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All Journal Language and Education Journal Diglossia LINGUAL: Journal of Language and Culture KEMBARA IDEAS: Journal on English Language Teaching and Learning, Linguistics and Literature E-Dimas: Jurnal Pengabdian kepada Masyarakat Linguistic, English Education and Art (LEEA) Journal Journal of Applied Studies in Language SPHOTA: Jurnal Linguistik dan Sastra LINGUISTIK : Jurnal Bahasa dan Sastra WIDYABHAKTI Jurnal Ilmiah Populer International Journal of Community Service Learning JPPM (Jurnal Pengabdian dan Pemberdayaan Masyarakat) Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris LANGUA: Journal of Linguistics, Literature, and Language Education Yavana Bhasha : Journal of English Language Education Abdi: Jurnal Pengabdian dan Pemberdayaan Masyarakat JPKMI (Jurnal Pengabdian Kepada Masyarakat Indonesia) Journal of Humanities, Social Science, Public Administration and Management (HUSOCPUMENT) Journal Equity of Law and Governance TRAVERSE - Journal of Language and Applied Linguistics Linguistic, English Education and Art (LEEA) Journal Jurnal Abdi Dharma Masyarakat Yavana Bhasha: Journal of English Language Education Elysian Journal : English Literature, Linguistics, and Translation Studies LOKATARA SARASWATI Seminar Ilmiah Nasional Teknologi, Sains, dan Sosial Humaniora (SINTESA) Seminar Nasional Aplikasi Iptek (SINAPTEK) Journal of Business on Hospitality and Tourism SPHOTA: Jurnal Linguistik dan Sastra Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar Litera : Jurnal Bahasa dan Sastra Langua: Journal of Linguistics, Literature, and Language Education
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FIGURATIVE LANGUAGE USED IN ED SHEERAN’S SELECTED SONGS Heni, Monika; Pratiwi, Desak Putu Eka; Santika, I Dewa Ayu Devi Maharani
LITERA : Jurnal Bahasa Dan Sastra Vol. 8 No. 2 (2022): LITERA : Jurnal Litera Bahasa Dan Sastra
Publisher : LPPM Universitas Dhyana Pura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36002/litera.v8i2.2013

Abstract

ABSTRACTThis study concern with the descriptive analysis of figurative language found in EdSheeran’s selected songs. The study's objective is to describe the types of figurativelanguage and to analyze the meaning of figurative language. This study is expected toobtain the result that will be useful for the reader especially in knowing what figurativelanguage is and what types of figurative language are. The researcher used a descriptivequalitative method to classify and analyze based on the theory of Figurative LanguageProposed by Knickerbocker and Reninger (1963) and also the theory of Meaningproposed by Leech (1974). The result found that there are 14 sentences of six kinds offigurative language used in Ed Sheeran’s Selected songs, such as simile with 2 or 14%, ametaphor with 1 or 8%, personification with 3 or 21%, metonymy with 1or 8%, hyperbolewith 5 or 35%, irony with 2 or 14%,. It can be indicated that the dominant type offigurative language in the song lyrics is hyperbole. The meaning of figurative languageis also stated clearly. It can be concluded that figurative language has important roles increated the song lyric. Using figurative language makes the song more interesting. Thatis why the author used sentences that have figurative language in the song.Keywords: Figurative language, song lyrics and meaningABSTRAKPenelitian ini membahas tentang analisis deskriptif bahasa kiasan yang ditemukan dalamlagu-lagu pilihan Ed Sheeran. Tujuan penelitian ini adalah untuk mendeskripsikan jenisjenisbahasa kiasan dan menganalisis makna dari bahasa kiasan. Penelitian inidiharapkan memperoleh hasil yang bermanfaat bagi pembaca khususnya dalammengetahui apa itu bahasa kiasan dan apa saja jenis-jenis bahasa kiasan. Penelitimenggunakan metode deskriptif kualitatif untuk mengklasifikasi dan menganalisisberdasarkan teori Bahasa Figuratif yang dikemukakan oleh Knickerbocker dan Reninger(1963) dan juga teori Arti yang dikemukakan oleh Leech (1974).Hasil penelitianmenemukan bahwa terdapat 14 kalimat dari enam jenis bahasa kiasan yang digunakandalam lagu-lagu Ed Sheeran Selected, seperti simile dengan 2 atau 14%, metaforadengan 1 atau 8%, personifikasi dengan 3 atau 21%, metonimi dengan 1 atau 8%,hiperbola dengan 5 atau 35%, ironi dengan 2 atau 14%. Dapat diindikasikan bahwa jenismajas yang dominan dalam lirik lagu adalah hiperbola. Makna bahasa kiasan juga dapatdinyatakan dengan jelas. Dapat disimpulkan bahwa bahasa kiasan memiliki peranpenting dalam menciptakan lirik lagu. Menggunakan bahasa kiasan membuat lagu lebihmenarik. Itulah sebabnya penulis menggunakan kalimat-kalimat yang memiliki bahasakiasan dalam lagu tersebut.Kata Kunci: Bahasa kiasan, lirik lagu dan maknanya
Optimalisasi Peranan UMKM Melalui “PEMATIK” bagi Pelaku Usaha Pertenunan Sari Jepun Putri, I Gusti Ayu Vina Widiadnya; Pratiwi, Desak Putu Eka; Santika, I Dewa Ayu Devi Maharani; Dewi, Putu Diah Puspita
E-Dimas: Jurnal Pengabdian kepada Masyarakat Vol 15, No 2 (2024): E-DIMAS
Publisher : Universitas PGRI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/e-dimas.v15i2.15657

