cover
Contact Name
Warto
Contact Email
warto@uinsaizu.ac.id
Phone
+6281327567868
Journal Mail Official
komunika@uinsaizu.ac.id
Editorial Address
Fakultas Dakwah UIN Saizu Jl. Jend. A. Yani No. 20A Purwokerto 53126 Jawa Tengah - Indonesia
Location
Kab. banyumas,
Jawa tengah
INDONESIA
Komunika: Jurnal Dakwah dan Komunikasi
ISSN : 19781261     EISSN : 25489496     DOI : https://doi.org/10.24090/komunika
Journal Komunika is a journal published by the Dakwah Faculty of IAIN Purwokerto, which has a concentration related to the field of Dakwah, Islamic Communication, communication theory, mass communication, dakwah management, dakwah messages, dakwah media, dakwah methods, dakwah organizations, Islamic broadcasting, Islamic journalism, public relations, dakwah, dakwah in the digital era. Journal Komunika really expects the participation of submission of manuscripts or articles that are expected to be published in every print or electronic edition. Through the journal, Komunika will improve the quality of the content of the manuscript or articles in accordance with the rules of the journal Komunika and the results can be useful for the progress of science and society.
Articles 387 Documents
Navigating Faith Online: Social Media and Religious Literacy among Women's Religious Groups Iskandar, Dudi; Suratno, Geri; Raharjo, Didik Haryadi
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 1 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i1.12085

Abstract

The integration of social media into religious practices exhibits a complex dichotomy. On one side, social media is primarily driven by the principles of virality, popular appeal, and commercial interests. Conversely, religious traditions emphasize silence, peace, and tranquillity. Initially, social media served as a communication medium and enhanced religious knowledge within communities. However, its use has evolved towards cultivating personal and collective identities. The passion to increase religious knowledge and gain religious experience is disrupted by the desire for artificial physical appearances shared in social media groups. This research aims to describe and analyze the use of social media among recitation women in Tangerang, Banten. This research utilized observation, interviews, and intertextuality as data collection and analysis techniques. This study indicates that the engagement of recitation women with social media necessitates religious and social media literacy. A lack of proficiency in these areas could adversely affect the quality of social media interactions, as social media platforms are inherently non-neutral and are influenced by particular ideologies and interests. Consequently, recitation women must adopt a discerning and critical approach to assess the incoming and disseminated content on social media.
The Stereotype of Indo-Chinese Portrayed in Ernest Prakasa’s Stand-up Comedy Material Sihombing, Lambok Hermanto
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 1 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i1.12219

Abstract

Stand-up comedy has emerged as a dynamic medium within the media industry, capturing the interest of both comedians and audiences alike. In Indonesia, it serves not only as a form of entertainment but also as a cultural platform to reflect and critique various social issues—one of which is ethnicity. This study explores how Indo-Chinese identity is represented in the stand-up comedy material of Ernest Prakasa, a prominent Indonesian comedian of Chinese descent. Employing Van Dijk’s critical discourse analysis, this qualitative research examines the ways in which ethnic stereotypes are constructed, negotiated, and commodified through humor. The data is drawn from Prakasa’s performance titled “Gua Ernest dan Gua Cina”, as broadcast on the KompasTV YouTube channel. The findings reveal that humor in Indonesian stand-up comedy functions beyond mere entertainment; it also operates as a cultural commodity that both reinforces and challenges ethnic stereotypes. Specifically, Ernest strategically uses self-deprecating humor and irony to normalize Indo-Chinese identity in the public sphere while simultaneously critiquing the underlying prejudices. This dual function of humor suggests that stand-up comedy can serve as a subtle yet powerful tool for social commentary and ethnic negotiation in contemporary Indonesian society.
Takbiran Festival: Cultural Public Sphere and its Contribution in The Social Media Era Rianto, Puji; Sulkhan, Khumaid Akhyat; Setiawati, Titin
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 1 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i1.12249

Abstract

The Takbir festival has become an annual ritual for Muslims in Yogyakarta. Festivals are held in many places and organized by local communities. This research was conducted to investigate the Takbir festival by seeing it as a cultural public sphere and how it contributes in the era of digital media. The research used a qualitative field research approach. Data was collected through interviews, observation, and documentation. The research results show that the Takbir festival has exceeded its traditional function as a broadcast medium of Islam. On the contrary, the takbir festival has presented itself as a cultural public sphere where various cultures are displayed through various elements such as mascots, traditional clothing, musical instruments, and other ornaments used by each participant. These cultural expressions are the participants' interpretations in translating the festival theme, namely Caring for The World and Civilization. Participants translated the interpretation into various cultural expressions. These expressions basically display a political articulation of certain events, which are linked to their interpretation of the festival theme. There are two political positions that can be identified from the way the festival participants interpret the theme, namely Caring for the Nature Conservation and Maintaining the Cultural Pluralism. This research also found that festivals are an important medium for cultural learning between generations and contribute to building social integration. Through meetings between spectators and participants, the Takbiran festival can erode conflict and social divisions, especially those resulting from the spread of hatred on social media.
Gender Relation Patterns of Women’s Activities in the Production Process of Radio Broadcast Programs in Kediri City Siti Amanah; Retpitasari, Ellyda; Hakim, Lukman
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 2 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i2.14224

