Garuda - Garba Rujukan Digital

p-Index From 2021 - 2026

0.408

P-Index

This Author published in this journals

All Journal Humaniora E-Jurnal Kajian Budaya E-Journal Of Cultural Studies MUDRA Jurnal Seni Budaya Lembaran Sejarah Mulia International Journal in Science and Technical Jurnal Konstruksi Hukum

Anak Agung Bagus Wirawan

Prodi Sejarah, Fakultas Ilmu Budaya, Universitas Udayana

Author-ID : 418964

Religion Arts Humanities Computer Science & IT Control & Systems Engineering Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

Published : 33 Documents Claim Missing Document

Claim Missing Document

Articles

1 2 3 4

CONFLICT BETWEEN TWO VILLAGES ON TELEVISION SCREEN: ANALYSIS OF THE DISCOURSE OF BALI TV COVERAGE ON KEMONING-BUDAGA CASE Wirawan, I Komang Arba; Ardika, I Wayan Ardika; Wirawan, A.A. Bagus Wirawan
E-Journal of Cultural Studies Vol 8 No 2 (2015): Volume 8, Number 2, May 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study is intended to analyze the discourse of Bali TV coverage on the Kemoning –Budaga case, Bali, a conflict which took place on 17 September 2011, which led to discourse of the dispersal of the traditional village ‘desa pakraman’. Such coverage of the case was considered blaming the Governor of Bali, Mangku Pastika. He was reported to intend to disperse the traditional villages in Bali. The Bali TV and Bali Post, which are under the Bali Post Media Group ‘Kelompok Media Bali Post’ (abbreviated to KMB) continuously exploited the discourse of the dispersal of the traditional village subjectively. The Governor of Bali, Mangku Made Pastika, did not accept that and prosecuted the Bali Post in Denpasar Court of First Instance ‘Pengadilan Negeri Denpasar’. The theory of discourse, the theory of agenda setting, the framing theory, and the theory of semiotics are used in the present study. The result of the analysis shows that the conflict between Kemoning Village and Budaga Village covered by the Bali Post was an extended discourse of the Bali Post printed media which was managed using a clear setting agenda for the social, political, and ideological interests of the KMB’s Ajeg Bali. The relation between the Governor of Bali, Mangku Made Pastika, and KMB, which was good in the beginning, changed into a serious conflict. It is interesting to explore the discourse of the Bali TV’s news release which aggravated the conflict in order to identify the subjective agenda of the news broadcasting policy and the counter discourse as the response to it. The main data of the present study are the discourse of the news released by the Bali TV on the Kemoning-Budaga case. The data were in the forms of the documents of the materials which were once presented. The Governor of Bali, Mangku Made Pastika, made use of the Department of the Public Relations of the Government of Bali Province and the media beyond the KMB such as the TVRI Bali and Radar Bali to present his counter discourse. The discourse on the Kemoning-Budaga Case shows a real example how the mass media do not pay attention to objectivity for the sake of power.

GENEALOGY OF TABUT RITUAL CULTURAL AESTHETICS OF THE SUMATRAN WEST COASTAL COMMUNITY KHANIZAR, KHANIZAR; Wirawan, AA Bagus; Sulistyawati, Sulistyawati; Sukardja, Putu
E-Journal of Cultural Studies Vol 9, No 3 (2016): August 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

The tabut ritual is performed in the West Coastal area of Sumatera to commemorate Imam Husein Bin Ali Abi Thalib when he was captured by the soldiers of Yazid Muawiyah in Padang Karbala. It is performed once a year, from the first to the tenth of Muharam, which is counted based on the Hijirah year. This present study is intended to investigate the form, function, and meaning of the genealogy of the tabut ritual which is performed in and as the identity of the West Coastal Area of Sumatera. It tries to (1) discuss and deconstruct the values of such a ritual as the community’s identity which tightens the cultural value of the Sumatran West Coastal community; (2) exploits the tabut ritual as the form of the Sumatran West Coastal community’s identity; (3) apply the function of the ethnical aesthetics; (4) explain the aesthetic meaning in its relation to religion and customs and traditions. Three theories were used to answer the problems of the study; they are the theory of genealogy proposed by Michel Foucault and the postcolonial theory. What could be concluded from the present study are as follows. The genealogical forms of the tabut ritual which is performed in the West Coastal are of Sumatera reflects the community’s cultural aesthetics and functions to purify the soul; it also reflects religiosity, mystical and aesthetic experience and the hegemony which exceeds the postcolonial patronage, meaning that such a ritual has the purification function. It also reflects the cosmological aesthetics of the supporting community. It has deconstruction and aesthetical genealogical meaning.

