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All Journal Humaniora E-Jurnal Kajian Budaya E-Journal Of Cultural Studies MUDRA Jurnal Seni Budaya Lembaran Sejarah Mulia International Journal in Science and Technical Jurnal Konstruksi Hukum

Anak Agung Bagus Wirawan

Prodi Sejarah, Fakultas Ilmu Budaya, Universitas Udayana

Author-ID : 418964

Religion Arts Humanities Computer Science & IT Control & Systems Engineering Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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THE STRUGGLE OF TOURISM MANAGEMENT OF TANAH LOT CULTURAL HERITAGE IN BERABAN VILLAGE, TABANAN Laksmi, A.A. Raka Sita; Ardika, I Wayan; Wirawan, A.A. Bagus; Mudana, I Gede
E-Journal of Cultural Studies Vol 8 No 4 (2015): Volume 8, Number 4, November 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The struggle of management of Tanah Lot tourism interest cultural heritage is a conflict among Tabanan government, CV Aryjasa Wisata, and Beraban people because of the unsatisfactory of the community toward the involvement of CV Aryjasa wisata. The problems in this research are (1) how is the dynamics of the struggle in managing tourism interest cultural heritage Tanah Lot, (2) what is the ideological background of the struggle in managing tourism interest of Tanah lot, and (3) what is the meaning of the struggle of management of Tanah Lot tourism interest. They are analyzed by applying theory of practice (Bourdieu), theory of power and knowledge (Foucault), and theory of communicative acts (Habermas). Data collection is conducted by technique of observation, interview, and documentation. The result of the research shows, firstly, the dynamics of the struggle is a historical continuity and discourse discontinuity started from the emergence of the idea in 1971 until 2011 which produced four systems of management which covered personal, contract, collaboration and partnership. The practical struggles includes system of management, position of operation manager, ownership of cultural heritage, and the struggle of power. The representation of the struggle’s result is in the form of management board construction and operation management. Secondly, the ideological background of the struggle covers capitalism, tourism, and tri hita karana. Thirdly, the meaning of the struggle covers; democratization strengthen, community empowerment, cultural heritage preservation, and the needs of the tourism industry image.

BALINESE WOMEN IN DIVORCE AND ITS SETTLEMENT (FROM HISTORICAL AND GENDER PERSPECTIVES) Mahyuni, Ida Ayu Putu; Wirawan, AA Bagus; Ariani, I Gusti Agung; Wiasti, Ni Made
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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Cultural and structural injustice resulting from the difference in genre which has been strongly adhered to by the Balinese community has been responsible for divorce, its settlement, and its implication on the Balinese women in Denpasar City. This study was intended to deconstruct, anticipate and implant the concept of structural and cultural injustice resulting from the difference in genre. The data were qualitatively analyzed using the analysis of gender. The theories used were the critical theory of postmodern such as the theory of hegemony and the theory of deconstruction and the other critical theories which are relevant to the present study. The result of the study shows that the divorce undergone by the Balinese women was the manifestation of the structural and cultural injustice resulting from the difference in gender. The decisions made through the traditional law and the Act Number 1 of 1974 concerning Divorce are still biased in regard to genre. The divorce undergone by the Balinese women affected the related families (the ex-wife’s family, the ex-husband’s family, and the other families related to them. The patriarchal ideology caused the Balinese women to be marginalized and subordinated and sensitive to both physical and psychological coercions. Economically, they were also neglected. The injustice in gender could also be eternalized through legal regulations. The Act Number 1 of 1974 concerning Marriage is still biased; it still refers to the traditional law which benefits men in divorce.

THE BACKGROUND OF MARKET IDEOLOGY IN THE DEVELOPMENT OF BELADIRI AIKIDO IN BALI Nurita, Wayan; Suarka, I Nyoman; Wirawan, AA Bagus; Dhana, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Quite a lot of Balinese people nowadays are pursuing different martial arts coming from other nations, among others is Aikido. Aikido as one of the martial arts of Japan can be accepted and is growing well in Bali which has the background of market ideology as one of the impacts of globalization. The development process of Aikidoin Bali both in addition to the number of training venues (Dojo) and improving the quality of the participants’ techniques (Aikidoka) under the supervisionof Bali Aikido Master Organization (Bari Aikikai) which has been established since 1997. By questioning what kind of ideology is working in the development of Aikido Martial Arts in Bali, this research is a qualitative research which applies the Hypereality theory of Jean Baudrillard. Result of the research shows that the development of aikido martial arts in Bali both in the development of the dojo and the aikidokaare in the process to reach certain levels. In order to reach both, the allocation of time and funds are required. Bari aikikai is a Japan subordinate of aikidomartial arts organization (Nihon Aikikai). Everything related to the development of aikido martial art in Bali is done through Bari Aikikai. The Japanese as the cultural owner and discourse producer play an important role in relation to the market ideology in it. This condition and realitycan be seen in the development process of aikido martial art in Bali. Both the dojo and aikidoka managers spend a lot of money in terms of training in the form of compulsory dues and other dues payment. This research also found a new paradigm that behind the acceptance and development of aikidomartial artsas the globalization of culture, there is market ideology behind the discourse.

