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All Journal The Indonesian Journal of Business Administration Accounting Analysis Journal Panggung JURNAL AKUNTANSI DAN BISNIS : Jurnal Program Studi Akuntansi Owner : Riset dan Jurnal Akuntansi Fair Value: Jurnal Ilmiah Akuntansi dan Keuangan Jesya (Jurnal Ekonomi dan Ekonomi Syariah) JIKA: Jurnal Ilmu Keuangan dan Perbankan Aptisi Transactions on Technopreneurship (ATT) KEK (Kajian Ekonomi dan Keuangan) FINANCIAL : JURNAL AKUNTANSI JURNAL PEMBELAJARAN DAN MATEMATIKA SIGMA (JPMS) Jurnal Manajemen Didaktik : Jurnal Ilmiah PGSD STKIP Subang Jurnal Akuntansi dan Bisnis Krisnadwipayana IAIC Transactions on Sustainable Digital Innovation (ITSDI) ADI Pengabdian kepada Masyarakat Jurnal (ADIMAS Jurnal) Jurnal Ilmiah Raflesia Akuntansi Jurnal Bisnis Mahasiswa Jurnal Ilmiah Bisnis dan Perpajakan (Bijak) Jurnal Pengabdian Masyarakat Bestari (JPMB) Formosa Journal of Applied Sciences (FJAS) Jurnal Pengabdian Masyarakat Inovasi Startupreneur Business Digital (SABDA Journal) Jurnal MENTARI: Manajemen, Pendidikan dan Teknologi Informasi Journal of Artificial Intelligence and Digital Business Indonesian Journal of Advanced Social Works (DARMA) Jurnal Pengabdian Pada Masyarakat METHABDI Majalah Ilmiah METHODA TAMIKA: Jurnal Tugas Akhir Manajemen Informatika & Komputerisasi Akuntansi Jurnal Akuntansi Manado (JAIM) Indonesian Journal of Interdisciplinary Research in Science and Technology (MARCOPOLO) Basic and Applied Accounting Research Journal International Transactions on Education Technology (ITEE) Indonesian Journal of Banking and Financial Technology (FINTECH) Jurnal Ilmiah Accusi Manajemen : Jurnal Ekonomi Jurnal Akuntansi dan Bisnis Krisnadwipayana Jurnal Ilmiah METHONOMI Jurnal Ilmu Manajemen METHONOMIX METHOSIKA: Jurnal Akuntansi dan Keuangan Methodist BEAM Jurnal SENI MUSIK
Arthur Simanjuntak
Universitas Methodist Indonesia
Religion Agriculture, Biological Sciences & Forestry Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Immunology & microbiology Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Physics Public Health Social Sciences Other

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Integrating Artificial Intelligence in E-Learning for Organizational Well-Being through Orange Technology Mapping Arthur Simanjuntak; Asep Sutarman; Sheila Aulia Anjani; Asher Nuche
IAIC Transactions on Sustainable Digital Innovation (ITSDI) Vol 7 No 1 (2025): October
Publisher : Pandawan Sejahtera Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34306/itsdi.v7i1.706

Abstract

This study conducts a bibliometric analysis of Artificial Intelligence (AI) in e-learning, emphasizing its role in organizational well-being and educational transformation. Using Scopus as the primary database and VOSviewer for visualization, 557 articles published between 2020 and 2025 were analyzed across country, organization, source, author, document, and keyword networks. The results reveal that the United States, United Kingdom, and Germany act as central contributors, while India, Saudi Arabia, Singapore, Hong Kong, and Egypt are rapidly growing in influence. Source analysis identifies leading journals that shape the discourse alongside new outlets that diversify the field. Author and document coupling highlight key works that connect immersive learning environments with pedagogy, while keyword analysis identifies three major clusters related to ethics and governance, motivation and technology enhanced learning, and AI tools such as ChatGPT and generative AI. Overall, the findings show that AI in e-learning has evolved from experimental initiatives into a multidimensional, evidence-based domain. The study concludes by emphasizing how Orange Technology and TRAIVIS frameworks can operationalize ethics by design, support adaptive tutoring, and align AI-driven learning ecosystems with sustainable, well-being-centered educational goals.
SISTEM INFORMASI AKUNTANSI PENERIMAAN DAN PENGELUARAN KAS PADA WISATA NAKNY FUNLAND Wilona Edra Rachel Sitorus; Marlyna Infryanty Hutapea; Arthur Simanjuntak
TAMIKA: Jurnal Tugas Akhir Manajemen Informatika & Komputerisasi Akuntansi Vol 3 No 1 (2023): TAMIKA: Jurnal Tugas Akhir Manajemen Informatika & Komputerisasi Akuntansi
Publisher : Universitas Methodist Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.46880/tamika.Vol3No1.pp58-70

