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Fakhrur Rozi, Fakhrur
Jurusan Fisika Universitas Andalas, Limau Manis, Padang 25163
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Journal : Syiar: Jurnal Komunikasi dan Penyiaran Islam

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Representation of the Exploitation of Women in Religious Institutions in the Film “Maharaj” Artika, Sindi; Rozi, Fakhrur
Syiar: Jurnal Komunikasi dan Penyiaran Islam Vol. 5 No. 1 (2025): Syiar: Jurnal Komunikasi dan Penyiaran Islam
Publisher : STAI Publisistik Thawalib Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.54150/syiar.v5i1.638

Abstract

The exploitation of women within religious institutions is driven by patriarchy and the manipulation of religion, resulting in sexual violence, discrimination, and systemic gender injustice. This study discusses the film Maharaj as a medium that reveals the exploitation of women and critiques patriarchal religious institutions. This research uses a qualitative descriptive method with semiotic analysis. Data collection was carried out through observation and documentation. Triangulation of techniques and time was used to ensure data validity. Research findings show that the film Maharaj reveals the exploitation of women in religious institutions through visual symbolism, body gestures, and rituals such as Charan Seva, which reflect patriarchal and spiritual domination legitimized by culture. The representation of submissive and silent women becomes a marker of systemic oppression. A cultural feminist approach is used to highlight the courage of women to resist this structure. The spiral of silence theory explains the victims’ silence as a result of social and religious stigma. Karsandas Mulji appears as a symbol of resistance, opening space for discourse through media. This film acts as a form of social criticism that calls for critical awareness, justice, and gender equality. Conclusion: The film highlights the exploitation of women in religion and presents resistance as a form of social critique for gender equality.
Co-Authors Abidin, Syahrul acum wijaya ADELIA Afandi, Muhammad Rizki Agus Setiawan Alamsyah, Muhammad Royhan Alfina Zsazsa Naqiya Algusri, Jeki Aliansyah, Aliansyah Aliffa Izzara, Widi Ambiyar, Ambiyar Amin, Ahmad Aldi Anas Azhar, Anang Anggita, Rizki Anum, Adelina Apriza, Tiyas Ardhin Primadewi Arief Rahman Arif Budiman Artika, Sindi Arwizet Arwizet, Arwizet Aryasandy, Nensy Azhar, Anang Anas Bella, Sinta Cahyanto, Sigit Bayu Deni, Indira Fatra Eka Puspitawati Ema Wulansari, Rizky Fernos, Jhon Fitrah, Yunanda Ghasani, Thahira Hafizhah, Syafira Noer Heni Pujiastuti Ibrahim, Anton Maulana Intan Tursina Kesuma, Rafifa Luqyana Khairul Amri Mahendra, Romi Manurung, Lira Dzikri Rahmadani Maria Magdalena Masditok, Tokit Matondang, Abdul Rahman Mohammad Ahsanuddin Monang, Sori MUHAMMAD FAHMI Muklisin, Sanitra Muliyani, Sari Nasution, Farah Mutiara Zahra Nasution, Irina Kemala Nasution, Kevin Rasyid Sabili Nathanael, Austin Novemyanto, Alfin Dwi Nurmansyah Nurmansyah, Nurmansyah Nurwijayanti Oktavia, Lia Pamekas, Arya Firman Pane, Endi Hadian Shabar Pitri, Laila Pristika, Febie Juma Pujiastuti, Eka Putri, Anggi Juninda Putri, Risa Haruman Rahmawati, Catur Rosidah Rosidah Salisah, Fadiah Anggi Sari Nasution, Bida Sigit Apriyanto Sinaga, Siti Azzahra Siregar, Fitrah Alfisyah Siregar, Sarifah Aini Siti Mundari Solihah Titin Sumanti, Solihah Titin Sopyan, Ence Sry Lestari Samosir Sukardi Sukardi Sulastri, Rukma Supriyanto Supriyanto Surbakti, Khairul Putra Syafitri, Nanda Lestari Syofria Meidona Tomy, Chairian Uswatul Hasanah, Uswatul Wiratno, Esa Prasetyo Yusniar Lubis Zeeda, Ghuvira Zusmawati Zusmawati