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All Journal Jurnal Komunikasi LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban SocietyÂ´s Arts Jurnal Ketahanan Nasional Jurnal Pemuda Jurnal Ilmu Sosial dan Ilmu Politik IJCAS (International Journal of Creative and Arts Studies) ETTISAL Journal of Communication Policy & Governance Review Jurnal Studi Komunikasi Jurnal Studi Pemuda Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Jurnal Pemikiran Sosiologi k@ta Politik Indonesia: Indonesian Political Science Review Capture : Jurnal Seni Media Rekam Ultimart: Jurnal Komunikasi Visual Jurnal Profetik Kajian Jurnalisme International Journal of Visual and Performing Arts Masyarakat Indonesia International Journal of Business, Economics, and Social Development Jurnal Media dan Komunikasi Indonesia Jurnal Kajian Seni Jurnal Komunikasi Islam Literacy : International Scientific Journals of Social, Education, Humanities Jurnal Penelitian Ilmu-Ilmu Sosial Jurnal Komunikasi Global Jurnal Review Politik Jurnal Komunikasi Indonesia Jurnal Kawistara Interdisciplinary Journal of Advanced Research and Innovation SEMINAR TEKNOLOGI MAJALENGKA (STIMA)

Budi Irawanto

Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial Dan Ilmu Politik, Universitas Gadjah Mada, Yogyakarta, Indonesia

Author-ID : 288134

Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mechanical Engineering Public Health Social Sciences Transportation Other

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Studi Ketahanan Sosial Pada Pemuda Penyelenggara Festival Film Dokumenter 2015 Nurul Hidayah; Mohtar Mas’oed; Budi Irawanto
Jurnal Ketahanan Nasional Vol 23, No 2 (2017)
Publisher : Universitas Gadjah Mada

ABSTRACTKotagede Cultural Heritage area has been considered less attention. The tour trail activity is able to provide historical, fun and healthy knowledge as it can only be preserved or on foot. The activity depends on the interest of the people and tourists in choosing the tour. This research is intended to contribute to the objective analysis in one of the important destinations in Yogyakarta City which is the cultural art and heritage of Kotagede and provides a spatial picture of the existing cultural tourism attractions to provide informative knowledge to the public to be in demand and Continue to preserve the tour. The study of Kotagede tourism object using qualitative method combined with the use of high-resolution remote sensing image data in more interactive visualization results. The result of Kota Gede tourism study shows that tourism object in Kotagede Culture area is cultural object, tradition, craft, and art which is summarized into four recommended route that is spiritual tour package, tour package, architectural tour package, and study tour package. Managed in a participatory manner by the surrounding community and can still grow better if received direct attention from the government and stakeholders related to the management of the tourist area of Kota Gede.ABSTRAKSejarah politik film dokumenter di Indonesia dimulai sejak Pemerintah Hindia Belanda yang menggunakan dokumenter sebagai media propaganda. Hal ini juga terjadi pada masa Orde lama dan orde baru. Reformasi melahirkan generasi perfilman Indonesia yang memproduksi berbagai bentuk film, termasuk film sosial-politik maupun film seni untuk seni. Berbagai komunitas tumbuh dan muncul festival-festival film yang mengapresiasi karya-karya film maker muda tersebut. Penelitian ini membahas salah satu dari festival film, yaitu Festival Film Dokumenter (FFD). Penelitian ini bertujuan mengetahui kekuatan komunitas penyelenggara Festival Film Dokumenter menggunakan teori Ketahanan Sosial, dan menganalisa peran Festival Film Dokumenter terhadap Ketahanan Sosial. Penelitian ini merupakan penelitian kualitatif, dengan teknik pengumpulan data melalui studi pustaka dan studi lapangan (observasi, wawancara, dan analisis dokumen). Hasil dari penelitian ini menunjukan bahwa Festival Film Dokumenter memenuhi kualitas Ketahanan Sosial, yaitu 1. Coping capacities - kemampuan Festival Film Dokumenter mengatasi dan menyelesaikan masalah dalam penyelenggaraan festival; 2. Adaptive capacities – kemampuan Festival Film Dokumenter untuk belajar dari pengalaman masa lalu dan menyesuaikan diri dengan tantangan masa depan; dan 3. Transformative capacities kemampuan untuk membangun lembaga yang berperan aktif dalam ketahanan masyarakat yang berkelanjutan. Festival Film Dokumenter mampu membangun Ketahanan Sosial melalui berbagai peran: menumbuhkan kesadaran masyarakat terhadap isu-isu yang ada di sekelilingnya, memberikan pembelajaran, dan mempertemukan berbagai pihak dalam Festival, sehingga membuka ruang partisipatoris sebagai gerakan komunitas di masyarakat yang mengarah pada civil society.

