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All Journal Jurnal Komunikasi LiNGUA: Jurnal Ilmu Bahasa dan Sastra Jurnal Ilmu Komunikasi Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora Jurnal Ilmu Komunikasi Jurnal Ilmu Sosial dan Ilmu Politik Journal of Urban Society´s Arts Jurnal Ketahanan Nasional Jurnal Pemuda Jurnal Ilmu Sosial dan Ilmu Politik IJCAS (International Journal of Creative and Arts Studies) ETTISAL Journal of Communication Policy & Governance Review Jurnal Studi Komunikasi Jurnal Studi Pemuda Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Jurnal Pemikiran Sosiologi k@ta Politik Indonesia: Indonesian Political Science Review Capture : Jurnal Seni Media Rekam Ultimart: Jurnal Komunikasi Visual Jurnal Profetik Kajian Jurnalisme International Journal of Visual and Performing Arts Masyarakat Indonesia International Journal of Business, Economics, and Social Development Jurnal Media dan Komunikasi Indonesia Jurnal Kajian Seni Jurnal Komunikasi Islam Literacy : International Scientific Journals of Social, Education, Humanities Jurnal Penelitian Ilmu-Ilmu Sosial Jurnal Komunikasi Global Jurnal Review Politik Jurnal Komunikasi Indonesia Jurnal Kawistara Interdisciplinary Journal of Advanced Research and Innovation SEMINAR TEKNOLOGI MAJALENGKA (STIMA)
Budi Irawanto
Departemen Ilmu Komunikasi, Fakultas Ilmu Sosial Dan Ilmu Politik, Universitas Gadjah Mada, Yogyakarta, Indonesia
Religion Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mechanical Engineering Public Health Social Sciences Transportation Other

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Rethinking Participatory Culture through the Case in Mulyana’s “Sea Remembers” Husen, Wan Ridwan; Irawanto, Budi; Simatupang, GR Lono Lastoro
International Journal of Business, Economics, and Social Development Vol 6, No 3 (2025)
Publisher : Research Collaboration Community (RCC)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46336/ijbesd.v6i3.963

Abstract

This study discusses the production process carried out in collaboration with the community (especially women's knitting groups) in the field of visual arts, seen through the lens of participatory culture. Using a case study approach, this study re-examines how artists engage with communities to create spaces for communication, build relationships, explore creative processes, exchange ideas, and collectively shape identities. This study examines the collaborative methods applied in Mulyana's artwork 'Sea Remembers', focusing on two main aspects: the collaborative work process and the community empowerment process. The method used is qualitative with a case study approach to a collaborative process. The findings reveal that during its production, 'Sea Remembers' illustrates that the artistic process carried out with many people can be a medium for empowering communities, can positively foster innovation in art making, and increase appreciation for those involved. This study emphasizes the potential of collaboration with a participatory approach in redefining the artistic production process in building social relationships.
Discourse Network Analysis on News of Fuel Price Increases in the Susilo Bambang Yudhoyono Government in 2013 and the Joko Widodo in 2022 Patria, Nezar; Irawanto, Budi; Nadhya Abrar, Ana
Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Vol. 9 No. 2 (2024): December 2024 - Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia
Publisher : Ikatan Sarjana Komunikasi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25008/jkiski.v9i2.1156

Abstract

The subsidized fuel price increase poses a significant policy challenge in Indonesia, characterized by complexities in decision-making and implementation. This study investigates the mediatization of political discourse surrounding this issue during two distinct periods: 2013, under President Susilo Bambang Yudhoyono (SBY), and 2022, under President Joko Widodo (Jokowi). Employing the Discourse Coalition Framework (DCF) and Discourse Network Analysis (DNA), the research analyzes media narratives on fuel price increases published by Detik.com, one of Indonesia's most prominent digital media outlets. The findings reveal a notable shift in discourse coalitions between the two periods. In 2013, opposition to the policy was primarily voiced by politically affiliated actors, whereas in 2022, civil society figures emerged as the dominant counteractors. Supportive narratives, however, consistently stemmed from government-aligned individuals in both periods. By comparing the actors involved, the arguments presented, and the evolution of discourse over time, this study highlights the changing dynamics of mediatized policy debates. Moreover, Detik.com demonstrated a balanced mediatization of supportive and opposing perspectives, with government-affiliated voices predominating in support, and opposition transitioning from political elites in 2013 to civil society in 2022. These findings underscore the media's evolving role in fostering issue-focused narratives, reducing polarization, and facilitating informed public discourse on contentious policy issues.
The Dramaturgy of Public Policy on Raising Subsidized Fuel Prices in Indonesia (Policy Comparative Analysis Between 2013 and 2022) Patria, Nezar; Irawanto, Budi; Abrar, Ana Nadhya
JURNAL KOMUNIKASI INDONESIA Vol. 14, No. 1
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines the policy of raising subsidized fuel prices in Indonesia through a dramaturgical lens, employing discourse analysis as its methodology. Each fuel price increase triggers intense political debates, involving key governmental figures and eliciting diverse public responses. The research contrasts two pivotal periods: the policy decisions during President Susilo Bambang Yudhoyono's administration in 2013 and those under President Joko Widodo in 2022. Using a dramaturgical framework, the study analyzes the dimensions of scripting, setting, staging, and performance in policymaking, highlighting how each administration constructs distinct policy narratives. In 2013, the policy faced significant opposition and robust public discourse. In contrast, by 2022, media strategies were strategically employed to shape the narrative and mitigate dissent. The findings reveal contrasting approaches by the two administrations in managing the political and social consequences of the fuel price increases. These insights contribute to a deeper understanding of the dynamics of public policy in the context of economic and political challenges, emphasizing the critical role of communication strategies in the implementation of contentious policies.
Transforming Curatorial Practices: The Role of AI and Blockchain in Shaping an Ethical Art-Science Paradigm for Public Policy Dartanto, A. Sudjud; Irawanto, Budi; Hujatnika, Agung
IJCAS (International Journal of Creative and Arts Studies) Vol 11, No 2 (2024): December 2024
Publisher : Graduate School of Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ijcas.v11i2.14388