Abstract

One of the tourist attractions from Deli Serdang, North Sumatra, which recently went viral is Nakny Funland. Nakny Funland is frequently visited by local tourists and tourists from outside the region, however currently Nakny Funland still uses the manual method in its system, namely by recording a book system in the process of recording ticket sales and financial reports so there is a high probability that errors can occur in entering data, errors in calculations. data on tickets sold, errors in making financial reports, and can hamper the search process for the data needed. Therefore, we need an accounting information system that can produce faster and more accurate information. The author will create a ticket sales accounting information system at Nakny Funland Tourism using Microsoft Visual Basic 2010 as software and MySQL as database to process the data. The purpose of creating this system is to assist the performance of officers and persons in charge at Nakny Funland Tourism in making the process of recording ticket sales and financial reports easier, faster, and more accurate, and can minimize errors in making records.
Personalized Learning Through Adaptive Technologies in E-Learning Environments Erika Erika; Arthur Simanjuntak; Ika Yuni Purnama; Asher Nuche
Jurnal MENTARI: Manajemen, Pendidikan dan Teknologi Informasi Vol 5 No 1 (2026): September
Publisher : Pandawan Sejahtera Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33050/mentari.v5i1.1189

Abstract

The rapid development of digital learning technologies has transformed educational practices by enabling more personalized and accessible learning experiences in e-learning environments. As a Background, adaptive technologies have emerged as a promising approach to address diverse learner needs and improve educational accessibility. The Objective of this study is to examine the influence of adaptive technologies on personalized learning experiences and their impact on educational accessibility in e-learning environments. The Method employed a quantitative research approach using a survey distributed to 334 respondents who had experience using e-learning platforms. Data were analyzed using Structural Equation Modeling (SEM) with SmartPLS to evaluate the relationships among the proposed constructs. The Results indicate that adaptive technologies significantly enhance personalized learning experiences by providing tailored learning content, individualized feedback, and flexible learning pathways. Furthermore, the findings reveal that personalized learning experiences have a positive and significant effect on educational accessibility, enabling learners with different backgrounds, abilities, and learning preferences to engage more effectively in the learning process. Adaptive technologies were also found to have a direct positive influence on educational accessibility. In Conclusion, the study demonstrates that the integration of adaptive technologies plays a crucial role in fostering personalized learning and improving educational accessibility within e-learning environments. These findings provide valuable insights for educators, educational institutions, and e-learning developers in designing inclusive and learner-centered digital learning systems that support diverse educational needs and promote equitable access to quality education.
Integrating Broadcasting Data Mining and Visualizationfor Effective Big Data Decision Support Diego Abbas; Arthur Simanjuntak; Thomas Sumarsan Goh
Bridging of Emerging AI and Media Broadcasting (BEAM) Vol. 1 No. 2 May (2026): Bridging of Emerging AI and Media Broadcasting
Publisher : Sundara Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

