Claim Missing Document
Check
Articles

Uncover the meaning of figurative language in the selected songs Teja, Nova Surya; Utami, Ni Made Verayanti; Juniartha, I Wayan
Journal of Language and Pragmatics Studies Vol. 1 No. 1 (2022): December 2022
Publisher : Yayasan Mitra Persada Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (176.521 KB) | DOI: 10.58881/jlps.v1i1.5

Abstract

Language is the main medium for communication, and can build relationships with each other that serve to carry meaning. This study concerns to analyze figurative languages found in selected Alec Benjamin song lyrics. There are two problems that are formulated in this study, they are: (1) what are the types of figurative language found in Alec Benjamin song lyrics; (2) what are the meaning of the Figurative language found in Alec Benjamin song lyrics. In this research used two theories. The first theory proposed by Knickerbocker and Reninger (1963) which is used to identify figurative language types and the second theory of meaning is supported by Leech (1981) to analyze the meaning. The method used in gathering the data was done by the method of formal and informal. The researcher obtained the data by listening the songs, reading the scripts of lyrics, underlining, and classifying the lyrics which contains types of figurative languages. The data was analyzed descriptively using qualitative method. It was found four types of figurative language: hyperbole, personification, synecdoche, and paradox. The most widely used is hyperbole and simile, with the rest has equal numbers or rank. There is one type of meaning found in the lyrics in a connotative meaning.
Bravery Value Found in the Dialogue of the Character in IT Movie I Putu Deva Pradnyadita; I Wayan Juniartha
Austronesian: Journal of Language Science & Literature Vol. 2 No. 2 (2023): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.2.2.2023.65-75

Abstract

The purpose of this research is to find and classify the moral values in the movie IT Movie. This Horror/Thriller genre movie tells the story of a gang called “The Losers Club” who must deal with a clown (Pennywise) who has the power to transform himself into what we fear most. This descriptive qualitative research. The data collection techniques in this study were library and observation by watching the IT Movie and noting all dialogues containing the moral value of courage and how the characters reflected this moral value. The analysis technique in this study uses Linda and Eyre’s (1995) source theory. The results of this study found five dialogues containing the moral value of bravery. Their bravery value emerges when they have to face a dangerous situation and their fear. The characters that reflect the moral value of bravery are Bill, Beverly, and Richie. Besides using words, they also use actions to reflect their bravery value. Bill’s desire to end all the bad things that Pennywise caused and his act of daring to enter the good house is a way he reflects on the value of Bravery. Through research, researchers concluded that building good character should start from moral messages contained in reading materials, TV programs, video content, game playing, and even for all literary works. Thus, character education will grow better because the basis has started from positive moral messages.
Liberal Feminism Depicted by Wanda through the Dialogue in Dr. Strange in the Multiverse of Madness Movie I Made Agus Wibawa Putra; I Wayan Juniartha
Austronesian: Journal of Language Science & Literature Vol. 2 No. 2 (2023): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.2.2.2023.53-64

Abstract

This research investigates the portrayal of liberal feminism in the character of the movie. The study aims to analyze the liberal feminism of Wanda, the main character in Dr. Strange in the Multiverse of Madness Movie. The data used for this research were taken from Dr. Strange in the Multiverse of Madness Movie. This study uses the descriptive qualitative method to conduct a clear and well-organized description of the problems which is identified. The theory used in this research is the theory of Miles and Huberman’s theory (1994), which involves data reduction, data display, and conclusion. The findings of the study reveal that Wanda’s character exemplifies liberal feminism through her assertion of agency and autonomy in pursuing her objectives, such as reuniting with her children in another universe, disregarding the repercussions for others. The study concludes that Wanda’s character challenges conventional stereotypes of female villains and presents a multifaceted and intricate depiction of a woman’s struggle for freedom and identity. Furthermore, the study proposes potential avenues for additional research in the field of gender and media studies.
The Art of Symbolism: Decoding Balinese Silence Day Greeting Cards Through Semiotics Pratiwi, Desak Putu Eka; Sulatra, I Komang; Juniartha, I Wayan
Journal of Education Research Vol. 4 No. 1 (2023)
Publisher : Perkumpulan Pengelola Jurnal PAUD Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37985/jer.v4i1.169

