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All Journal INFORMASI Jurnal Ekonomi, Bisnis dan Kewirausahaan (JEBIK) JAM : Jurnal Aplikasi Manajemen Jurnal Ilmu Komunikasi Journal of Innovation and Applied Technology Interaktif: Jurnal Ilmu-Ilmu Sosial KOMUNIKE: Jurnal Komunikasi Penyiaran Islam KEMBARA Komunikator Jurnal Kajian Komunikasi Nomosleca Cosmogov: Jurnal Ilmu Pemerintahan ProTVF ETTISAL Journal of Communication LENTERA: Jurnal Ilmu Dakwah dan Komunikasi JISPO (Jurnal Ilmu Sosial dan Ilmu Politik) ARISTO Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia Syntax Literate: Jurnal Ilmiah Indonesia Jurnal ASPIKOM Sahafa Journal of Islamic Communication Politik Indonesia: Indonesian Political Science Review SANGKEP: Jurnal Kajian Sosial Keagamaan Waskita: Jurnal Pendidikan Nilai dan Pembangunan Karakter PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat MEDIAKOM: Jurnal Ilmu Komunikasi Journal of Local Government Issues Jurnal Riset Komunikasi Kajian Jurnalisme The Journal of Society and Media Jurnal Riset Mahasiswa Dakwah dan Komunikasi (JRMDK) Journal of Social Science International Journal of Science and Society (IJSOC) Jurnal Komunikasi Islam Komunika: Jurnal Dakwah dan Komunikasi JOEL: Journal of Educational and Language Research Journal of Social Science Warta LPM Mediator: Jurnal Komunikasi JIM: Jurnal Ilmiah Mahasiswa Pendidikan Sejarah Lentera: Jurnal Ilmu Dakwah dan Komunikasi Jurnal Penelitian Pendidikan Indonesia al-Balagh : Jurnal Dakwah dan Komunikasi ENDLESS : International Journal of Future Studies INJECT Interdisciplinary Journal of Communication
Sujoko, Anang
Jurusan Ilmu Komunikasi, Fakultas Ilmu Sosial Dan Ilmu Politik, Universitas Brawijaya
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemistry Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Environmental Science Health Professions Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Physics Public Health Social Sciences Other

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Watching Cultural Hybridity in Hinduism Myth on The PRISMA Series Road to Baliphex 2022 Oktaviana, Sandra Tri; Sujoko, Anang; Wahyudi, Dicky
ARISTO Vol 11 No 2 (2023): July
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24269/ars.v11i2.6834

Abstract

The Indonesian Philatelic Association (PFI) collaborated with PT. Pos Indonesia launched a special edition of PRISMA stamps to welcome Baliphex 2022, uniquely on PRISMA stamps there are symbols of ‘Wayang Kamasan’ painting (Balinese) and Mahabharata story (Indian) initiated by PFI. Researchers view that the special edition PRISMA series road to Baliphex 2022 is not just proof of payment and an event promotion tool, but as has meaning in each of the symbols that reflected Balinese and Indian culture. This study aims to reveal the representation of Balinese and Indian cultures in the PRISMA series Road to Baliphex 2022. We use Roland Barthes' semiotic method with units of analysis of denotation, connotation, and mythology. The results show that Balinese culture in PRISMA's Road to Baliphex 2022 series is structured through Mahabharata in Wayang Kamasan symbols, Baliphex events, and stamp elements that have denotative and connotative meanings. The mythology that appears in the PRISMA series Road to Baliphex 2022 is the myth of Hinduism, which is the belief of the majority of Balinese people. Hinduism mythology is structured through the symbolization Saput Poleng, Flags of Kober, Merdah and Tualen, Horse Carts, Big Trees, Ornaments, and Temples. The Hinduism mythology in the PRISMA series Road to Baliphex 2022 is not assembled through a single cultural representation, but with cultural hybrids from Mahabharata (Indian) and Wayang Kamasan (Balinese). This research contributes to the thesis statement that postage stamps can be used by the community as communication media to represent a certain ideology through a series of symbols with cultural hybridity.
News Production Management of CekFakta in Dealing with Hoax Outbreak Information on the Social Media Benni Indo; Anang Sujoko
Jurnal ASPIKOM - Jurnal Ilmu Komunikasi Vol 8, No 1 (2023): Jurnal ASPIKOM
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komunikasi (ASPIKOM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24329/aspikom.v8i1.1204