In the era of big data and digital broadcasting, organizations face increasing challenges in transforming large-scale broadcasting datasets into actionable insights for effective decision-making. This study addresses the need for an integrated decision support framework that combines broadcasting data mining and interactive visualization to improve the interpretation of complex data patterns. The objective of this research is to develop an integrated approach that applies data mining techniques to broadcasting-related data, such as audience behavior, content performance, engagement patterns, and multi-source media data, supported by visual dashboards for strategic analysis. The method employed includes clustering, classification, and association rule mining to identify meaningful patterns, audience segments, trends, and anomalies within broadcasting datasets. These analytical results are then presented through interactive visualization dashboards that enable stakeholders to explore insights more efficiently and make data-driven decisions. The results show that integrating broadcasting data mining with visualization improves the speed, accuracy, and clarity of insight extraction compared to conventional analytics approaches. User evaluation also indicates that visualized analytical outputs enhance stakeholder understanding of complex broadcasting data and support more accurate strategic decisions. The conclusion of this study confirms that the integration of broadcast- ing data mining and visualization within a big data decision support framework can bridge the gap between raw media data and practical decision-making. This research contributes to the development of more adaptive, efficient, and human centered decision support systems for broadcasting industries and digital media organizations.
Analisis Subjektif Teknik Perekaman Stereo Pada Ensambel Tanjidor [Subjective Analysis of Stereo Recording Techniques in Tanjidor Ensembles] Jack Arthur Simanjuntak; Dave Nathanael
Jurnal SENI MUSIK Vol. 13 No. 2 (2021): Jurnal SENI MUSIK
Publisher : Universitas Pelita Harapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19166/jsm.v13i2.4242

Abstract

The Tanjidor ensemble is one of the traditional musical ensembles left by the Portuguese that grew up in Indonesia and was developed by the Sundanese and Betawi people. Until now, there has been no study of subjective analysis of the recording results of the tanjidor stereo ensemble recording. The purpose of this study was to analyze the participants' preferences for stereo recording techniques in tanjidor ensembles. Sixteen samples of tanjidor ensemble recordings were performed using four stereo microphone techniques, namely XY90º, NOS, ORTF, and AB. Two microphone height variables, namely 1 meter and 1.5 meters, and two microphone distance variables to the ensemble, namely 2 meters and 3 meters were applied to sample making. Participants were asked to rate the results of the sample recording using a scale of five ranging from Very Poor to Very Good. Furthermore, interviews were conducted to investigate the criteria used by the participants in assessing the quality of the recording samples. The study shows that the ORTF stereo microphone technique with a variable distance of 3 meters and a height of 1.5 meters is the main preference of all 16 samples. Clear instrument separation, high percussion balance, and stereo image are the three main considerations in determining the recording quality of the Tanjidor ensemble sample. This finding implies that the spatial and timbre factors of the sound source are fundamentally significant in the further development of this ensemble recording.Ensambel Tanjidor adalah salah satu ensambel musik tradisional peninggalan bangsa Portugis yang tumbuh di Indonesia dan dikembangkan oleh masyarakat Sunda dan Betawi. Hingga saat ini, belum ditemukan studi analisis subjektif hasil perekaman perekaman stereo ensambel tanjidor. Tujuan penelitian ini adalah menganalisis preferensi naracoba terhadap teknik perekaman stereo pada ensambel tanjidor. Enam belas sampel perekaman ensambel tanjidor dilakukan menggunakan empat teknik mikrofon stereo yaitu XY90º, NOS, ORTF, dan AB. Dua variabel ketinggian mikrofon yaitu 1 meter, dan 1,5 meter serta dua variabel jarak mikrofon terhadap ensambel yaitu 2 meter, dan 3 meter diterapkan pada pembuatan sampel. Naracoba diminta memberikan penilaian terhadap hasil perekaman sampel menggunakan skala lima mulai dari Sangat Buruk hingga Sangat Baik. Selanjutnya dilakukan wawancara untuk menginvestigasi kriteria yang digunakan naracoba di dalam menilai kualitas sampel perekaman. Studi menunjukkan bahwa teknik mikrofon stereo ORTF dengan variabel jarak 3 meter dan tinggi 1,5 meter merupakan preferensi utama dari keseluruhan 16 sampel. Separasi instrumen yang jelas, kesetimbangan perkusi yang tinggi, dan citra stereo menjadi tiga pertimbangan pokok dalam menentukan kualitas perekaman sampel ensambel tanjidor. Temuan ini mengimplikasikan bahwa faktor spasial dan timbre dari sumber bunyi adalah hal mendasar yang signifikan dalam pengembangan perekaman ensambel ini selanjutnya.
Studi Aspek Perseptual Pada Disain Ulang Bunyi Film Satria Heroes Jack Arthur Simanjuntak; Sandhya Widhinugraha
Jurnal SENI MUSIK Vol. 18 No. 1 (2026): Jurnal SENI MUSIK
Publisher : Universitas Pelita Harapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19166/jsm.v18i1.5336