Menertawakan Kejelataan Kita2: Transgresi Batas-Batas Marginalitas dalam Sinetron Komedi Bajaj Bajuri Budi Irawanto
Jurnal ILMU KOMUNIKASI Vol. 3 No. 1 (2006)
Publisher : FISIP Universitas Atma Jaya Yogyakarta

Abstract: Political transition in Indonesia since 1998 has created uncertain situation for most Indonesian people. Moreover, the hard economic condition has multiplied the number of people living below the poverty line. In these circumstances, the light entertainments such as situation comedy, which blends the portrait of ordinary people and their quaint life style, occupied the prime time of television programming in Indonesia. This paper discusses the popularity of the situation comedy Bajaj Bajuri (bajaj literally means â€œtwo-passenger pedicab motor with scooter machineâ€) in contemporary Indonesia. This series is about the daily life of Bajuriâ€™s (bajajâ€™s driver) family and their lower class neighbours in the edge of metropolitan Jakarta (the capital city of Indonesia). Therefore, this paper focuses on the representation of the marginalised people and how television constructed the boundary of marginality. This paper argues that situation comedy is not only reinforcing stereotype of the lower class group but also transgressing the stereotypical image of the lower class by parodying and abusing popular discourse.

Menggugat Tirani Usia Budi Irawanto
Jurnal Studi Pemuda Vol 2, No 2 (2013): Pemuda, Identitas, dan Pertarungan Ekspresi
Publisher : Universitas Gadjah Mada

Membincangkan kaum muda acapkali memerangkap kita dalam silang sengketa ihwal usia. Kita tahu, usia telah menjadi rezim pengklasifikasi yang membelah umat manusia ke dalam dua kategori: “orang muda” dan “orang tua.” Pembelahan ber basiskan usia ini menciptakan stratifi kasi, diskriminasi, hegemoni dan tak jarang mengejawantah dalam kebijakan publik. Dengan kata lain, kita tengah berhadapan dengan sejenis ideologi bernama “usia” (ageism) yang barangkali masih kalah pamornya ketimbang seksisme, rasisme dan belakangan fundamentalisme. “Usia” menjadi cara baru, baik yang dilakukan secara spontan maupun sistematis, dalam memperlakukan sebagian warga dari umat manusia secara berbeda dan tak jarang semenamena.

Memerkarakan Identitas Nasional: Representasi Identitas Kultural dalam Sinema Generasi Baru Indonesia dan Malaysia Budi Irawanto
Jurnal Ilmu Sosial dan Ilmu Politik Vol 12, No 2 (2008): NOVEMBER (Media dan Demokrasi)
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

Cinema has been long seen as a trans-cultural phenomenon due to its cross-cultural ability. Cinema posits itself to entertain and to educate people from various backgrounds by using its "universal language" –embracing visual and aesthetic aspects. At the same time, cinema has potentials to bring the discourse of identity. The issue of identity will strongly emerge in cinemas, particularly when a country faces a crisis of identity. Many cases show that cinema plays a significant role in contesting the idea of national identity. Moreover, this article aims at highlighting the notion of identity attached in cinema production. By using comparative perspectives between Indonesia and Malaysia, this paper shows how creative spaces are constructed by new generation of Indonesian and Malaysian film makers. Creative spaces which are initiated by cineaste are intended to open the path for critical ideas on national identity. Instead of a fixed state, national identity is defined by young generation of filmmakers more as a contested idea.

Film Propaganda: Ikonografi Kekuasaan Budi Irawanto
Jurnal Ilmu Sosial dan Ilmu Politik Vol 8, No 1 (2004): JULI (Representasi dan Keberpihakan dalam Media)
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

As a modern technological invention cinema has numerous potentialities such as economic, social and political power. Fascist regimes as well as film corporations have employed cinema as a tool of propaganda to control and mobilize the masses for the sake of their power longevity. Moreover, the character of film itself is a perfect fascist medium which came from the network of proto-fascism of the twentieth century civilization. By using various genres of Indonesian cinema from different eras as a case study, this article argues that Indonesian propaganda films have monolithic representation which can be described as a cult of "bapakisme" (patronism), "kultur komando" (command culture), marginalisation of women' role in Indonesian revolutionary movement and demonization of progressive women organisation, and glorification of the role of Soeharto in Indonesian revolutionary movement.

Ilusi Virtual: Kejayaan Media atas Audien? Telaah Kritis atas Teori Resepsi Media Jean Baudrillard Budi Irawanto
Jurnal Ilmu Sosial dan Ilmu Politik Vol 1, No 3 (1998): MARET
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

This article aims to scruntinize more closely Jean Baudrillard work on media reception. This work is important because Jean Baudrillard is one of the most stimulating and provocative contemporary thinker. In his views, similar in some respects to John Fiske's , consumers (audiences) do resist the media. Far from claiming that media reception is passive and alienated, Baudrillard sees in some reception a resistive response to the media. When understood in the light of media reception perspective, both Baudrillard and Fiske have significant contributions to making the theory of mass communication.

