p-Index From 2021 - 2026
10.777
P-Index
This Author published in this journals
All Journal E-Journal of Linguistics Language and Education Journal RETORIKA: Jurnal Ilmu Bahasa Jurnal Ilmu Sosial dan Humaniora LITE: Jurnal Bahasa, Sastra, dan Budaya Diglossia LINGUAL: Journal of Language and Culture English Review: Journal of English Education KEMBARA Celt: A Journal of Culture, English Language Teaching & Literature Jurnal Bakti Saraswati IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature E-Dimas: Jurnal Pengabdian kepada Masyarakat PRASASTI: Journal of Linguistics Dinamisia: Jurnal Pengabdian Kepada Masyarakat Journal of Applied Studies in Language Kandai SPHOTA: Jurnal Linguistik dan Sastra LINGUISTIK : Jurnal Bahasa dan Sastra WIDYABHAKTI Jurnal Ilmiah Populer International Journal of Community Service Learning JPPM (Jurnal Pengabdian dan Pemberdayaan Masyarakat) Sang Pencerah: Jurnal Ilmiah Universitas Muhammadiyah Buton International Journal for Educational and Vocational Studies Yavana Bhasha : Journal of English Language Education Pioneer: Journal of Language and Literature JPKMI (Jurnal Pengabdian Kepada Masyarakat Indonesia) Ethical Lingua: Journal of Language Teaching and Literature Jurnal Pengabdian kepada Masyarakat Nusantara Journal of Humanities, Social Science, Public Administration and Management (HUSOCPUMENT) Kulturistik : Jurnal Bahasa dan Budaya Cendikia : Media Jurnal Ilmiah Pendidikan TRAVERSE - Journal of Language and Applied Linguistics Linguistic, English Education and Art (LEEA) Journal Austronesian: Journal of Language Science & Literature Jurnal Abdi Dharma Masyarakat Yavana Bhasha: Journal of English Language Education Elysian Journal : English Literature, Linguistics, and Translation Studies LOKATARA SARASWATI Seminar Nasional Aplikasi Iptek (SINAPTEK) JAKADARA: JURNAL EKONOMIKA, BISNIS, DAN HUMANIORA SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Joong-Ki Litera : Jurnal Bahasa dan Sastra Joong-Ki
Claim Missing Document
Check
Articles

Deixis Found in The Utterances by The Main Character of “Enola Holmes” Movie Yesika Cindhe Puspa; I Gusti Ayu Vina Widiadnya Putri; Ni Made Verayanti Utami
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 1 No. 3 (2021): ELYSIAN JOURNAL: English Literature, Linguistics and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (300.801 KB)

Abstract

This research focuses on the types of deixis used in Enola Holmes movie by Harry Bradbeer. The aim of this research is to identify the type of deictic words used by the main character in the Enola Holmes film. The data in this study was analysed using a qualitative method, and the data were collected using a library research approach. The data were obtained from Enola Holmes movie according to the theory from Levinson (1983) from his book entitled pragmatics. In this study, 518 deixis data were identified in this film, including person deixis, time deixis, place deixis, discourse deixis, and social deixis. It was found that person deixis are "I, Me, My" which refers to the speaker. For time deixis are “Soon, When I Was a Child” which encode temporal points. For place deixis is “here” encode specific location. For discourse deixis is “that” to indicate some words spoken before and the last is for social deixis “Mr., Mother” to show social distance between the speaker and addressee. The person deixis was shown to be the most dominant types based on the findings. It refers to the function of person deixis, which is directly associated with social interaction.
The MEANING OF FIGURATIVE LANGUAGE FOUND IN JOHN LEGEND'S ALBUM ENTITLED “LOVE IN THE FUTURE” Miun, Erasmus Roberto; I Gusti Ayu Vina Widiadnya Putri; I Dewa Ayu Devi Maharani Santika
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 2 No. 1 (2022): ELYSIAN JOURNAL: English Literature, Linguistics and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (334.316 KB) | DOI: 10.36733/elysian.v2i1.2521

