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All Journal Humaniora E-Jurnal Kajian Budaya E-Journal Of Cultural Studies MUDRA Jurnal Seni Budaya Lembaran Sejarah Mulia International Journal in Science and Technical Jurnal Konstruksi Hukum
Anak Agung Bagus Wirawan
Prodi Sejarah, Fakultas Ilmu Budaya, Universitas Udayana
Religion Arts Humanities Computer Science & IT Control & Systems Engineering Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences

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Tinjauan Makna Keberadaan Pura Hyang Api di Desa Kelusa, Bali A.A. Bagus Wirawan; Fransiska Dewi Setiowati Sunaryo; A.A. Ayu Rai Wahyuni
Lembaran Sejarah Vol 15, No 1 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lembaran-sejarah.59521

Abstract

This paper focuses on the structure and meaning of the existence of the Hyang Api Temple in Kelusa Village, Payangan District, Gianyar Regency, Bali Province. This temple is a place of worship (parahyangan) from Dewa Agni. From the structure, ritual form, and its function symbolizes the manifestation of Dewa Vishnu and Shiva. The problem raised in this paper is to find out how the structure of the Hyang Api Temple in Kelusa Village and what the meaning of ritual activities are carried out by Hindus in the Pura Hyang Api Village of Kelusa. Through this analysis it can show that there are indications of the existence of Kahyangan Tiga, Tri Murti. The Tri Murti concept in Bali can be seen in the form of a temple. The method used in this paper is the historical method, especially through the collection of historical facts, namely the collection of written data in the form of documents and monuments. Through this analysis, it is expected that the public can have a better understanding of the form and meaning of temples in Balinese society.
Pengaruh Globalisasi Dan Hegemoni Pada Transformasi Musik Dol Di Kota Bengkulu Bambang Parmadie; A.A Ngurah Anom Kumbara; A.A Bagus Wirawan; I Gede Arya Sugiartha
Mudra Jurnal Seni Budaya Vol 33 No 1 (2018): Februari
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v33i1.240

Abstract

Transformasi memiliki arti perubahan bentuk dan secara lengkap merupakan perubahan fisik maupun nonfisik (bentuk, rupa, sifat, fungsi, dan lain-lain). Transformasi dimaksudkan baik perubahan yang masih menunjukkan benda asalnya maupun perubahan yang sudah tidak memperlihatkan kesamaan dengan benda asalnya. Arus globalisasi dan hegemoni yang terjadi pada perubahan musik Dol sebagai musikalitas ritual Tabot digunakan secara sengaja untuk hiburan, kreativitas seniman, pencitraan, pendidikan, dan pariwisata. Fenomena yang terjadi dalam waktu yang panjang dan bertahap-tahap, bersifat linier dan hierarkis, dari sakral ke sekuler atau profan (komodifikasi), dari idealisme tradisi ke idealisme industri dan pencitraan (ekonomi), dan dari tujuan ke pesanan (kreativitas). Metode yang digunakan dalam penelitian ini adalah metode kualitatif. Teori yang digunakan untuk menganalisis permasalahan yaitu teori hegemoni, teori budaya populer dan teori praktik sosial. Hasil penelitian pengaruh globalisasi dan hegemoni pada perubahan musik Dol dari sakral ke sekuler atau profan maupun sebaliknya yang terjadi dalam masyarakat Bengkulu menyebabkan perubahan (motivasi dan stimulasi) ini dapat diterima oleh masyarakat dan bisa menyatu dalam kehidupan bermasyarakat.  Pengaruh globalisasi dan hegemoni pada perubahan musik Dol menjadikan kesenian ini sebagai industri budaya, materi kreatifitas seniman, pariwisata, pencitraan dan inovasi pada pendidikan. Musik Dol tumbuh menjadi kebudayaan seni pertunjukan baru yang menggeser  keberadaan pesta rakyat ritual Tabot pada saat ini. Hal ini tampak jelas dalam perkembangan musik Dol semakin meluas secara kuantitas dan kreatifitas.Transformation signifies meaningful change in form and is a complete physical and nonphysical reconfiguration (form, likeness, nature, function, etc.). Transformation is representative of both intended change that is still indicative of the origins of an object and the changes that are not indicative of showing any similarity with the object in its original form. The dynamics of globalization and hegemony that have affected change in Dol music as Tabot ritual musicality is used deliberately for entertainment, artist's creativity, imaging, education, and tourism. Long-term and gradual phenomena are linear and hierarchical, from sacred to secular or profane (commodification), from idealism to industrial idealism and imaging (economy), and from purpose to order (creativity). The method used in this research is qualitative method. The theory used to analyze the problems of hegemony theory, popular culture theory and social practice theory. The result of the research of the influence of globalization and hegemony on the musical change of Dol from sacred to secular or profane and vice versa that happened in Bengkulu society caused change (motivation and stimulation) that is accepted by society and can be instrumental in united  society life. The influence of globalization and hegemony on the change of Dol music makes this art  take form as cultural industry, artistic creativity, tourism, imaging and innovation in education. So Dol music becomes an icon of Bengkulu Province and flourishes into a new performance art culture that shifts the existence of Tabot ritual folk feast. This is evident as the development of Dol music is widespread in quantity and creativity.
Wanprestasi Pihak Debitur dalam Perjanjian Non Kontraktual dengan Jaminan Gadai Bagus Alit Pradnyana Artha Wirawan; I Nyoman Putu Budiartha; Ni Made Puspasutari Ujianti
Jurnal Konstruksi Hukum Vol. 3 No. 1 (2022): Jurnal Konstruksi Hukum
Publisher : Warmadewa Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/jkh.3.1.4232.40-45