Abstract

In the digital era, the competition of mass media leads to the practice of media economy as well as creativity in presenting news content. On the other hand, the mass media are challenged to deal with hoaxes. This study aims to find out how the management of news production at Tempo through the CekFakta page. This study uses qualitative methods with content analysis data collection techniques and in-depth interviews. Data collection through interviews with CekFakta journalists, article documentation and literature studies since 2021. The results of this study reveal that there are three important aspects that determine news products, namely the format, quality and content leverage. In terms of format, the news on the CekFakta page has a specificity conclusion the information circulating is true or not. There are three charts that make up the body of fact-checking news, first introduction to the viral information, secondly an explanation of the method of finding the truth of the information and the third stage is conclusions related to the information being studied. Consumer can understand easily the content of the information with the guide. In terms of quality, Tempo has a methodology that becomes the basic guideline for journalists to make news. The benefit aspect is done by disseminating the news through social media. In practice, to achieve these three aspects, fact-checking journalists work with the help of tools obtained through collaboration with external participants. In the era of media industrialization, the news agency has become a company that aims to make a profit. News, as a product of mass media companies must also be designed in such a way as to generate profits. Thus, the practice of journalism must also be adapted to the times. Fact-checking journalism exists not only to improve the quality of information, but also to bring financial benefits to the company.
Women’s leadership in media representation of Srikandi governor candidates Ainun Qisthi Rosydah; Anang Sujoko
Jurnal ASPIKOM - Jurnal Ilmu Komunikasi Vol 9, No 1 (2024): Jurnal ASPIKOM
Publisher : Asosiasi Pendidikan Tinggi Ilmu Komunikasi (ASPIKOM)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24329/aspikom.v9i1.1590

Abstract

Online media shapes the construction of women's political leadership not only through text narratives, but also through visual symbols that are an important part of political discourse. This research aims to reveal the representation of the Three Srikandi Candidates for East Java Governor 2024 in online media coverage. Using a qualitative approach with Van Leeuwen's multimodal-visual analysis method. Data were obtained through documentation and corpus data (N=30) from 21 online media, considering aspects of 5W 1H, cover both sides, time period, context, and background. The results showed that online media emphasized diversity and women's representation in politics, and displayed seriousness, professionalism, and political support for the three candidates. The findings contribute to the mainstreaming of women's political leadership through the use of superlative and visual symbols in political communication
Performing Purity: Slut Shaming and Gendered Communication in Indonesian Cancel Culture Sari, Fadila Rahma; Sujoko, Anang; Oktaviani, Fitri Hariana
Mediator: Jurnal Komunikasi Vol. 18 No. 2 (2025): Mediator: Jurnal Komunikasi (Sinta 2)
Publisher : UPT Publikasi Ilmiah UNISBA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29313/mediator.v18i2.8124

Abstract

This study examines how slut-shaming operates within Indonesian cancel culture, focusing on the 2022 scandal involving actress Arawinda. Infidelity scandals were selected because they consistently attract massive online engagement in Indonesia and function as forms of collective entertainment that invite moral judgment. Cancel culture is often portrayed as a practice of accountability, but it reproduces gendered power relations by disproportionately targeting women. This study analysed how X discourse positioned women as the primary bearers of blame while minimising or erasing men’s responsibility. More than 2.000 tweets were collected using Selenium-based scraping, from which 633 tweets containing slut-shaming discourse were purposively sampled and analysed through a qualitative critical paradigm. Feminist Poststructuralist Discourse Analysis (FPDA) was applied to examine how sexualized language and moral judgments construct gendered subjectivities. The findings show that digital spaces do not serve as neutral arenas of accountability, but instead reinforce patriarchal norms and gender inequalities.
THREE “SRIKANDI” CANDIDATES IN THE 2024 EAST JAVA GUBERNATORIAL ELECTION: MEDIA FRAMING AND THE FUTURE OF WOMEN’S POLITICAL ROLES IN INDONESIA Rosyidah, Ainun; Sujoko, Anang; Prasetyo, Bambang Dwi
CosmoGov: Jurnal Ilmu Pemerintahan Vol 11, No 2 (2025)
Publisher : Department of Government, FISIP, Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/cosmogov.v11i2.60865