Abstract

Abstract This article discusses about the meaning of figurative language found in John Legend’ album entitled “Love in the Future”. The objectives of this research were to find out types of figurative language and their meanings in John Legend’s song lyrics. The article, entitled “The Meaning of Figurative Language Found in John Legend’s album entitled “Love in the Future”.To analyze the data, the main theory used in this article is first theory proposed by Knickerbocker and Reninger (1963) entitledInterpreting Literature and the second the theory of meaning proposed by Leech (1981) entitled Semantics. This article analyzed the data descriptively by using qualitative method. Thecollected data by browsing and downloading song lyrics from the internet, reading and understanding song lyrics and taking note and classifying the phrase and sentences that contain of figurative language. The data is taken from John Legend’s album entitled “Love in the Future” released in 2013.Type ofmeaning figurative language found in John Legend albumentitled “Love in the Future”are connotative meaning and conceptual meaning. Connotative meaning is the dominant type of meaning found in John Legend’s album.
An Analysis of Hyperbole in Album “Divinely Uninspired to a Hellish Extent” Ketut Endang Sri Utami; Ni Made Verayanti Utami; I Gusti Ayu Vina Widiadnya Putri
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 1 No. 3 (2021): ELYSIAN JOURNAL: English Literature, Linguistics and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (289.753 KB)

Abstract

This article discusses the hyperbole figure used in used in the song lyrics of Lewis Capaldi’s album entitled Divinely Uninspired to Hellish Extent. The author thoughts hyperbole is used create strong feelings in the mind of the listener by comparing an emotion to an object, experience, or event, or a songwriter might also use hyperbole to create vivid images in the mind of a listener. The article, entitled “An Analysis of Hyperbole in Album Divinely Uninspired to a Hellish Extent”, aims to identify the types and find the meaning of the hyperbola language in the song. To analyze the data, the main theory used in this article is the figurative language theory proposed by Knickerbocker and Reninger (1963), the theory of meaning proposed by Leech (1981) and some of another supporting theory. This article uses qualitative methods to provide a clear picture of the problems identified. Descriptive study in textual analysis is applied to describe the types and meanings of hyperbolic figures in the song lyric. The data is taken from Lewis Capaldi’s album entitled Divinely Uninspired to Hellish Extent released in 2019.
Flouting Maxims in Alita Battle Angel Movie Katarina Ade Kusuma, Katarina; I Gusti Ayu Vina Widiadnya Putri; Ida Ayu Mela Tustiawati
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 2 No. 3 (2022): Elysian Journal : English Literature, Linguistics and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (251.487 KB) | DOI: 10.36733/elysian.v2i3.3609

Abstract

The aims of this study are to analyze the types of flouting maxim and the reason for flouting maxim found in the Alita Battle Angel movie. Flouting maxims is an important thing to consider in making communication more effective and making the sentences acceptable for the listener. This study focused on analyzing the types of flouting maxim and the reason why the characters flout the maxim by using the theory from Grice (1975) is used to classify the types of flouting maxims and the theory from Leech (1983) is used to find out the reason for flouting the maxims. This study used descriptive qualitative method in analyzing the data and this study used note-taking technique in collecting the data. The result of the study showed that the types of flouting maxims found in the movie are 20 data. The highest occurrence in the Alita Battle Angel movie is the flouting maxim of relevance which takes 10 data (50%). The finding shows that the highest occurrence of flouting maxim is the flouting maxim of relevance and the collaborative reasons become the most dominant reason for flouting maxim in this movie.
The Types of Flouting Maxims Found in the Onward Movie Ni Kadek Ardianti; I Gusti Ayu Vina Widiadnya Putri; I Dewa Ayu Devi Maharani Santika
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 2 No. 3 (2022): Elysian Journal : English Literature, Linguistics and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (266.296 KB) | DOI: 10.36733/elysian.v2i3.3614

