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Bravery Value Found in the Dialogue of the Character in IT Movie I Putu Deva Pradnyadita; I Wayan Juniartha
Austronesian: Journal of Language Science & Literature Vol. 2 No. 2 (2023): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.2.2.2023.65-75

Abstract

The purpose of this research is to find and classify the moral values in the movie IT Movie. This Horror/Thriller genre movie tells the story of a gang called “The Losers Club” who must deal with a clown (Pennywise) who has the power to transform himself into what we fear most. This descriptive qualitative research. The data collection techniques in this study were library and observation by watching the IT Movie and noting all dialogues containing the moral value of courage and how the characters reflected this moral value. The analysis technique in this study uses Linda and Eyre’s (1995) source theory. The results of this study found five dialogues containing the moral value of bravery. Their bravery value emerges when they have to face a dangerous situation and their fear. The characters that reflect the moral value of bravery are Bill, Beverly, and Richie. Besides using words, they also use actions to reflect their bravery value. Bill’s desire to end all the bad things that Pennywise caused and his act of daring to enter the good house is a way he reflects on the value of Bravery. Through research, researchers concluded that building good character should start from moral messages contained in reading materials, TV programs, video content, game playing, and even for all literary works. Thus, character education will grow better because the basis has started from positive moral messages.
Liberal Feminism Depicted by Wanda through the Dialogue in Dr. Strange in the Multiverse of Madness Movie I Made Agus Wibawa Putra; I Wayan Juniartha
Austronesian: Journal of Language Science & Literature Vol. 2 No. 2 (2023): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.2.2.2023.53-64

Abstract

This research investigates the portrayal of liberal feminism in the character of the movie. The study aims to analyze the liberal feminism of Wanda, the main character in Dr. Strange in the Multiverse of Madness Movie. The data used for this research were taken from Dr. Strange in the Multiverse of Madness Movie. This study uses the descriptive qualitative method to conduct a clear and well-organized description of the problems which is identified. The theory used in this research is the theory of Miles and Huberman’s theory (1994), which involves data reduction, data display, and conclusion. The findings of the study reveal that Wanda’s character exemplifies liberal feminism through her assertion of agency and autonomy in pursuing her objectives, such as reuniting with her children in another universe, disregarding the repercussions for others. The study concludes that Wanda’s character challenges conventional stereotypes of female villains and presents a multifaceted and intricate depiction of a woman’s struggle for freedom and identity. Furthermore, the study proposes potential avenues for additional research in the field of gender and media studies.
AN ANALYSIS OF TYPES OF ONOMATOPOEIA IN “ONE-PIECE” MANGA Dinata, I Putu Indra; Juniartha, I Wayan
Yavana Bhasha : Journal of English Language Education Vol. 7 No. 2 (2024): Volume 7, Issue 2 (2024)
Publisher : Universitas Hindu Negeri I Gusti Bagus Sugriwa Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/yb.v7i2.3002

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This research is an analysis of the types of onomatopoeia in "One-Piece" manga. This research aims to educate readers about the fact that not all comics from around the world use the same word and that each comic from each country uses a unique one. This research uses descriptive qualitative approaches to analyze data to identify issues with the use of the word onomatopeia present in one-piece comics based on the theory of types by Elizabeth (2013), and both formal and informal methods are used to present the findings. Observation and documentation methods were used in this research which conducted 4 techniques in collecting the data, they are: watching, note-taking, selecting, and classifying. The results of this research show that there is a significant cultural variation in the way the word is used in comics, and each culture has a different perception of these sounds. In observing this variation, readers can understand how significant cultural factors are in shaping linguistic expressions, as well as how language develops and adapts in the context of diverse societies. Keywords: onomatopoeia, manga, type of onomatopoeia
The Representation of Woman Acceptance Through Dimension of Character in Tim Burton's "Corpse Bride" Ni Made Arnita Putri; I Wayan Juniartha
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v12i2.5651

