Article Per Year (5 Year)
p-Index From 2021 - 2026
3.453
P-Index
This Author published in this journals
All Journal Gondang: Jurnal Seni dan Budaya Jurnal Ilmiah Telaah Tamumatra : Jurnal Seni Pertunjukan Jurnal Bastrindo: Kajian Pendidikan Bahasa dan Sastra Indonesia Boting Langi: Jurnal Seni Pertunjukan SWARNA Jurnal Pengabdian Pada Masyarakat Indonesian Research Journal on Education Jurnal Multidisiplin Sahombu Jurnal Ilmiah Multidisiplin Indonesia Komunita: Jurnal Pengabdian dan Pemberdayaan Masyarakat Jurnal Pengabdian kepada Masyarakat IPTEKS Varied Knowledge Journal Global Journal of Social Learning TERAS: Jurnal Pengabdian Masyarakat Sosial Budaya Varied Knowledge Journal Jurnal Pengabdian Pada Masyarakat IPTEKS Journal of Linguistics and Language Teaching
Renda, Rapi
Unknown Affiliation
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Earth & Planetary Sciences Economics, Econometrics & Finance Education Energy Engineering Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Medicine & Pharmacology Physics Public Health Social Sciences Other

Published : 25 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 25 Documents
Search

 1   2   3 
MEMBACA KEARIFAN LOKAL SUKU SASAK (TEMBANG) PADA SENI PERTUNJUKAN SILANG MEDIA: TANAH DIALEKTIKA “LIVE STREAMING, TEMBANG, DENGKREK” Renda, Rapi; Qatrunnada, Qatrunnada
Boting Langi: Jurnal Seni Pertunjukan Vol 4, No 4 (2025): Oktober-Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/bl.v4i4.75083

Abstract

This research aims to re-explore the local wisdom of the Sasak community specifically tembang (traditional chant) as a form of oral cultural heritage that is reinterpreted through a cross-media performance titled Tanah Dialektika: Live Streaming, Tembang, Dengkrek. In this performance, exploration is conducted through the collaboration of traditional expressions (tembang and dengkrek) with digital technology (live streaming), forming a performative space that is not only cross-medium but also cross-temporal. This study employs a qualitative descriptive method to examine how performance art serves not merely as an aesthetic domain, but also as a dialectical medium between local values and the evolution of new media, a practice referred to here as cross media performance. This fusion becomes a creative strategy to sustain traditional values within the contemporary realm while also broadening audience engagement. The resulting creative process places tembang as the narrative core and a convergence point between local expression and technological possibilities. The primary research data is the performance Tanah Dialektika: Live Streaming, Tembang, Dengkrek, a collaborative work involving artists from West Nusa Tenggara, presented during FKSM 2023. Data sources include video recordings uploaded to the Literasi Teater and Seniman Kolaborasi YouTube channels. Field research was conducted at the West Nusa Tenggara Cultural Center. The findings show that cross-media performance can serve as both an artistic and cultural strategy to preserve, respond to, and revitalize local wisdom in the rapidly evolving digital landscape.
Pancasila Ideology in Practice: Ethnographic Study of Integration in Amaq Abir Theater West Nusa Tenggara Renda, Rapi; Putrajip, Mohamad Yudisa; Suryadmaja, Galih; Biagi, I Wayan Kusuma Di; Buana, Daffa Satya Jaya
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.69469

Abstract

This study examines the integration of Pancasila values in the traditional theater performance of Amaq Abir, a cultural heritage preserved by Sanggar Pustaka Budaya in Central Lombok, West Nusa Tenggara. The urgency of this research arises from the impact of globalization, which often generates cultural dislocation, identity crises, and moral shifts. These conditions emphasize the importance of developing character education models grounded in local wisdom while reinforcing Pancasila as the nation’s ideological foundation. Using a qualitative design with an ethnographic approach, data were obtained through systematic observation, in-depth interviews, and documentation. The findings show that Amaq Abir performances embody the five principles of Pancasila through dialogic narratives, symbolic costumes, traditional music, and social interaction. Values of religiosity, humanity, unity, deliberation, and social justice are not only represented artistically but also lived communally by performers and audiences. The study positions Amaq Abir as more than folk entertainment; it serves as a medium for contextualized character education and ideological transmission. Its novelty lies in mapping how Pancasila values are integrated into traditional performance arts, framing them as cultural strategies and pedagogical tools. Broader implications highlight the revitalization of traditional arts, the strengthening of cultural identity, and the collaboration of local governments, educational institutions, and art communities to embed these practices into national character education agendas.
Tradition Adaptation: Creativity and Innovation in the Sasak Community's Kecimol Performance by the Merpati Nusantara Ensemble in Mataram Suryadmaja, Galih; Biagi, I Wayan Kusuma Di; Renda, Rapi; Saearani, Muhammad Fazli Taib; Halil, Nandi Arfian; Ningsih, Dewi Puspita
Jurnal Ilmiah Multidisiplin Indonesia (JIM-ID) Vol. 4 No. 12 (2025): Jim-id, December 2025
Publisher : Sean Institute

