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All Journal Jurnal Komunikasi LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban Society´s Arts Jurnal Ketahanan Nasional Jurnal Pemuda Jurnal Ilmu Sosial dan Ilmu Politik IJCAS (International Journal of Creative and Arts Studies) ETTISAL Journal of Communication Policy & Governance Review Jurnal Studi Komunikasi Jurnal Studi Pemuda Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Jurnal Pemikiran Sosiologi k@ta Politik Indonesia: Indonesian Political Science Review Capture : Jurnal Seni Media Rekam Ultimart: Jurnal Komunikasi Visual Jurnal Profetik Kajian Jurnalisme International Journal of Visual and Performing Arts Masyarakat Indonesia International Journal of Business, Economics, and Social Development Jurnal Media dan Komunikasi Indonesia Jurnal Kajian Seni Jurnal Komunikasi Islam Literacy : International Scientific Journals of Social, Education, Humanities Jurnal Penelitian Ilmu-Ilmu Sosial Jurnal Komunikasi Global Jurnal Review Politik Jurnal Komunikasi Indonesia Jurnal Kawistara Interdisciplinary Journal of Advanced Research and Innovation SEMINAR TEKNOLOGI MAJALENGKA (STIMA)
Budi Irawanto
Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial Dan Ilmu Politik, Universitas Gadjah Mada, Yogyakarta, Indonesia
Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mechanical Engineering Public Health Social Sciences Transportation Other

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Fungi as an Art Medium: The Study of the Art Medium of Philip Ross and Syaiful Aulia Garibaldi Satrio Hari Wicaksono; Budi Irawanto; Agung Hujatnika
Journal of Urban Society's Arts Vol 10, No 1 (2023): April 2023
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v10i1.6793

Abstract

This research aims to read the creative process carried out by bio-art artists who use fungi as a medium of character, namely Phillip Ross and Syaiful ‘Tepu’ Garibaldi and explore the potential values in their nature. New media art became an essential umbrella for non-conventional art genres related to other disciplines, such as ecology- based art, kinetic art, video art, bio-art, etc. An interdisciplinary approach that is   no longer related to a single system but a synergy between fields of science to solve increasingly complex social and environmental problems. As a new genre, bio-art synergy art and science involving organic creation components. The use of animals, viruses, fungi, and plants is the differentiator that marks the formation of bio-art works. Research methods will be conducted with methodological approaches to art history, anthropology, and semiotics. The unusual process of fungi formation used as a medium of art and ecological issues became a powerful narrative that both artists generally raised. The synergy between art, science, and technology in the creation process is a new reference in the method of art creation, especially bio-art so that  the process of fungi formation that is not commonly used as a medium of art and ecological issues related to it as a powerful narrative that the two artists generally raise becomes the main subject of study. Jamur sebagai Media Seni: Kajian Media Seni Philip Ross dan Syaiful Aulia Garibaldi. Penelitian ini bertujuan untuk membaca proses kreatif yang dilakukan oleh seniman bio-art yang memanfaatkan fungi sebagai media kekaryaannya, yaitu Phillip Ross dan Syaiful ‘Tepu’ Garibaldi serta menggali potensi nilai-nilai yang ada dalam kekaryaannya.Seni media baru menjadi payung penting untuk genre seni non- konvensional yang terkait dengan disiplin ilmu lain, seperti seni berbasis ekologi, seni kinetik, seni video, bio-art, dll. Pendekatan interdisipliner yang tidak lagi terkait dengan pendekatan tunggal tetapi sinergi antara bidang sains untuk memecahkan masalah sosial dan lingkungan yang semakin kompleks. Sebagai genre baru, bio-art adalah sinergi antara seni dan sains yang melibatkan komponen penciptaan organik. Penggunaan hewan, virus, jamur, dan tumbuhan adalah pembeda yang menandai pembentukan karya bio-seni. Metode penelitian akan dilakukan dengan pendekatan metodologi sejarah seni, antropologi, dan semiotika. Proses pembentukan fungi yang tak lazim digunakan sebagai media seni dan isu-isu ekologi yang berkaitan dengannya, menjadi narasi besar yang secara umum diangkat oleh kedua seniman tersebut. Sinergi antara seni, ilmu pengetahuan, dan teknologi dalam proses penciptaan adalah referensi baru dalam metode penciptaan seni, terutama bio-art, sehingga proses pembentukan fungi yang tak lazim digunakan sebagai media seni dan isu-isu ekologi yang berkaitan dengannya sebagai narasi besar yang secara umum diangkat oleh kedua seniman tersebut, menjadi pokok kajian utamanya.
Multimodal Analysis of the Disabled Character Tyrion Lannister in the Game of Thrones Series (2011-2019) Marbun, Dewi Christina; Irawanto, Budi
Jurnal Penelitian Ilmu-Ilmu Sosial Vol. 4 No. 2 (2023)
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/sosial.v4i2.1120