Abstract

This research describes and analyzes the pattern of gender relations of women’s activities in the production process of radio broadcast programs on Andika FM and Bonansa FM radio in Kediri City and the factors that influence women’s access and control in the production process of radio broadcast programs. This research uses a descriptive qualitative approach in which the data collection techniques include observation, in-depth interviews, and documentation. The data analysis method utilized is gender analysis, known as the Harvard gender analysis method, or Gender Framework Analysis (GFA). Based on the study results, it can be concluded that women are actively involved in various radio activities at Andika FM and Bonansa FM. Women’s activities in multiple roles encourage changes in gender relations at the local cultural level, from the subordinate position of women to a more equal relationship. Women’s activities in the radio world have reached the stage of providing broad access for women to manage the radio, design and determine broadcast content, and produce radio programs. Factors influencing women’s access and control in the production process of radio programs at Andika FM and Bonansa FM radio include education level, company leadership policies, and awareness of gender equality between men and women.
Contestation and Coexistence: The Puritanical Da’wah of Luthfi Bashori and Its Implication for Nahdlatul Ulama Rofiq, Ahmad Choirul; Sugiyar; Saepudin Mashuri
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 2 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i2.10631

Abstract

Luthfi Bashori is a cleric of Nahdlatul Ulama with his controversial ASWAJA Garis Lurus (Straight Line) or NU Garis Lurus. However, no in-depth research has examined his da’wah and its implications for the NU. This library research study utilized documentation and observation of Bashori's da’wah in digital media. This study focused on the objectives, strategies, themes, and reactions to Bashori's da’wah. The theory of action motives, conflict theory, and da’wah perspectives guided data analysis. This research asserted that the purpose of Bashori's da’wah is to maintain the ASWAJA (Ahlus Sunnah Wal Jama’ah) of KH. Muhammad Hasyim Asy’ari, as well as fortifying Muslims from secularism, pluralism, liberalism, Shia, and Wahhabism. According to Weber’s theory, Bashori da’wah is motivated by religious values and purposive goals. His strategy of da’wah varied depending on the context. His themes of da’wah contained Islamic law, theology, morality, and political issues. The content of his da’wah is based on his understanding of the Qur'an and hadith. In addition to getting pro and con responses from Nahdliyin, his da’wah implied strengthening religious opposition and internal contestation in the NU. This research uncovered the puritanical religious da’wah in the NU. It revealed that the NU managed internal conflict with coexistence among groups of dissenting viewpoints due to the moderation paradigm.
Murwakala in Mass Ruwatan Ceremony in Surakarta: Its Relevance and Meaning in a Modern Perspective Sukandar, Rudi; Ramonita, Latifa; Harti, Sri
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 2 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i2.12136

Abstract

The Ruwatan tradition in Javanese culture involves a  sacred performing art called Murwakala. This performance is carried out individually or collectively to self-purify, ask for forgiveness, or ward off disaster for individuals of various ages and social classes. Individuals categorized as Sukerta (bring bad luck, are dirty, or have disturbances) are considered not yet pure and, therefore, require a ruwatan (purification) ritual. Given the intensive use of symbols in the ruwatan ritual, understanding the messages conveyed through the performance art and ritual becomes problematic. This study aims to investigate how modern audiences interpret the ruwatan ritual. Using the theory of Symbolic Interaction, this study adopts a qualitative method. Data collection is done through observation, document studies, and in-depth interviews. Informants are the ruwat puppeteer, ruwat participants, and audiences. The findings of this research demonstrate that for the mass ruwatan tradition and Murwakala performance to maintain their relevance and significance in contemporary society, the symbolic meanings embedded within these practices must be conveyed more explicitly to both participants and the broader public. Ruwatan participants give meaning to ritual symbols and actions according to their cultural background, religion, and personal experience as an interpretation of the performance given by the ruwat puppeteer. Moreover, the study highlights the necessity of communicative innovation, such as implementing informational media, to support the continued vitality and relevance of ruwatan rituals in modernity.
Zainudin MZ's Contribution of Da’wah in Forming Political Awareness in Indonesia Mastori; Iman, Sunardi Bashri; Falhan, Ahmad; Maskur, Asep; MisbaCh, Wahyu; Arifin, Zenal
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 2 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i2.12207