Abstract

The integration of artificial intelligence (AI) and blockchain technology in curatorial practice offers transformative potential for managing, presenting, and distributing both traditional and digital art. This study explores how AI enhances curatorial processes through advanced data analysis and personalized visitor experiences. AI assists curators in organizing collections and recommending artworks tailored to individual preferences, fostering greater engagement with dynamic, customized exhibitions. Blockchain technology, on the other hand, ensures the provenance of decentralized artworks, guaranteeing authenticity and transparency. It addresses issues like counterfeiting, ownership disputes, and secure transactions, while supporting artists through smart contracts that ensure equitable compensation. However, ethical concerns remain. These include biases in AI algorithms, intellectual property challenges in decentralized NFT platforms, and limited digital access for marginalized artists. Academic studies and case analyses underscore these challenges and advocate for collaboration among curators, artists, technologists, and policymakers. This approach seeks to resolve ethical dilemmas, promote inclusivity, and maintain cultural integrity in implementing these technologies. The study emphasizes the need for public policy frameworks to regulate AI and blockchain, ensuring fair compensation and equitable access to their benefits while safeguarding cultural values. By addressing these concerns, these technologies can unlock new possibilities for the art world. Transformasi Praktik Kuratorial: Peran AI dan Blockchain dalam Membentuk Paradigma Seni-Sains yang Etis untuk Kebijakan Publik Abstrak Integrasi kecerdasan buatan (AI) dan teknologi blockchain dalam praktik kuratorial menawarkan potensi transformatif untuk mengelola, menyajikan, dan mendistribusikan seni baik tradisional maupun digital. Studi ini mengeksplorasi bagaimana AI meningkatkan proses kuratorial melalui analisis data yang mutakhir dan pengalaman pengunjung yang dipersonalisasi. AI membantu kurator dalam mengatur koleksi dan merekomendasikan karya seni yang disesuaikan dengan preferensi individu, mendorong keterlibatan yang lebih besar dengan pameran yang dinamis dan disesuaikan. Di sisi lain, teknologi blockchain memastikan asal-usul karya seni yang terdesentralisasi, menjamin keaslian dan transparansi. Teknologi ini mengatasi masalah seperti pemalsuan, sengketa kepemilikan, dan transaksi yang aman, serta mendukung para seniman melalui kontrak pintar yang memastikan kompensasi yang adil. Akan tetapi, masalah etika tetap ada. Ini termasuk bias dalam algoritma AI, tantangan kekayaan intelektual dalam platform NFT yang terdesentralisasi, dan akses digital yang terbatas untuk seniman yang terpinggirkan. Studi akademis dan analisis kasus menggarisbawahi tantangan-tantangan ini dan mengadvokasi kolaborasi di antara kurator, seniman, ahli teknologi, dan pembuat kebijakan. Pendekatan ini berusaha untuk menyelesaikan dilema etika, mempromosikan inklusivitas, dan menjaga integritas budaya dalam mengimplementasikan teknologi ini. Studi ini menekankan perlunya kerangka kerja kebijakan publik untuk mengatur AI dan blockchain, memastikan kompensasi dan akses yang adil terhadap manfaatnya sambil menjaga nilai-nilai budaya. Dengan mengatasi masalah ini, teknologi ini dapat membuka peluang baru bagi dunia seni.
ANALISIS METAFORA VISUAL ADEGAN PENOBATAN RATU ELIZABETH II DALAM DRAMA BIOPIK 'THE CROWN' Anugerah, Anggun Rezky; Sushartami, Wiwik; Irawanto, Budi
Jurnal Kajian Seni Vol 11, No 2 (2025): Jurnal Kajian Seni Vol 11 No 2 April 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.98522