DECONSTRUCTING THE IDEOLOGY OF RESISTANCE SHOWN BY THE PEOPLE LIVING AT CANDIKUNING VILLAGE TO THE MANAGEMENT OF EKA KARYA BALI BOTANICAL GARDEN Sujana, I Wayan; Wirawan, A.A Bagus; Sirtha, I Nyoman; Dhana, I Nyoman
E-Journal of Cultural Studies Vol 9 No 1 (2016): Volume 9, Number 1, February 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

The people living at Candikuning Village are not involved in the management of the Eka Karya Bali Botanical Garden; however, they intend to enjoy the retribution which is received by the Botanical Garden, for which they show their resistance to the management. This article is intended to understand the ideology which has inspired the local people to argue that they are entitled to the retribution received by the Eka Karya Bali Botanical Garden. The data were collected through in-depth interview, observation, and documentation techniques. The data were critically analyzed using the deconstruction method. Based on the analysis of the facts which had inspired the resistance shown by the local people living at Candi Kuning Village to the management of the Bali Eka Karya Botanical Garden, it could be understood that the geopolitical ideology was used as the basis of the resistance. Therefore, the management of the Bali Eka Karya Botanical Garden should give some of the retribution they received to the local people. The Botanical garden is located at Candikuning Village or part of the area of Candikuning Village. However, the village had never received any retribution from the Botanical Garden. The management should remember the proverb “di mana bumi dipijak di situ langit dijunjung” (we should adjust ourselves to the environment where we stay), based on the philosophy of Tri Hita Karana, meaning that the management should give retribution to the temple located at the area of the Botanical Garden.

THE BARONG LANDUNG PERFORMING ART FROM THE PERSPECTIVE OF CULTURAL ACCULTURATION Cerita, I Nyoman; Wirawan, AA Bagus; Suarka, I Nyoman
E-Journal of Cultural Studies Volume 10, Number 2, May 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The Barong Landung performing art, as the acculturation of the Balinese culture and Chinese culture, has opened the new history of the relationship between the Balinese culture and Chinese culture. The acculturation has also become the peak of the Chinese cultural impact on the Balinese culture in general and the Balinese performing art in particular. Moreover, Balong Landung has also been considered the symbolic appearance of the Balinese King, Sri Aji Jaya Pangus, and his wife, Kang Cing Wie, who governed from 1099 to 1103 Caka Year. The qualitative method was used in the present study and the data were collected through library research. The data were collected through the secondary data source. The primary data were collected through interview, observation, and documentation techniques. The result of the study shows that the barong landung performing art is a traditional Balinese performing art which has been affected by the Chinese culture. It has been strongly integrated into the elements of the people’s performing art and culture in every region of Bali. In Bali it reflects the humanity-oriented culture. It can be classified as the sacred, magical, and religious performing art and is performed as part of the traditional and religious rituals in Bali.