Abstract

Studi ini bertujuan mengidentifikasi aspek perseptual partisipan terhadap disain ulang bunyi dan foley film Satria Heroes. Eksperimen dilakukan dengan mendisain ulang efek bunyi dan foley suatu cuplikan film yang pada studi awal penelitian ini ditemukan bahwa terdapat beberapa kekurangan disain bunyi terutama dalam hal bagaimana menghasilkan emosi pada skena tertentu. Unsur efek bunyi dan foley pada cuplikan film terpilih dibuat ulang dengan teknik disain orisinil maupun melalui perpustakaan bunyi untuk diujikan pada dua kelompok partisipan ahli dan non-ahli dengan total partisipan 32 orang. Pendekatan kualitatif dengan menggunakan kuesioner berskala Likert digunakan untuk mengukur opini, kesukaan personal, dan persepsi partisipan. Studi ini menunjukan bahwa pada adegan yang intens seperti peperangan, perkelahian dan adegan yang banyak menggunakan elemen sihir sangat memerlukan kualitas efek bunyi dan foley yang baik. Hal ini berdampak pada emosi yang dipersepsikan partisipan ketika menyaksikan skena film dengan tingkat intensitas yang tinggi. Temuan ini mengimplikasikan bahwa identifikasi bunyi khas karakter utama dan elemen musik penting untuk studi lebih lanjut penelitian serupa.
Evaluasi Subyektif Teknik Perekaman Stereo Talempong [Subjective Evaluation of Talempong Stereo Recording Techniques] Muhammad Nur Muhammady; Jack Arthur Simanjuntak
Jurnal SENI MUSIK Vol. 17 No. 2 (2025): Jurnal SENI MUSIK
Publisher : Universitas Pelita Harapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19166/jsm.v17i2.6006

Abstract

Talempong is a traditional musical instrument from Minangkabau, West Sumatra, Indonesia. Talempong is played by hitting it with an oval-shaped wooden stick, which is usually wrapped in cloth, rubber, or thread. The purpose of this research is to analyze the preference of stereo recording technique on talempong recording. The stereo recording techniques used are: XY, ORTF, NOS, Spaced-Pair (AB). Subjective tests were conducted on 24 expert and non-expert participants, including sound engineers, musicians, and Minang music activists. Qualitative methods were used to identify respondents' preferences for the stereo recording technique used. The results showed that 80% of the 12 non-expert participants liked the AB stereo recording technique, and 50% of the 4 expert participants liked the XY stereo recording technique because both recording techniques produced sound with clear clarity. Spatial panorama and tone color are other acoustic aspects that are factors in choosing preference for stereo recording techniques, however, clarity is the main acoustic aspect in choosing stereo recording technique preferences. Bahasa Indonesia Abstract:Talempong adalah alat musik tradisional dari Minangkabau, Sumatra Barat, Indonesia. Talempong dimainkan dengan cara dipukul menggunakan batang kayu berbentuk lonjong, yang biasanya dililit kain, karet, atau benang. Tujuan dari penelitian ini adalah untuk menganalisis preferensi teknik perekaman stereo pada perekaman talempong. Teknik perekaman stereo yang digunakan adalah: XY, ORTF, NOS, Spaced-Pair (AB). Uji subjektif dilakukan kepada 24 naracoba ahli dan non-ahli meliputi insinyur bunyi, musisi, dan penggiat seni musik Minang. Metode kualitatif digunakan untuk mengidentifikasi preferensi responden terhadap teknik perekaman stereo yang digunakan. Hasil penelitian menunjukkan bahwa 80% dari naracoba 12 non-ahli menyukai teknik perekaman stereo AB, dan 50% naracoba 4 ahli menyukai teknik perekaman stereo XY karena, kedua teknik perekaman tersebut menghasilkan bunyi dengan klaritas yang jelas. Panorama spasial dan warna nada merupakan aspek akustik lainnya yang menjadi faktor pemilihan preferensi teknik perekaman stereo namun, klaritas merupakan aspek akustik utama dalam pemilihan preferensi teknik perekaman stereo. 
Identifikasi Penilaian Individual Teknik Perekaman Stereo Alat Musik Jawa Barat Calung Jinjing [Identification of Individual Assessment of Calung Jinjing Stereo Recording Technique] Jack Arthur Simanjuntak; Klemens Putera Sejahtera
Jurnal SENI MUSIK Vol. 15 No. 1 (2023): Jurnal SENI MUSIK
Publisher : Universitas Pelita Harapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19166/jsm.v15i1.6744