Abstract

The aims of this study are to analyze the types of maxims that are flouted by the characters and to describe why the characters flout the maxim. This study is entitled “The Types of Flouting Maxims Found in the Onward Movie”. The study focuses on the flouting maxims in Onward movie. This study focused on the theory of Grice (1975) in analyzing the type of flouting maxims and a theory from Leech (1983) in analyzing the reason behind the maxim that was flouted by the characters in Onward movie. This study used a descriptive qualitative method and use both formal and informal methods. The result of the study showed that the types of flouting maxim found in the movie are 16 data. The dominant flouting maxim uttered by the characters in this movie is the flouting maxim of relevance with the frequency of 7 (40%).
Figure of Speech Use in the Song Lyrics of Jhon Legend album "Bigger Love" Yohanes Kapistrano Agung; Desak Putu Eka Pratiwi; I Gusti Ayu Vina Widiadnya Putri
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 2 No. 3 (2022): Elysian Journal : English Literature, Linguistics and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (287.287 KB) | DOI: 10.36733/elysian.v2i3.3742

Abstract

The aim of this study is to find out the types of figure of speech used in the song lyric of John Legend album Bigger Love. The data were analyzed by using the theory proposed by Knickerbocker and Rreninger (1963). In analyzing the data, this study uses observation method in collecting the data and descriptive method uses in analyzing the data. The result of this study showed that six types of figure of speech used in the song lyric of John Legend album Bigger Love, that there were 22 data the figure of speech used in the song lyric of John Legend album Bigger Love, those are 8 simile, 2 metaphor, 3 personification, 1 synecdoche, 6 hyperbole, 1 paradox.
A Strong Desire To Be Of The Other Gender in Dean’s Portrayal in The Novel “Between Perfect And Real” Sang Ayu Kadek Pitria Dewi; I Gusti Ayu Vina Widiadnya Putri; I Wayan Juniartha
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 2 No. 4 (2022): Elysian Journal : English Literature, Linguistics, and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (546.037 KB) | DOI: 10.36733/elysian.v2i4.4378

Abstract

This study analyzes a strong desire to become other Gender of Dean’s Portrayal in the novel Between Perfect and Real. The data was taken from a novel entitled Between Perfect and Real, which is monologue and dialog. This study analyzes the strong desire to be of the other gender of the main character named “Dean Foster.” The study uses the descriptive-qualitative method to analyze the data. The result of the study is presented in a formal and informal method. The library research method is used as the technique for collecting data. This study uses two main theories to analyze the data. The first leading theory is a diagnostic and statistical manual of mental disorders proposed by the American Psychiatric Association (2013) used to find out the strong desire to be of the other gender of Dean’s. The second leading theory is the Method of Characterization proposed by Kenny (1966), used to analyze how the writer presented the strong desire to become other gender Dean in Between Perfect and Real novel. This study obtained 18 data relating to the strong desire to be of the other gender experienced by Dean.
Lexical Hedges Inn “To All Thee Boys I’ve Loved Before” Movie Kendran, Ni Kadek Kendran Damayanti; I Gusti Ayu Vinai Widiadnya Putri; Ni Made Verayanti Utami
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 2 No. 4 (2022): Elysian Journal : English Literature, Linguistics, and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (290.664 KB) | DOI: 10.36733/elysian.v2i4.4387