Abstract

Media, especially films, have an important role in the construction of people with disabilities. This research examines Tyrion Lannister as a person with a disability represented and constructed in the Game of Thrones series. Tyrion Lannister is interesting because he is the only character born with a disability. This condition differs from others with perfect physical conditions in real life. In this series, Tyrion Lannister shows the body as a social sign. He is represented as a realistic and complex character, not inspiring, not evil, or selling mercy, as the portrayal often used by the media in portraying people with disability. This research uses a qualitative approach with a multimodal critical discourse analysis methodology by Gunther Kress and Theo van Leeuwen. The data is based on seasons and episodes of the Game of Thrones, which relate to Tyrion Lannister as people with a disability, literature study, and documentation. The research found that the representation of Tyrion Lannister is realistic and complex, showing the prejudice and social stigma he has received as a person with a dwarf body.
Youtube Independent Music Video Artist: Learning, Production and Exhibition in Digital Space Rozi, Romdhi Fatkhur; Ida, Rachmah; Irawanto, Budi
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4657

Abstract

Music videos by independent musicians represent a new portrait of the music industry in the digital era. This article tries to look at how YouTube has influenced the learning patterns, production patterns, and performance patterns of music content creators in the digital space. A review of the literature in this study connects art, technology, and the media. The research method used is a case study with the object of two independent music channels, Jember on YouTube. The data was obtained through creator interviews and observations of independent music channels, as well as library studies, which were then tested for validity by triangulation of sources. Qualitative data analysis is done descriptively. The findings reveal how content creators start their channels, gain popularity, interact with subscribers, and promote their music careers through YouTube. There was a rather fundamental paradigm shift in the concept of amateur musicians and professional musicians as YouTube became a digital space to be counted on for sharing artwork. Advanced research is recommended to focus on the influence of the YouTube platform on culture, capital economic issues, economy sharing, its exposure to the audience, and its function as a source of learning. Keywords: YouTube; digital learning; production; exhibition; space
MEREGUK KENIKMATAN DI DUNIA MAYA: VIRTUALITAS DAN PENUBUHAN DALAM CYBERSEX Budi Irawanto
Jurnal Kawistara Vol 7, No 1 (2017)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.23728

Abstract

Dubbed methaporically as “sex without secretions”, cybersex has transformed the sexual practice and the meaning of erotica. This article seeks to explore the issues of sexuality in cyberspace, particularly its virtuality and embodiment in cybersex.  Many discussions on cybersex revolve around issues of accessibility, affordability and anonymity that draw sharp lines between the real and the virtual. Therefore, in this article I argue that cybersex does not completely distinct from sexuality in the real world due to the interpenetration process between sex in the virtual and real world.
FILM DOKUMENTER SEBAGAI KATALIS PERUBAHAN SOSIAL: STUDI KASUS AMBON, ACEH DAN BALI Budi Irawanto; Theresia Octastefani
Jurnal Kawistara Vol 9, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.40986

Abstract

Since democratization (Reformasi) in 1998, documentary films gradually evolve with their locus of production spreading across the Indonesian archipelago. With the spirit of democratization brought about by digital technology, film communities and civil organizations in outer islands of Java utilize digital documentary film to capture several pertinent socio-political issues and raise public and government attention and responses. Those issues are commonly overlooked by the local media and were never a part of local government’s policies. Based on our fieldwork conducted in three areas outside of the Java Island (Ambon, Aceh and Bali), where digital documentary filmmaking and civil organizations are active and vibrant, our study indicates that rather than simply producing documentaries, film communities or non-governmental organizations disseminated documentaries through public screenings to invite further engagement of audiences by discussing the film with authorities (policy makers) that were often invited in that event.  In this article, we attempt to illuminate how documentary filmmaking allows the unseen and neglected issues to be articulated visually and sonically. Therefore, it would be compelling public or media attention and encouraging further government policy to resolve that matters. In other words, documentary films are a catalyst for social change by taking their roles as witness for the public and demanding responsibilities of the political authority.
A Critical Literature Review of Mediatization of Art on Instagram Tunnikmah, Nadiyah; Irawanto, Budi; Hujatnika, Agung
IJCAS (International Journal of Creative and Arts Studies) Vol 11, No 2 (2024): December 2024
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v11i2.11323