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This study examines of how Corpse Bride representation of woman acceptance on Emily character through physiological, sociological and psychological dimension. The aim of this study is focusing on how the acceptance is reflected through the three dimensions aspect of Emily’s character in Corpse Bride movie. The data for this study was taken from Tim Burton’s movie Corpse Bride and was examined a descriptive qualitative method. The techniques utilized in this study included watching the movie, taking notes, selecting and classifying. This study presented in formal and informal method. The theoretical framework used in this study was the literary theory proposed by Wellek and Warren (1949). This study identified five data focusing on character of Emily, there are one physiological, two sociological and two psychological.
Against the World: Joel's External Conflict in The Last of Us Season 1 Parayudha, I Gusti Ngurah Gilang; Juniartha, I Wayan
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 13 No. 2 (2025): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Universitas Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v13i2.7604

Abstract

This research explores the types of external conflicts and conflict management strategies used by the main character, Joel, in The Last of Us Season 1. Using a qualitative descriptive method, the research analyzes all nine episodes by observing, identifying, and classifying Joel’s external conflicts based on Kenney (1966) theory man vs. man, man vs. nature, and man vs. society. It also applies the conflict management strategies from Thomas & Kilmann (2012): competing, avoiding, collaborating, accommodating, and compromising. The findings reveal 17 external conflicts, with man vs. man and man vs. nature each accounting for 35%, and man vs. society 30%. In responding to these conflicts, Joel mostly uses the competing strategy (53%) and avoiding strategy (47%). Competing is seen when he takes direct, forceful action, while avoiding appears in situations that are emotionally overwhelming or where he lacks control. This research is significant for media and literary studies because it shows how conflict in a post-apocalyptic narrative shapes character development and reflects human survival instincts. By focusing on one character across a full season, the research offers a detailed look at how external pressures influence behavior and decision-making in extreme conditions. However, the scope is limited to Joel and does not cover internal conflict or perspectives from other characters. Future studies are encouraged to explore more characters, compare seasons, or examine similar themes in different genres to gain broader insights.
MODES OF PERSUASION IN PRESIDENT JOKO WIDODO’S SPEECH IN 2018 ASEAN WORLD ECONOMIC FORUM: AN ANALYSIS OF POLITICAL DISCOURSE Juniartha, I Wayan; Pratiwi, Desak Putu Eka
LITERA : Jurnal Bahasa Dan Sastra Vol. 6 No. 1 (2020): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v6i1.1192

Abstract

ABSTRACTPolitical discourse means the text and talk that related with political issues or activities. Thepolitical issues always become controversial in society, the way that makes certain issues becomecontroversial is the act of the actor of politics, as well as the statements delivered in the form ofpolitical speech. The existence of political speech is becoming an essential part in noticing theinfluence of particular political figures, placing his significant role in conducting a politicalmovement to the public, citizens, or particular group from various categories. Language strategy inpolitics is different and unique since it is used to gain attention and even change people perspective.Modes of persuasion plays a very important role in political speech which mainly aims at persuadingand convincing people. The modes of persuasion, often referred to as ethical strategies or rhetoricalappeals, are devices in rhetoric that classify the speaker's appeal to the audience. This study aims atidentifying and analyzing modes of persuasion used in President Joko Widodo’s Speech in 2018ASEAN World Economic Forum. The data were collected by using observation method and notetaking technique. Qualitative method was used to analyze the collected data. They were analyzedby using theory about modes of persuasion as proposed by Aristotle (1962) who divided modes ofpersuasion into ethos, pathos and logos. Our preliminary finding shows that modes of persuasionhas crucial role in delivering political speech since it has power to control people’s behavior.Keywords: persuasion, political speech, ethos, pathos, logosABSTRAKWacana politik adalah teks dan pembicaraan yang berkaitan dengan masalah atau kegiatan politik.Isu politik selalu menjadi kontroversi di masyarakat, cara yang membuat isu tertentu menjadikontroversial adalah ulah para aktor politik, serta pernyataan yang disampaikan dalam bentukpidato politik. Keberadaan pidato politik menjadi bagian penting dalam memperhatikan pengaruhtokoh politik tertentu, menempatkan perannya yang signifikan dalam melakukan gerakan politikkepada masyarakat, warga negara, atau kelompok tertentu dari berbagai kategori. Strategi bahasadalam politik berbeda dan unik karena digunakan untuk menarik perhatian bahkan mengubah carapandang orang. Cara persuasi memainkan peran yang sangat penting dalam pidato politik yangterutama bertujuan untuk membujuk dan meyakinkan orang. Cara persuasi, sering disebut sebagaistrategi etis atau retoris, adalah alat retorika yang mengklasifikasikan daya tarik pembicara kepadaaudiens. Penelitian ini bertujuan untuk mengidentifikasi dan menganalisis mode persuasi yangdigunakan dalam Pidato Presiden Joko Widodo di ASEAN World Economic Forum 2018.Pengumpulan data dilakukan dengan metode observasi dan teknik mencatat. Metode kualitatifdigunakan untuk menganalisis data yang dikumpulkan. Mereka dianalisis dengan menggunakanteori tentang mode persuasi seperti yang dikemukakan oleh Aristoteles (1962) yang membagi modepersuasi menjadi ethos, pathos dan logos. Temuan awal kami menunjukkan bahwa mode persuasiLitera Jurnal Bahasa Dan Sastra 2020memiliki peran penting dalam menyampaikan pidato politik karena memiliki kekuatan untukmengontrol perilaku orang.Kata kunci: persuasi, pidato politik, etos, pathos, logo
THE FUNCTION OF DIRECTIVE SPEECH ACTS FOUND IN FIFTY SHADES FREED NOVEL Dewi, Ni Komang Chandra; Juniartha, I Wayan; Karya, I Wayan Sidha
LITERA : Jurnal Bahasa Dan Sastra Vol. 7 No. 2 (2021): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v7i2.1475