TRANSFORMATION OF DOL MUSIC IN THE MUSICALITY OF TABOT RITUAL, BENGKULU CITY Parmadi, Bambang; Kumbara, A.A. Ngurah Anom; Wirawan, A.A. Bagus; Sugiartha, I Gede Arya
E-Journal of Cultural Studies Volume 11, Number 2, May 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Originally, Dol music was used as means of religious musicality to spread Moslem religion in Bengkulu. As time goes by, through the process of acculturation and assimilation, Dol music becomes a sacred musicality to accompany the ritual procession of Tabot, Sipai tribe (Tabot family) in Bengkulu city. Globalization and the interference of power bring the change complexity of Dol musicality as Tabot ritual music in the socio-culture of Bengkulu society. The aim of this research is to understand and explain the occurrence of Dol music transformation and its implication to the socio-cultural system in Bengkulu society. The approach implemented is cultural studies with qualitative analysis technique. It is applied critical and popular culture theories to uncover the focus of the problem in this study. The result shows that Dol music undergoes musical transformation as Tabot ritual music into a secular and profane music, resulting in the expansion of function and form. Therefore, Dol music is legitimized into traditional music icon of Bengkulu, in a wider and freer scale, shifting the Tabot’s popularity and sacred rituals as the “Heritage of the World in The Trust” of Bengkulu’s folk art culture. This has implications for all socio-cultural joints of the people in Bengkulu city, triggering a qualitative change in socio-cultural evolution to the form of divergence. It means that Dol music was originally a sacred/ religious music tradition, developed following the increasingly complex transformation as a mass culture in Bengkulu.

COMMODIFICATION OF TEKTEKAN CALONGARANG AT BATURITI, KERAMBITAN, TABANAN Sariada, I Ketut; Wirawan, AA Bagus; Kumbara, Anak Agung Ngurah Anom; Ruastiti, Ni Made
E-Journal of Cultural Studies Vol 9, No 2 (2016): May 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Tektekan Calonarang is a Calonarang drama dance which is performed for a new model of tourism, and is accompanied with what is referred to gamelan tektekan. In general, the Balinese people disagree that a sacred cultural element is performed for tourism. However, those living at Baturiti Village support the commodified Tektekan Calongarang in which what are referred to as sacred barong and rangda are performed. This has led to many questions as such a performing art contrasts with the Balinese people’s attitude in general. The problems of the present study are formulated as follows: why the people living at Baturiti Village, Kerambitan, Tabanan, support the commodified Tektekan Calongarang using the sacred rangda and barong; what was such a commodification like; what was its implication on those who were involved in it, society, and such a performance itself. This present study is a qualitative one in which a number of related critical theories were used such as the theory of deconstruction proposed Jacques Derrida, the theory of social practice proposed by Pierre Bourdieu, and the theory of power/knowledge proposed by Michael Foucault. The result of the study showed that the commodified Tektekan Calonarang in which the sacred barong and rangda were used was performed in the forms of a procession and the Tektekan Calonarang performance. The market ideology, the developmental ideology, the religious ideology, and the conservation ideology inspired the commodified Tektekan Calonarang which involved the sacred barong and rangda performed for tourism. Such a commodification increased the income of those involving in such a performance and the local people (multiplier effects), the perpetuity of the magical strength of such barong and rangda, the market/tourism interest, and strengthened the local people’s social solidarity. The novelty of the present study was that there was no degradation of sacredness although the sacred rangda and barong were commodified for tourism. The reason is that every time such a performance was performed, a ritual was performed to purify such barong and rangda contextually.

BALISEERING GENEALOGY: DECONSTRUCTING THE DUCTH COLONIAL EDUCATION IN NORTH BALI AND ITS IMPLICATION IN GLOBALIZATION ERA Pageh, I Made; Kumbara, A.A Ngurah Anom; Wirawan, A.A. Bagus; Sukardja, Putu
E-Journal of Cultural Studies Vol 8 No 4 (2015): Volume 8, Number 4, November 2015
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Baliseering in education hides the motives of the colonial ideological interest which are inserted in various colonial policies; it is hegemonic in regard to its structure and culture and has widely affected North Bali. In this present study, the qualitative method was used. In other words, the data were collected through interview, observation, and library research. The data were analyzed using the genealogic concepts of knowledge, domination, and hegemony (Foucault, Gramsci, and Giddens). However, the data which were related to education were eclectically analyzed using the concepts proposed by Bourdieu, Paulo Freire, and Ivan Ilich. The result of the study shows that genealogically Baliseering in education hide the colonial ideology and interest which was inserted in various discourses of colonization and hegemony in the society’s structure and culture with its wide impact. The motivation of Baliseering was obtaining cheap human resources in the bureaucratic modernization and making Bali an exotic tourist destination. The structure and culture of the Balinese people were created in a dominative and hegemonic way through hegemonic and colonial concepts in the traditional villages ‘Desa Pakraman’ in Bali. Its implication was highly wide; the political structure had been made to be hegemonic. In addition, ethnocentrism, primordialism, and colonization had been made to appear in both formal and informal education, causing liberalism and internationalism to appear. Apart from that, education had been made to be marginalized for the poor.