Abstract

Calung jinjing adalah alat musik tradisional daerah Jawa Barat berjenis idiophone yang memiliki tangga nada pentatonis berlaras selendro. Calung jinjing pada umumnya disajikan dalam bentuk ensambel yang format instrumentasinya terdiri dari calung kingking, calung panempas, calung jongrong dan calung gonggong yang dimainkan dengan cara dipukul menggunakan stik berbahan bambu. Penelitian ini bertujuan untuk mengidentifikasi penilaian responden terhadap teknik perekaman stereo untuk calung jinjing. Pendekatan kualitatif dilakukan dengan mengujikan sampel perekaman calung. Teknik perekaman yang digunakan adalah teknik perekaman stereo XY 90º, XY 135º, ORTF, dan AB dengan dua variabel jarak dan tinggi. Terdapat 16 sampel yang diujikan kepada x responden. Studi ini menemukan bahwa teknik perekaman stereo ORTF pada jarak 1,3 meter adalah teknik yang menjadi preferensi responden pada perekaman calung jinjing di studio Dibi Recording Studio, Bandung. Faktor-faktor yang menjadi pendukung penilaian responden adalah berdasarkan kejelasan bunyi, citra bunyi stereo, dan impresi ruangan.
Perbandingan Preferensi Responden Terhadap Teknik Perekaman Stereo Untuk Ansambel Kolintang Pada Medley Lagu Tradisional Minahasa (O Ina Ni Keke Dan Si Patokaan) [Comparison of Respondents' Preferences for Stereo Recording Techniques for Kolintang Ensembles in Minahasa Traditional Song Medleys (O Ina Ni Keke Dan Si Patokaan)] Jack Arthur Simanjuntak; Yuliana Lisa Walean
Jurnal SENI MUSIK Vol. 15 No. 2 (2023): Jurnal SENI MUSIK
Publisher : Universitas Pelita Harapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19166/jsm.v15i2.7485