Abstract

A critical review of the literature was conducted to investigate the mediatization of art on Instagram. Finding out about fine art on Instagram through empirical studies, identifying knowledge gaps, and possible future developments can all be done by conducting a critical literature review. To search for the required articles, Boolean operators (AND, OR, NOT) are used by combining and filtering search terms effectively. The main databases were searched using the following terms: (“art” OR “visual arts” OR “contemporary art”) AND (“Instagram” OR “Instagram Art”) AND (“Mediatization” OR “art” OR “Visual Arts”). Databases used include Scopus, JSTOR, Google Scholar. From the search, 198 references were obtained, after checking the relevance it was decided that 24 articles were worthy of being used as references in a critical literature review. Based on observations of previously existing literature, this literature can be categorized into three parts, namely: Instagram as a data source and analyzing the visual form of uploads, Study of arts on Instagram, Study of mediatization of fine arts on Instagram.Tinjauan Pustaka Kritis Mediatisasi Seni di Instagram Abstrak Tinjauan kritis terhadap literatur dilakukan untuk menyelidiki mediatisasi seni di Instagram. Mencari tahu tentang seni rupa di Instagram melalui kajian empiris, mengidentifikasi kesenjangan pengetahuan, dan kemungkinan perkembangan di masa depan, semuanya dapat dilakukan dengan melakukan tinjauan literatur kritis. Untuk mencari artikel yang dibutuhkan, digunakan operator Boolean (AND, OR, NOT) dengan menggabungkan dan memfilter istilah pencarian secara efektif. Basis data utama dicari menggunakan istilah berikut: (“seni” ATAU “seni visual” ATAU “seni kontemporer”) DAN (“Instagram” ATAU “Seni Instagram”) DAN (“Mediatisasi” ATAU “seni” ATAU “Seni Visual” ). Database yang digunakan antara lain : Scopus, JSTOR, Google Scholar. Dari penelusuran diperoleh 198 referensi, setelah dilakukan pengecekan relevansi diputuskan 24 artikel layak dijadikan rujukan dalam tinjauan pustaka kritis. Berdasarkan pengamatan terhadap literatur-literatur yang telah ada sebelumnya, maka literatur ini dapat dikategorikan menjadi tiga bagian, yaitu: Instagram sebagai sumber data dan menganalisis bentuk visual unggahan, Kajian seni rupa di Instagram, Kajian mediatisasi seni rupa di Instagram.
Lessons from comedy group management in Yogyakarta: a case study of organizational management practices of “Double S” group as a microenterprise Putra, Trisna Pradita; Irawanto, Budi; Haryono, Timbul
International Journal of Visual and Performing Arts Vol 6, No 2 (2024)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v6i2.1645

Abstract

Performing arts organizations at the micro level often face challenges threatening their sustainability. The big challenge is how good organizational management practices can be done with limited resources, local competition, and changing market dynamics. This research aims to examine and improve the effectiveness of micro-organizational management in the context of performing arts, focusing on a case study of the comedy group “Double S” in Yogyakarta. This research is exploratory, using a qualitative approach and case studies as an analytical framework. Data were collected through in-depth interviews with group members, direct observation of performances, and document analysis related to organizational management. Organizational management concepts, such as strategic planning, organizing, and leadership, were applied in the context of micro-performing arts. The results showed that comedy groups as micro organizations have unique characteristics of organizational management practices, namely, organizational management in the context of a very flexible comedy group and the emergence of the central role of the artist who doubles as the group manager. Although it is done with complete improvisation and tends to be unstructured, the flexibility of organizational management has become a strength for the comedy group. The flexibility of management allows the comedy group to adapt to various uncertainties. Microorganizations need managers who have improvisational skills in organizational management. This research contributes to understanding organizational management at the micro level in the performing arts industry. The practical implication is to guide similar performing arts groups to improve competitiveness and sustainability. This study can also serve as a reference for further research on micro-level performing arts organization management and its influence on the development of local performing arts.
STUDY OF FORMER STREET KID RECEPTION TO MOVIE “ALANGKAH LUCUNYA NEGERI INI” Agustian, Jaka Farih; Irawanto, Budi
Capture : Jurnal Seni Media Rekam Vol. 9 No. 2 (2018)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (335.98 KB) | DOI: 10.33153/capture.v9i2.2106

