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All Journal PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Gorga : Jurnal Seni Rupa Dinamisia: Jurnal Pengabdian Kepada Masyarakat JMM (Jurnal Masyarakat Mandiri) Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Martabe : Jurnal Pengabdian Kepada Masyarakat Visualita : Jurnal Online Desain Komunikasi Visual Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Jurnal Rupa Jurnal Desain Jurnal Abdimas Mahakam Besaung : Jurnal Seni Desain dan Budaya Jurnal Abdimas Mandiri Reswara: Jurnal Pengabdian Kepada Masyarakat Lumbung Inovasi: Jurnal Pengabdian Kepada Masyarakat Judikatif: Jurnal Desain Komunikasi Kreatif Jurnal Visi Pengabdian Kepada Masyarakat Golden Ratio of Mapping Idea and Literature Format Jurnal Multidisiplin Madani (MUDIMA) Amarasi : Jurnal Desain Komunikasi Visual Journal of Comprehensive Science VisArt: Jurnal Seni Rupa dan Design
Yulius, Yosef
Universitas Indo Global Mandiri
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Mechanical Engineering Public Health Social Sciences Other

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Journal : Jurnal Rupa

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Pola Semiotika Representasi Emosi pada Desain Sampul Buku Anak: Analisis Peirce pada The Feelings Series Karya Trace Moroney Lubis, Hestia Rachmat Nunciata; Yulius, Yosef; Halim, Bobby
JURNAL RUPA Vol 10 No 1 (2025): In Press
Publisher : Telkom University

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Abstract

The study investigates semiotic patterns of emotional representation in children’s book cover design using Charles Sanders Peirce’s icon-index-symbol framework. The research examines ten book covers from The Feelings Series by Trace Moroney, a children’s picture book series that consistently addresses basic emotions in early childhood. The study aims to identify how emotional meanings are constructed through visual signs and to examine the dominant semiotic strategies employed across covers. A descriptive qualitative method was employed was applied through structured visual observation of key cover elements, including character facial expressions, body gestures, color palettes, typography, and background composition. Each visual element was treated as a unit of analysis and independently coded by two coders according to Peirce’s classification of iconic, indexical, and symbolic signs. Inter-coder reliability was assessed using percentage agreement, resulting in an initial agreement rate of 90%, with remaining discrepancies resolved through reflective discussion grounded in operational definitions and contextual visual analysis. The findings reveal a consistent cross-cover semiotic pattern in which indexical signs such as body posture, gesture, gaze direction, and compositional emphasis play a dominant role in constructing emotional context, while iconic signs, particularly facial expressions, function as primary cues for immediate emotional recognition. Symbolic signs, including color conventions, typographic treatment, and series identity, operate to stabilize and reinforce emotional meanings through culturally familiar visual codes. These three sign types work in an integrated manner to form a cohesive and readable system of emotional representation across the series. The study demonstrates that Peirce’s semiotic framework can be systematically operationalized as and analytical tool in visual communication design research, particularly within the context of children’s emotional literacy. The identified semiotic patterns provide practical insights for designers and publishers in developing children’s book cover that effectively communicate emotions in ways that are visually clear, developmentally appropriate, and emotionally supportive.
Co-Authors Ainunnisa, Amalia Aiununnisa, Amelia Aji Windu Viatra Amalia, Shalyna Nadya Amelia Aiununnisa Amirullah, Ahmad Ridho Anisya Apriani Apriani Auliya Hegar, Tata Bobby Halim Bobby Halim Bobby Halim Damayanti, Alfina Darmawan, Adel Ari Dewi Sartika Didiek Prasetya Edwar, Hediana Imelda Erwan Suryanegara Febina Dwi Rahmah Febriansyah, Luki Fernanda, Yohanes Reno Ferry, Ferry Muhammad Rahman Firdaus Pangestu Marfa Hadhira Rahma Halim, Bobby Halim, Bobby Hallim, Bobby Hestia Rachmat Nunciata Lubis Hestia Rachmat Nunciata Lubis Husni Mubarat Husni Mubarat, Husni Imelda Saluza, Imelda Indah Permata Sari Indah Permatasari Irma Suryani, Riri Iswandi, Heri Iswandi, Heri Jessica Halim Junoko, Safar Kharimah, Ayu Nissa Khoiriyah, moh yogie pratama Lesi Hertati, Lesi Lubis, Hestia Lubis, Hestia Rachmat Nunciata Maharani Maharani, Maharani Marcelina, Dona Marnisah, Luis Muhammad Rivan Hakim Mukhsin Patriansah Mukhsin Patriansah Noor Faiza Febrianti Nugraha, M. Ihsan Nurwijayanti Nyoman Dewi Pebryani Okta Wahdjudha, Rizkha Pangestu, Risvi Pangestu, Risvi Patriansah, Mukhsin Patriansah, Mukhsin Prasetya, Didiek Pratama, Edo Pratiwi, Dika Putri Pratiwi, Febbi Neliandri Purnamasari, Dwi Chandra Putra, M Edo Pratama Putra, M. Edo Pratama Putri, Rheina Anastasia Raden Okta Riansyah Rahma, Hadhira Ramadhon, Nando Riansyah, Raden Okta Rizkha Okta Wahdjudha S. Suharto Salsabilah Soha, Fadhilah Mutiara Sapar Junoko Sapitri, Ria Saputra, Tedy Setiawan Sartika, Dewi Setyo, Sutikno Try Setyo, Sutikno Try Somantri, usuf Suharto Suharto Sutikno Try Setyo Syahrani, Allya Syamsiar, Syamsiar Terttiaavini, Terttiaavini Ubaidillah, Muhammad Ulfa, Yulia Verdianto, Valentinus Windu Viatra, Aji Yosef Yulius Noor Faiza Febrianti Yuniarti Wulandari, Yuniarti