POWER OF MEDIA IN INDUSTRIALIZATION OF BALINESE POP MUSIC Ardini, Ni Wayan; Wirawan, A.A Bagus; Suarka, I Nyoman; Sugiartha, I Gede Arya
E-Journal of Cultural Studies Vol 8 No 4 (2015): Volume 8, Number 4, November 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The development of technology, the economic system, and the culture of new music, has caused the Balinese pop music to be industrialized since 1990s. The existence of many recording studios and musicians (composers, singers, and music players) and many other related products all over Bali has also contributed to this. Through the recording products, various types of direct performances and so forth have caused the Balinese pop music to be the commodity of the capitalistic pop culture which is preferred by society. Such industrialization is formed by the power of media (musicians), capitalistic power (the capital owner such as the producer/recording studio owner), and the power of media. This present study was conducted in order to identify the phenomenon of one of three powers in such industrialization, namely, the power of media, especially television. The result of the study shows that the power of television media in the industrialization of the Balinese pop music is the resource which contributes to the distribution of products which are produced for the market or the prospective market in Bali. The television studio which plays the greatest role is the Bali TV. It was established in 2002, namely, the year when the political decentralization in Indonesia started, following the reformation era which started in 1998. Through the regional autonomy, the ethnical local cultures in Indonesia, including the Balinese pop music, were empowered. The Bali TV with “Ajeg Bali” as its ideology has what is called “Klip Bali”, “Tembang Bali” (100% local)”, and “Samatra Artis Bali” programs. The viewers from all over Bali like such programs very much. The more often they are presented (viewed and listened to), the more the Balinese pop music products obtain the promotional and marketing value. A great number of products, including the Balinese pop music, are continuously introduced to the society. The power of media has developed into capitalism and the Balinese community has become the object of its consumption.

MONSEHE RITUAL PERFORMED BY CULAMBU ETHNIC PEOPLE IN NORTH KONAWE REGENCY, SOUTHEAST SULAWESI Mustaman, Mustaman Mustaman; Kumbara, A.A. Ngurah Anom; Wirawan, A.A. Bagus Wirawan; Arsana, I Gusti Ketut Gde
E-Journal of Cultural Studies Vol 8 No 1 (2015): Volume 8, Number 1, Februari 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

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The existence of the local culture in the globalization era is a highly interesting phenomenon to explore. The close relationship between human beings and the culture proves that human beings cannot live without culture; how primitive they are, as exemplified by the life of the Culambacu ethnic people. Based on such an assumption, the monsehe ritual becomes an interesting thing to explore. The problems of the present study can be formulated as follows: how the monsehe ritual performed by the Culambacu ethnic people is like; what ideologies contribute to the monsehe ritual; and what meaning it contains. The data in the present study were collected through observation, interview, library research, and documentation. The theory of functional structure, the theory of semiotics, and the theory of hegemony were used to analyze the problems of the study. The result of the study shows that, first, the monsehe ritual is performed to ward off misfortune (mosehe inia) and to settle conflict and adultery, and to treat sick people. In addition, it is also performed as part of the death ceremony. Second, the monsehe ritual contains cosmological ideology and religious ideology. Third, the totality of the mosehe ritual which is performed by the Culambacu ethnic people is accumulated in the form of symbols which are rich in meanings such as religious meaning, harmonious meaning, educational meaning, identity meaning, social control meaning, and solidarity meaning.

CHARACTER VALUE DISCOURSE IN BALI'S POP SONG AND DENPASAR CITY’S PUBLIC RECEPTION Sri Marheni, Komang; Wirawan, A.A. Bagus; Anom Kumbara, A.A. Ngurah; Suarka, I Nyoman
E-Journal of Cultural Studies Volume 12, Number 1, February 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Character discourse surfaced in response to globalization. Balinese pop songs also contribute to discourse of character values ??in the context of the mass culture industry. This study reveals the ideology, form, and reception of people in Denpasar on the discourse of character values ??in Balinese pop songs. Through a qualitative method with a critical discourse analysis approach based on the semiotic theory, deconstruction, and reception aesthetics, it was concluded that the ideology that constructs the discourse of character values ??in Balinese pop songs includes religious ideology, Ajeg Bali, capitalists, and mass media within the scope of industrialization of mass culture. Forms of character value discourse in Balinese pop songs include the value of religious, nationalist, independent, mutual cooperation, and integrity in various song themes. The public reception in Denpasar on the discourse of character values ??is relatively diverse and ambiguous, both to the meaning of song, capitalist power, producer power, and to the power of the mass media. This study found that the discourse of character values ??in Balinese pop songs reflects ideological construction in the mass culture industry. There is a tendency to shift from the meaning of the song to the aesthetic and artistic realm in accordance with consumer responses. The theory of moral criticism of mass culture is confirmed that the discourse of character values ??in Balinese pop songs can be developed by negotiating meaning, aesthetics, and artistic. Keywords: discourse, character values, Balinese pop song, reception of community