CONTROVERSY OVER MANGASE UDAN RITUAL AT SIANJUR MULAMULA DISTRICT, SAMOSIR REGENCY, NORTH SUMATRA Siregar, Mangihut; Kumbara, A.A. Ngurah Anom; Wirawan, A.A. Bagus
E-Journal of Cultural Studies Volume 11, Number 1, February 2018
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The mangase udan ritual is a Batak tradition when they still embrace the Parbaringin school. This ritual is done when they face a prolonged dry season. The entry of the Dutch colonial to the Tapanuli region, as well as the broadcast of religion make this ritual becomes a forbidden tradition. On October 10, 2016, the mangase udan ritual was performed again at Dolok Simanggurguri, Sianjur District, Mulamula District, Samosir Regency, North Sumatera. The implementation of the ritual mangase udan experience pros and cons in society. To explore this pro and contra attitude, it is necessary to conduct research which is aimed to know how the implementation of mangase udan ritual does; why there is controversy about the ritual; and what are the implications of the mangase udan ritual controversy. The method used in this research is qualitative method. Theories used to analyze the problems are power/knowledge (discourse) theory, postcolonial theory, and social practice theory. The results showed that the mangase udan ritual was carried out in Sianjur Mulamula District due to a prolonged drought. Through the implementation of the mangase udan ritual, the stoning kings wanted to show their existence. The Catholic Church supports the implementation of the mangase udan ritual in order to broadcast the religion while the Christian church rejects it for the reasons that it is in contrary with Christianity. The implications of the mangase udan ritual controversy are the increasingly high polarization between the Christianity and the Catholicism. There is another implication that is the Catholic religion has good relation with the government and the relationship between Christianity and the government is not good.

TRANSFORMATION OF TRADITION OF BARONG NGELAWANG IN TOURISM AREA OF UBUD, GIANYAR, BALI Sukerna, I Nyoman; Wirawan, A.A Bagus; Kumbara, A.A. Ngurah Anom; Sukerta, Pande Made
E-Journal of Cultural Studies Vol 9 No 1 (2016): Volume 9, Number 1, February 2016
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar

Globalization carries new values and touches all aspects of life, one of which is the tradition of barong ngelawang. This present study is intended to discuss the pattern of transformation, ideology and meaning of the tradition of barong ngelawang in the tourism area of Ubud, Gianyar, Bali. The study views the tradition of barong ngelawang as a text of which the context, why and how it is performed should be understood. The theory of social practice, the theory of ideology, and the theory of semiotics were used to analyze the data. The descriptive and interpretative method was employed. The result of the study shows that the tradition of barong ngelawang in Ubud was transformed from being a scared performance into a secular performance, and from a secular performance into a sacred performance. The transformation also took place in the space dimension. The ideologies which led to the activity of barong ngelawang were the religious ideology and solidarity ideology. The secular activity of barong ngelawang was dominated by the ideology of creativity and the economic ideology. From the ideological context, the meanings which could be revealed from the activity of barong ngelawang were the religious meaning and artistic meaning. From the superstructure context, the meanings that could be revealed were the social stratification meaning, the job description meaning, and the educational meaning. From the infrastructure context, the meaning which could be revealed was the economic meaning.