Abstract

This research aims to reveal the media imaging in framing the Three Srikandi Candidates for East Java Governor in 2024 with three stages of analysis, namely transitivity, assessment, and visual. At the same time, based on the analyses that have been conducted, this article also aims to assess the future of women's political roles in Indonesia. This article uses a multimodal discourse analysis method with a qualitative approach. The results showed that the media recognized the leadership capacity of the three women candidates for the 2024 East Java Governor. First, transitivity analysis in the news about the 2024 East Java governor election shows three female candidates as key actors in political contestation. Second, appraisal analysis shows that positive attitudes dominate, highlighting the competence and courage of the candidates. However, some perspectives also reveal the challenges faced by women, such as cultural stigma and double burden. Third, Visual analysis in the news reinforces the image of candidates through images that highlight personal and professional characteristics, thus creating closeness with the audience. For this reason, the media needs to take proactive steps in building a fairer narrative by minimizing stereotypes and focusing on women's professional achievements. By doing so, the media can contribute to a more equal and inclusive political future for women in Indonesia.gb777
The new colonial politics in Indonesia: Representations in the documentary film Colonial Debris Wahyudi, Dicky; Sujoko, Anang; Suatan, Joycelyn Abigail; Ginting, Carmenita Alexandra Gracianti; Putri, Nakeisha Joenanda
ProTVF Vol 10, No 1 (2026): March 2026
Publisher : Universitas Padjadjaran

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24198/ptvf.v10i1.64163

Abstract

Background: The documentary film Colonial Debris attempts to represent new colonial politics in Indonesia, providing a narrative of resource exploitation and agrarian conflict by corporations and state apparatus against indigenous peoples in Indonesia. Purpose: This study aims to reveal how the documentary film Colonial Debris represents new colonial politics in Indonesia through a system of visual signs. Method: This study uses qualitative content analysis with a semiotic approach, with data collection techniques in the form of film archive documentation, which obtained a corpus of 40 sign-objects from the film Colonial Debris. The data was analyzed using Pierce's semiotic method with a sign, object, and interpretant framework. Result: This study shows that the film Colonial Debris represents new colonial politics through visual narratives about colonial legacy in the Indonesia’s agrarian system; State-Corporate repression and criminalization of community resistance; Socio-ecological inequality; People's resistance and solidarity. The interrelationship of the film's visual sign system reveals the power imbalance and social inequality maintained by the state apparatus and corporations as the superior, and indigenous communities as the inferior. Conclusion: Colonial Debris depicts new colonial politics as a continuation of old colonialism, through signs of eviction, state apparatus, biased rules, and citizens' struggles refer to the object of state-corporate colonialism, forming an interpretant that positions Indigenous communities as the colonized. Implications: This study contributes to media and documentary film studies, particularly in postcolonial approach, by showing how documentary films can reveal postcolonial power dynamics and inequalities in society.
Critical Representation of Figures, Symbols, and Power in Political Communication: Bibliometric Analysis of Phenomenological Studies Anida Kusuma Ning Ariati; Anang Sujoko
JIM: Jurnal Ilmiah Mahasiswa Pendidikan Sejarah Vol. 11 No. 1 (2026): February-April 2026, Saintek, Soial and Humanities
Publisher : Universitas Syiah Kuala and Collaboration Yayasan Yusda Edu Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/sejarah.v11i1.555

