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All Journal Grenek: Jurnal Seni Musik Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Imajinasi Catharsis Gondang: Jurnal Seni dan Budaya Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Gelar : Jurnal Seni Budaya JSM (Jurnal Seni Musik) Visual Heritage: Jurnal Kreasi Seni dan Budaya Journal La Sociale Journal La Edusci IBDA': Jurnal Kajian Islam dan Budaya Riwayat: Educational Journal of History and Humanities Journal of Environment and Sustainability Education Al-Bidayah : jurnal pendidikan dasar Islam Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Catharsis (JSM) Jurnal Seni Musik Forum Ilmu Sosial Varia Humanika Edumaspul: Jurnal Pendidikan
Syahrul Syah Sinaga
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Religion Arts Humanities Chemistry Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Mathematics Physics Social Sciences Other

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Journal : Journal La Sociale

 1 
Semiotics of Music by the Band Pyong-Pyong as a Tool for Social Criticism: an Analysis of the Symbolism in the Lyrics of the Album "Pigza" Pradipta, Nareswara Bima; Jazuli, Muhammad; Sinaga, Syahrul Syah
Journal La Sociale Vol. 4 No. 5 (2023): Journal La Sociale
Publisher : Borong Newinera Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37899/journal-la-sociale.v4i5.1455

Abstract

Music serves not only as an artistic expression but also as a medium to convey important social and political messages. For example, the punk band Pyong-Pyong from Semarang City uses music to critique social conditions. Over the span of two decades, the band has undergone transformations in its members and musical style, with their latest album, "Pigza," showcasing their evolution in the music industry. This research analyzes the symbolism in the lyrics of the songs from "Pigza" used for social critique. Using a qualitative approach and Roland Barthes' semiotic analysis method, this study explores the symbolism in the lyrics of "Pigza" songs. Findings indicate that four songs in the album — "Jika," "Mereka," "Kurang Piknik," and “Kita Ingin Damai” — articulate deep messages about social conditions and individual experiences in modern society.
Co-Authors Abdul Rachman Adhitya Darmantho Agus Cahyono Agus Cahyono Aisyah, Yuniasri Maya Alfayad, Dandi Musa Alhail, Hadi Anas Madani Anggraini, Lilis Apriadi, Sugeng Balqis, Lale Alia Bertina, Metha Chamil Arkhasa Nikko Mazlan David Poluan diaz, Khaerul Umam Edi Nugroho, Antonius Eka Titi Andaryani Eko Raharjo Eko Sugiarto Emah Winangsit Erawati, Yahyar Fajry Sub'haan Syah Sinaga Farras, Abdul Rahman Ferani Mulianingsih Givan Sonya Gani Hartono Hartono Ilham Anwar, Iqo Julitasari, Putri Ajeng Wulan khoiriyah, niswati Korsini, Perseveranda Putra Lubis, Maya Ningsih Malarsih Malarsih Manuel Pratama, Ritchie Maria Johana Ari Widayanti Maria Magdalena Cita Hapsari Mauassa, Teguh Yusuf Vertian Muchsin, Ibnu Amar Muhammad Asyraf Mohd Bakri Muhammad Jazuli Munkhakim, M. Ali Na:am, Muh Fakhrihun nabilunnuha, mantaaba zukhruf Nugroho, Septian Cipto Nurpratiwi, Hany Pamarti Ningrum, Indrianna Dyah Perseveranda Putra Korsini Pinta Resty Ayunda Prabowo, Anik Pradipta, Nareswara Bima Pramana, Andi Dwi Resqi Prasetyo, Kuncoro Prima Suci Lestari Puteri Vebry Ananda Putri Ajeng Wulan Julitasari Rahina Nugrahani Restu Ayu Mumpuni, Restu Ayu Riska Damayanti, Riska Rohidi, Tjetjep Rehendi Sinaga, Fajry Sub'haan Syah Siti Ekowati Rusdini, Siti Ekowati Slamet Haryono Suharto S Suharto Suharto Suhaya Suhaya, Suhaya Sulistyami, Ibtisamah Hidayatullah SUNARTO Sunarto Sunarto Susanto Susanto Syah Sinaga, Fajry Sub'haan Tri Marhaeni Pudji Astuti Udi Utomo Udi Utomo Udi Utomo Victor Ganap Wadiyo Wadiyo Wahyu Lestari Wahyu Lestari Wahyu, Muhammad Panji Wandah Wibawanto Widna, Maria Angelita Winangsit, Emah Zulfa, Novita Hana