Abstract

Kolintang, alat musik perkusi nada tinggi asli dari Minahasa, biasanya dimainkan sebagai bagian dari sebuah ansambel. Studi terbaru menunjukkan bahwa generasi muda kurang memiliki kesadaran dan keterlibatan dalam upaya inovatif untuk melestarikan dan mengembangkan warisan budaya ini, terutama dalam konteks ansambel Kolintang. Oleh karena itu, ada kebutuhan mendesak untuk pendekatan inovatif dalam menarik perhatian generasi muda, khususnya dalam domain teknik perekaman audio, khususnya rekaman stereo. Penelitian ini bertujuan untuk menilai preferensi responden terkait teknik perekaman stereo yang digunakan dalam merekam pertunjukan ansambel Kolintang. Berbagai metode perekaman stereo, seperti XY 90°, ORTF, AB, dan Mid Side, telah dianalisis. Selain itu, dilakukan survei dan wawancara dengan melibatkan 30 responden yang terdiri dari ahli dan non-ahli. Hasil penelitian menunjukkan bahwa teknik perekaman yang paling disukai adalah XY 90°, dengan jarak mikrofon sekitar 100 cm dan tinggi sekitar 200 cm. Metode ini mendapatkan persentase preferensi agregat sebesar 76,6% (23 dari 30) dari semua responden, baik ahli maupun non-ahli. Kriteria subjektif untuk preferensi ini mencakup atribut seperti kejelasan, ketepatan, bidang stereo yang realistis, dan tangkapan yang merata dan seimbang dari nuansa timbral Kolintang, sehingga menghasilkan representasi suara yang jelas dan khas untuk setiap instrumen. Abstract (English)The Kolintang, an indigenous pitched percussion instrument originating from Minahasa, is traditionally performed as part of an ensemble. Recent studies have shown that younger generations lack awareness and involvement in innovative efforts to preserve and develop this cultural heritage, particularly in the context of Kolintang ensembles. Consequently, there is a pressing need for innovative approaches to engage the youth, particularly in the domain of audio recording techniques, specifically stereo recording. This research endeavors to assess respondents' preferences regarding stereo recording techniques applied in capturing Kolintang ensemble performances. Various stereo recording methods, such as XY 90°, ORTF, AB, and Mid Side, were examined. Furthermore, a survey and interviews were conducted, involving 30 respondents comprising experts and non-experts. The findings reveal that the most favored recording technique is XY 90°, with a microphone distance of 100 cm and a height of 200 cm. This method obtained an aggregate preference percentage of 76.6% (23 out of 30) among all respondents, both experts and non-experts. Subjective criteria for this preference include attributes like clarity, precision, a realistic stereo field, and an even, balanced capture of the Kolintang's timbral nuances, resulting in distinct and clear sound representation for each instrument.
Analisis Evaluasi Subjektif Terhadap Teknik Perekaman Stereo Taganing Batak Toba Menggunakan Variasi Jarak dan Tinggi Mikrofon Jack Arthur Simanjuntak; sebastian pardede
Jurnal SENI MUSIK Vol. 17 No. 1 (2025): Jurnal SENI MUSIK
Publisher : Universitas Pelita Harapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19166/jsm.v17i1.9652

