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Journal : Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris

Illocutionary Acts Performed by Meilin in “Turning Red” the Movie Widyasari, Ketut Monica; Sukarini, Ni Wayan; Maharani, Sang Ayu Isnu
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 13 No. 1 (2024): Februari 2024
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v13i1.9675

Abstract

This analysis entitled "Illocutionary Act Performed by Meilin in Turning Red the Movie," aims at determining and analysing the types of illocutionary acts and direct and indirect illocutionary acts performed by Meilin as the main character in "Turning Red." This analysis was based on qualitative research, and data was collected through the documentation method and a note-taking technique. After collecting all relevant data, the data were analysed using the descriptive qualitative method. The data source was the utterances of Meilin, the main character in "Turning Red," the movie. This article analysed the data using the types of illocutionary acts theory proposed by Searle (1979) to categorise and analyse the collected data into five groups: declarations, assertive, expressive, directives, and commissives; and the approach proposed by Yule (1996) to determine and analyse direct and indirect illocutionary acts. Based on the result of the analysis, there were only four types of illocutionary acts used by Meilin in the movie: assertive, directive, commissive, and expressive. Assertive was expressed 17 times, directive was expressed 20 times, commissive appeared 9 times, and expressive appeared 2 times. In this analysis, no declaration acts were found because there were no utterances by Meilin that contained utterances to declare something. Therefore, the analysis also found that direct speech was the type most often expressed by Meilin; it was expressed 25 times, while indirect speech was only expressed 23 times. She mostly expressed her utterances directly because that is the easiest way to communicate with the listener. Keywords: Illocutionary acts, Types of illocutionary acts, Direct and indirect acts
Positive Politeness Strategies in "The Karate Kid" Movie Peni, Ni Wayan; Maharani, Sang Ayu Isnu; Beratha, Ni Luh Sutjiati
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 12 No. 2 (2023): Agustus 2023
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v12i2.9647

Abstract

This research entitled “Positive Politeness Strategies in The Karate Kid Movie” aims at identifying the types of positive politeness strategies used in The Karate Kid movie and analyzing the response occurred to the realization of positive politeness strategies in The Karate Kid movie. The data of this research were taken from the transcript of the conversation in the movie. The data were in the form of words, phrases, and sentences of the characters. The method and technique to collect the data was documentation and supported by note-taking technique. The method and technique of analyzing the data was qualitative method and supported by triangulation technique. The method and technique of presenting analysis was informal method and supported by descriptive technique. The theory of Brown and Levinson’s (1987) was used to analyze the types of positive politeness strategies and Levinson’s (1983) theory was used to analyze the types of response occurred to the realization of positive politeness strategies. The results found there were 9 types of positive politeness strategies which used by the characters in The Karate Kid movie namely, strategy 1 Notice, attend to H (his/her interests, wants, needs, goods), strategy 2 Exaggerate (interest, approval, sympathy with H), strategy 4 Use in group identity markers, strategy 5 Seek agreement, strategy 9 Asserting/presupposing S’s knowledge of and concern for H’s wants, strategy 10 Offer, promise, strategy 11 Be optimistic, strategy 12 Include both S and H in the activity, and strategy 13 Give (or ask for) reasons. Regarding to the response occurred to the realization of positive politeness strategies both preferred response and dispreferred response were used by the characters to the realization of positive politeness strategies in The Karate Kid movie. Keywords: Positive Politeness Strategies, Politeness Strategies, The Karate Kid
Language Features of Women in Zoe Sugg’s Vlog a Very Homey Weekend Pramita Tasya, Ni Ketut Ayu; Maharani, Sang Ayu Isnu; Pratiwi, Putu Ayu Asty Senja
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 1 (2025): Februari 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/apollo.v14i1.9904

Abstract

Women’s language in the field of sociolinguistics indicated the women’s behaviour characteristics. The women’s language is women are expected to speak in universal characteristics suggested by Lakoff (1975). The aims of this research are to analyse and describe the features of women’s language in a vlog by Zoe Sugg. The method of this research is qualitative research with a descriptive method with the data in the form of spoken utterances of YouTube vlogs, published on April 22, 2022, which consists of several vlog’s activities for instance: daily routine, fashion, and special events. The findings of this research revealed that from ten features of women’s language all features are in the vlog and also, all of the functions can be found in the vlog. The result of this study research can be applied for reference to teaching material, particularly in sociolinguistics. Keywords: Women’s Language Features, Women’s Language Functions, Vlog
The Meaning of Signs in Shadow and Bone Series Srikandiana, Zulvina Jois; Savitri, Putu Weddha; Maharani, Sang Ayu Isnu
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 14 No. 2 (2025): Agustus 2025
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/df8t0p37

