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All Journal International Journal of Nusantara Islam Al-Jami'ah: Journal of Islamic Studies Equilibrium: Jurnal Pendidikan FIKRI : Jurnal Kajian Agama, Sosial dan Budaya ALQALAM Aqlania Al-Bukhari: Jurnal Ilmu Hadis Al-Fath Tsaqofah: Jurnal Agama dan Budaya Santri: Journal of Pesantren and Fiqh Sosial Ulumuna Dedikasi: Jurnal Pengabdian Masyarakat Prosperity: Journal of Society and Empowerment Arus Jurnal Sosial dan Humaniora JURNAL PENDIDIKAN INDONESIA: Teori, Penelitian, dan Inovasi Journal of Innovation Research and Knowledge ANWARUL: Jurnal Pendidikan dan Dakwah Millah: Journal of Religious Studies Jurnal Semiotika-Q: Kajian Ilmu al-Quran dan Tafsir Hikamia: Jurnal Pemikiran Tasawuf dan Peradaban Islam Kharisma: Jurnal Administrasi dan Manajemen Pendidikan Digital Muslim Review International Journal of Nusantara Islam Tijarah Public Sphere: Jurnal Sosial Politik, Pemerintahan dan Hukum Tarunaedu Jurnal Keislaman Jurnal Miftahul Ilmi: Jurnal Pendidikan Agama Islam IMANU: Jurnal Hukum dan Peradaban Islam
Ade Fakih Kurniawan
UIN Sultan Maulana Hasanuddin Banten
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Mechanical Engineering Neuroscience Physics Public Health Social Sciences Other

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Journal : al-fath

 1 
Intoxication and Sobriety in Sufi Tradition Ade Fakih Kurniawan
Al-Fath Vol 3 No 1 (2009): Juni 2009
Publisher : Department of Ilmu al-Qur'an dan Tafsir, Faculty of Ushuluddin and Adab, State Islamic University of Sultan Maulana Hasanuddin Banten, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32678/alfath.v3i1.3295

Abstract

Masalah ketuhanan selalu menjadi tema perdebatan tiada akhir. Masing-masing membicarakan-Nya dengan perspektifnya sendiri. Ahli Kalam memandang Allah melalui tanzih-Nya, Allah yang tak pernah terjangkau oleh siapapun dan apapun. Sedangkan para sufi memandang Allah selalu dekat dan bisa “dijangkau” oleh manusia. Meskipun para sufi menyatakan “keterjangkauan” Allah, namun mereka mengekspresikannya secara berbeda. Sebagian sufi memandang Allah bisa dijangkau dengan tetap menjaga keterbatasan dan pembedaan antara manusia dengan Tuhannya melalui jalur penghambaan, Sang Khalik dan makhluk, Yang Hakiki dan yang nisbi. Sedangkan sufi lainnya ada yangmenegaskan bahwa Allah omnipresen, imanen, dan dapat menyatu dengan manusia (hulul), atau manusia dapat menyatu dengan Tuhan (ittihad), atau dalam pemikiran imaginal Tuhan dapat dipandang imanen dan hadir dalam segala sesuatu (wahdatul wujud). Karena itu, untuk menerangkan kondisi psikologis tersebut, biasanya para ahli tasawuf menganalisisnya melalui dua kondisi (ahwal) yang dialami para pencari Tuhan (salik), yakni kondisi mabuk (sukr) dan sadar (sahw).
Resepsi Ayat-Ayat Al-Qur’an Terhadap Seni Kaligrafi Di Mushola Al-Muttaqin, Kampung Cidunak, Kota Cilegon Karim, Sultan; Lubis, Ahmad Anshori; Kurniawan, Ade Fakih
Al-Fath Vol 17 No 1 (2023): Juni 2023
Publisher : Department of Ilmu al-Qur'an dan Tafsir, Faculty of Ushuluddin and Adab, State Islamic University of Sultan Maulana Hasanuddin Banten, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32678/alfath.v17i1.9567

Abstract

Calligraphy is one of the expressions of Islam that has received tremendous attention from Muslims. In essence, calligraphy is a work of beautiful composition (khat) taken from the Qur'an and named (where it appears) Makki, Madani, Anbari, and Baghdadi. In the long run, several names (khat) emerged, such as khat Khufi, mutsallat, mudawwar, and others. The impact of the expansion of Islamic rule, the expansion of Bedouin rule, the duties of rulers, and the world class society inspired and worked with the increase of calligraphic specificity and influenced the logical turn of events, especially during the Abbasid period. After the Abbasid period, calligraphy really existed and was created. The purpose of this article is to understand how Quranic verses are understood and applied in the field of calligraphy, as well as how the craft of calligraphy is acquired by people who visit the demand room. Exploratory strategies used may include perception, encounter, and text examination. The results of the examination may provide a better understanding of the relationship between the verses of the Quran and the specialty of calligraphy, as well as provide data on how the craft of calligraphy is perceived by individuals who visit the request room.
Co-Authors Abdul Rosyad Achmad Zainal Arifin Ade Jaya, Suryani Akhmad Basuni Al-Ayubi, Sholahudin Andi Rosa Arif Rahman A’isy, Anisa Rihadatul Fahmi Rizki Fahroji Fatimah, Siiti Fazriah, Naesyah Ghufron, Iffan Ahmad Henny Saraswati Henny Saraswati Hunainah, Hunainah Iffan Ahmad Gufron Ilzamudin Iroh Suhiroh Juhji, Juhji Karim, Sultan Lazzavietamsi, Fandy Adven Fandy Adpen Lenwinsky, Sefti Wiwin Lubis, Ahmad Anshori M. Nanda, Fauzan Masykur Megandani, Adi Miftah Fauzi Mufrodi Mufrodi, Mufrodi Muhamad Zidan Alida Putera, Muhamad Mukhsin Achmad Mus’idul Millah Muzhaffar, Muhammad 'Alawi Nengsih, Jun Noorhaidi Hasan Nurdin, Kamaluddin Nurislamiah, Siti Padilah, Nurul Repa Hudan Lisalam Safiudin, Safiudin Salim Rosyadi Sari, Suci Purnama Sa’ad, Suadi Sholahuddin Al Ayubi Siti Anggiaty Supriatna Solihah, Siti Nurhayati Suadi Saad Suadi Sa`ad Suhaemi, Hamdan Suhiroh, Iroh Sukirno, Agus Sumintak, Sumintak Sunandar, Dadan Syafrizal, Reza Syifa’a Ulmuwahhidah Tamimi Setia Alam Umi Kultsum Wahyudi, M Iman Wahyudi, M. Iman Wawan Wahyudin Zohriah, Anis zulita, melisa