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Santoso, Hudi
Institut Pertanian Bogor
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Penerapan Aspek Komposisi Gambar pada Produksi Film ``Dokumenter Belajar dari Tanah Adat Baduy`` Dasniar, Luthsya Artvi; Santoso, Hudi
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 02 (2026): Volume 11 No. 02, Juni 2026 Produce
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i02.49561

Abstract

This study analyzes the application of visual composition in the production of a documentary film titled “Belajar dari Tanah Adat Baduy.” As an audiovisual work that captures reality, the documentary plays a strategic role as an educational medium and a catalyst for raising social awareness. Videographers bear a crucial responsibility in operating cameras professionally, where mastery of cinematographic techniques including the selection of camera angles and shot sizes is a key element in reinforcing the narrative and fostering the audience’s emotional engagement. This qualitative study employs observation, active participation, interviews, and literature review to explore how visual composition techniques are applied in capturing the traditional educational system and daily life of the Baduy community. The findings indicate that the use of objective camera angles and varied shot sizes effectively helps viewers understand the unique culture and educational values upheld by the Baduy community. This study emphasizes that precise camera framing is a crucial pillar in achieving effective visual communication, capable of bridging cultural messages and enhancing the final quality of a documentary workStudi ini menganalisis penerapan aspek komposisi gambar dalam proses produksi film dokumenter berjudul "Belajar dari Tanah Adat Baduy". Sebagai karya audiovisual yang merekam realitas, film dokumenter berperan strategis sebagai media edukasi dan penggerak kesadaran sosial masyarakat. Videografer memegang tanggung jawab krusial dalam mengoperasikan kamera secara profesional, di mana penguasaan teknik sinematografi termasuk pemilihan sudut pandang dan ukuran gambar menjadi elemen penting untuk mempertegas narasi serta membangun keterlibatan emosional penonton. Penelitian kualitatif ini menggunakan metode observasi, partisipasi aktif, wawancara, dan studi pustaka untuk mengeksplorasi bagaimana teknik komposisi visual diterapkan dalam memotret sistem pendidikan tradisional dan kehidupan sehari-hari masyarakat Baduy. Hasil penelitian menunjukkan bahwa penggunaan objective camera angle serta variasi shot size secara efektif guna membantu penonton memahami keunikan budaya dan nilai pendidikan yang dianut masyarakat Baduy. Penelitian ini menekankan bahwa penataan kamera yang presisi merupakan pilar penting dalam mewujudkan komunikasi visual yang efektif, mampu menjembatani pesan kultural, serta memperkuat kualitas akhir dari sebuah karya dokumenter.
TEKNIK EDITING FILM DOKUMENTER BELAJAR DARI TANAH ADAT BADUY DENGAN IMPLEMENTASI AUDIO SPATIALIZATION BERBASIS BANDLAB Azzahra, Fatimah; Santoso, Hudi
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 11 No. 2 (2026): Volume 11 No. 02, Juni 2026.
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v11i2.49763

Abstract

Documentary film is an audiovisual medium that presents the reality of life in a factual and educational manner. This study aims to examine the mechanism of video editing techniques and the implementation of audio spatialization using BandLab in the documentary film “Belajar dari Tanah Adat Baduy” This study employs a qualitative descriptive approach with data collection techniques including observation, interviews, documentation, and literature study. The editing process was carried out through offline editing and online editing stages using the CapCut application, including footage screening, footage selection, video arrangement, video cutting, color grading, transition addition, text insertion, and backsound. The editing techniques applied consist of continuity editing, compilation editing, and a combination of both to maintain visual continuity and strengthen the documentary narrative. The implementation of audio spatialization was carried out through panning, volume adjustment, fade in, and fade out to create more realistic spatial and directional sound effects. The application of these techniques was able to produce a more immersive audiovisual experience, making the atmosphere of the Baduy community’s life feel more vivid for the audience
Co-Authors Abung Supama Wijaya Agnes Java Ayu Septianti Ajiba, Indi Deraya Al-Rohman, Fardita Putri Alexandre Rachel Lowu Ali, Zerlynda Alsa Marsela Amarissa, Vania Amiruddin Saleh Ana Kuswanti Andika Prasetya, Andika Anggraini, Zifa Anindya, Sahla Nur Artha, Kania Chairunnisa Dwi Aulia Nur Alzena, Azzahra Aulia, Raden Roro Fatimah Azzahra Azahra, Nazwa Rivie Azalia, Muthiah Azzahra, Adinda Azzahra, Shavira Nazwa Azzahra, Vania Trixie Bayu Suriaatmaja Suwanda Caroline, Keysha Cholagi, Fahmi Fuad Claresta Asfa Anindita Hadi Dasniar, Luthsya Artvi David Rizar Nugroho Dewanto, Berlian Rahmah Dyah Prabandari Enden Darjatul Ulya Fahmi Fuad Cholagi Fatimah Azzahra Fauziah, Raden Gladis Muthia Frisaningrum, Vansa Audia Gumilang, Bintang Nugraha Gumilang, Gita Gianty Habibie, Muhamad Hadiyanto Halim, Muthia Malihah Raniah Hari Otang Sasmita Harpin, Rici Tri Hasibuan, Ilal Hamdi Ika Sartika Ika Sartika Karimah, Sofwa Nurul Khairunnisa, Anggi Widia Khalila Zahra Maharani Kusnandar, Muhammad Qidam Leonard Dharmawan Leonard Dharmawan Luna Diva Alifia Madestan, Restu Putra Maha, Khalila Zahra Maharani, Khalila Zahra Manisya, Nabhila Manisya, Nabila Maulidia, Diva Trianza Meisykla, Rafilza Moenawar, Mohamad Ghozali Mohamad Ghozali Moenawar Muhammad Alfath Musa Hubeis Muzykant, Valerii L. Nabhila Manisya Nursyam, Muhammad Putra, Alsakti Alamanda Tr Putra, Verdito Rizky Daffa Putri Balqis Azzahra Putri, Faradita R. Agni Najwa Madenda Rafiasa, Muhammad Ramadhan, Revan Khaira Ramdani, Guruh Raya, Mohamad Arr Syal Rici Tri Harpin Pranata Rinaldi, Sultan Alif Rizki, Ananda Salsabila, Davina Elmaliya Salsabila, Safitri Shafinas, Citra Ayu Siahaan, Garry Leroy Secunda Neville SITI MARYAM Siti Sakinah, Siti Soraya, Afifah Puteri Sukamto, Ika Sumiyarsi Supama Wijaya, Abung Suparman Suparman Suriaatmaja, Bayu Suryana, Syifa Rachmania Sutisna Riyanto Tayibnapis, Radita Gora Ulya, Enden Darjatul Wahyu Budi Priatna Waluya, Gilang widya astuti Zahra Maharani, Khalila Zahra, Khalila Zahra, Salsa Aulia Zempi, Charun Nisa