Abstract

This research entitled “The Meaning of Signs in Shadow and Bone Series” and aimed to identify symbols, icon, and indexes in the series. This research also explained how the visual elements help in representing the meaning of the signs. The data in this research were collected from Shadow and Bone series by using documentation method and note-taking technique. This research applied triadic theory by Peirce and visual elements theory by Dyer to analyze the data. The findings of the research revealed that there were 12 visual signs in the series which in a form of 4 symbols, 1 icon, and 7 indexes. Each of the visual signs is correlated with the series story plot. The most dominant visual elements related to the sign meaning was represented by Alina’s character. It can be concluded that Alina is the main character in the series, and the signs reflected Alina’s journey from discriminated until venerated by people. The signs that related to Mal connects him to Alina, which means he is the supporting character for Alina’s journey. In contrast, the signs that related to General Kirigan indicates that he is the antagonist in Alina’s journey and her character development. According to the signs finding, General Kirigan portrayed as the greedy immortal man who addicted to power. He wanted to use Alina’s power for his purpose. He intended to use the shadow fold as a weapon, so that he could expand his sovereign territory and feared by the enemy of Ravka. Keywords: Icon, Index, Signs, Symbol, Visual Elements
Verbal and Non-Verbal Signs in Movie Posters Entitled “The Boss Baby 2: Family Business” Arie Susanti, Ni Kadek; Isnu Maharani, Sang Ayu; Weddha Savitri, Putu
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 15 No. 1 (2026): Februari 2026
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/qy5p5772

Abstract

This research entitled Verbal and Non-Verbal Signs in Movie Posters Entitled “The Boss Baby 2: Family Business” aimed at identifying and conveying the meaning of verbal and non-verbal signs that are found in “The Boss Baby 2: Family Business” movie posters. 4 movie posters from “The Boss Baby 2: Family Business” movie applied as the data source in this undergraduate thesis. The data was taken through a safari application on websites. It was collected based on a documentation method and analyzed with a qualitative method and triangulation technique. Informal method also applied to present the analysis in this undergraduate thesis. The theory of Semiotics proposed by Saussure (1983) and Dyer (2009) applied to find out the verbal and non-verbal signs in movie posters. Furthermore, the theory proposed by Barthes (1977) applied to convey the meaning of verbal and non-verbal signs (that are found in “The Boss Baby 2: Family Business” movie posters). In addition, this undergraduate thesis is supported by the theory of Semantics related to color meaning by Chapman (2010). The data analysis shows that The Boss Baby 2: Family Business movie posters contain 14 Verbal signs with 14 denotative meanings as well as their color’s meaning. There were 12 non-verbal signs consisting of 12 appearances, 12 manners, 4 activities, 1 prop with non-specific setting, and 12 photographs with 12 connotative meanings as well as their color’s meaning found in the movie posters. Keywords: Verbal Signs, Non-Verbal Signs, The Boss Baby 2, Movie Poster
Co-Authors Adriel Elbert Dinata Agnes Br Anak Agung Ngurah Wira Wicaksana Anak Agung Sagung Shanti Sari Dewi Andryani, Gusti Ayu Made Terry Angelika Arif M Arie Susanti, Ni Kadek Budianto, Clarissa Lievany Byanca Vanessa Suwasdika Desak Putu Ayu Febi Purwani Gusti Ayu Marcela Dewi I Gede Anugrah Prasetya Dharma Putra I Gede Putu Sudana I Gusti Agung Bagus Santa Putra I Gusti Ngurah Parthama I Kadek Agus Mahendra Putra I Ketut Artawa I Ketut Wandia I Komang Sidny Darma Yadnya I Komang Sumaryana Putra I Made Netra I MADE RAJEG I Made Suastra I Nengah Sudipa I Nyoman Aryawibawa I Nyoman Tri Ediwan I Nyoman Udayana I Putu Hartomi Arya Franata I Wayan Juliadi Sastra I Wayan Mulyawan I Wayan Sukarma Ida Ayu Made Puspani Ida Ayu Rai Nayma Mahadewi Ida Bagus Putra Yadnya Kadek Andriana Dersen Ketut Widya Purnawati Lau Yoseph Anggara Putra Meta Lestari, Ni Putu Lia Cahya Luh Angelique Vironica Wardhana Luh Wulan Astarin Made Detriasmita Saientisna Masyuni, Ni Nyoman Wulan Meyliana Eka Putri Nanang Sutrisno Negara, I Putu Suwita Adi Ni Kadek Friandani Ni Ketut Sri Rahayuni Ni Luh Nyoman Seri Malini Ni Luh Sutjiati Beratha Ni Made Ayu Widiastuti Ni Nyoman Tri Gitayani Ni Wayan Ratna Dewi Ni Wayan Sukarini Ni Wayan Yunitri Nugraha, I Putu Gede Aditya Peni, Ni Wayan Pramita Tasya, Ni Ketut Ayu Primayani, Ni Putu Rahayu Putu Ayu Asty Senja Pratiwi Putu Dian Restiana Dewi Putu Jesa Putri Yasari Putu Lirishati Soethama Putu Rosalina Adnyani Putu Weddha Savitri Rafael, Agnes Maria Srikandiana, Zulvina Jois Tri Ediwan Tri Ediwan Venesia Vergie Vieda Pra Ramadhani Widyasari, Ketut Monica Yosefina Helenora Jem