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines how tradition is adapted through creativity and innovation in the Sasak community’s Kecimol performance, with a focus on the Merpati Nusantara ensemble in Mataram. The research aims to identify how Kecimol, originally a traditional ensemble rooted in Cilokaq, has evolved into a performance that integrates modern instruments, cross-genre repertoires, portable stage designs, and the use of digital media. Using an ethnographic approach involving participatory observation, in-depth interviews, and documentation, the study highlights how the creativity of the artists and the active participation of the community as both audience and co-creators drive collective innovation. This innovation successfully preserves local identity while engaging with global trends. The adaptation demonstrates cultural resilience, sustaining the vitality of tradition amid modernization, despite intergenerational value tensions and negative stigmas. From a socio-economic perspective, Kecimol functions as an alternative income source, a social interaction platform, and a form of public entertainment. This research contributes theoretically by enriching studies on creativity and cultural adaptation, while providing practical insights for cultural preservation strategies, creative economy development, and community-based tourism. Overall, Kecimol exemplifies the Sasak community’s identity and the sustainability of traditional arts within the context of globalization.
Pemberdayaan Komunitas KBP melalui Teater Tradisi Cerita Rakyat Lombok untuk Penguatan Karakter dan Revitalisasi Budaya Renda, Rapi; Opan Satria, Mandala; Mohamad Yudisa, Putrajip; Nahdlatuzzainiyah
KOMUNITA: Jurnal Pengabdian dan Pemberdayaan Masyarakat Vol 4 No 4 (2025): November
Publisher : PELITA NUSA TENGGARA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.60004/komunita.v4i4.486

Abstract

Program pengabdian menggunakan metode pendekatan partisipatif kolaboratif untuk meningkatkan kemandirian Komunitas Kampoeng Baca Pelangi dalam produksi seni pertunjukan berbasis cerita rakyat Lombok. Kebaruan program terletak pada integrasi pelatihan penulisan naskah dan dramatari dengan penguatan karakter berbasis kearifan lokal, sehingga tidak hanya menghasilkan karya seni, tetapi juga memperkuat nilai budaya melalui proses kreatif. Kegiatan meliputi sosialisasi, pelatihan penulisan naskah, pendampingan latihan dramatari, dan pementasan akhir sebagai wahana penerapan teknis. Evaluasi menggunakan observasi, kuesioner Likert, dan refleksi untuk mengukur ketercapaian. Indikator keberhasilan ditunjukkan oleh kehadiran peserta lebih dari 80%, tersusunnya naskah final, serta pementasan dramatari Cilinaye sebagai implementasi keterampilan artistik dan nilai karakter seperti disiplin, kerja sama, tanggung jawab, dan kepercayaan diri. Hasil program menunjukkan peningkatan keterampilan teknis, pemahaman konsep dramatari, serta kesadaran budaya. Keterlibatan langsung dalam proses kreatif berdampak signifikan terhadap keberanian tampil dan kerja sama kelompok. Pembentukan kelompok seni komunitas dan naskah siap produksi ulang menjadi wujud keberlanjutan program. Program ini berkontribusi pada revitalisasi budaya lokal melalui transformasi cerita rakyat menjadi pertunjukan dramatari edukatif, sekaligus memperkuat pendidikan karakter peserta. Dengan pendekatan terintegrasi antara seni, budaya, dan pemberdayaan, program ini menawarkan model pengembangan seni berbasis komunitas yang berkelanjutan serta relevan diterapkan pada konteks serupa.
Revitalisasi Cerita Rakyat dan Tradisi Sasak melalui Teater Komunitas: Studi Kasus Kampoeng Baca Pelangi Waluyan, Roby Mandalika; Mawardi, Taufik; Nahdlatuzzainiyah, Nahdlatuzzainiyah; Hardi, Rahmat Sulhan; Renda, Rapi
Jurnal Ilmiah Telaah Vol 11, No 1: January 2026
Publisher : Universitas Muhammadiyah Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31764/telaah.v11i1.37227

Abstract

This study analyzes the role of Kampoeng Baca Pelangi (KBP) in Merce Timur Hamlet, Selat Village, Narmada District, West Lombok as a community literacy platform that develops theatrical performance arts based on Sasak folklore and traditions. As a non-formal learning space that began as a community literacy movement, KBP has developed into a creative center that facilitates children and youth to learn, adapt, and re-perform local stories such as the legends of Princess Cilinaya, Princess Mandalika, Peraq Api, and various other Lombok cultural narratives. This study uses a qualitative approach with a case study design, through in-depth interviews, observations of the rehearsal and performance process, and a review of community documentation and local media publications. The results show that KBP plays a role in: (1) strengthening the cultural identity of the younger generation through the integration of literacy with traditional theater practices; (2) creating a collaborative space between communities, educators, and higher education institutions; and (3) presenting a community-based cultural revitalization model that is adaptive to local needs. The findings also indicate major challenges in the form of limited resources, regeneration, and minimal sustainable promotional support. Overall, this study confirms that the synergy between literacy, education, and performing arts is an effective strategy in revitalizing Sasak culture at the community level, while also providing a basis for developing policies and programs to strengthen local culture in West Lombok.
Co-Authors -, Baiq Larre Ginggit Sekar Wangi Biagi, I Wayan Kusuma Di Buana, Daffa Satya Jaya Dewi Puspita Ningsih Dewi Puspita Ningsih Di Biagi, I Wayan Kusuma Eduard Awang Maha Putra Galih Suryajaya Halil, Nandi Arfian Hardi, Rahmat Sulhan Hilman Prayuda I Wayan Kusuma Di Biagi Imam Alfurqan Irfan Hidayat Irfan Hidayat, Irfan Irhas Irhas, Irhas Jeni, Jeni Mawardi, Taufik Mohamad Yudisa, Putrajip Nahdlatuzzainiyah Nahdlatuzzainiyah, Nahdlatuzzainiyah Opan Satria Mandala Opan Satria, Mandala Prayuda, Hilman Putrajip, Mohamad Yudisa Qatrunnada, Qatrunnada Riyad, Riyadissolihin Saearani, Muhammad Fazli Taib Sukma, Widiya Suryadmaja, Galih Waluyan, Roby Mandalika