Abstract

Studi ini menggunakan analisis semiotik untuk mengungkapkan simbol dan makna yang terkandung dalam kartu ucapan Hari Raya Nyepi di Bali. Hari Raya Nyepi adalah peristiwa budaya besar di Bali, Indonesia, yang ditandai dengan hari refleksi diri, meditasi, dan puasa. Penggunaan kartu ucapan selama acara ini telah menjadi praktik umum, dan kartu-kartu tersebut seringkali menampilkan simbolisme visual yang kaya makna budaya yang lebih dalam, disamping penggunaan bahasa verbal. Studi ini menggunakan metode penelitian kualitatif, khususnya analisis semiotik, untuk mengeksplorasi nilai-nilai budaya dan kepercayaan yang disampaikan melalui bahasa visual dan verbal dari kartu-kartu ucapan. Dengan menerapkan Semiotik sebagai kerangka teoritis, studi ini bertujuan untuk menguji penanda dan petanda yang hadir dalam kartu ucapan yang berkontribusi pada identitas budaya yang lebih luas di Bali. Temuan menunjukkan pentingnya berbagai simbol dan tanda, seperti penggunaan warna dan pola tertentu, serta peran bahasa dan tipografi dalam menyampaikan pesan budaya. Studi ini menyoroti pentingnya memahami konteks budaya dan simbolisme di balik kartu ucapan Hari Raya Nyepi di Bali dan bagaimana mereka berkontribusi pada identitas budaya yang lebih luas di Bali.
FIGURATIVE LANGUAGE IN MICHAEL BUBLE’S SELECTED SONG LYRICS Hadisaputra, Andreas Avellino; Putri, I Gusti Ayu Vina Widiadnya; Juniartha, I Wayan
Journal of Humanities, Social Science, Public Administration and Management (HUSOCPUMENT) Vol. 3 No. 4 (2023): October: Journal of Humanities, Social Science, Public Administration and Manag
Publisher : ID Solutions

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51715/husocpument.v3i4.218

Abstract

This study analyzes the figurative language used in song lyrics of Michael Buble’s song lyrics. The song lyric was analyzed based on the theory proposed by Knickerbocker and Reninger (1963) to find out the types of figurative language in the song lyrics and the theory of meaning based on theory proposed by Leech (1981) to find out the meaning of each figurative language. The study aims to provide a better understanding of the figurative language types and the meaning of figurative language on Michael Buble’s song lyrics. This study used qualitative method to collect data. The types of figurative found in Michael Buble’s song consist of 11 types, they are simile, metaphor, personification synecdoche, metonymy, imagery, symbol, allusion, paradox, hyperbole, and irony. Meanwhile, the types of meanings of figurative language found were only 5 out of 7 types, they are conceptual meaning, connotative meaning, collocative meaning, affective meaning and thematic meaning
An Analysis of Representative Speech Acts Used in Covid-19 Speech in Queen Elizabeth II Arsani, Anggie; Juniartha, I Wayan; Ariyaningsih, Ni Nyoman Deni
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 1 No. 1 (2021): Elysian
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (306.089 KB) | DOI: 10.36733/elysian.v1i1.1575

Abstract

This study aims i). to find out the representative speech acts used in Queen Elizabeth II’s speech entitled Queen Urges ‘Self-Discipline and Resolve’ In Corona Virus Speech, ii). to analyse the meaning behind the utterance of Queen Elizabeth II’s speech entitled Queen Urges ‘Self-Discipline and Resolve’ In Corona Virus Speech. The analysis of the data uses qualitative method as the study presented descriptively according to theory of speech acts proposed by Searle (1976) to classify the representative speech acts and theory of contextual meaning proposed by Yule (1996) to analyse the meaning behind the utterances. The informal method is applied in presenting the result of the analysis. The result of this study shows that there are 20 of 28 utterances that identified as representative speech acts used in Queen Elizabeth II’s speech which means the speaker used representative the most in her speech.
Finch’s Conflicts and Personality Analysis as the Main Character Portrayed in All The Bright Places Anak Agung Ayu Istri Kumala Dewi; Ni Made Verayanti Utami; I Wayan Juniartha
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 2 No. 2 (2022): Elysian Journal : English Literature, Linguistics and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1271.127 KB) | DOI: 10.36733/elysian.v2i2.3591

Abstract

This research provided an insight into Finch's conflicts and personality as portrayed in the movie All The Bright Places. The qualitative method was used in this research to elaborate and deliver a clear and brief description of the conflicts and his personality as seen through the id, ego, and superego as the major personality structures of humans. The information was gathered by observing Finch's actions and conversations between characters. It was examined using William Kenney's (1966) conflicts theory and Sigmund Freud's psychoanalysis theory (1896). Finch was discovered to be dealing with both internal and external conflict. When Finch tries to control his negative thoughts caused by his abusive father and his environment mocking him, his internal conflict is depicted. Finch versus his father, Finch versus Roamer, and Finch versus society are the external conflicts. The researchers also discovered three main personalities represented by Finch in the movie All The Bright Places, namely the id, ego, and superego.
Types of Figurative Language Found in Coldplay Song Lyrics Barung, Lodovikus; Desak Putu Eka Pratiwi; Juniartha, I Wayan
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 3 No. 1 (2023): Elysian Journal : English Literature, Linguistics, and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (312.764 KB) | DOI: 10.36733/elysian.v3i1.4405