Abstract

Indonesia is a developing country with various kinds of economic development. Bound by government regulations, the community cannot act arbitrarily and must follow applicable norms. The government in an effort to equalize the welfare of its people frees the community to manage their funds or loans with collateral. The purpose of this study is to understand the legal construction of non-contractual debt agreements with collateral and to analyze the legal protection for the parties to non-contractual debt agreements in the event that the debtor defaults. Researchers search for information directly through collecting data from several legal books and linking it to the problems studied and then drawing conclusions, this research is often called a normative research method using a statutory approach. Honesty and obedience in unsecured agreements are based on trust between the parties concerned, especially the lender and the borrower. There are often defaults in this agreement where the borrower does not pay for various reasons but is absent from payment, various problems such as the borrower disappears or runs away, does not feel he has debt, feels unfair with the interest given but is not stated when making the agreement, many borrower incidents do not want to pay because the agreement does not include a letter of agreement and prioritizes trust.
Co-Authors A.A Rai Wahyuni A.A. Gede Raka Raka, A.A. Gede Raka A.A. Ketut Agung Cahyawan W A.A. Raka Sita Laksmi, A.A. Raka Sita Anak Agung Ayu Rai Wahyuni Anak Agung Inten Asmariati Anak Agung Ngurah Anom Kumbara Arba Wirawan, I Komang Ariadi Retno Tri Hayati Ririd Bambang Dharwiyanto Putro Bambang Parmadie Cerita, I Nyoman Dini Eka Wulansari Dyah Nur Rochmah Endah Nurjanah Fransiska Dewi Setiowati Sunaryo Gede Yoga Kharisma Pradana Hendra Pradibta I Gde Parimartha I Gede Arya Sugiartha I Gede Arya Sugiartha, I Gede Arya I Gede Mudana I Gusti Ayu Agung Ariani I Gusti Ketut Gde Arsana, I Gusti Ketut Gde I Gusti Made Aryana I Ketut Sariada, I Ketut I Ketut Suada I Made Pageh I Nengah Merta I Nyoman Artayasa I Nyoman Dhana I Nyoman Sirtha I Nyoman Suarka I Nyoman Sukerna, I Nyoman I Wayan Ardika I Wayan Cika I Wayan Gede Mahaputra I Wayan Sujana I Wayan Swandi I Wayan Tagel Eddy Ida Ayu Putu Mahyuni Ida Ayu Wirasmini Sidemen Ketut Darmana KHANIZAR, KHANIZAR Mustaman Mustaman Mustaman, Mustaman Mustaman Nengah Bawa Atmadja Ngakan Putu Oka Segara Ni Luh Arjani Ni Made Anggi Septiarana Ni Made Puspasutari Ujianti Ni Made Ruastiti NI MADE WIASTI Ni Wayan Ardini, Ni Wayan Nurjaya Cs Pande Made Sukerta Parmadi, Bambang Putu Budiartha, I Nyoman Putu Sukardja Redana, Made Ris Buhan Salsabila, Unik Hanifah Siregar, Mangihut Sri Marheni, Komang Suatama, Ida Bagus Sulandjari . Wahyuni, Anak Agung Nyoman Sri Wayan Nurita Yudha Aditama