Abstract

This study examines the contribution of Zainudin MZ's da'wah in shaping the political awareness of the Indonesian people. Zainudin MZ, known as a 'da'I for a million people', is popular because of his strong and communicative rhetoric and his courage in bringing socio-political messages in his da'wah. This approach makes da'wah a means of social transformation that can foster political awareness of the people, especially in the context of the transition of the Indonesian government from the New Order era to the reformation. This study uses a descriptive qualitative approach with a literature study method and analysis of Zainudin MZ's da'wah discourse in the form of lectures, books, and mass media documentation. The study results show that Zainudin MZ has contributed to integrating da'wah with social, political, and power issues. Consistently, he voices the values ​​of justice, honesty, and concern for the ordinary people from the perspective of the da'wah language, which is easily understood by the wider community. His involvement in practical politics during the Reformation also shows a form of courage to make da'wah an instrument of structural change. Ultimately, he chose to return to the path of cultural da'wah because of his disappointment with less-than-ideal political practices. This finding strengthens the importance of the role of da'wah as a medium to shape the political awareness of society within the framework of Islamic teachings.
Mediatization of Religious Communication in Digital Space:  Content Analysis of Religious Messages of The Jemaat Ahmadiyah Indonesia in Digital Space Rusmulyadi; Cholidah, Lida Imelda
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 2 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i2.12241

Abstract

This study explores the religious messages of the Jemaat Ahmadiyah Indonesia (JAI) as a practice of religious mediatization in digital space. Using the qualitative content analysis method and hermeneutic framework, this study analyzes religious messages on the official website of the JAI (Ahmadiyah.id). The text was selected based on purposive sampling criteria. The selection criteria for the sample text focus on writings that diverge from the beliefs held by mainstream Islamic groups. Specifically, the text addresses the Ahmadiyya movement, outlining the teachings regarding the prophethood of Mirza Ghulam Ahmad and the roles of Prophet Isa and Imam Mahdi, alongside discussions on the concept of Jihad. This study found that the internet is a bridging communication that connects with the public, a medium for disseminating religious messages (proselytizing), and an advocacy and self-defense channel to fight for justice and social equality. In this process, JAI frames messages to be widely accepted by the public. This approach is essential due to the fact that, as a minority religious group, JAI continues to face rejection and limitations. This research also revealed that the online environment contributes to mediating religious messages. The internet serves as both a source and a distributor of these religious messages. In other words, the internet has evolved into a medium for transmitting and communicating religious content.
AI and Integration of Islamic Values In Indonesian Journalism: A Study on @tvOneai and @metrotvnews Nurfadhilah, Laila; Hero, Eko; Astini, Bunga
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 2 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i2.12621

Abstract

Artificial Intelligence (AI)'s emergence has revolutionized Indonesia's local and national journalistic media landscape. It brings new challenges in terms of information integrity. This research explores the opportunities and challenges local media in Indonesia face in integrating Islamic values through journalistic activities in media using AI technology. Through a qualitative approach of media content analysis, this study has analyzed the content of news broadcasts on the YouTube channels @tvoneai and @metrotvnews. A total of 124 videos were analyzed, consisting of 41 videos from @tvoneai and 83 short videos from @metrotvnews published from July 16 to July 29, 2024. Referring to the results of the analysis based on the concepts built, the researcher concludes that AI-based digital journalism activities in Indonesia have not maximally fulfilled the elements of Islamic values. It is reflected in some news reports in politics, social issues, economy, entertainment, and technology, which still lack consistency (Al-Istiqamah ), truth & accuracy (As-Shidiq), Amar ma’ruf Nahi Mungkar, justice & impartiality (Al-Musawah), humanity (Ta’awun), and reconfirmation (Tabayyun).
Griefing emotions on Facebook wall: a visual multimodal dialogue from a semiotic technology perspective Nasrullah, Rulli; Kontu, Study Rizal L.; Murodi; Jumroni; Musyarrofah, Umi; Adi, Wasono
KOMUNIKA: Jurnal Dakwah dan Komunikasi Vol. 19 No. 2 (2025)
Publisher : Fakultas Dakwah UIN Saizu Purwokerto

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24090/komunika.v19i2.13067

Abstract

The expression of grief has shifted from traditional face-to-face rituals to digital spaces. Social media provides features such as emojis, stickers, and GIFs, enabling users to express mourning visually and symbolically. This phenomenon illustrates how cultural and religious practices are transformed through technological mediation. The study aims to analyze how multimodal dialogue represents grief on Facebook and how meaning is constructed in digital mourning practices. The research applies a social semiotic approach with a semiotic technology method. Data were collected from grief-related posts and comments on the Facebook account @endah.sucipto. The analysis focused on two models of interaction: system–user and user–user. Each textual and visual element was examined through multimodal content analysis and interpreted using semiotic theory. The findings show that expressions of grief appear in three dominant forms: condolences, Qur’anic verses, and prayers for the deceased. Users also rely on emojis, reaction icons, stickers, and images to strengthen emotional expression. These multimodal practices integrate religious traditions and digital symbols, creating hybrid forms of mourning in online communities. Visual features such as GIFs and stickers are substitutes for nonverbal cues and add affective value to brief textual comments. This study contributes to communication and cultural studies by showing how social media functions as both a technological medium and a cultural arena. The results highlight the role of digital semiotics in rearticulating cultural symbols of grief. Future research may expand this inquiry by comparing digital mourning practices across platforms and cultural contexts.