Abstract

This study intended to analyze figurative language found in the Coldplay song lyrics. The objectives of this research were to find out types of figurative language and their meanings in Coldplay song lyrics. There were two theories that used in this research such as the first theory proposed by Knickerbocker and Reninger (1974) entitled Interpreting Literature used to find out types of figurative language found in Coldplay song lyrics, and the second theory proposed by Leech (1981) entitled Semantics: The Study of Meaning used to find out the meaning of figurative language found in Coldplay song lyrics. The method used in collecting the data was observation method. The writer collected the data of song lyrics by browsing and downloading song lyrics from the internet, reading and understanding all the song lyrics and taking note and classifying the phrase and senteces that contain of figurative language. The writer analyzed the data descriptively by using qualitative method. After analyzing the sentences in the song lyrics, the writer found several finding of figurative language found in Coldplay song lyrics. There were five types of figurative language that found in song Coldplay song lyrics, they are: 2 of simile (16%) 2 of metaphor(16%) 1 of personification (8%) 2 of metonymy(16%), 4 of hyperbole(33%), and 1 of allusion(8%). All the figurative language has a connotation that implicitly conveys hidden message and values of life.
Exploring Characterization of the Main Character in Raya and the Last Dragon Movie K.Divyani; Jayantini, I Gusti Agung Sri Rwa; Juniartha, I Wayan
ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies Vol. 3 No. 1 (2023): Elysian Journal : English Literature, Linguistics, and Translation Studies
Publisher : Prodi Sastra Inggris Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (463.715 KB) | DOI: 10.36733/elysian.v3i1.4643

Abstract

Abstract This article focuses specifically on the character analysis in Raya and the Last Dragon movie, especially the main character, namely Raya. This research is aimed to finding out main character’s characterization. The theory of characterization that proposed by Warren and Wellek (1962) was applied in this study. The research data were collected from Raya and the Last Dragon movie by watching the main character’s dialogue and action. Qualitative descriptive method was also used in conducting this research. There were 3 aspects of characterization that found in this movie namely, Raya was psychologically portrayed as a clever, determined, and cautions person. On the other hand, she was also socially described as Heart land’s princess, Chief Benja’s daughter, and dragon gem’s guardian. Lastly, she was physiologically illustrated to have black hair with braided and ponytail, big and black eyes, black eyebrows, brown skin, flat nose, and small lips when she was a child. However, when she was growing adult, she was depicted to have average height, thick black eyebrows, and long wavy hair, slim and slightly muscular. Keywords: Character, Characterization, Movie Abstrak Artikel ini berfokus secara khusus pada analisis karakter dalam film Raya and the Last Dragon, khususnya karakter Utama, yaitu Raya. Penelitian ini bertujuan untuk mengetahui penokohan karakter utama. Teori tentang penokohan yang diusulkan oleh Warren dan Wellek (1962) diaplikasikan pada penelitian ini. Data penelitian dikumpulkan dari film Raya and the Last Dragon dengan menonton dialog dan aksi karakter utama. Metode kualitatif deskriptif juga digunakan dalam melakukan penelitian ini. Adapun 3 aspek penokohan yang ditemukan dalam film ini diantaranya, Raya digambarkan secara psikologis sebagai seseorang yang cerdas, bertekad, dan berhati-hati. Di sisi lain, dia juga dideskripsikan secara social sebagai putri dari negeri Hati, anak kepala suku Benja, dan penjaga permata naga. Terakhir, dia diilustrasikan secara fisiologis memiliki rambut berwarna hitam yang dikepang dan diikat, mata yang besar dan berwarna hitam, alis tipis berwarna hitam, kulit coklat, hidung pesek, dan bibir tipis saat dia masih kecil. Namun, ketika beranjak dewasa, dia digambarkan memiliki tinggi rata-rata, alis tebal berwarna hitam, rambut panjang bergelombang, langsing, sedikit berotot. Kata kunci: Karakter, penokohan, Film
The Representation of Woman Acceptance Through Dimension of Character in Tim Burton's "Corpse Bride" Ni Made Arnita Putri; I Wayan Juniartha
IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature Vol. 12 No. 2 (2024): IDEAS: Journal on English Language Teaching and Learning, Linguistics and Lite
Publisher : Institut Agama Islam Negeri Palopo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24256/ideas.v12i2.5651