Abstract

This study aims at identifying the variety kinds of lexical1 hedges1 employed in the movie script and to determine their purpose. The data for this study were gathered from the 2018 film "Too All the Boys I've Loved Before" using note-taking and documenting techniques. The original version of the film was produced, directed, and written by Susan Johnsons and Sofia Alvarez. Using Lakoff's theory regarding the characteristics of women's language, the data were analysed descriptively. Four lexical1 hedge examples were found in the “Too All the Boys I've Loved Before” movie, according to this analysis. It was discovered that lexical11hedges1 used in the movie are the words “well”, “you know”, “uh”, and “I thought”.
Women's Language Features in “Emma Chamberlain's" Vlogs Ni Kadek Intan Permata Sari Dewi; I Gusti Ayu Vina Widiadnya Putri; Putu Nur Ayomi
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 3 No. 1 (2023): Elysian Journal : English Literature, Linguistics, and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (385.897 KB) | DOI: 10.36733/elysian.v3i1.4388

Abstract

ABSTRACT This study aims to analysed the women's language features and the functions of women's language features found in the Vlog by Emma Chamberlain. The data were taken from the Vlog by Emma Chamberlain on YouTube. This study was analysed by applying the theory by Lakoff (1975) and the theory by Pearson (1985). Based on the phenomenon, women tend to talk in the media or digital communication. The trend of digital communication is called Vlog or video blogging. In total there are 8 data found in the Vlog from 6 videos. It can be concluded that, there were only Lexical Hedges, intensifiers, and hypercorrect grammars, tag question, rising intonation and declaratives, super polite form, Avoidance of strong swear, and emphatic stress were found in Emma Chamberlain’s Vlog. The functions, it was only found 3 functions from 5 function of women language features proposed by Pearson (1985). These functions are to start discussion, to get response, and to express feeling. The result, It can be concluded that to express feeling is the most commonly found. While, to get responds and to start discussion are the least found.
PELATIHAN BAHASA INGGRIS KOMUNIKATIF DI DESA CANGGU, KUTA UTARA I Dewa Ayu Devi Maharani Santika; I Gusti Ayu Vina Widiadnya Putri
Seminar Nasional Aplikasi Iptek (SINAPTEK) Vol 1 (2018): PROSIDING SINAPTEK
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (820.641 KB)

