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All Journal Jurnal Komunikasi LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban SocietyÂ´s Arts Jurnal Ketahanan Nasional Jurnal Pemuda Jurnal Ilmu Sosial dan Ilmu Politik IJCAS (International Journal of Creative and Arts Studies) ETTISAL Journal of Communication Policy & Governance Review Jurnal Studi Komunikasi Jurnal Studi Pemuda Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Jurnal Pemikiran Sosiologi k@ta Politik Indonesia: Indonesian Political Science Review Capture : Jurnal Seni Media Rekam Ultimart: Jurnal Komunikasi Visual Jurnal Profetik Kajian Jurnalisme International Journal of Visual and Performing Arts Masyarakat Indonesia International Journal of Business, Economics, and Social Development Jurnal Media dan Komunikasi Indonesia Jurnal Kajian Seni Jurnal Komunikasi Islam Literacy : International Scientific Journals of Social, Education, Humanities Jurnal Penelitian Ilmu-Ilmu Sosial Jurnal Komunikasi Global Jurnal Review Politik Jurnal Komunikasi Indonesia Jurnal Kawistara Interdisciplinary Journal of Advanced Research and Innovation SEMINAR TEKNOLOGI MAJALENGKA (STIMA)

Budi Irawanto

Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial Dan Ilmu Politik, Universitas Gadjah Mada, Yogyakarta, Indonesia

Author-ID : 288134

Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mechanical Engineering Public Health Social Sciences Transportation Other

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Jurnalisme Warga: Liyan, Timpang dan Diskriminatif Aryo Subarkah Eddyono; Faruk HT; Budi Irawanto
Profetik: Jurnal Komunikasi Vol 12, No 1 (2019)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v12i1.1498

Abstrak. Keterlibatan warga dalam menyampaikan informasi yang luput dilakukan oleh jurnalis profesional masih bisa kita lihat hingga kini. Terutama pada peristiwa-peristiwa bencana alam seperti gempa dan tsunami yang melanda Palu dan Donggala pada akhir September 2018. Hal ini menunjukkan praktik jurnalisme warga masih mungkin dijalankan. Hanya saja, di ranah akedemis, riset jurnalisme warga di Indonesia tidak terlalu variatif dan terkesan berjalan di tempat, didominasi pembicaraan sejauh mana peran dan efektivitasnya berdasarkan model-model tertentu. Situasi ini sebaiknya diatasi. Salah satunya dengan menghadirkan cara berpikir cultural studies dalam mengkaji isu-isu jurnalisme warga. Cultural studies atau kajian budaya adalah kajian kritis yang mampu membantu periset menyelami beragam hal, yakni representasi, regulasi, identitas, konsumsi, dan produksi di mana masing-masing bisa saling terkait satu sama lain. Masalah lain yang saya temukan adalah pemahaman jurnalisme warga, yang selama ini berkembang perlu dikritisi karena tidak kontekstual dan cenderung asal klaim. Saya beranggapan jurnalisme warga adalah praktik yang timpang, eksklusif, elitis, dan diskriminatif. Keberadaaannya menjadi liyan bagi jurnalisme dominan. Artikel ini juga merupakan autokritik atas pemahaman saya soal jurnalisme warga dalam riset saya sebelumnya. Kata kunci: Jurnalisme Warga, Kajian Budaya, Keberagaman Informasi, Demokrasi, Distingsi Abstract. Public participation in sharing information that was missed by professional journalists can still be seen today. Especially in natural disaster events such as the earthquake and tsunami that hit Palu and Donggala at the end of September 2018. This shows that the practice of citizen journalism is still possible. It is just, citizen journalism research in Indonesia is not varied, dominated by research on the extent of its role and whether its management is effective based on certain models. This situation must be changed. Cultural studies can be an alternative way of thinking. Cultural studies are critical studies that can help researchers explore a variety of things, namely representation, regulation, identity, consumption, and production where each can be interrelated. Another problem that I found was the understanding of citizen journalism that had developed so far needs to be criticized because it is not contextual and tends to be inappropriate. I think citizen journalism is an unequal, exclusive, elitist and discriminatory. Its existence becomes liyan for dominant journalism.This article is also an autocritic for the citizen journalism research I did before. Keywords: Citizen Journalism, Cultural Studies, Diversity of Information, Democracy, Distinction

