No 1 (2013): Seri D
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (189.163 KB) | DOI: 10.24036/jsu.v2i1.2380

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Abstract   This research describes the endowment process of “Tale Haji” in the society of Desa Koto MajidinKecamatan Air Hangat Kabupaten Kerinci. The design of this research was the qualitative research by using the descriptive approach. The data were collected from literature reviews, observation, interview, and documentations. The data collected were then classified and analyzed by separating the primary data from the secondary. The findings of this research showed that the endowment process of “Tale Haji” was done in two forms of educations; the informal and the non formal. In the informal, the endowment process was done through families and the environment. Meanwhile, the non formal was done through an institution called as “Pusat Kegiatan Belajar Masyarakat” (PKBM) Koto Majidin. Kata Kunci: Tale Haji, Proses Pewarisan, Koto Majidin.
Analisis Tari Piring Kreasi Sanggar Syofyani Dalam Studi Kasus Musik Iringan Tari Ahmad Teguh Santoso; Wimbrayardi Wimbrayardi
SENDRATASIK UNP Vol 8, No 1 (2019)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (744.79 KB) | DOI: 10.24036/jsu.v8i1.106414

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The purpose of this study is to describe results of the analysis of creative Piring Dance at Syofyani's studio in the Case Study of Dance Accompaniment which is viewed from the relationship of the dance movements to the music rhythm. This type of research was qualitative research with using a content analysis approach. The instrument of this research was the researcher and it was assisted by supporting instruments such as stationery, camera and laptop. The types of data used were primary and secondary data. Techniques of data collection were conducted by doing library research, observation, interviews and documentation. The steps to analyze data were done by collecting data, listening to audio recording, playing music, transcribing and analyzing scores. The result shows that music and Piring dance is made based on "Alam Takambang Takambang jadi Guru", therefore the process that is passed by imagining (visualizing) the movement of the dance , it is like stretching a shade (weaving place) then describing the movement above the shade. Music and Piring Dance are also made based on the nuance of music and dance that are presented and related in rhythmic between music and dance. Based on the rhythmic relationship between music and dance, there are several parts of music and dance that have strong accents so that it support the rhythm that is shown from music and dance from the intro section, core A and B and their variations. B rhythmic which is used in music uses more of a 2/4 with a different tempo from the beginning to the final climax.
PEMBUATAN SALUANG DAREK VERSI SABAR St MAHAJO KAYO SENIMAN TRADISIONAL DI NAGARI SINGGALANG DAN VERSI ZAINUDDIN SENIMAN AKADEMIS DI NAGARI KAYU TANAM (Studi Komparatif Dari Sudut Tinjauan Organologis) Arifin Bahri; Wimbrayardi Wimbrayardi; Tulus Handra Kadir
SENDRATASIK UNP Vol 1, No 1 (2012): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (473.162 KB) | DOI: 10.24036/jsu.v1i1.468

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This study aims to (1) determine the manufacture of musical instruments saluang darek of two versions, version and version Zainuddin Tolerance through comparative studies of angle organologis review. (2) This research is a qualitative study using descriptive analysis. Data was collected through literature study, observation, interviews, photo shoots. (3) The results of the study is the comparison of instrument manufacture Saluang Darek Version Sabarudin St Mahajo Kayo Traditional Artist in Nagari Singgalang and Zainuddin Version Academic Artists in Nagari Wood Plant. how the process of making, playing techniques, tone and function dihasilakan instrument. Keywords: Making, Saluang, Comparative, Version, Nada.
TEKNIK MEMAINKAN ALAT MUSIK PUPUIK BATANG PADI OLEH AZWIR RAJO BONSU Di NAGARI KOTO ANAU Adi Suhendra; Wimbrayardi Wimbrayardi; Syeilendra Syeilendra
SENDRATASIK UNP Vol 3, No 3 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (427.135 KB) | DOI: 10.24036/jsu.v2i3.4477

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Abstract The purpose of this research was to describe and find the Techniques of playing Pupuik Batang Padi. This research was conducted by using descriptive qualitative method.The research found the Technique of playing Pupuik Batang Padi performed by Rajo Bonsu Azwir.In this technique, the air was inhealed through the nose and would produced continuos sound when Pupuik Batang Padi was blown. Furthermore, in playing the melody, the higher the instrument blown, the lowder the sound produced. And the Three level of Direction were made of resonators.   Kata kunci:  Pupuik Batang Padi, Rajo Bonsu Azwir.
STUDI DESKRIPSI MUSIKAL KESENIAN LUKAH GILO DIKENAGARIAN GUNUANG BUNGKUAK LUMPO KECAMATAN IV JURAI KABUPATEN PESISIR SELATAN Radhiyah Radhiyah; Jagar Lumban Toruan; Wimbrayardi Wimbrayardi
SENDRATASIK UNP Vol 6, No 1 (2017)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (840.255 KB) | DOI: 10.24036/jsu.v6i1.8743