Abstract

This study aimed to examine the critical representation of figures, symbols, and power in political communication through a critical phenomenological approach combined with bibliometric analysis. It mapped research trends, key authors, dominant keywords, and citation networks that emerged in phenomenological studies of political communication during 2010–2025. Data were collected using Publish or Perish software and analyzed with Excel and VOSviewer to illustrate relationships among keywords, authors, and citations. The findings showed a significant increase in publications since 2021, with dominant themes including gender representation, populist figures, and the symbolism of power in digital media. The results also indicated that scholarly discourse in this field had become increasingly fragmented while simultaneously consolidating around certain clusters, particularly those related to communicative action, political narratives, and identity politics. The study concluded that combining bibliometric methods with critical phenomenology revealed the discursive landscape and representational biases in contemporary political communication. It further provided conceptual and methodological contributions to the development of political communication studies grounded in the critique of representation and symbolic experience.
Building the Muhammadiyah Association News Portal in Malang City through Journalism Collaborative Anang Sujoko; Mega Annisa Insidenta Nuril Huda; Ainun Qisthi Rosyidah; Desi Dwi Prianti
Warta LPM WARTA LPM, Vol. 29, No. 1, Maret 2026
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/warta.v29i1.11925

Abstract

This article examines the development of Tunasmalang.id as a local news portal intended to strengthen Muhammadiyah’s public communication ecosystem in Malang City. The program aims to enhance the portal’s journalistic capacity through the implementation of collaborative journalism, addressing key challenges such as limited human resources and the absence of professional news-production skills. Using a participatory approach, the initiative involved newsroom mentoring and the integration of student interns to support reporting processes. The program resulted in measurable improvements in productivity and content diversity, with 115 news articles published over three months across education, socio-economic issues, health, and STEM topics. These outcomes indicate a more structured and consistent news workflow. The findings highlight the potential of collaborative journalism to strengthen Muhammadiyah’s local media by improving content quality, expanding audience engagement, and positioning Tunasmalang.id as an inclusive public information platform.
Political Image Strategy on TikTok: A Case Study of 'Gemoy' Juliantari, Serly Novita; Sujoko, Anang; Wulandari, Maulina Pia
KEMBARA: Jurnal Keilmuan Bahasa, Sastra, dan Pengajarannya Vol. 11 No. 2 (2025): October
Publisher : Universitas Muhammadiyah Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22219/kembara.v11i2.41270

Abstract

This research examines the visual image-based political communication strategy on the TikTok platform by highlighting the “gemoy” symbol as part of a political campaign aimed at the younger generation. This phenomenon shows a shift in the way political messages are delivered from a rational-informative approach to an affective-visual approach that utilizes popular culture. The main problem in this research lies in how political meaning is formed through the symbolization of the “gemoy” image and to what extent it affects young people's political involvement. The purpose of this research is to identify the various meanings of young audiences towards image-based political communication and explain the dynamics of symbol meaning in the context of digital culture. The method used is a qualitative approach with a case study, relying on data collection techniques in the form of in-depth interviews, observation of TikTok content, and visual documentation. Data were obtained from interactions with TikTok users aged 17-25 as well as analysis of political content using the “gemoy" representation. The results show that political images are not only passively consumed but also actively interpreted and reproduced by young audiences based on their affections, identities, and digital lifestyles. In conclusion, political communication in the era of social media is heavily influenced by the power of visual symbols and emotional interactivity, not just by substantial arguments. This research contributes theoretically to the expansion of the concept of digital political communication and practically encourages the strengthening of political literacy based on popular culture and algorithmic media.
Seeing Culture Through Space: How Visual and Spatial Arrangements Communicate Sasak Cultural Identity in Dusun Sade's Tourism Setting Wahyudi, Furqonita Pramadanti; Sujoko, Anang; Prianti, Desi Dwi
INJECT (Interdisciplinary Journal of Communication) Vol. 11 No. 2 (2026)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v11i2.6693