MEMENTO DARI PULAU ‘PURGATORIO’: Membaca Sejarah Narasi Hak Asasi Manusia Melalui ‘Memoar Pulau Buru Karya Hersri Setiawan’ Budi Irawanto
Jurnal Pemikiran Sosiologi Vol 3, No 2 (2016): Tantangan Gerakan Sosial
Publisher : Departemen Sosiologi Universitas Gadjah Mada

Buku Memoar Pulau Buru bukan sekedar mengisahkan kehidupan para tahanan politik akibat dampak peristiwa setelah 30 September 1965 secara dramatis semata. Buku karya Hersri Setiawan ini menyodorkan suatu narasi kemanusiaan yang oleh kebanyakan generasi khususnya di masa Orde Baru nyaris terabaikan. Narasi yang disampaikan di dalam buku ini bukan hanya mengilustrasikan kehidupan pribadi yang dialami oleh penulis selama dalam masa tahanan di pulau itu, melainkan mengisyaratkan adanya suatu harapan yang sebelumnya pernah menjadi ‘mimpi’ para tapol ketika Indonesia baru saja memulai kehidupannya sebagai bangsa yang berdaulat sebelum peristiwa 30 September 1965 terjadi. Narasi sejarah semacam ini memberi alternatif membaca gerakan sosial khususnya ketika persoalan Hak Asasi Manusia (HAM) juga menjadi prasyarat penting bagi masa depan bangsa Indonesia di mata masyarakat internasional.

Narrative and Cinematic Aspects in Commercial and Art Films as Directors’ Artistic Treatments: a Comparative Study Lucia Ratnaningdyah Setyowati; GR Lono Lastoro Simatupang; Budi Irawanto
Journal of Urban Society's Arts Vol 8, No 2 (2021): October 2021
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v8i2.5745

Data shows that award-winning films are not always the best-selling films and vice versa. Therefore, it is interesting to investigate whether the director employs different art techniques for commercial and art films. This qualitative textual study examines the artistic treatments of both films and compares the narrative aspects of the story and the cinematic elements related to the film presentation techniques. The narrative aspects include (a) plot, (b) premise, (c) characters, and (d) conflict. The cinematic elements include (a) cinematography, (b) editing, (c) sound, and (d) setting. The results show that the director applies different art techniques for different films. For films orientated to commercial movie theaters, the narrative is more complex but presented in a cinematic that is easier for the audience to understand. For films in festivals, the narrative is more simple, but the cinematic aspect are more complex. These findings support the results of the data control, a combination of the best- selling and award-winning films, which shows that the film has a rather complex narrative and visualizations but is relatively easy to understand. Aspek Naratif dan Sinematik dalam Film Komersial dan Film Seni Sebagai Olah Artistik Sutradara Film. Data menunjukkan bahwa film yang meraih banyak penghargaan di festival bukanlah film yang laris di bioskop serta sebaliknya. Fenomena ini menarik untuk diteliti dengan mengkaji apakah sutradara menerapkan perlakuan artistik yang berbeda antara film yang ditujukan untuk ditayangkan di bioskop dan film yang dikirim ke festival. Penelitian tekstual ini mengkaji pengolahan artistik yang dilihat dari dua aspek yaitu aspek naratif yang berkaitan dengan cerita serta aspek sinematik yang berkaitan dengan teknik penyajian film. Hasil yang didapatkan memperlihatkan bahwa sutradara mengolah artistiknya secara berbeda pada kedua ranah tersebut. Di ranah bioskop naratifnya lebih kompleks namun disajikan dalam sinematik yang lebih mudah dipahami penonton, sementara di ranah festival, naratifnya lebih sederhana tetapi olahan sinematiknya lebih kompleks. Hasil ini dipertegas dengan hasil kontrol data di ranah gabungan yang memberikan naratif yang agak kompleks melalui sajian yang agak kompleks namun juga relatif mudah dipahami.

Realita Visualitas Generasi Z dalam Mise en Scene Iklan Shopee Men Sale Deni Kristanto; Wiwik Sushartami; Budi Irawanto
ULTIMART Jurnal Komunikasi Visual Vol 15 No 1 (2022): Ultimart: Jurnal Komunikasi Visual
Publisher : Universitas Multimedia Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31937/ultimart.v15i1.2410