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ABSTRACTSpeech acts are not only found in everyday life but also in the novel. The aims of this researchare to describe the types of directive illocutionary acts function in Fifty Shades Freed movieand to find out the type of directive illocutionary acts function which is mostly used by thecharacters in this novel. This is a descriptive qualitative research. The researcher usedobservation methods in collecting the data. There were some steps in collecting the data: readthe novel several times to understand the plot and examined the dialogue to distinguish thetypes of directive illocutionary act function that found in the utterance between the charactersin the movie. The researcher applied Searle (1979) to analyze the data. The result of theresearch shows that there are 27 utterances containing directive illocutionary acts function.Thedata were classified into four; ordering (21), forbidding (1), requesting (6), and suggesting (1).Of the total 27 directive illocutionary acts function, ordering are the most used types ofdirective illocutionary acts function because the character mostly expressed their utterances byordering.Keywords: Speech act, directive illocutionary act, Fifty Shades FreedABSTRAKTindak tutur tidak hanya ditemukan dalam kehidupan sehari-hari tetapi juga dalam novel.Penelitian ini bertujuan untuk mendeskripsikan jenis-jenis fungsi tindak ilokusi direktif dalamfilm Fifty Shades Freed dan untuk mengetahui jenis fungsi tindak ilokusi direktif yang palingbanyak digunakan oleh para tokoh dalam novel ini. Penelitian ini merupakan penelitiankualitatif deskriptif. Peneliti menggunakan metode observasi dalam mengumpulkan data. Adabeberapa langkah dalam pengumpulan data: membaca novel beberapa kali untuk memahamiplot dan memeriksa dialog untuk membedakan jenis fungsi tindak ilokusi direktif yangditemukan dalam ucapan antara karakter dalam film. Peneliti menerapkan Searle (1979)untuk menganalisis data. Hasil penelitian menunjukkan bahwa terdapat 27 ujaran yangmengandung fungsi tindak ilokusi direktif. Data tersebut diklasifikasikan menjadi empat;memerintahkan (21), melarang (1), meminta (6), dan menyarankan (1). Dari total 27 fungsitindak ilokusi direktif, pengurutan merupakan jenis fungsi tindak ilokusi direktif yang palingbanyak digunakan karena karakter sebagian besar mengungkapkan tuturannya dengan caramemerintahkan.Kata kunci: Tindak tutur, tindak ilokusi direktif, Fifty Shades Freed
ONOMATOPOEIA ANALYSIS IN THE GOD OF HIGH SCHOOL WEBTOON COMIC Wijaya, I Kadek Yoga; Candra, Komang Dian Puspita; Juniartha, I Wayan
LITERA : Jurnal Bahasa Dan Sastra Vol. 8 No. 2 (2022): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v8i2.2010