Abstract

This study examines how cultural identity is communicated without words through the visual and spatial arrangements of Dusun Sade, a living Sasak heritage village in Lombok, Indonesia. Drawing on Foucault's conceptualization of spatial power and Rose's framework of the visual apparatus, the study argues that cultural identity communication in tourism operates through the systematic organization of space, movement, and visibility rather than through explicit narration or display. Systematic photo-documentation yielded a corpus of 127 images collected during fieldwork in December 2025, analyzed for recurring spatial and visual patterns at both empirical and discursive levels. Three patterns were identified: concentrated visitor movement along a primary corridor, consistent architectural emphasis on natural materials within that corridor, and the exclusive positioning of cultural and commercial activities along the established visitor route. Together, these arrangements produce a selective but coherent visual representation of the Sasak tradition that visitors encounter as natural and authentic. This study extends existing applications of Foucauldian and Rose's frameworks to the context of inhabited traditional villages, demonstrating that spatial governance operates as a mechanism of cultural identity production in living heritage tourism settings.
Co-Authors A.A. Ketut Agung Cahyawan W Adi, Kun Muhammad Agus Wahyudi Agus Wahyudi Ainun Qisthi Rosydah Ainun Qisthi Rosyidah Akhmad Muwafik Saleh Amalia Dewi Masyitah Andhyka Muttaqin Anida Kusuma Ning Ariati Antoni Antoni Antoni Antoni Antoni Antoni Antoni arianto, oni dwi Ayub, Zainal Amin Aziz, Nana Abdul Bambang Dwi Prasetyo Benni Indo Candra Apriliani Deka, Feiza Salsabila Desi Dwi Prianti Desi Prianti Dewi Liesnoor Setyowati Dicky Wahyudi Dicky Wahyudi Dicky Wahyudi Dicky Wahyudi Domini, Fransiscus Xaverius Dwi Anisa Febrianti Fahira, Nabila Aulia Fariza Yuniar Rakhmawati Fatanti, Megasari N. Fathur Rahman Febrianti, Dwi Anisa Fidelis Aggiornamento Saintio Fidelis Anggiornamento Saintio Fikri A.R Firmantoro, Verdy Ginting, Carmenita Alexandra Gracianti halim, sahril Hattu, Neysa Feralda Huda, Mega Annisa Nuril Hurriyah, Nur Khulailatul Intan Septiana Tanjung Irwan Irwan Juliantari, Serly Novita Khadijah, Nur Sitti Khusnul Khatimah Kun Muhammad Adi Larasati, Galuh Pandu Lizza Arnofia Maharina Novia Zahro Mashita Putri Hatama Maulina Pia Wulandari Mega Annisa Insidenta Nuril Huda Misbahuddin Azzuhri Muhamad Firdaus Muhammad Syukri Mutiara Rahmadini Satya Lestari Muzakky Abdillah Nabila Aulia Fahira Nikmatus Sholikah Noer Rahmi Ardiarini, Noer Rahmi Oktaviana, Sandra Tri Oktaviani, Fitri Hariana oni dwi arianto Pinaraswati, Sandra Oktaviana Putri, Nakeisha Joenanda Rachmat Kriyantono Rachmat Kriyantono Rania Pramesthi Putri Reza Safitri Ridy Sulhana Sahawi Rilo Pambudi Rosalina Bilqisth Rosalina Bilqisth Rosyidah, Ainun Sahawi, Ridy Sulhana sahril halim Sari, Fadila Rahma Stefanny Lasmanogi Simanjuntak Suatan, Joycelyn Abigail Sudarsono, Meryana Deasy Karina Tanjung, Intan Septiana Tri Astoto Kurniawan, Tri Astoto Wahyudi, Furqonita Pramadanti Wawan Sobari Winartono Winartono Winartono, Winartono Yudha Prakasa Zahro, Maharina Novia Zidna Al Izzah Zulfaidah Penata Gama