Abstract

Social problems in the aspect of street children in Indonesia is still difficult to solve. The Data 2017 issued by the Minister of Social Khofifah Indar Parawansa said there are 4.1 million Indonesian children who are displaced and need protection. Thus, various media attempts to provide criticisms about social conditions in Indonesia, especially through the construction of street children's films. Film of Alangkah Lucunya Negeri Ini describes social problems of street children happening in Indonesia. This study aims to explain how the reception of exformer street children in watching the film Alangkah Lucunya Negeri Ini using the method of reception proposed by Stuart Hall, namely the concept of dominant hegemony, negotiation, and opposition. The results show that informant receptions arise due to different social and cultural dimensions in life as street children in the past. The informants also made the film Alangkah Lucunya Negeri Ini as reflection based on life experience. Thus, the presence of the film gives negative stigma of street children in social relations of society. Scene of film also brings the informant to feel the pleasure of watching that is expressed through both entertaining and emotional forms. Meanwhile, audience also responded activelly to the construction of street children films in social, educational, and religious discourse. Informants who are in the dominant code express their interest in film programs motivated by behavior and social experience as street children. While informants who are in a negotiating position try to be adaptive in adjusting the message in the film, but also have an attitude of opposition as a form of rejection. While the informants who placed themselves in the opposition expressed a different attitude to the construction offered in the film program. There is an element of discomfort with the presence of street children movies in their lives. 
Mediamorphosis: the new face of radio broadcasting in the new normal era Budhi Widi Astuti; Ana Nadhya Abrar; Budi Irawanto
Jurnal Studi Komunikasi Vol. 8 No. 2 (2024)
Publisher : Faculty of Communications Science, Dr. Soetomo University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25139/jsk.v8i2.8179

Abstract

‘Mediamorphosis’ is a transformation of communication media caused by complex interactions between perceived needs, competitive and political pressures, and social and technological innovation. The digital revolution that gave birth to media digitalisation is one of the causes of mediamorphosis. Another thing that drives mediamorphosis is the impact of the COVID-19 pandemic that hit Indonesia and other countries in the world. Mediamorphosis is a concept used in this study because it refers to the form of radio broadcasts that have changed and adapted due to the novel COVID-19 virus throughout the world and in Indonesia. The main social regulations by the Indonesian Government have implications for radio broadcasting operations. This study aims to see how local private radio– Radio Elisa FM carries out mediamorphosis which is analysed more specifically using the concept of convergence. The research paradigm used is constructivism with a qualitative approach and case study method. The results of the study show that the mediamorphosis carried out by Radio Elisa produces a new face for Radio Elisa broadcasts as a visual radio in the new normal era.
Beribadah Daring di Masa Pandemi: Netnografi Praktik Cyber-Spirituality GBI Miracle Service Yogyakarta) Silalahi, Benyamin Imanuel; Irawanto, Budi
Jurnal Media dan Komunikasi Indonesia Vol 6, No 1 (2025): MARET 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.88465

Abstract

Pembatasan aktivitas sosial akibat Pandemi Covid-19 membuat praktik pergerejaan, khususnya peribadahan harus dilakukan secara daring. Penelitian ini melihat Bagaimana anggota gereja GBI Miracle Service Yogyakarta, sebuah gereja yang sebelumnya tidak memiliki kesiapan untuk menyelenggarakan ibadah secara daring, beradaptasi dan menggunakan media digital untuk memenuhi kebutuhan spiritual pandemi. Penelitian ini menggunakan metode netnografi, dengan kacamata kajian cyber-spirituality dan teori mediatisasi. Peneliti menemukan bahwa ibadah daring dimaknai sebagai suatu alternatif yang bersifat sementara, yang tidak dapat menggantikan ibadah fisik. Adaptasi dilakukan dengan signifikan melalui fitur-fitur platform yang ada, sehingga pola interaksi anggota gereja dipengaruhi oleh logika media.
Co-Authors Agung Hujatnika Agung Hujatnika Agustian, Jaka Farih Aidatul Chusna, Aidatul Akbari Fitriawan, Rana Ana Nadhya Abrar Ana Nadhya Abrar Antara, I Putu Juni Anugerah, Anggun Rezky Arief Rijaluddin Arif Ardy Wibowo Aryo Subarkah Eddyono Budhi Widi Astuti Buyung Pambudi, Buyung Dartanto, A. Sudjud Deni Kristanto Dian Arymami Faruk HT Faruk, Faruk GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang Khoiron Khoiron kusnul Fitria Lucia Ratnaningdyah Setyowati Marbun, Dewi Christina Maruti Asmaul Husna Subagio Mochamad Andhy Nurmansyah Mohtar Mas’oed Mundayat, Aris Arif Nadiyah Tunnikmah Nezar Patria Novi Kurnia Nunung Prajarto Nunung Prajarto Nurizky Adhi Hutama Nurul Hidayah Pitra Narendra Purwo Santoso Rachmah Ida Rahadianto Sutopo, Oki Rahmawati, Handini Romdhi Fatkhur Rozi Satrio Hari Wicaksono Seno Gumira Ajidarma, Seno Gumira Silalahi, Benyamin Imanuel Suhartami, Wiwik Terra Bajraghosa Theresia Octastefani Timbul Haryono Timbul Haryono Trisna Pradita Putra Wan Ridwan Husen, Wan Ridwan Wisnu Martha Adiputra Wiwik Sushartami Wulan Tri Astuti Yayat Hendrayana, Yayat Yesicha, Chelsy ‪Ana Nadhya Abrar