Abstract

ABSTRACTThe goal of this research is to find out the occurrence of onomatopoeia in the webtoon comicentitled The God of High School. People nowadays like reading comic books as a form of pleasure.Comic books are currently available in both hardcopy and digital formats, particularly over theinternet. The God of High School is a popular web comic among teenagers. Onomatopoeia refersto the use of words in comic books to reflect the noises and motions that occur in the panels. Theuse of an onomatopoeia word in a comic is significant because, unlike novels, comics have alimited amount of space in which to explain a scenario with a large number of phrases. This studywas analysed qualitatively by using theory from Bredin (1996) about the types of onomatopoeiaand theory from Thomas (1995) about the meaning. The findings of this study show that all typesof of onomatopoeia words occurred in the webtoon comic entitled The God of High School.Exemplary onomatopoeia is found more frequently than the other two forms, including 41 directonomatopoeia, 8 associative onomatopoeia, and 76 exemplary onomatopoeias. The total numberof words in the data is 125.Keywords: Onomatopoeia, linguistic, webcomicABSTRAKPenelitian ini bertujuan untuk menemukan kemunculan onomatopoeia dalam komik webtoon TheGod of High School. Orang-orang saat ini suka membaca buku komik sebagai bentuk kesenangan.Buku komik saat ini tersedia dalam format hardcopy dan digital, terutama melalui internet. TheGod of High School adalah webcomic yang populer di kalangan remaja. Onomatopoeia mengacupada penggunaan kata-kata dalam buku komik untuk mencerminkan suara dan gerakan yangterjadi di panel. Penggunaan kata onomatopoeia dalam komik sangat penting karena, tidak sepertinovel, komik memiliki ruang terbatas untuk menjelaskan skenario dengan sejumlah besar frasa.Penelitian ini dianalisis secara kualitatif menggunakan Theory dari Bredin (1996) tentang tipe darionomatopoeia dan untuk menganalisis maknanya menggunakna teori dari Thomas (1995).Berdasarkan hasil analisis, semua jenia onomatopoeia ditemukan dalam komik webtoon berjudulThe God of High School. Tipe exemplary onomatopoeia ditemukan lebih sering daripada duabentuk lainnya, antara lain 41 direct onomatopoeia, 8 associative onomatopoeia, dan 76 exemplaryonomatopoeia. Jumlah kata yang mengandung onomatopoeia dalam data adalah 125.Kata kunci: Onomatopoeia, linguistik, komik web
AN ANALYSIS OF THE MAIN CHARACTER’S CONFLICT IN THE MOVIE ACT’S OF VENGEANCE Maku, Serfus Evander; Jayantini, I Gusti Agung Sri Rwa; Juniartha, I Wayan
LITERA : Jurnal Bahasa Dan Sastra Vol. 8 No. 2 (2022): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v8i2.2011

Abstract

ABSTRACTThe aim this study is to describe the conflict of the main character Act of Vengeance in the movie.This study focused on explaining the types of conflicts that the main character faced in the movieAct of Vengeance and to analyze how the main character manages to settle conflict in the movieAct of Vengeance. The collected data were analyzed descriptively based on Kenney’s theory ofliterature (1966). The result of this study reveals that the conflicts faced by the main character canbe divided into internal conflict and external conflict. The sources of conflicts faced by the maincharacter are different opinions, incompatible roles, incompatible goals, limited resources. Theconflict management strategies applied are pacification, compromise, and creative integration.Conflict adds excitement and suspense to a story. As the plot unfolds, the readers start to wonderwhat will happen next, and how the character will handle the situation. It can be concluded thatthe conflict of the main character has important roles in created the movie story.Keywords: Main character, Movie, and conflict.ABSTRAKPenelitian ini bertujuan untuk mendeskripsikan konflik karakter utama Act of Vengeance dalamfilm tersebut. Penelitian ini difokuskan untuk menjelaskan jenis-jenis konflik yang dihadapi tokohutama dalam film Act of Vengeance dan menganalisis bagaimana tokoh utama mengelola konflikdalam film Act of Vengeance. Data yang terkumpul dianalisis secara deskriptif berdasarkan teorisastra Kenney (1966). Hasil penelitian ini mengungkapkan bahwa konflik yang dihadapi olehtokoh utama dapat dibagi menjadi konflik internal dan konflik eksternal. Sumber konflik yangdihadapi oleh tokoh utama adalah perbedaan pendapat, peran yang tidak sesuai, tujuan yangtidak sesuai, sumber daya yang terbatas. Strategi manajemen konflik yang diterapkan adalahpasifikasi, kompromi, dan integrasi kreatif. Konflik menambah kegembiraan dan ketegangan padasebuah cerita. Saat plot terungkap, pembaca mulai bertanya-tanya apa yang akan terjadiselanjutnya, dan bagaimana karakter akan menangani situasi tersebut. Dapat disimpulkan bahwakonflik tokoh utama memiliki peran penting dalam pembuatan cerita film.Kata kunci: Tokoh utama, Film, dan konflik.
PLOT ANALYSIS IN THE GIVER NOVEL BY LOIS LOWRY Anggriani, Ni Putu; Candra, Komang Dian Puspita; Juniartha, I Wayan
LITERA : Jurnal Bahasa Dan Sastra Vol. 8 No. 2 (2022): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v8i2.2014