Massive and rapid development of Internet 2.0 in society opens up opportunities for exploitation of personal and communal life. A series of efforts by sellers of services and products on the internet are competing to be trusted by the digital community, a series of visual charms on digital screens seems to be present to describe their behavior and experiences in the real world for the sake of capital needs. As the most accessed media in Indonesia, especially Generation Z or Digital Natives, YouTube is one of the harmful media that opens up opportunities for exploitation. YouTube Shopee Men Sale ad is a case of how one of the largest online stores in Indonesia constructively approaches the most potential YouTube Generation Z user for commodity purposes. With a qualitative analysis and a Close Textual Analysis approach, this study aims to find out how the visuality patterns of YouTube ads Shopee 8.8 Men Sale 2019 and Shopee 2.2 Men Sale 2021, present the values and social image of Generation Z for their commodity needs. Then through this research it is known that the two advertisements constructively through the use of visual aspects of mise en scene try to recreate reality that is related to the experiences and behavior of Generation Z. Keywords: reality; visual aspect; youtube advertising; shopee men sale; mise en scene; generation z.

“Menjadi Sesuatu Yang Berbeda”: Studi Gamer Perempuan Di Yogyakarta Nurizky Adhi Hutama; Budi Irawanto
Jurnal Media dan Komunikasi Indonesia Vol 3, No 1 (2022): March
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jmki.66967

Research on female gamers is still rarely found in studies of women. Considering that currently the activity of playing games can be enjoyed by anyone, it is not limited to men. Research on women in the gaming world is still rarely touched on due to the lack of researchers/researchers who have a fairly broad/established gaming perspective. This research was conducted because the world of games, especially e-sports, has a wide impact, especially in the entertainment, advertising, and technology industries. The results of what has been done in this research can be obtained that gamers are indirectly struggling to get recognition in the game world. They also strive to show more potential and can beat male gamers in general. Because the gaming world is patriarchal, female gamers feel disadvantaged by the lack of support for them both professionally (e-sports) and casually. Because some female gamers give male gaze satisfaction to male gamers in terms of entertainment, this has an unpleasant effect on other female gamers. As well as the lack of support from women who do not create certain games in terms of fraternity. Female gamers feel that their habits or hobbies are accepted from the community side, especially from fellow non-gamers/non-gamers. This research has several limitations, including the COVID-19 pandemic in mid- 2020. And it is hoped that this research will be able to contribute to research related to games and gamers. That there is still a lot that can be explored in this discussion considering that the game will never run over time.

Dekonstruksi Wacana Subversif Meme #IndonesiaTerserah Chelsy Yesicha; Budi Irawanto
Jurnal Komunikasi Global Vol 9, No 2 (2020)
Publisher : Program Studi Ilmu Komunikasi FISIP Universitas Syiah Kuala

Praktik kebijakan pemerintah mengenai Covid-19 yang dinilai tumpang tindih menyebabkan tenaga medis di Indonesia bereaksi dengan menggunakan #IndonesiaTerserah di Twitter dalam bentuk video meme. Ini merupakan bentuk kekecewaan tenaga medis yang sebelumnya dielukan sebagai pahlawan yang berada di garda depan pada saat pandemi Covid-19. Reaksi tersebut mendapat dukungan oleh para netizen yang meunggah ulang sebagai konsekuensi tindakan subversif. Artikel ini bertujuan mengkaji praktik, pesan dan ideologi video kreator #IndonesiaTerserah dengan metode analisis meme Limor Shifman melalui tiga dimensi teks asli yaitu content, form dan stance. Penelitian ini menunjukan bahwa ungkapan “terserah” menjadi sebuah kalimat satire yang umumnya diungkapkan dalam protes akal sehat. Pesan subversif yang terkandung disampaikan dengan logis dan emosional demi membangun kerjasama dan rasa kemanusiaan. Kreator menghasilkan karya video dengan kualitas semi-profesional didukung teks guna mempertegas narasi tokoh. Ideologi perjuangan tenaga kesehatan mempertegas bahwa mereka masih berada di garda terdepan, profesi yang tak mudah tergantikan dengan sekejap namun mudah hilang bila tak terjaga. The overlapping government policy on Covid-19 caused medical personnel in Indonesia to react by using #IndonesiaTerserah on Twitter in the form of meme videos. This is a form of disappointment for those who were previously hailed as heroes who were at the forefront during the Covid-19 pandemic. This reaction received support from netizens who posted it as an act of subversion. This article aims to examine the practices, messages, and ideology of #IndonesiaTerserah video creators using the meme analysis method of Limor Shifman through 3 dimensions of the original text, content, form, and stance. This research showed that the expression "whatever" becomes a satirical sentence consisting of commonsense applications. Subversive messages were delivered logically and emotionally in order to build cooperation and a sense of humanity. The creator produced semi-professional quality videos supported by text to emphasize the narratives of characters. The ideology of health workers emphasized that they were still at the forefront, a profession that cannot be easily replaced but can easily be lost if unprotected.