Abstract

Usaha Mikro, Kecil, dan Menengah memiliki peran yang cukup penting dalam pembangunan perekonomian nasional. Namun, di era digitalisasi saat ini persaingan usaha semakin ketat. Situasi saat ini juga sedang tidak kondusif dengan adanya pandemi Covid-19 yang memberikan dampak yang signifikan terhadap perekonomian Indonesia. Turunnya pendapatan masyarakat membuat daya beli atau keinginan masyarakat juga menurun. Banyak pelaku usaha harus mencari cara dan menerapkan strategi agar usahanya tetap bertahan dan kembali bangkit. Dari observasi yang telah dilakukan, Pertenunan Sari Jepun mengalami masalah penurunan penjualan serta pendapatan akibat pandemi Covid-19 yang berdampak pada kegiatan operasional usaha serta kurangnya kreativitas karyawan. Melihat kondisi tersebut, pengabdian masyarakat ini bertujuan untuk membantu usaha Pertenunan Sari Jepun dalam mengembangkan usahanya melalui pemanfaatan media digital, yakni dengan sosialisasi dan melakukan pendampingan mengenai penggunaan media sosial sebagai sarana pemasaran, memberikan pelatihan pembuatan paper bag dan pelatihan pembuatan handsanitizer untuk mendukung kinerja karyawan dimasa pandemi Covid-19 ini. Pengabdian masyarakat ini dilakukan untuk membantu usaha Pertenunan Sari Jepun dalam meningkatkan promosi dan pemasaran melalui media digital agar penjualan produk meningkat dan lebih dikenal luas oleh masyarakat, serta dapat meningkatkan kreativitas para karyawan.
SIGN ANALYSIS OF DISNEY MOVIE POSTER Sari, Putu Widia Kumala; Maharani Santika, I Dewa Ayu Devi
Linguistik : Jurnal Bahasa dan Sastra Vol 8, No 3 (2023): LINGUISTIK: JURNAL BAHASA & SASTRA
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/linguistik.v8i3.485-492

Abstract

The purpose of this study is to identify the verbal and non-verbal cues used in Disney movie posters as well as to interpret their significance. The verbal sign refers to text or words on the Disney movie poster. Colors and characters are used to represent non–verbal signs. The research data were taken from Pinterest. A descriptive qualitative method was used in this research. The theory from Saussure (2007), the denotation and connotation from Barthes in Chalder (2002), and the theory of color words from Wierzbicka (1996) were all applied in this research. The results of this research, Disney movie posters contained 6 non-verbal and 10 spoken signs. These meanings were found in the words and pictures of Disney movie posters.
TAG QUESTIONS: OLIVIA POPE'S WOMEN’S LANGUAGE DOMINANCE IN "SCANDAL" TV SHOW, SEASON 5 Hardiyanti, Risma; Maharani Santika, I Dewa Ayu Devi
Linguistik : Jurnal Bahasa dan Sastra Vol 8, No 4 (2023): LINGUISTIK: JURNAL BAHASA & SASTRA
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/linguistik.v8i4.569-576

Abstract

This research, titled Tag Questions: Olivia Pope's Linguistic Dominance in "Scandal" TV Show, Season 5, examined language features used mostly by women. The research sought to identify the tag question as one of the gender-specific linguistic elements utilized by Olivia Pope. This research focuses on Lakoff's (1975) idea of the linguistic characteristics of women. The formal and informal techniques are used to convey the analysis, which was conducted using qualitative methods based on Lakoff's (1975) theory about women's language. The data was gathered using the documentation method. The research revealed that the female main character employed one dominant kind of one of the 10 categories of women’s language traits. Because the female main character in this TV series season 5 was a typical independent woman who tended to turn a statement into a question to reduce the force of the statement, the results demonstrate that tag questions became the dominant type of women's language feature uttered in this TV series season 5. 
Aspects Of Characterizations From The Characters In 'Cruella' Movie Dewi, Gelia Asari; I Dewa Ayu Devi Maharani Santika; I G B Wahyu Nugraha Putra
Journal of Language and Applied Linguistics Vol. 6 No. 1 (2025): Journal of Language and Applied Linguistics January 2025
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v6i1.142