Abstract

ABSTRACTPlot is the literary term that describes the element of a story. This research concerns toanalyze about plot elements in the novel entitled“The Giver” by Lois Lowry. Observationmethod are used in collecting the data by following several steps those are by finding thekeyword belongs to each elements of plot, reading repeatedly, understanding the storywhile taking note. In this study, the data were analyzed descriptive qualitatively by usingthe theory from Freytag as cited in Macewan (1900). The finding of this research showthat this novel applied dramatic plot which are consists of several elements namely risingmovement, climax, falling action, and resolution. Exposition is talking about Jonas whoare in eleven years old and become twelve in December live in community with hisparents and little sister, but they all do not have blood relation because all children bornfrom biological mother. He was frightened, but he decided not frightened but toapprehensive to happening in December. Rising movement happened when Jonas haveasiggment from Chief Elder to become a receiver of memory, climax happened whenJonas realizes his father “releases” the newchildren actually that Kill. Falling actionhappened when Jonas escape from Community to take Gabriel in order to save Gabrielfrom being “Release” and the last catastrophe or resolution happened Jonas and gabrielride to another place he sees distance light and hear people singing.Keyword: plot, plot type, The Giver novelABSTRAKAlur adalah istilah sastra yang menggambarkan unsur cerita. Penelitian ini bertujuanuntuk menganalisis elemen yang menyusun alur cerita dalam novel Lois Lowry “TheGiver”. Peneliti ini menggunakan metode observasi dalam pengumpulan data denganmenerapkan langkah-langkah yaitu mencari kata kunci yang menunjukkan bagian darielemen-elemen, membaca berkali-kali, memahami cerita, dan mencatat. Penelitian inidianalisis secara deskriptif kualitatif menggunakan teori dari Freytag yang dikutip dariMacewan (1900). Jenis plot yang diterapkan dalam novel adalah plot dramatis yangterdiri dari beberapa elemen yaitu cerita permulaan, penanjakan, klimaks, keteganganmenurun, dan peleraian. Permulaan diawali dengan memperkenalkan karakter ceritaketika Jonas berusia sebelas tahun yang menjadi dua belas bulan desember tinggal diKomunitas bersama orang tua dan adik perempuannya, yang mereka tidak memilikihubungan darah karena semua anak lahir dari ibu kandung. Ia takut, dan ia berusahatidak takut tapi bersemangat untuk menunggu apa yang terjadi dibulan desember. Ceritapenanjakan terjadi saat Jonas mendapat penugasan dari Chief Elder menjadi penerimamemory, klimaksnya terjadi saat Jonas menyadari ayahnya “melepaskan” anak-anakbaru itu sebenarnya membunuh. Ketegangan menurun terjadi saat Jonas melarikan diridari Komunitas untuk mengambil Gabriel untuk menyelamatkan Gabriel dari "Lepaskan dan pertikaian atau peleraian terjadi ketika Jonas dan Gabriel naik ke tempat lain, Iamelihat cahaya dikejauhan dan mendengar orang bernyanyi.Kata Kunci: alur, jenis alur, novel The Giver