Arena Komunikasi Politik di Indonesia: Bagaimana Masyarakat Sipil Menggunakan Media Baru sebagai Komunikasi Politik Wisnu Martha Adiputra; Budi Irawanto; Novi Kurnia
Jurnal Komunikasi Vol. 17 No. 2 (2023): VOLUME 17 NO 2 APRIL 2023
Publisher : Program Studi Ilmu Komunikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20885/komunikasi.vol17.iss2.art6

This research seeks to explain the arena of political communication in Indonesia for civil society groups to use new media from 2010 to 2020. The context of this time shows the increasingly complex development of democracy and new media, including the presence of social media. The research was conducted using the case study method by exploring three cases of civil society groups, namely Remotivi, Combine Resource Institution, and Zero Kilometer Makassar. This study departs from the hypothesis that the use of new media by civil society groups can encourage a more democratic process of political communication. This study found that the presence of new media has not been able to encourage civil society to use the arena of political communication properly. Judging from the aspect of the arena, which consists of existence, regulation, relations, and public space, it turns out that it has not been able to encourage a democratic political communication process even though new media has been used in communication actions by civil society groups.This research seeks to explain the arena of political communication in Indonesia for civil society groups to use new media from 2010 to 2020. The context of this time shows the increasingly complex development of democracy and new media, including the presence of social media. The research was conducted using the case study method by exploring three cases of civil society groups, namely Remotivi, Combine Resource Institution, and Zero Kilometer Makassar. This study departs from the hypothesis that the use of new media by civil society groups can encourage a more democratic process of political communication. This study found that the presence of new media has not been able to encourage civil society to use the arena of political communication properly. Judging from the aspect of the arena, which consists of existence, regulation, relations, and public space, it turns out that it has not been able to encourage a democratic political communication process even though new media has been used in communication actions by civil society groups.

Uploading Food Photos Phenomena on the Instagram Platform in Yogyakarta and Kelantan Arif Ardy Wibowo; Budi Irawanto; ‪Ana Nadhya Abrar
ETTISAL : Journal of Communication Vol. 8 No. 1 (2023): ETTISAL : Journal of Communication
Publisher : Universitas Darussalam Gontor collaboration with ISKI (Ikatan Sarjana Ilmu Komunikasi Indo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21111/ejoc.v8i1.9634

The phenomenon of uploading food photos is one of the new habits in the world of social media. The creators who upload the food photos have a purpose and convey a message through food photos. This research aims to understand the behavior of Instagram users and the goals to be achieved when uploading food photos on Instagram. The method used in this research is phenomenology, with informants using Instagram in Yogyakarta, Indonesia, and Kelantan, Malaysia, with a qualitative approach. The results obtained from this research are that Khalda, an Instagram user in Yogyakarta, Indonesia has the main goal to share and to be known as a food vlogger in the process of uploading food photos. Meanwhile, Zyed, a user from Kelantan, Malaysia, has the same goal, namely sharing photos of food but using the media as a means of expression. These two users have in common that they want to upload their best version of food photos without any hope of getting likes or comments on the upload. In addition, in sharing, there was no message or ideological perspective that the two sources wanted to include in the food uploads. The conclusion of this research shows that the experience of using Instagram from the two informants is divided into four categories: the purpose of posting, type of food, photo aesthetics, and places to eat. The experiences of these two samples show that Instagram is an Ocularcentrism medium that places the eye at the center of social media usage.

Comedy In the Perspective of Performing Arts Management: Systematic Literature Review Trisna Pradita Putra; Budi Irawanto; Timbul Haryono
IJCAS (International Journal of Creative and Arts Studies) Vol 10, No 1 (2023): June 2023
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v10i1.8300

