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Islamic Values behind The Ritual of A Cow Head Burial in Grebeg Suro Yurisa, Penny Respati; Fu'aturosida, Rika; Agung, Yusuf Ratu; Muhayani, Ulfah
el Harakah: Jurnal Budaya Islam Vol 23, No 1 (2021): EL HARAKAH
Publisher : UIN Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/eh.v23i1.10576

Abstract

This paper aims to uncover the Islamic values behind the ritual of a cow head burial held by people in Bamboo Forest, Sumbermujur, Candipuro, Lumajang. It is one of the rituals of a popular Javanese culture called Grebek Suro, conducted in the first month of the Javanese calendar. It finds that the Islamic value of the ritual is salam or safety. The cow head burial is intended to bring about safety (slamet) towards society in the upcoming year. This research is expected to contribute in calling people for preserving local culture and Islamic values within the rituals. It is limited to the exploration of the Islamic values within the ritual of a cow head burial in Grebeg Suro ceremony. Further researches are expected to study the other rituals, such as Gunungan, Tumpengan, Japa Mantra, Larungan, and the dancing ritual. Tulisan ini bertujuan untuk mengungkap nilai Islam di balik ritual penanaman kepala sapi yang dilakukan oleh masyarakat di Hutan Bambu, Sumbermujur, Candipuro, Lumajang. Ini adalah salah satu ritual budaya Jawa terkenal, Grebek Suro, yang dilakukan pada bulan pertama penanggalan Jawa. Studi ini menemukain bahwa nilai Islam dari ritual tersebut adalah salam atau keselamatan. Penguburan kepala sapi dimaksudkan untuk membawa keselamatan (slamet) bagi masyarakat di tahun mendatang. Penelitian ini diharapkan dapat berkontribusi dalam mengajak masyarakat untuk melestarikan budaya lokal dan nilai-nilai Islam dalam ritualnya. Penelitian ini terbatas pada penggalian nilai-nilai Islam dalam ritual penguburan kepala sapi di upacara Grebeg Suro. Penelitian selanjutnya diharapkan menganalisis ritual-ritual lainnya, seperti Gunungan, Tumpengan, Japa Mantra, Larungan, dan ritual menari.
THE ʿILAL CONDITIONS OF AL-BAHR AL-KAMIL IN THE DIWAN OF ZUHAYR IBN ABI SULMA AS EDITED BY PROF. ʿALI HASAN FAʾUR Syamsul Huda; Penny Respati Yurisa
Qawwam : The Leader's Writing Vol. 6 No. 2 (2025): December
Publisher : Fakultas Ushuluddin Adab dan Dakwah Insitut Agama Islam Negeri Kerinci

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32939/qawwam.v6i2.520

Abstract

Poetry stands as one of the most elevated forms of Arabic literature and served as a central medium through which pre-Islamic Arabs documented events, values, and social realities. Its composition follows a strict metrical system built upon tafʿīlāt (metrical feet), which may undergo prosodic modifications known as ʿilal. These alterations provide poets with stylistic flexibility, allowing them to select words that reflect their emotional and social conditions while enhancing the expressive impact of their verses. The scholarly debate over the necessity of adhering to these ʿilal prompted the researcher to examine how pre-Islamic poets approached them, focusing particularly on Zuhayr ibn Abī Sulmā—one of the most esteemed figures in early Arabic poetry. His reputation for meticulous craftsmanship, polishing each poem over the span of a full year, earned his works the title ḥawliyyāt (“yearly refined poems”). This study aims to assess the extent to which Zuhayr adhered to prosodic ʿilal through a qualitative analysis based on library research. The findings indicate that Zuhayr consistently followed the prescribed ʿillah in the ḍarb (the final foot of the verse), demonstrating strict compliance with traditional metrical rules in this position. However, his adherence in the ʿarūḍ (the penultimate foot) was variable; in some instances, he maintained conformity with the expected form, while in others he opted for alternative structures to achieve stylistic or expressive aims. These observations suggest that Zuhayr’s poetic precision did not preclude artistic flexibility but rather reflected a balanced approach that honored classical prosody while accommodating creative expression.