Abstract

Penelitian ini menganalisis preferensi subjektif teknik perekaman stereo untuk instrumen tradisional Taganing Batak Toba melalui evaluasi dua kelompok naracoba: ahli (10 orang) dan non-ahli (6 orang). Studi ini bertujuan mengidentifikasi teknik perekaman optimal yang mempertimbangkan aspek teknis, estetika, dan kultural. Rekaman Taganing dibuat menggunakan empat teknik stereo (XY 90°, AB, ORTF, Mid-Side) dengan variasi jarak (1 m dan 1,5 m) dan tinggi mikrofon (2 m). Evaluasi subjektif menggunakan skala kualitas (Sangat Baik hingga Sangat Buruk) dan wawancara mendalam dilakukan untuk mengeksplorasi parameter penilaian. Hasil menunjukkan preferensi signifikan antara kelompok: ahli lebih menyukai teknik XY 90° (1 m dan 1,5 m) karena kejelasan transien, koherensi fase, dan preservasi karakter timbral Taganing yang dijelaskan melalui terminologi Batak seperti nunga marsaringar (resonan) dan gomos (padat). Sebaliknya, non-ahli lebih memilih ORTF (1 m) dan AB/ORTF (1,5 m) karena citra stereo alami dan persepsi kelebaran yang seimbang. Teknik MS dan XY dinilai kurang koheren oleh non-ahli. Temuan ini menegaskan bahwa preferensi perekaman Taganing dipengaruhi oleh latar belakang pendengar. Untuk dokumentasi ilmiah dan arsip budaya, teknik XY direkomendasikan, sedangkan ORTF/AB lebih sesuai untuk distribusi publik. Studi ini berkontribusi pada pengembangan metodologi perekaman yang adaptif terhadap konteks kultural dan teknis, mendukung pelestarian warisan bunyi Indonesia melalui teknologi audio.
Co-Authors Amsal Steven Trian Marpaung Andriasan Sudarso Angel, Mary APRIANI M. SIBARANI Arie Tymoty Rainaldo Ginting Arison Nainggolan Arison Nainggolan, Arison Aritonang, Tacya S Arthika Iradat R Lase Asep Sutarman Asher Nuche Astri Madonna Damanik Azizul Kholis, Azizul Br Ginting, Wulan Febriyanti Br. Sembiring, Vebina N. Brilliant Handyman Manalu Butarbutar, Riska Septiani AMT Christina V Situmorang Christina Verawati Situmorang Christina Verawaty Situmorang Christina Verawaty Situmorang Christofer Parmahan Sibarani Cindy Erisha Sihombing Damanik, Dennys Paulus Parlindungan Dave Nathanael David Patar Sitangggang Deby Tobing Dennys Paulus Parlindungan Damanik Depi Erosna Br Tarigan Dewi Delima Hutagalung Diego Abbas Dimita H. P. Purba Doli Hasibuan Duma Megaria Elisabeth Duma Rachel Situmorang Duma Rahel Situmorang Duma Rahel Situmorang, Duma Rahel Dwi Cahyono Edison Sagala Elvie Maria Emiya Sri Hagana Br Brahmana Endi Juli Anto Enjelina Patrisya Uli Br Sitorus Erika Erika Erika Erika Erika Erika Erika Eviyanti N. Purba Fanny Kristina Siregar Farida Sagala Frengky Samuel Panjaitan Gavin Egianta Sembiring Gea, Joni Kurniawan Gebi Foresa Lumban Gaol Giawa, Berkat Ginting , Arie Tymoty Rainaldo Ginting, Juni Elisa Sari Ginting, Mitha C. Ginting, Mitha Christina Gortap Lumbantoruan Gracesiela Y Simanjuntak Gracesiela Y Simanjuntak GRACESIELA YOSEPHINE SIMANJUNTAK Gracesiela Yosephine Simanjuntak Gracesiella Y. Simanjuntak Harimukti Wandebori Hendriko Hutagaol Henry Henry Henry Newell Henry, Henry Heri Imanuel Nadeak Heri Imanuel Nadeak Herlina Risnawati Sitorus Hutabarat, Eloy Charolina Hutagaol, Hendriko Ika Yuni Purnama Indri Mariska Putri Ivo M. Silitonga Ivo Maelina Silitonga Ivo Maelina Silitonga Ivo Maelina Silitonga Jaja Suteja Jamaluddin Januardi Mesakh Januardi Mesakh Jeudi A. T. P. Sianturi Jimmy F. Naibaho Joni Kurniawan Gea Juni Elisa Sari Ginting Junika Napitupulu Junita, Rahel