This research was conducted to map the breadth of various comedy art management research carried out in the period between 2012-2022. This research is a systematic literature review conducted using the PRISMA (Preferred Reporting Items for Systematic Reviews and Meta-Analyses) method. The primary data in this study journal articles were published in the electronic journal databases of Scopus, Proquest, Ebsco, and Portal Garuda. Based on an analysis of 115 selected articles, it was concluded that the theme of comedy management has been widely studied and produced in a variety of studies that can be classified into four main categories. The main categories in comedy management research are production management, distribution management, consumption, and human resource management. Research makes an important contribution and this is an important reference for the future development of comedy management studies.Â Komedi dalam Perspektif Manajemen Seni PertunjukanAbstrakPenelitian ini dilakukan untuk memetakan keluasan ragam penelitian manajemen seni komedi yang dilakan dalam kurun waktu antara tahun 2012-2022. Penelitian ini adalah sistematik literatur review yang dilakukan dengan metode PRISMA (Preferred Reporting Items for Systematic Reviews and Meta-Analyses ). Data primer dalam penelitian ini adalh artikel jurnal yang dimuat dalam database jurnal elektronik Scopus, Proquest, Ebsco dan Porttal Garuda. Berdasarkan analisis terhadap 115 artikel yang terseleksi, disimpulkan bahwa tema manajemen komedi telah diteliti secara luas dan menghasilkan ragam kajian yang dapat diklasifikasikan dalam empat katagori utama. Katagori utama dalam penelitian manajemen komedi yaitu: manajemen produksi, manajemen distribusi, konsumsi dan manajemen sumber daya manusia. Penelitian memberikan kontribusi penting dan ini menjadi referensi penting bagi arah pengembangan kajian manajemen komedi di masa depan.

Democracy in Zuhud Concept: Politics of Articulation of Truth of Gus Mus’ Intelligence Practice in the 2015 NU Congress Khoiron Khoiron; Purwo Santoso; Budi Irawanto
Jurnal Politik Indonesia: Indonesian Political Science Review Vol 8, No 1 (2023): Politics and Policy
Publisher : Political Science Program, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/ipsr.v8i1.38823

This study describes intellectuality as a practice of contesting truth in offering alternative truths aside from the existing truth. This paper aimed to describe how the truth regime is articulated by the subject of knowledge and a political agent, namely Ahmad Mustofa Bisri, in the 2015 NU Congress. At that moment, Gus Mus’ practice of articulating truth by refusing the position of ‘rais aam’ was political. This study questioned how the regime of truth was articulated amid the power contest at the 2015 NU Congress. This study argued that, amid the practice of contesting truth, at the same time, there is a politics of value and idea articulation carried out by an individual who occupies a position as part of the intellectual. It is at the political level of the articulation of truth that novelty is described in this study. This study produced truths using text and context-based discourse analysis methods, including: 1). dismissing ‘hubbud dunya’, 2). fostering ‘mind’ and ‘morality’, and 3). it is strengthening ‘legawing ati’ in dedication. In contrast, the above markers are marker moments that reinforcer the primary marker, namely the regime of zuhud, articulated by Gus Mus by self-regulation (subject position) as ‘ a student’ related to elements of discourse antagonism—the term of ‘kiai’ related to the position of rais aam.

Co-Authors Agung Hujatnika Agung Hujatnika Agustian, Jaka Farih Aidatul Chusna, Aidatul Akbari Fitriawan, Rana Ana Nadhya Abrar Ana Nadhya Abrar Antara, I Putu Juni Anugerah, Anggun Rezky Arief Rijaluddin Arif Ardy Wibowo Aryo Subarkah Eddyono Budhi Widi Astuti Buyung Pambudi, Buyung Dartanto, A. Sudjud Deni Kristanto Dian Arymami Faruk HT Faruk, Faruk GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang Khoiron Khoiron kusnul Fitria Lucia Ratnaningdyah Setyowati Marbun, Dewi Christina Maruti Asmaul Husna Subagio Mochamad Andhy Nurmansyah Mohtar Mas’oed Mundayat, Aris Arif Nadiyah Tunnikmah Nezar Patria Novi Kurnia Nunung Prajarto Nunung Prajarto Nurizky Adhi Hutama Nurul Hidayah Pitra Narendra Purwo Santoso Rachmah Ida Rahadianto Sutopo, Oki Rahmawati, Handini Romdhi Fatkhur Rozi Satrio Hari Wicaksono Seno Gumira Ajidarma, Seno Gumira Silalahi, Benyamin Imanuel Suhartami, Wiwik Terra Bajraghosa Theresia Octastefani Timbul Haryono Timbul Haryono Trisna Pradita Putra Wan Ridwan Husen, Wan Ridwan Wisnu Martha Adiputra Wiwik Sushartami Wulan Tri Astuti Yayat Hendrayana, Yayat Yesicha, Chelsy ‪Ana Nadhya Abrar

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