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Pertambangan di Tanah Bumbu: dampak hidrologis dan solusi Sri Sulasmi; Dewi Puspita Ningsih
Berita Kedokteran Masyarakat (BKM) Vol 34, No 11 (2018): Proceedings of the 4th UGM Public Health Symposium
Publisher : Fakultas Kedokteran Universitas Gadjah Mada

The impact of changes in scale configuration on the gangsa instrument of the Bhavana Ethnic Mataram as an Indonesian music innovation Gde Agus Mega Saputra; Galih Suryadmaja; Dewi Puspita Ningsih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 1 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i1.5887

The use of traditional instruments in Bhavana Ethnic's musical compositions is one of the innovative aspects of Indonesian music offered. This Indonesian authenticity emerges through the characteristic sounds and drumming patterns that are presented in composing the harmony of the musical works. The innovation in question is the group's efforts to change the composition and configuration of the notes and scales on the gangsa instrument. An instrument adopted from the Balinese gamelan ensemble. Making adjustments to the reality of traditional music in the creative process. The aim of this research is to explain the importance of innovation in the creative (music) process. Seeing how the Bhavana Ethnic group's perspective understands the reality of tradition in gangsa instruments, the idea emerged to change the composition and configuration of the notes in an effort to meet the aesthetic needs in the work. This research was conducted using qualitative methods. Researchers as the main instrument to understand the impact of changes in the tone composition and scale configuration of bronze instruments in natural conditions. The research results are that changes in aspects of the instrument's pitch configuration have implications for changes in the number of tones, pitch range, rules, melodic pattern system, and instrument function in the ensemble. The result of the musical innovation process carried out is that there is a tendency for interval patterns in the selection of tones in each musical creation process. The tendencies for interval patterns in question include the 2- ½ -1- 2 -½ pattern on the major scale, and 1-1- 1½ -1 -1½ on the minor scale.

The impact of changes in scale configuration on the gangsa instrument of the Bhavana Ethnic Mataram as an Indonesian music innovation Gde Agus Mega Saputra; Galih Suryadmaja; Dewi Puspita Ningsih
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol. 19 No. 1 (2024)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v19i1.5887

The use of traditional instruments in Bhavana Ethnic's musical compositions is one of the innovative aspects of Indonesian music offered. This Indonesian authenticity emerges through the characteristic sounds and drumming patterns that are presented in composing the harmony of the musical works. The innovation in question is the group's efforts to change the composition and configuration of the notes and scales on the gangsa instrument. An instrument adopted from the Balinese gamelan ensemble. Making adjustments to the reality of traditional music in the creative process. The aim of this research is to explain the importance of innovation in the creative (music) process. Seeing how the Bhavana Ethnic group's perspective understands the reality of tradition in gangsa instruments, the idea emerged to change the composition and configuration of the notes in an effort to meet the aesthetic needs in the work. This research was conducted using qualitative methods. Researchers as the main instrument to understand the impact of changes in the tone composition and scale configuration of bronze instruments in natural conditions. The research results are that changes in aspects of the instrument's pitch configuration have implications for changes in the number of tones, pitch range, rules, melodic pattern system, and instrument function in the ensemble. The result of the musical innovation process carried out is that there is a tendency for interval patterns in the selection of tones in each musical creation process. The tendencies for interval patterns in question include the 2- ½ -1- 2 -½ pattern on the major scale, and 1-1- 1½ -1 -1½ on the minor scale.

Pelatihan Menulis Berita Seni untuk Remaja pada Komunitas Acenta Pena di Desa Kuranji Dalang, Kecamatan Labuapi, Kabupaten Lombok Barat Suryadmaja, Galih; Dewi Puspita Ningsih; Mawardi, Taufik; I Wayan Kusuma Di Biagi; Renda, Rapi; Irhas, Irhas
TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya Vol. 1 No. 2 (2025): TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya, Mei 2025
Publisher : Gema Cendekia Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71094/teras.v1i2.77

Kegiatan pelatihan ini bertujuan untuk meningkatkan kemampuan menulis berita seni bagi remaja di komunitas Acenta Pena desa Kuranji Dalang, kecamatan Labuapi, Kabupaten Lombok Barat. Melalui pelatihan ini, remaja diharapkan dapat menulis dengan lebih baik tentang berbagai kegiatan seni yang ada di desa mereka, yang pada gilirannya dapat memperkenalkan dan mempromosikan seni dan budaya lokal. Program ini juga bertujuan untuk membangkitkan minat remaja terhadap dunia jurnalistik serta meningkatkan kemampuan komunikasi mereka melalui media tulisan. Metodologi pelaksanaan kegiatan ini menekankan pada prinsip belajar sambil praktik (learning by doing), sehingga tidak hanya berorientasi pada pemberian materi secara teoritis, tetapi juga menitikberatkan pada aspek keterlibatan langsung dalam kegiatan jurnalistik yang sesungguhnya Pelatihan ini berhasil meningkatkan pemahaman dan keterampilan menulis berita seni di kalangan remaja desa. Selain itu pelatihan ini juga berimplikasi pada meningkatnya motivasi remaja untuk mempelajari seni dan budaya.

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