Karsa, Aldo Hermaya Aditiya Nur Klemens Putera Sejahtera Lamria Sagala Lamria Sagala Lamria Sagala Lase, Arthika Iradat R Leni Natalia Siagian Lince R. Panataria Lumban Gaol, Gebi Foresa Lumbangaol, Idaman Sagita Lyna M. N. Hutapea M. M. Pasaribu Pasaribu M.N. Nadapdap, Kristanty Maelina Silitonga, Ivo Manalu, Theresia Margaretha Marini Sinaga Marpaung, Amsal Steven Trian Marta Nurfiza Siahaan Martin Yehezkiel Sianipar May Sartika Tarigan Melanthon Rumapea Meliati Meliati Melinda Br Pasaribu Merry Anna Napitupulu Mesakh, Januardi Mitha Christina Ginting Mitha Christina Ginting Mitha Christina Ginting Mitha Christina Ginting Mohamad Agus Salim Muhammad Isa Alamsyahbana Muhammad Nur Muhammady Mulatua Silalahi, Mulatua Nadapdap, Kristanty M. N. Nadeak, Heri Nadeak, Heri Imanuel Naomi Febrianti Siringoringo Necia Mita Novalina Pasaribu Nestan Theresia Natalia Niastyna Simorangkir Nindy L Simanullang Nolan Liam Nova Syahrani Arasid Novi Darmayanti Nurfiza, Marta Nurwijayanti P. Silalahi, Mulatua Pakpahan, Juliana Panggabean, Michael Armando Panjaitan, Frengky Samuel Panjaitan, Rike Y. Panjaitan, Rike Yolanda Primadanik, Maylinda Priskila Sinaga Purba, Livia Grestallia Purnama Sari Br Sinulingga PUTRI JESICA SITORUS Putri Sopianna Sianturi Rachel Br. Tumorang Rahel Situmorang, Duma Rajagukguk, Eva Gloria Rani Farida Sinaga Rasmulia Sembiring Ratih S. Panjaitan Rehulina Ibrena Br. Tarigan Reymondo Simanjuntak Rike Y. Panjaitan Rike Yolanda Panjaitan Rike Yolanda Panjaitan Rimky M. P. Simanjuntak Rimky Mandala Simanjuntak Rintan Saragih Rintan Saragih, Rintan Rio Juanda Putra Saragih Riska Septiani AMT Butarbutar Rizki Galang Rahmadan Robinhot Gultom Roma Simbolon Rumapea, Bonia Ayunita Sagala, Lamria Sahala Purba Samosir, Yosafat Renovaldo Sandhya Widhinugraha Saragih, Rio Juanda Putra Saur Melianna Sipayung, Saur Melianna sebastian pardede Selvina Dwi Putri Sembiring, Yosephine N. Sembiring, Yosephine Natalita Sembiring, Yosephine Natalitha Septoni B Siahaan Septony B. Siahaan Sheila Aulia Anjani Sianturi, Putri Sopianna Sibarani, Apriani M SIBARANI, APRIANI M. Sibarani, Christofer Parmahan Sihombing, Cindy Erisha Silalahi, Mulatua P Silitonga, Ivo Silitonga, Ivo M. Simamora, Sri Hartati Simanjuntak, Faido M Simanjuntak, Faido M.P. Simanjuntak, Grace Y Simanjuntak, Gracesiela Simanjuntak, Gracesiela Y Simanjuntak, Gracesiela Y. SIMANJUNTAK, GRACESIELA YOSEPHINE SIMANJUNTAK, MARKUS DODDY Simanjuntak, Reymondo Simanjuntak, Rimky M. P. Simanjuntak, Rimky Mandala Simanullang, Nindy L Simarmata, Lamdapot Pranata Simbolon, Lolyta Damora Simbolon, Roma Sinaga, Priskila Sipayung, Saur Meliana Siregar, Ahlan Jefri Siregar, Jeremia Sitanggang, David Patar Siti Normi Sitorus, Enjelina Patrisya Uli Br Sitorus, Wilona Edra Rachel Situmorang, Christina Verawaty Situmorang, Christina Verawaty Sri Hartati Simamora Sugiharto, Erwin Suhada Suhada Sumarsan, Thomas Syaharman Syaharman Syawaluddin Tan, Wei Xiang Tarigan , Depi Erosna Br Telaumbanua, Naomi Deswita Thomas Sumarsan Goh Tiur Rajagukguk, Tiur Tri Darma Sipayung Tri Dharma Sipayung Tri Dharma Sipayung, Tri Dharma Vaher, Kristina Victor Victor Vinsensia Ratna Laia Vivi Valensya Br Karo Wesly Andri Simanjuntak Wilona Edra Rachel Sitorus Winarto Winarto Winarto Wulan Febriyanti Br Ginting Y. Simanjuntak, Gracesiela Yerisma Welly Yosephine N. Sembiring Yosephine Natalita Sembiring Yosephine Sembiring Yulia Riska Manik Yuliana Lisa Walean Zabenaso Queen Zahri Fadli