Abstract

ABSTRAKPengabdian masyarakat ini bertujuan untuk memberikan pelatihan Bahasa Inggris kepada masyarakat seiring dengan begitu pesatnya perkembangan pariwisata di desa Canggu. Permasalah prioritas yang dialami masyarakat desa Canggu yaitu kesulitan masyarakat dalam berkomunikasi menggunakan Bahasa Inggris dengan wisatawan asing. Hal ini melatar belakangi diadakannya kegiatan pengabdian berupa pelatihan bahasa Inggris komunikatif bagi masyarakat Canggu terutama yang bekerja pada jasa pelayanan pariwisata. Pelatihan ini menitikberatkan pada kemampuan speaking dan listening dengan tujuan meningkatkan kepercayaan diri peserta pelatihan dalam berkomunikasi dengan wisatawan asing. Pengukuran kemampuan kelompok sasaran ini dilakukan melalui pre-test sebelum pelatihan. Tingkat keberhasilan pelatihan diukur kembali dengan post – test yaitu test praktek langsung dengan tamu asing yang sedang menginap di villa. Test ini menilai susunan kalimat yang diucapkan, penggunaan kata yang tepat dan pengucapan. Hasil yang didapatkan diakhir kegiatan pengabdian adalah peningkatan kemampuan Bahasa Inggris yang signifikan dari peserta pelatihan dalam berkomunikasi Bahasa Inggris.Kata Kunci: Bahasa Inggris, Canggu, Villa.
Co-Authors Abrahams, Ivana Victorya Maharani Adriana Sara Anak Agung Ayu Dian Andriyani Anone, Nanda Jesica Natalia Yuliani Arisuta, Putu Yudi Arundati, Ni Luh Made Usha Ayuningsih, Ni Luh Kade Dewi Sri Cahyani Putri Utami, Ni Putu Desak Putu Eka Pratiwi Desak Putu Eka Pratiwi, Desak Putu Dewi, Ni Nyoman Pipin Purnama Dewi, Putu Diah Puspita Dewi, Sang Ayu Kadek Pitria Dharmayanti, Ni Nyoman Trisna Dika Putri Kartikasasi Dika Putri Kartikasasi Febriola, Ni Kadek Nia Gede Irwandika . Habriani, Nana Murti Hadisaputra, Andreas Avellino I Dewa Ayu Devi Maharani Santika I Dewa Ayu Devi Maharani Santika I Dewa Ayu Devi Maharani Santika I Dewa Ayu Md A Wahyu Linda Dewi I G B Wahyu Nugraha Putra I Gusti Bagus Niko Ari Putra I Gusti Bagus Wahyu Nugraha Putra I Gusti Bagus Wahyu Nugraha Putra I Gusti Ngurah Anom I Gusti Ngurah Pedi Pradjana I Kadek Aditya Dinata I Komang Sulatra I Komang Sulatra I Made Dwiaji Darmana I Made Tamba I Putu Ade, Pratama I Putu Andri Permana I Putu Yudi Pranata I Wayan Juniartha Ida Ayu Mela Tustiawati Ida Ayu Putri Gita Ardiantari Ida Bagus Gde Nova Winarta Ida Bagus Gde Nova Winarta Ida Bagus Gde Nova Winarta Ida Bagus Gde Nova, Winarta Ida Bagus Gede Nova Winarta Ida Bagus Gede Nova Winarta Ida Bagus Putra Yadnya Kadek Dwi Darmawan Sutrisna Putra Katarina Ade Kusuma, Katarina Kendran, Ni Kadek Kendran Damayanti Ketut Endang Sri Utami Komang Dian Puspita Candra Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita Komang Dian Puspita, Candra Larasati, Kadek Dwi Lis Julianti Luh Sintia Herianti Made Henra Dwikarmawan Sudipa Made Suarjana Maharani, Putu Devi Meilasari, Ni Luh Putu Nevik Mete, Aloysius Andelo Miun, Erasmus Roberto Ni Kadek Ardianti Ni Kadek Ayu Pratiwi Anjani Ni Kadek Dwi Safitri Ni Kadek Indah Setya, Dewi Ni Kadek Intan Permata Sari Dewi Ni Kadek Lili Anto Nela Ni Kadek Misiantari Ni Kadek, Nefiari Ni Komang Trisna Arisedani Ni Luh Putu Nevik Meilasari Ni Made Sutariani Ni Made Verayanti Utami Ni Nyoman Sri Cintya Parmita Ni Putu Ayu Diantari Ni Putu Ayu Diantari Ni Putu Belina Putri Ni Putu Eva Kharismayanti Ni Putu Mirah Handayani Ni Wayan Meidariani NI WAYAN SUASTINI Nova Winarta, Ida Bagus Gede Nugraha, Luh Putu Natasya Dewi Pandini, Komang Tria Pratama Putra, Komang Yoshika Pratiwi, Ni Putu Jenny Prizelia , Devya Ayu Putra, I Gusti Bagus Wahyu Nugraha Putra, I Gusti Ngurah Bagus Wahyu Nugraha Putu Nur Ayomi Putu Subakthiasih Putu Yudi Arisuta Raharjo, Yusuf Muflikh Rifaldo Antonio Nicholas Vianey Robert Kristian Adinata Sang Ayu Kadek Pitria Dewi Santika, I Dewa Ayu Maharani Sara, Adriana Savitri, Ni Luh Gede Retno Siut, Afrilasiana Sri Rwa Jayantini, I Gusti Agung Sudiyono, Boyke Adimas Triyogo Syamsiar, Syamsiar System, Administrator Wayan Nurita Widiadnya, I Gusti Ngurah Bagus Yoga Winarta, IB Gde Nova Winarta, Ida Bagus Gde Nova Winartha, Ida Bagus Gde Nova Yesika Cindhe Puspa Yohanes Kapistrano Agung Yundari, Yundari