Transformasi Pers Islam di Era Reformasi Budi Irawanto
Jurnal Ilmu Sosial dan Ilmu Politik Vol 9, No 3 (2006): MARET (Tarik Menarik Kepentingan dalam Media Masa)
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jsp.25371

The 1998 Reformasi movement has contributed to the blossoming of pers freedom in Indonesia. Consequently, there has been a rapid growth in the number of print media, including the "Islamic press" which claims to represent the interest of the muslim majority. In fact, the Islamic press attracts a diverse readership with a wide variety of demographics such as age, gender, social group and ideology. The growth of the Islamic press is scruntinized in this article to clarify the process of negotiationb between Islamic value, popular culture, mystic traditions and Indonesia contemporary politics. This process of negotiation has become important following the financial bankruptcy of many Islamic media organisations due to mismanagement and changes in the aspirations of Indonesian muslim. This article argues that the econimic and political sustainability of the Islamic press depends on its ability to appropriate popular culture and to articulate the politics of Islam in the context of contemporary Indonesia.

Exploring the Terrains of Indonesian Cultural Policy: Learning from Singapore’s and Malaysia’s Experiences Budi Irawanto
Jurnal Ilmu Sosial dan Ilmu Politik Vol 21, No 1 (2017): July
Publisher : Faculty of Social and Political Sciences, Universitas Gadjah Mada

This article seeks to examine Indonesian cultural policy in comparison to Singapore and Malaysia. It focuses particularly on documentary films as a field covered by the cultural policy, which is closely associated with the creative industry. Therefore, this article analyzes various official documents regarding cultural policy and the position documentary films within that policy. While Singapore’s cultural policy is quite comprehensive and visionary in managing and regulating arts and culture, it tends to neglect documentary films as it celebrates commercial feature (fiction) films. Similarly, Malaysian cultural policy pays scant attention to documentary films despite its nationalistic nature. Learning from those two neighboring countries, Indonesia should not only have a comprehensive cultural policy, but also a clear vision on the development of infrastructures while taking into account the fast changing ecology of documentary films in Indonesia.

Understanding the Mandatory Language Policy for Immigrants and the Impact on Beur Cinema in France Wulan Tri Astuti; Faruk Faruk; Budi Irawanto
Policy & Governance Review Vol 5 No 3 (2021): September
Publisher : Indonesian Association for Public Administration

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30589/pgr.v5i3.460

This article seeks to fill gaps in the literature regarding French cinema's treatment of immigration. Previous investigations of this theme have tended to position immigrants as objects, individuals perceived as creating problems, and as individuals using violence to resolve issues. This article highlighted in French films under a new genre, Beur Cinema, notably in the film Fatima This research discusses French cinema's depiction of immigrants' experiences with cultural negotiation mainly related to the French government's policy of Language Mandatory as one of the requirements for migrants to be granted citizenship. This article will also discuss the portrayal of the French government’s policy toward immigrants and how immigrants cope with the barriers and offer solutions to the problems in Beur cinema. The film Fatima, which was first published in 2015, will be analyzed by its cinematographic signs using the theory of cinematographic semiotics. This study finds that what has been understood as the cause of the lack of integration of immigrants is mainly that the residence permit is not justified. This research finds that the challenges of immigrants are also represented by difficulties in adapting to language skills, daily life routines, raising children, and even communicating with their diaspora community and the local residents.

Menggugat Tirani Usia Budi Irawanto
Jurnal Studi Pemuda Vol 2, No 2 (2013): Pemuda, Identitas, dan Pertarungan Ekspresi
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/studipemudaugm.32049

Co-Authors Agung Hujatnika Agung Hujatnika Agustian, Jaka Farih Aidatul Chusna, Aidatul Akbari Fitriawan, Rana Ana Nadhya Abrar Ana Nadhya Abrar Antara, I Putu Juni Anugerah, Anggun Rezky Arief Rijaluddin Arif Ardy Wibowo Aryo Subarkah Eddyono Budhi Widi Astuti Buyung Pambudi, Buyung Dartanto, A. Sudjud Deni Kristanto Dian Arymami Faruk HT Faruk, Faruk GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang Khoiron Khoiron kusnul Fitria Lucia Ratnaningdyah Setyowati Marbun, Dewi Christina Maruti Asmaul Husna Subagio Mochamad Andhy Nurmansyah Mohtar Mas’oed Mundayat, Aris Arif Nadiyah Tunnikmah Nezar Patria Novi Kurnia Nunung Prajarto Nunung Prajarto Nurizky Adhi Hutama Nurul Hidayah Pitra Narendra Purwo Santoso Rachmah Ida Rahadianto Sutopo, Oki Rahmawati, Handini Romdhi Fatkhur Rozi Satrio Hari Wicaksono Seno Gumira Ajidarma, Seno Gumira Silalahi, Benyamin Imanuel Suhartami, Wiwik Terra Bajraghosa Theresia Octastefani Timbul Haryono Timbul Haryono Trisna Pradita Putra Wan Ridwan Husen, Wan Ridwan Wisnu Martha Adiputra Wiwik Sushartami Wulan Tri Astuti Yayat Hendrayana, Yayat Yesicha, Chelsy ‪Ana Nadhya Abrar

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