DISMANTLING PUBLIC SERVICE PRACTICES IN THE ISSUANCE OF RESIDENT IDENTITY CARD IN TEGAL HARUM VILLAGE, DENPASAR Merta, I Nengah; Anom Kumbara, A.A. Ngurah; Wirawan, A.A. Bagus; Darmana, Ketut
E-Journal of Cultural Studies Volume 12, Number 2, May 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The Bali bombing tragedy of 12 October 2002 has killed hundreds of souls. The event brought about the impact of major changes for Balinese people. Uncontrolled migrants are regarded as one of the causes of the Bali bomb tragedy. The event then took the policy to control the attendance of migrants (TAMIU) through the decree of the mayor of Denpasar No. 610, the year 2002 that is a concern that migrants living in Denpasar must have a resident identity card Entrants (KIPP). The purpose of this research is to understand and analyze the Praaktik of KIPP's publishing services as a control device of expat resident in Denpasar City based on the spirit of prod Dharma. Data collection methods are performed with observations, interviews, and documentation. Technical data is done qualitatively. The research finds that KIPP's publishing has not been successful as a control device for the number of migrants. KIPP's service practices are inefficient, not transparent and unaccountable. The reason is that the existence of dualism of customary village and the village of Dinas, human resources are still weak, facilities and infrastructure that is not refresentative that implicates to the open opportunities of corruption, collusion and nepotism, public service costs High, the number of unsynced population at the village level, sub-districts, or even provincial-level patents and increasing social pathology. This paper suggests the need for the assertiveness of the rules between the authority of indigenous villages and Dinas, need to increase the quality of human resources, especially the lower level, and the strict action to actors who are not disciplined in carrying out their duties. Keywords: public service, excellent service, the identity of the resident, prod Dharma.

RECONSTRUCTION OF HINDU PRIEST IN THE DYNAMICS OF THE INTER TRI SADHAKA AND SARWA SADHAKA IN BALI Redana, Made; Wirawan, A.A. Bagus; Parimartha, I Gde; Anom Kumbara, A.A. Ngurah
E-Journal of Cultural Studies Volume 12, Number 2, May 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The reconstruction of Hindu Pandita in Bali marked a polarization of Hindu Pandita set in the difference of the clan (Soroh) and the belief system needs to be examined more deeply. The fact shows that there are still many Hindus who think that the Hindu Pandita belong to the Brahmin clan. This gap can be a stimulant misintensity against the issue of the Kapanditan and the condition to construct "Homo hierarchicus versus Homo ecqualis are engaged in Bali in war without End". The research aims to (1) understand the foundations of the thinking of the reconstruction of the Hindu Pandita (RPH) in the dynamics between Tri-Sadhaka and the unconscious Chi Wildlife Station in the Balinese people, (2) understand the driving factors of Hindu's pandy reconstruction in Bali in The dynamics between Tri-Sadhaka – Sarwa Sadhaka, and (3) analyzing the implications of Balinese Hindu's impartiation. This research uses a mix method with the priority of using qualitative methods, which are supported by quantitative methods with value inventory techniques. The theory used as a foundation is the theory of power relations, structuration, deconstruction. The results of this study pertain to three things; First, reconstruction of the fundamentals of Hindu Pandita Thinking in the dynamics between Trisadaka and Chi Wildlife Station Sadaka is the efforts of the description of attitudes and personalities, value-conscious competence, and integrality. In the sense of the Hindu Pandita, which is personally integral, intact, and that is considered sacred, glorious, since he was in prayer beads spiritually through the process of diksa. Secondly, the impetus factors of Hindu reconstruction in the dynamics between Tri-saddleted and a Godly Chi wildlife station in Balinese people concerning historical and geneological dimensions, increased knowledge and chastity factors as a mode of adaptation to Pandita, a social movement in the competition's status, and ideas for movement change. Thirdly, the implications in the dynamics of competition between Trisadaka and Sarwasadaka are concerned with the ideological, social and economic pragmatism and importance of power. Keywords: the reconstruction of Hindu priest, the dynamics, tri and sarwa sadhaka, economic pragmatism and power