Co-Authors A.A Putu Gede Raditya Pratama Aditana, I Kadek Arya Anak Agung Ayu Istri Kumala Dewi Anggriani, Ni Putu Antari, Ni Made Rini Arcana Putra, Wayan Heka Arita Wastiana Konda Ariyaningsih, Ni Nyoman Deni Arsani, Anggie Ayu Mas Wiliastini Ayu Talia Meranggi Ayu Trisna Dewi Gusti Agung Barlian Barung, Lodovikus Cahyani, Ni Made Diah Darmayanti, Ni Putu Eka Desak Putu Eka Pratiwi Desak Putu Eka Pratiwi Desak Putu Eka Pratiwi Dewa Ayu Devi Maharani Santika Dewi, Ni Komang Chandra Dewi, Ni Made Sinta Dewi, Sang Ayu Kadek Pitria Dicky Perdana Dinata, I Kadek Aditya Dinata, I Putu Indra Febriani, Ni Made Intan Gde Herry Sugiarto Asana Hadisaputra, Andreas Avellino Hardiyanti, Ayu Fitri I Dewa Ayu Devi Maharani Santika I G. B. Wahyu Nugraha Putra I Gede Suta Jaya Ambara I Gusti Agung Sri Rwa Jayantini I Gusti Ayu Agung Sintha Satwika I Gusti Ayu Vina Widiadnya Putri I Gusti Bagus Wahyu Nugraha Putra I Gusti Ngurah Deni Irawan I Gusti Putu Mahardika Putra I Kadek Adi Panaji I Ketut Kartiawan I Komang Sulatra I Komang Sulatra I Made Agus Wibawa Putra I Made Yogi Aditya Wiguna I Nyoman Anom Fajaraditya Setiawan, I Nyoman Anom I Putu Andri Permana I Putu Angga Andika Putra I Putu Deva Pradnyadita I Putu Gita Rusmana I Putu Yoga Jelantik Palguna I Wayan Resen Ida Bagus Gde Nova Winarta Ida Bagus Gde Nova Winarta Jayantini , I G. A. Sri Rwa Jayantini , I Gusti Agung Sri Rwa Juniartini, Ni Luh Putu K.Divyani Karminova Anggela Karya, I Wayan Sidha Kharisma Yulia Mahayani, Ni Ketut Komang Dian Puspita Candra Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita Luh Ayu Trisna Maharani Rika Lusiana, Ni Kadek Elva Made Iwan Indrawan Jendra Maharani, Putu Devi Maku, Serfus Evander Mery Kristiani Mete, Aloysius Andelo Nengah Landra Ni Kadek Parian Dewi Ni Kadek Tita Ni Komang Arie Suwastini Ni Komang Ayu Suardani Ni Komang Eka Maheni Ni Luh Putu Juniartini Ni Luh Sintami Ni Made Arnita Putri Ni Made Verayanti Utami Ni Nyoman Deni Ariyaningsih Ni Putu Mitha Karunita Ni Putu, Ayu Wendiari Septika NI WAYAN SUASTINI Ni Wayan Suastini Ni Wayan Suastini Parayudha, I Gusti Ngurah Gilang Pratama, Sang Ade Satria Putra, I Gusti Ngurah Bagus Wahyu Nugraha Putra, Komang Yoshika Putri , IGA Vina Widiadnya Putu Armitha Widiyanthi Putu Desi Anggerina Hikmaharyanti Putu Gede Budiartha Riky Astina Rolandi, Alexandro Ronald Umbas Ryasmi, Ketut Gita Sang Ayu Kadek Pitria Dewi Santika, I Dw Ayu Devi Maharani Sari, Ni Kadek Purnama Sari, Ni Kadek Sintya Purnama Sari, Ni Putu Milla Supita Sari, Putu Indira Cika Mantika Septiarini , Komang Nindya Dewi Siti Nadila Marsya Somanasih, Kadek Sri Rwa Jayantini, I Gusti Agung Swandewi, Kadek Ayu System, Administrator Tanamal, Gabrielle Sarah Maria Teja, Nova Surya Triariningsih, Luh Putu Utami , Ni Made Verayanti Valentina, Ni Kadek Wibawa, I Gede Adi Guna Widiantari, Ni Pande Putu Erna Wijaya, I Kadek Yoga Winarta, Ida Bagus Gde Nova Wiraningsih, Ni Luh Ayu Yosefa Amung