Abstract

This study examines of how Corpse Bride representation of woman acceptance on Emily character through physiological, sociological and psychological dimension. The aim of this study is focusing on how the acceptance is reflected through the three dimensions aspect of Emily’s character in Corpse Bride movie. The data for this study was taken from Tim Burton’s movie Corpse Bride and was examined a descriptive qualitative method. The techniques utilized in this study included watching the movie, taking notes, selecting and classifying. This study presented in formal and informal method. The theoretical framework used in this study was the literary theory proposed by Wellek and Warren (1949). This study identified five data focusing on character of Emily, there are one physiological, two sociological and two psychological.
Co-Authors A.A Putu Gede Raditya Pratama Aditana, I Kadek Arya Anak Agung Ayu Istri Kumala Dewi Andriyani, AAA Dian Anggriani, Ni Putu Antari, Ni Made Rini Arcana Putra, Wayan Heka Arita Wastiana Konda Ariyaningsih, Ni Nyoman Deni Arsani, Anggie Ayu Mas Wiliastini Ayu Talia Meranggi Ayu Trisna Dewi Gusti Agung Barlian Barung, Lodovikus Cahyani, Ni Made Diah Darmayanti, Ni Putu Eka Desak Putu Eka Pratiwi Desak Putu Eka Pratiwi Desak Putu Eka Pratiwi Dewa Ayu Devi Maharani Santika Dewi, Ni Komang Chandra Dewi, Ni Made Sinta Dewi, Sang Ayu Kadek Pitria Dicky Perdana Dinata, I Kadek Aditya Dinata, I Putu Indra Febriani, Ni Made Intan Gde Herry Sugiarto Asana Hadisaputra, Andreas Avellino Hardiyanti, Ayu Fitri I Dewa Ayu Devi Maharani Santika I G. B. Wahyu Nugraha Putra I Gede Suta Jaya Ambara I Gusti Agung Sri Rwa Jayantini I Gusti Ayu Agung Sintha Satwika I Gusti Ayu Vina Widiadnya Putri I Gusti Bagus Wahyu Nugraha Putra I Gusti Ngurah Deni Irawan I Gusti Putu Mahardika Putra I Kadek Adi Panaji I Ketut Kartiawan I Komang Sulatra I Komang Sulatra I Made Agus Wibawa Putra I Made Yogi Aditya Wiguna I Nyoman Anom Fajaraditya Setiawan, I Nyoman Anom I Putu Andri Permana I Putu Angga Andika Putra I Putu Deva Pradnyadita I Putu Gita Rusmana I Putu Yoga Jelantik Palguna I Wayan Resen Ida Bagus Gde Nova Winarta Ida Bagus Gde Nova Winarta Jayantini , I G. A. Sri Rwa Jayantini , I Gusti Agung Sri Rwa Juniartini, Ni Luh Putu K.Divyani Karminova Anggela Karya, I Wayan Sidha Kharisma Yulia Mahayani, Ni Ketut Komang Dian Puspita Candra Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita Luh Ayu Trisna Maharani Rika Lusiana, Ni Kadek Elva Made Iwan Indrawan Jendra Maharani, Putu Devi Maku, Serfus Evander Mery Kristiani Mete, Aloysius Andelo Nengah Landra Ni Kadek Parian Dewi Ni Kadek Tita Ni Komang Arie Suwastini Ni Komang Ayu Suardani Ni Komang Eka Maheni Ni Luh Putu Juniartini Ni Luh Sintami Ni Made Arnita Putri Ni Made Intan Febriani Ni Made Verayanti Utami Ni Nyoman Deni Ariyaningsih Ni Putu Mitha Karunita Ni Putu, Ayu Wendiari Septika Ni Wayan Suastini NI WAYAN SUASTINI Ni Wayan Suastini Parayudha, I Gusti Ngurah Gilang Pratama, Sang Ade Satria Putra, I Gusti Ngurah Bagus Wahyu Nugraha Putra, Komang Yoshika Putri , IGA Vina Widiadnya Putu Armitha Widiyanthi Putu Desi Anggerina Hikmaharyanti Putu Gede Budiartha Riky Astina Ristiawati, Desak Made Juli Rolandi, Alexandro Ronald Umbas Ryasmi, Ketut Gita Sang Ayu Kadek Pitria Dewi Santika, I Dw Ayu Devi Maharani Sari, Ni Kadek Purnama Sari, Ni Kadek Sintya Purnama Sari, Ni Putu Milla Supita Sari, Putu Indira Cika Mantika Septiarini , Komang Nindya Dewi Siti Nadila Marsya Somanasih, Kadek Sri Rwa Jayantini, I Gusti Agung Swandewi, Kadek Ayu System, Administrator Tanamal, Gabrielle Sarah Maria Teja, Nova Surya Triariningsih, Luh Putu Utami , Ni Made Verayanti Valentina, Ni Kadek Wibawa, I Gede Adi Guna Widiantari, Ni Pande Putu Erna Wijaya, I Kadek Yoga Winarta, Ida Bagus Gde Nova Wiraningsih, Ni Luh Ayu Yosefa Amung