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AbstractThe research aimed at finding and describing the song of Lukah Gilo intrinsically and exrtrinsically at Kenagarian Gunuang Bungkuak Lumpo Kecamatan IV jurai Pesisir Selatan region from the musical feet. This research was qualitative using descriptive approach based on the theory dealing with rhythm, melody, and the structure of the song. The data were derived from the performance of Lukah Gilo in general, transcribed the song and then the data were analyzed. The research shows that the Lukah Gilo is performed occasionally. In the performance there are some poem (andai-andai or mantra) singing accompanied by Rabab Pasisia, Rabana and Tambourine. The song is like a poem consist of eleven stanza, each of the stanza has the motive up to 45, 16 phrases. The pitch which is uses are F, G, A, Bes dan C’ with F= Do. There are five internal: that is Prime Perfect (P1), Second Minor (m2),Second Mayor (M2), Tarts Mayor (M3) anda Kwart Perfect (P4 The structure of the poem Lukah Gilo consists of threeparts A, B dab B.Keywords: Study Of Musical Description, Lukah Gilo Art
PELAKSANAAN ENSAMBEL MUSIK TRADISI DALAM EKSTRA KURIKULER SMP NEGERI 7 MUARO SIJUNJUNG Ramadhan Andy Nugraha; Wimbrayardi Wimbrayardi; Syeilendra Syeilendra
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (824.029 KB) | DOI: 10.24036/jsu.v7i1.100576

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 Abstract This article aims to describe the implementation of Extracurricular Ensambel Music tradition in SMP Negeri 7 Muaro Sijunjung. This study uses qualitative methods with the descriptive approach. Research instrument this is penelitia own and assisted researchers with supporting instruments such as stationery, camera and tape rekorder. Data were collected by means of field observations, interviews, documentation, and support the process of photoshoot for research. Data analysis was done by collecting primary data and secondary data. The results showed that extracurricular activities most traditions of music in SMP Negeri 7 Muaro Sijunjung. Basic exercises on the implementation of music traditions including exercise melody talempong, basic exercises accompanist talempong, companion or basic exercises, basic exercises gandang tambua, gandang katindik basic exercises and basic exercises Bansi. Factors restricting extracurricular music tradition is far, far less adequate transport, and monitoring facilities are lacking, while supporting factor is the support from parents, principals, teachers, the child's interest to follow extracurricular music tradition is very high, and motivation. Keywords: implementation, Ensambel Music tradition, Extracurricular
SERUMPUN Ade Saputra; Wimbrayardi Wimbrayardi; Irdhan Epria Darma Putra
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1490.521 KB) | DOI: 10.24036/jsu.v7i1.100196

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Abstract The cultivation of this Serumpun's musical works is aimed to express musician musical experience in which compositional musics has inspired and gave the spirit of musician to learn music. On working on this musical work, musician presents Minang and Malay music collaborations with new packaging form, so that the producer can give the description that there are many similarities and congregation of both cultures.  This musical works presents the development of melody, rhythm, and timbre into other instruments in terms of produced music and the selection of its instruments, so that the work presented becomes more attractive and acceptable at this time. Keywords: Serumpun.
PEMBELAJARAN BERNYANYI SECARA UNISONO DI KELAS VII.1 UPT SMPN 1 KOTO XI TARUSAN Veni Apri Sopati; Harisnal Hadi; Wimbrayardi Wimbrayardi
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (819.031 KB) | DOI: 10.24036/jsu.v7i2.102849

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Abstract This article aims to describe the singing learning of Unisono in UPT SMP N 1 Koto XI Tarusan. The type of this study is qualitative with descriptive approach. The location of the study is in UPT SMP N 1 Koto XI Tarusan. Technique of collecting data is done by using observation, interview and documentation. Technique of data analisis consist of 1) data reduction, 2) data presentation and 3) drawing a conclusion. Result of the study explains that the singing learning of Unisono is done by using three steps; they are planning, implementation and evaluation. In planning step, teachers prepare learning device that are the learning implementation plan and the learning syllabus. In implementation step, the singing learning of Unisono is done in four meetings with preliminary activity, main activity and closing activity. Evaluation step is done to measure the success of students in singing learning of Unisono by doing research on the criteria of research, namely intonation, articulation, rhythm and compactness. Keywords: Singing, Unisono
GITA DUA BUDAYA Sandra Syarif; Wimbrayardi Wimbrayardi; Syeilendra Syeilendra
SENDRATASIK UNP Vol 2, No 2 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (617.955 KB) | DOI: 10.24036/jsu.v1i2.1240