Abstract

Penelitian ini menganalisis penggunaan metafora visual dalam adegan penobatan Ratu Elizabeth II pada season satu episode 5 dari serial drama biografi The Crown. Tujuannya adalah mengidentifikasi berbagai bentuk metafora visual, seperti pencahayaan, komposisi gambar, dan simbol visual lainnya yang memperkaya narasi dan penggambaran sejarah. Teknik yang dianalisis meliputi Potret/Gambar Gabungan, Konstruksi Gabungan, Fotomontase, Kategori Animasi, dan Superimposisi. Penelitian ini menggunakan metode kualitatif dengan pendekatan analisis tekstual untuk mengevaluasi efektivitas setiap teknik. Hasil menunjukkan bahwa metafora visual dalam The Crown memperkuat narasi visual sekaligus meningkatkan apresiasi terhadap kompleksitas sejarah dan karakter. Fotomontase menggambarkan peristiwa penting secara kompleks, Konstruksi Gabungan menciptakan citra visual yang kaya, sementara Superimposisi dan Potret/Gambar Gabungan menambah kedalaman emosional dan simbolik. Kategori Animasi menghadirkan dinamika dan gerakan dalam cerita. Temuan ini menunjukkan bahwa penggunaan metafora visual dalam film dan drama dapat menjadi strategi efektif untuk menghidupkan kembali peristiwa sejarah secara menarik dan bermakna.
"Hai...It's Me, I Am Your Fanboy" : Self-Representation Fanboy K-Pop on Instagram Kusnul Fitria; Budi Irawanto; Wiwik Sushartami
LITERACY : International Scientific Journals of Social, Education, Humanities Vol. 4 No. 1 (2025): April : International Scientific Journals of Social, Education, Humanities
Publisher : Badan Penerbit STIEPARI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56910/literacy.v4i1.2072

Abstract

This study aimed to explore the self-representation of K-Pop fanboys on Instagram by using a qualitative approach with digital ethnography and content analysis methods. Data was collected by investigated the self-representation of K-Pop fanboy Instagram accounts. The results showed that their self-representation involved a complex set of strategies, both visual and collaborative. By examining via the photos, videos and collaborations with some various parties, K-Pop fanboys creatively presented their identity as K-Pop fans. This representation is consciously constructed as an authentic expression of identity, reflecting a unique self-image rather than a mere imitation. Moreover, their creative activities demonstrated an active role in producing new meanings, these were not only as consumers of popular culture but also as contributors in the fandom community. This research provided an in-depth understanding of the dynamics of self-representation in the digital age as well as the role of social media in fan identity construction.
Exploring the Narrative Spaces of Change in Jejak Warna: Cerita tentang Perubahan (2019) Web Series: - Chusna, Aidatul; Irawanto, Budi; Arymami, Dian
k@ta: A Biannual Publication on the Study of Language and Literature Vol. 25 No. 1 (2023): JUNE 2023
Publisher : The English Department, Faculty of Humanities & Creative Industries, Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/kata.25.1.31-41

Abstract

Jejak Warna: Cerita tentang Perubahan (Color Trail: A Story of Change) web series talks about a man named Arya who is stuck with his monotonous life and memory of his ex-girlfriend. His life changes when he meets Kinar – his new colleague. This study explores how the narrative space conveys the idea of change by analysing the mise-en-scène elements of the web series. The result shows the depiction of spaces which change from spaces that bind the protagonist in his dull routine and memory to a space that liberates and offers him new life and adventure. The change is strengthened by the changing nuances of spaces depicted through composition and lighting, sound (dialogue and music), and the character's expression and movement within the spaces.
Youtube Independent Music Video Artist: Learning, Production and Exhibition in Digital Space Rozi, Romdhi Fatkhur; Ida, Rachmah; Irawanto, Budi
Capture : Jurnal Seni Media Rekam Vol. 14 No. 3 (2023)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v14i3.4657