Abstract

Characterization is the way that can be used to analyze characters in a movie. This study raises two problems, namely what the types of characters and how is the characterization of the characters from Cruella movie. The theory is taken from Tarigan (1985) and Warren and Wellek (1962). The data source of this research was the movie Cruella by Craig Gillespie. The data were collected through qualitative research method. Observation and note taking are used to collect the data. The result shows that there are 12 characters appear in the movie. Most of the characters have complete aspects of characterization, those are physiological aspect, psychological aspect and sociological aspect. The rest of them only have one or two aspects because they are as supporting characters who appear only several times in the movie.
Slang Words in Blackbear’s Song Lyrics from Cybersex Album Yudi, YudiJanuarsandi; I Dewa Ayu Devi Maharani Santika; I Komang Sulatra
Journal of Language and Applied Linguistics Vol. 6 No. 1 (2025): Journal of Language and Applied Linguistics January 2025
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v6i1.146

Abstract

Slang words are non-standard vocabulary either spoken or written. Generally, slang words are spoken by a group of people informally. The goals of this research are to discover the types of slang words and the process of creating slang words found in Blackbear's song lyrics from the Cybersex album. The observation method was used in collecting the data in this study. The descriptive qualitative method was used to analyze the data. Based on the data there were two theories used in analyzing the data, first is theory by Champman (2007) to analyze the types of slang word and theory by Yule (1985) to analyze the process of creating slang word. The result of this study shows that 76% of primary slang and 24% data of secondary slang. In the process of creating slang, this study found 6 types from 9 types process of creating slang, there are blending, clipping, coinage, compounding, acronym, and borrowing.
The Type of Taboo Words Used by The Characters in Bad Boys for Life Movie Antari, Lily; Santika, I Dewa Ayu Devi Maharani
Journal of Language and Applied Linguistics Vol. 6 No. 2 (2025): Journal of Language and Applied Linguistics July 2025
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v6i1.173

Abstract

The use of taboo words is prohibited in some places or situations. But even the use of taboo words are prohibited, a lot of people still use them, especially for teenagers. They use taboo words to express their emotion. Taboo words are commonly used in movies or filmswith comedy genres. The aim of this research is focused on analyzing the type of taboo word that is used by the character in the Bad Boys for Life movie. The researcher used this film as the data source because it consists of a lot of taboo words used by the characters because this film has comedy and action genres. The researcher used observation method in collecting the data by watches and observes the movie than taking note the important words. This research used the theory proposed byBatistella (2005)to analyze the data. According to Batistella (2005), there are 4 types of taboo words: Profanity, Epithet, Vulgarity, and Obscenity. The result of this research is the highest frequency type of taboo word found is Vulgarity with 12 words, and the second is Epithet with 4 words and the lowest frequency is Profanity and Obscenity with 3 words each type.
The Functions of Taboo Words Spoken by the Characters in Ready or Not Movie Santi, Ni Made Hyunika; Santika, I Dewa Ayu Devi Maharani
Journal of Language and Applied Linguistics Vol. 6 No. 2 (2025): Journal of Language and Applied Linguistics July 2025
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v6i1.175

Abstract

One of human communication tools is language. Language can be divided into two types, formal and informal language. Taboo words are included in informal language because they can't be spoken in all situations or places. Taboo words are usually spoken by several people because they have their own functions when using them. The aim of this study is to find out the functions of taboo words that are used in the “Ready or Not” movie. This study used theory from Wardhaugh (2006: 239) to find out the functions of taboo words. The method being used in this study is a descriptive and qualitative method and observation technique to collect the data. In general, it is found three out of four functions of taboo words, those are to show contempt, to draw attention to oneself, and to be provocative.
Type of Taboo Words Used by The Characters in Me Time Movie Lily Antari; Santika, I Dewa Ayu Devi Maharani
Journal of Language and Applied Linguistics Vol. 6 No. 2 (2025): Journal of Language and Applied Linguistics July 2025
Publisher : Institut Pariwisata dan Bisnis Internasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22334/traverse.v6i2.188

