Claim Missing Document
Check
Articles

Reading Muslim Tionghoa Culture by Integrating Indigenous Muslim Culture in Indonesian in the Context of Han Kitab Dwi Astuti Wahyu Nurhayati; Afifatul Munawiroh
Journal of Integrative International Relations Vol. 4 No. 1 (2019): May
Publisher : Center for Integrative International Studies Laboratory, Faculty of Political and Social Sciences, UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/jiir.2019.4.1.73-82

Abstract

This paper based on exploratory and library research. There are three research questions in this paper; first, How do you explain the indigenous Muslim culture and Muslim Tionghoa in Indonesia? Second, How to combine Muslim Tionghoa and indigenous Muslim culture in Indonesian? Third, How is the incorporation of Chinese and indigenous Muslim cultures in Indonesian affected in the context of Han Kitab? With phemenology approach, researcher analyzed how incorporation of Muslim Tionghoa and indigenous Muslim cultures in Indonesia affected in the context of Han Kitab. Then, the researcher explains the indigenous Muslim culture and Muslim Tionghoa in Indonesia by content analysis.
Recontextualization of Power Symbols in Public Space: The “Tot Tot Wuk Wuk” Phenomenon in Indonesia Through a Multimodal Critical Discourse Analysis Approach Nehru, Nio Awandha; Nurhayati, Dwi Astuti Wahyu; Suspaningrum, Dewi
Linguistics and ELT Journal Vol 13, No 2 (2025): Desember
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/leltj.v13i2.36428

Abstract

This study aims to analyze how symbols of state authority are recontextualized and transformed within digital public spaces through the “Tot Tot Wuk Wuk” phenomenon in Indonesia, employing a Multimodal Critical Discourse Analysis (MCDA) approach and a constructive qualitative methodology with Genre and Multimodal (GeM) analysis design. The phenomenon illustrates the appropriation of state authority symbols, such as strobe lights, sirens, and imitation license plates by civilians without official authorization. These acts not only constitute legal violations but also serve as social expressions of status and prestige. Drawing on Theo van Leeuwen’s framework of social actor representation and recontextualization, as well as Kress and van Leeuwen’s concept of social modality, this research analyzes visual, verbal, and legal modes across various online media texts, digital images, and viral social media videos. Using a constructive qualitative methodology, the study goes beyond mere description to interpret the social and ideological meanings underlying these symbolic practices, integrating the researcher’s reflective interpretation as the primary analytical instrument. The findings reveal that the “Tot Tot Wuk Wuk” phenomenon operates as a multimodal discourse interlinking legality, morality, and the performativity of power. Symbols of authority are recontextualized into tools of social identity expression, signifying status disparities and the desire for symbolic legitimacy within public spaces. However, this study is limited by its reliance on secondary data, which constrains deeper validation of audience perceptions and real-world behavioral impacts related to the “Tot Tot Wuk Wuk” phenomenon