Abstract

Music videos by independent musicians represent a new portrait of the music industry in the digital era. This article tries to look at how YouTube has influenced the learning patterns, production patterns, and performance patterns of music content creators in the digital space. A review of the literature in this study connects art, technology, and the media. The research method used is a case study with the object of two independent music channels, Jember on YouTube. The data was obtained through creator interviews and observations of independent music channels, as well as library studies, which were then tested for validity by triangulation of sources. Qualitative data analysis is done descriptively. The findings reveal how content creators start their channels, gain popularity, interact with subscribers, and promote their music careers through YouTube. There was a rather fundamental paradigm shift in the concept of amateur musicians and professional musicians as YouTube became a digital space to be counted on for sharing artwork. Advanced research is recommended to focus on the influence of the YouTube platform on culture, capital economic issues, economy sharing, its exposure to the audience, and its function as a source of learning. Keywords: YouTube; digital learning; production; exhibition; space
Rethinking Participatory Culture through the Case in Mulyana’s “Sea Remembers” Husen, Wan Ridwan; Irawanto, Budi; Simatupang, GR Lono Lastoro
International Journal of Business, Economics, and Social Development Vol. 6 No. 3 (2025)
Publisher : Rescollacom (Research Collaborations Community)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46336/ijbesd.v6i3.963

Abstract

This study discusses the production process carried out in collaboration with the community (especially women's knitting groups) in the field of visual arts, seen through the lens of participatory culture. Using a case study approach, this study re-examines how artists engage with communities to create spaces for communication, build relationships, explore creative processes, exchange ideas, and collectively shape identities. This study examines the collaborative methods applied in Mulyana's artwork 'Sea Remembers', focusing on two main aspects: the collaborative work process and the community empowerment process. The method used is qualitative with a case study approach to a collaborative process. The findings reveal that during its production, 'Sea Remembers' illustrates that the artistic process carried out with many people can be a medium for empowering communities, can positively foster innovation in art making, and increase appreciation for those involved. This study emphasizes the potential of collaboration with a participatory approach in redefining the artistic production process in building social relationships.
Comic-film-music of “Pendekar Cyborg”: a case study of transmedia storytelling in Indonesian contemporary independent comics Bajraghosa, Terra; Irawanto, Budi; Ajidarma, Seno Gumira
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1723

Abstract

This study explores independently published comics in Indonesia after 2010, which show differences from independent comics in the late 1990s and early 2000s. Contemporary independent comics distinguish themselves by positioning readers as patrons and the application of transmedia storytelling across platforms, especially related to film and music, and not for industrial purposes. The research questions presented are: what are transmedia storytelling practices in contemporary independent comics in Indonesia, and how is the context of creative freedom and control that underlies the production of printed comics presented through cross-media platforms? Using qualitative methodology, this study applies descriptive discourse analysis based on the visual culture framework, following Gillian Rose's methodological approach. The descriptive analysis focuses on the case study of transmedia storytelling "Pendekar Cyborg", an independently published comic series, which intersects with other media such as motion comics, animated music videos, film, and music. The findings show that contemporary Indonesian independent comics engage in canonical transmedia storytelling, in dimensions of spreadability, continuity, and multiplicity, while still reflecting the socio-political context. The work “Pendekar Cyborg” affirms creative freedom within an independent artistic community and expands narrative experiences through innovative, creator-driven transmedia strategies with community support. This research contributes to understanding how independent visual storytelling in Indonesia embraces transmedia formats to negotiate cultural meaning and audience engagement.
Co-Authors Agung Hujatnika Agung Hujatnika Agustian, Jaka Farih Aidatul Chusna, Aidatul Akbari Fitriawan, Rana Ana Nadhya Abrar Ana Nadhya Abrar Antara, I Putu Juni Anugerah, Anggun Rezky Arief Rijaluddin Arif Ardy Wibowo Aryo Subarkah Eddyono Budhi Widi Astuti Buyung Pambudi, Buyung Dartanto, A. Sudjud Deni Kristanto Dian Arymami Faruk HT Faruk, Faruk GR Lono Lastoro Simatupang GR Lono Lastoro Simatupang Khoiron Khoiron kusnul Fitria Lucia Ratnaningdyah Setyowati Marbun, Dewi Christina Maruti Asmaul Husna Subagio Mochamad Andhy Nurmansyah Mohtar Mas’oed Mundayat, Aris Arif Nadiyah Tunnikmah Nezar Patria Novi Kurnia Nunung Prajarto Nunung Prajarto Nurizky Adhi Hutama Nurul Hidayah Pitra Narendra Purwo Santoso Rachmah Ida Rahadianto Sutopo, Oki Rahmawati, Handini Romdhi Fatkhur Rozi Satrio Hari Wicaksono Seno Gumira Ajidarma, Seno Gumira Silalahi, Benyamin Imanuel Suhartami, Wiwik Terra Bajraghosa Theresia Octastefani Timbul Haryono Timbul Haryono Trisna Pradita Putra Wan Ridwan Husen, Wan Ridwan Wisnu Martha Adiputra Wiwik Sushartami Wulan Tri Astuti Yayat Hendrayana, Yayat Yesicha, Chelsy ‪Ana Nadhya Abrar