HEGEMONY OF MODERNITY IN THE PRACTICE OF USADA BALI TREATMENT IN DENPASAR Suatama, Ida Bagus; Anom Kumbara, A.A. Ngurah; Wirawan, A.A. Bagus; Arjani, Ni Luh
E-Journal of Cultural Studies Volume 12, Number 1, February 2019
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The phenomenon of the hegemony of modernity in the practice treatment of Usada Bali in Denpasar City is interesting to observe. On the one hand, public interest in Usada Bali is still quite high, but also on the other hand modern medical dominance is so strong. Through a postmodernism approach and a qualitative method that relies on the workings of critical theory, its causes, forms, and implications, reveal this phenomenon. The cause of the hegemony of modernity is due to state regulation, the modern and traditional medical dichotomy, the disposition of rationality, and the expansion of material energy. The form of modernity hegemony includes the formalization of medical practices, identity mimesis, praxis of praxis awareness, and commodification of Usada Bali. The implications of the hegemony of modernity includes the strengthening of the existence of Usada Bali, the competition of health services, the reproduction of medical discourse, and the ambivalence of spirituality. This study found that modernity has more power, than traditional values. The discourse of development and empowerment of traditional medicine has not targeted Usada Bali as autonomous knowledge. The violations of sasana balian undoubtedly due to the strong influence of materialism. The existence of Usada Bali is in line with the community’s belief in the etiology of sakala and niskala. Keywords: Hegemony, Modernity, Practice of Medicine, Usada Bali

RESPONS LOKAL TERHADAP REVOLUSI INDONESIA DI SUNDA KECIL, 1945 – 1950 A.A Bagus Wirawan
Humaniora Vol 20, No 1 (2008)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Many studies about national revolution or freedom war more likely show their view based on the “national” perspective. But recently, It seems to be necessary to see from the local perspective. Only based on the local perspective which elevates the response of local dynamic, the understanding of the National Revolution will be better and having much more complete illustration. The local dynamic can be a reflection of the main territory command, which has autonomous characteristic, and the local events represent the authentic reflection of internal dynamic, although the fluctuation is influenced by outsider. In other words, the events of local dynamics such as the response of the local people to revolution taking place in Sunda Kecil are very relevant to explain the National Revolution which was indicated by the beginning process of forming nation identity toward the modern Republic of Indonesia.

Co-Authors A.A Rai Wahyuni A.A. Gede Raka Raka, A.A. Gede Raka A.A. Ketut Agung Cahyawan W A.A. Raka Sita Laksmi, A.A. Raka Sita Anak Agung Ayu Rai Wahyuni Anak Agung Inten Asmariati Anak Agung Ngurah Anom Kumbara Arba Wirawan, I Komang Ariadi Retno Tri Hayati Ririd Bambang Dharwiyanto Putro Bambang Parmadie Cerita, I Nyoman Dini Eka Wulansari Dyah Nur Rochmah Endah Nurjanah Fransiska Dewi Setiowati Sunaryo Gede Yoga Kharisma Pradana Hendra Pradibta I Gde Parimartha I Gede Arya Sugiartha I Gede Arya Sugiartha, I Gede Arya I Gede Mudana I Gusti Ayu Agung Ariani I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Gusti Made Aryana I Ketut Sariada, I Ketut I Ketut Suada I Made Pageh I Nengah Merta I Nyoman Artayasa I Nyoman Dhana I Nyoman Sirtha I Nyoman Suarka I Nyoman Sukerna, I Nyoman I Wayan Ardika I Wayan Cika I Wayan Gede Mahaputra I Wayan Sujana I Wayan Swandi I Wayan Tagel Eddy Ida Ayu Putu Mahyuni Ida Ayu Wirasmini Sidemen Ketut Darmana KHANIZAR, KHANIZAR Mustaman Mustaman Mustaman, Mustaman Mustaman Nengah Bawa Atmadja Ngakan Putu Oka Segara Ni Luh Arjani Ni Made Anggi Septiarana Ni Made Puspasutari Ujianti Ni Made Ruastiti NI MADE WIASTI Ni Wayan Ardini, Ni Wayan Nurjaya Cs Pande Made Sukerta Parmadi, Bambang Putu Budiartha, I Nyoman Putu Sukardja Redana, Made Ris Buhan Salsabila, Unik Hanifah Siregar, Mangihut Sri Marheni, Komang Suatama, Ida Bagus Sulandjari . Wahyuni, Anak Agung Nyoman Sri Wayan Nurita Yudha Aditama

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