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Abstract   The artwork Gita Dua Budaya was inspired by the life journey of its composer that was born in the family which has two different cultures. They are Minangkabau and Mandailing existed among modern and heterogenic society. This musical artwork was aimed at : (1) combining two traditional arts,  Minangkabau traditional art and Mandailing traditional art, that were generated from the traditional instruments of each culture and added by modern instruments. (2) raising love toward the traditional art of Minangkabau and Mandailing particularly for the young generations. (3) encouraging to do further study on traditional artworks in the archipelago. (4) Motivating the students of Drama, Dance and Music to find the positive experiences in improving the ability and the quality of playing music.   Kata kunci : Budaya, Kesenian, Mandailing, Minangkabau, Musik Tradisonal.
PERTUNJUKAN INDANG TIGO SANDIANG DALAM ACARA BARALEK NAGARI DI KECAMATAN PATAMUAN KABUPATEN PADANG PARIAMAN: STUDI KOMPARATIF POLA RITEM Alfredy Septoni; Wimbrayardi Wimbrayardi; Syahrel Syahrel
SENDRATASIK UNP Vol 3, No 3 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (523.327 KB) | DOI: 10.24036/jsu.v2i3.4473

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Abstract This research was designed for figuring out the similarities and the difference in Indang Tigo Sandiang show performed by three Indang Groups viewed from some rythem designs this was a content analysis research. The result of the research indicated that there were  some similar rythem designs and motives used in the Tandikek Indang, Padang Sago, and Lubuak Aluang groups which were  :   Kata kunci: Indang Tigo Sandiang, comparative and contensanalysis
Co-Authors Abdul Rahim Ade Maulana Ade Saputra Adi Kurnia Adi Suhendra Aditya Mahendra Afdhal Afdhal Agung Dwi Putra Ahmad Teguh Santoso Akhyar Ulfa Alfahrus, Muhammad Alfredy Septoni Amelia, Ria Anju Cantika Ardedi, Dodo Pratama Ardipal Ardipal Arif Kurnia Putra Arif Rahman Rafendi Arifin Bahri Arimbi Wulandari Asiska Zeriani Aulia Pratama Ricardo Aziz Azhari Bambang Parmadi Bambang Parmadi Bambang Parmadi Boy MJ Saputra Cut Mutia Dahlia Putri, Serli Dhaniel Rahmat Ameva Dodo Pratama Ardedi Donika Fitri, Refikatul Dwira Putri, Chintya Elgi Jet Forgano Esy Maestro Farras Annafi Fatra, Ahlil Febby Sentosa Febrimawati Febrimawati Ferdian, Robby Filza, Nurma Gabriella hadi, Harisnal Hengky Septiawan Hidayat, Hengki Armez Irdhan Epria Darma Putra Jagar Lumbantoruan Jeni Martha Wuri Jessya Harefa Fortuna Jimmy Ferdian M. Berli Sianggian M. Nasrul Kamal Marzam Marzam Monna Dini Angraini Nailathul Fadhila Nanda Okta Alhafira, Dwi Nike Oktaveroni Nova Rita Satria Obet Julpriadi Perangin Angin Oktaviani, Sari Parmadi, Bambang Prayuni Amanda Putri Puja Septiana Rabiatul Adawiyah Radhiyah Radhiyah Rahmad Kurniawan Rahmi Fajriah Ramadhan Andy Nugraha Rayhan Kurnia Rhodiya Rhodiya Rivanny Martha Leisya Rizqi, Fajar Romi Afriansah Sandra Syarif Santoso, Ahmad Teguh Sari, Ayuthia Mayang Sekar Wangi Arasti Yasmin Sepira, Qorie Sesmita, Rima Shella Meisaliara Suhanda Suhanda Syahrel Syahrel Syaiful Hayatunnufus Syeilendra Syeilendra Sylvia Oktari Tiara Natasya Tiwi Hartati Tri Ananda Try Wahyu Purnomo Tulus Handra Kadir Uswatul Hakim Veni Apri Sopati Venny Rosalina Wahyu Prima Nelga Wembrayarli Wembrayarli Willy Atthoriq Wiranda Putri, Septia Yensharti Yona, Irma Yos Sudarman Zikri Insanillahia, Shuccy Zulhendri Zulhendri Zura, Habib Aulia