POWER BEHIND HARMONY: CRITICAL ETHNOGRAPHY OF RELATION BETWEEN CHINESE ETHNIC GROUP AND BALINESE ETHNIC GROUP AT PUPUAN VILLAGE, TABANAN, BALI Aryana, I Gusti Made; Wirawan, AA Bagus; Atmadja, Nengah Bawa
E-Journal of Cultural Studies Volume 10, Number 3, August 2017
Publisher : Cultural Studies Doctorate Program, Postgraduate Program of Udayana University

The harmonious relation between the ethnic groups living at Pupuan Village can be evidenced by the inter-ethnic marriages. The problems of the present study can be formulated in three questions. They are why the Chinese ethnic people can live harmoniously with the Balinese ethnic people, how is the dynamics of the power behind the harmonious relation between the Chinese ethnic people and Balinese ethnic people at Pupuan Village, and how the educational model implemented by the Chinese ethnic people and Balinese ethnic people is developed to contribute to the harmonious relation between the two ethnic groups from the ethno pedagogic perspective. The descriptive and qualitative method was used in the present study. The data were collected through in-depth interview, observation, and documentary study. The data were analyzed using the interactive analysis method. The theories used include the Theory of Practice proposed by Bourdieu, the Theory of Discourse of Power/Knowledge proposed by Foucault, theory of Habernas Education, and so forth. The result of the study shows that there are several reasons why the relation between the Balinese ethnic people and Chinese ethnic people has become harmonious. They use power and capital. The Balinese ethnic people use the spiritual capital (the capital of cultural power) through the values of the local genius. The Chinese ethnic people use the socio-economic capital they have to make the domination of the Balinese people balanced. The dynamics of the power behind harmony shows that the relation between the two ethnic people at Pupuan Village is made to be diluted resulting from the power of the internal (local) people and the external (national) people which can be seen from the religious aspect, political aspect, socio-cultural aspect, and socio-economic aspect. The ethnopedagogic educational model is developed using different media such as the societal organization, the social activity in the forms of ngayah (doing voluntary religious things) and ngoupin (helping other people living in the neighborhood prepare and perform their traditional and religious activities).

Co-Authors A.A Rai Wahyuni A.A. Gede Raka Raka, A.A. Gede Raka A.A. Ketut Agung Cahyawan W A.A. Raka Sita Laksmi, A.A. Raka Sita Anak Agung Ayu Rai Wahyuni Anak Agung Inten Asmariati Anak Agung Ngurah Anom Kumbara Arba Wirawan, I Komang Ariadi Retno Tri Hayati Ririd Bambang Dharwiyanto Putro Bambang Parmadie Cerita, I Nyoman Dini Eka Wulansari Dyah Nur Rochmah Endah Nurjanah Fransiska Dewi Setiowati Sunaryo Gede Yoga Kharisma Pradana Hendra Pradibta I Gde Parimartha I Gede Arya Sugiartha I Gede Arya Sugiartha, I Gede Arya I Gede Mudana I Gusti Ayu Agung Ariani I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Gusti Made Aryana I Ketut Sariada, I Ketut I Ketut Suada I Made Pageh I Nengah Merta I Nyoman Artayasa I Nyoman Dhana I Nyoman Sirtha I Nyoman Suarka I Nyoman Sukerna, I Nyoman I Wayan Ardika I Wayan Cika I Wayan Gede Mahaputra I Wayan Sujana I Wayan Swandi I Wayan Tagel Eddy Ida Ayu Putu Mahyuni Ida Ayu Wirasmini Sidemen Ketut Darmana KHANIZAR, KHANIZAR Mustaman Mustaman Mustaman, Mustaman Mustaman Nengah Bawa Atmadja Ngakan Putu Oka Segara Ni Luh Arjani Ni Made Anggi Septiarana Ni Made Puspasutari Ujianti Ni Made Ruastiti NI MADE WIASTI Ni Wayan Ardini, Ni Wayan Nurjaya Cs Pande Made Sukerta, Pande Made Parmadi, Bambang Putu Budiartha, I Nyoman Putu Sukardja Redana, Made Ris Buhan Salsabila, Unik Hanifah Siregar, Mangihut Sri Marheni, Komang Suatama, Ida Bagus Sulandjari . Wahyuni, Anak Agung Nyoman Sri Wayan Nurita Yudha Aditama

Title

Found 33 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 33 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 33 Documents
Search