Abstract

The use of taboo words is prohibited in some places or situations. But even the use of taboo words are prohibited, a lot of people still use them, especially for teenagers. They use taboo words to express their emotion. Taboo words are commonly used in movies or films with comedy genres. The aim of this research is focused on analyzing the type of taboo word that is used by the character in the Me Time movie. The researcher used this film as the data source because it consists of a lot of taboo words used by the characters because this film has a comedy genre. The researcher used an observation method in collecting the data by watching and observing the movie then taking note of the important word. This research used the theory proposed by Batistella (2005) to analyze the data. According to Batistella (2005), there are 4 types of taboo words: Profanity, Epithet, Vulgarity, and Obscenity. The result of this research is that the highest frequency type of taboo word found is Vulgarity with 7 words, and the second is Profanity with 5 words and the third is Obscenity with 2 data and the lowest frequency is Epithet with only one data.
Co-Authors AA Sudharmawan, AA Agustinus Abat Ali Djamhuri Alvie Amin Rachmadi Anak Agung Ayu Dian Andriyani Andriani, Ria Antari, Lily Arbhawa, I Komang Arita Wastiana Konda Ariyaningsih, Ni Nyoman Deni Arnadi, I Wayan Redi Atma Novia Lestari Cahyani, Ni Made Rosita Dafrosa Resiana Serti Damayanti, Ni Kadek Manik Desak Putu Eka Pratiwi Dewi, Gelia Asari Dewi, Ni Made Savitri Dewi, Putu Diah Puspita Ely Triasih Rahayu Felisia Elsawati Hartati Hartati Heni, Monika I G B Wahyu Nugraha Putra I Gede Dayuh Suryantara I Gusti Ayu Agung Sintha Satwika I Gusti Ayu Mahatma Agung I Gusti Ayu Vina Widiadnya Putri I Gusti Bagus Wahyu Nugraha Putra I Gusti Vina Widiadnya Putri I Komang Sulatra I Komang Sulatra I Wayan Juniartha I Wayan Resen I Wayan Restu Widiarta I. B. Gde Nova Winarta Ida Ayu Putri Gita Ardiantari Ida Bagus Gde Nova Winarta IGA Vina Widiadnya Putri Kadek Apriliani Kadek Apriliani Kadek, Dian Trisna Yanti Kesumawati, Eni Komang Dian Puspita Candra Komang Dian Puspita Candra, Komang Dian Puspita Komang Dian Puspita Chandra Komang, Aryanti Ladycia Sundayra Lily Antari Luh Gede Kumala, Dewi Maharani, Putu Devi Maria Alvita Nai Modok Miun, Erasmus Roberto Mulyantini, Ni Putu Eny Ni Kadek Ardianti Ni Kadek Ayu Adinda Pratiwi Ni Kadek Widya Putri Ni Kadek Yuni Ernayanti Ni Ketut Ria Agustina Ni Luh Gede Elsa Wiyanti Ni Luh Putu Januartini Ni Made Putri Lestari Ni Made Verayanti Utam Ni Made Verayanti Utami Ni Nym Deni Ariyaningsih Ni Nyoman Deni Ariyaningsih Ni Nyoman Tri Jayanti Ni Putu Novia Lestari Ni Putu Risma Cahyani Ni Putu Tasya Faudi Auriliya Ni Putu Wina Damayanti Ni Wayan Meidariani Ni Wayan Putri Septiantari Ni Wayan Suastini NI WAYAN SUASTINI Ni Wayan Suryani Ni Wayan, Budi Antari Nova Winarta, Ida Bagus Gde Panji, I Gusti Ngurah Pramana, I kadek yuda Prastiawan, IB Maha Adi Prastiawan Pratiwi Rusadi, Ni Made Purnamasari, Ni Wayan Vera Putra, I Made Pande Yoga Putri Aningsih, Ni Luh Sintya Melani Putu Desi Anggerina Hikmaharyanti Putu Devi Maharani Putu Gede Budiartha Putu Subaktiasih Putu Widia Kumala Sari PUTU YOHANA KERTIASIH Ria Andriani Risma Hardiyanti, Risma Sain, Sukmawati Santi, Ni Made Hyunika Sari, Putu Widia Kumala Sedayatana, I Wayan Arya Jaya Skolastika, I Made Perdana Sudarmini, Ni Kadek Ayu Suwitri, Ni Luh Nita System, Administrator Winarta, Ida Bagus Gde Nova Winarta, Ida Bagus Gede Nova Winartha, Ida Bagus Gde Nova Wiyanti, Ni Luh Gede Elsa Yudi, YudiJanuarsandi Yustina Gembira Yusuf Muflikh Raharjo