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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Jurnal Celtic International Journal of Humanity Studies (IJHS) Journal of Language and Literature CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Riau Journal of Empowerment Indonesian Journal of EFL and Linguistics EBONY ELITERATE : Journal of English Linguistics and Literature Studies Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING
Jonathan Irene Sartika Dewi Max
Fakultas Ilmu Budaya, Universitas Mulawaman
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Membaca Praktik Musik Mamanda Kutai Lewat Ekosistem Musikal Vivian, Yofi Irvan; Putra, Bayu Arsiadhi; Kuncara, Singgih Daru; Max, Jonathan Irene Sartika Dewi
Resital: Jurnal Seni Pertunjukan Vol 23, No 3 (2022): Desember 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v23i3.7408

Abstract

ABSTRACT Mamanda Kutai (Ladon) music is a crucial aspect of Mamanda Kutai's performance. This is because, without the music, Mamanda Kutai is just an ordinary drama. Mamanda is a show originating from South Kalimantan. Mamanda arrived in East Kalimantan because Kutai was one of the areas controlled by the Banjarmasin Sultanate. The heyday of Mamanda Kutai occurred when this art was performed regularly by Kutainese society (not only in the Kutai Kartanegara Ing Maradipura Sultanate as the Karesmenan Aji). In its heyday, every village in Kutai Kartanegara had Mamanda Kutai group. Nowadays, there is only one group left, namely Mamanda Panji Berseri. This study aims to find out how to preserve Mamanda Kutai music by the Mamanda performer and the government. This study used a descriptive analysis method by collecting several sources of text and interview. The sustainability of Mamanda Kutai has degenerated in terms of the existing group’s quantity. This is due to the lack of preservation of the Mamanda Kutai musical ecosystem. Some of the challenges faced by Mamanda Kutai are (1) the lack of teachers with cultural literacy; (2) the lack of economic welfare of the Kutai Mamanda performer; (3) the absence of the documentation of this art; and (4) the lack of broadcasting of Mamanda Kutai's performances. ABSTRAK Musik Mamanda Kutai (Ladon) menjadi aspek yang sangat penting pada pertunjukan Mamanda Kutai. Hal ini dikarenakan, tidak adanya Musik Mamanda Kutai maka pertunjukan ini hanya sebagai drama biasa. Mamanda merupakan pertunjukan yang berasal dari Kalimantan Selatan. Mamanda sampai di Kalimantan Timur dikarenakan Kutai menjadi salah satu daerah yang dikuasai Kesultanan Banjarmasin. Masa kejayaan Mamanda Kutai pada saat kesenian ini dipertunjukan di masyarakat (tidak hanya di Kesultanan Kutai Kartanegara Ing Maradipura sebagai Keresmenan Aji). Pada masa kejayaannya, setiap desa di Kutai Kartanegara memiliki kelompok Mamanda Kutai. Pada saat ini hanya tersisa satu kelompok saja, yaitu Mamanda Panji Berseri. Penelitian ini bertujuan untuk mengetahui cara preservasi musik Mamanda Kutai oleh pelaku dan pemerintah. Penelitian ini menggunakan metode deskriptif analisis dengan mengumpulkan beberapa sumber literasi dan data wawancara. Keberlanjutan Mamanda Kutai mengalami kemunduran dilihat dari kuantitas kelompok yang ada. Hal ini disebabkan oleh kurangnya preservasi ekosistem musikal dari Mamanda Kutai. Beberapa tantangan yang dihadapi Mamanda Kutai yaitu (1) kurangnya guru pembawa kebudayaan; (2) kurangnya kesejahteraan ekonomi para pelaku Mamanda Kutai; (3) tidak adanya pengarsipan dari kesenian ini; dan (4) kurangnya penyiaran pertunjukan Mamanda Kutai. 
KESADARAN SIMBOLIK DALAM TEMBANG JOONG NYELONG (KAJIAN MITOS ROLAND BARTHES) Dahri Dahlan; Norma Atika Sari; Jonathan Irene Sartika Dewi Max
Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) 2019
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

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Abstract

Penelitian ini berfokus pada tradisi tembang Joong Nyelong, terutama liriknya. Teori yang digunakan adalah semiologi Roland Barthes yang secara spesifik menelaah makna teks pada tataran pertama (denotasi), kedua (konotasi), dan akhirnya akan merujuk pada mitos yang terbagun dari pemaknaan tersebut. Objek kajian tidak hanya terpusat pada lirik atau teks jadi akan dilihat pula konteks sosial budaya masyarakat Dayak Long Gelaat tempat tradisi ini tumbuh. Pada bagian ini digunakan teori sosiologi Emili Durkheim untuk melihat fungsi Joong Nyelong sebagai pembentuk solidaritas. Penelitian kualitatif deskriptif ini menemukan bahwa Joong Nyelong mentransmisikan mitos (1) Kekuatan dan Status Sosial, (2) Persatuan, (3) Kebersamaan dan Ikatan Persaudaraan, (4) Keterbukaan, (5) Estetika, (6) Kepahlawanan, (7) Perlindungan, dan (8) Siklus Kehidupan. Pemaknaan mitos-mitos inilah yang secara internal mendasari pola perilaku dan membentuk sikap solidaritas masyarakat Long Gelaat dalam menjawab tantangan modernisme.
A STRUCTURAL NARRATIVE ANALYSIS ON BAHAU PEOPLE’S MYTH OF BATOQ AYAU Jonathan Irene Sartika Dewi Max
Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) 2021
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

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Abstract

The Myth of Batoq Ayau is one of popular folklores of Dayak Bahau People in East Kalimantan. The narrative is first examined using narrative theory to find out the way plot is structured. Secondly, the binary oppositions which arranged to build the meaning of the myth are unveiled by a structuralist approach. This research is conducted with a qualitative descriptive methodology. It is found that the myth develops a plot of tragedy where a new equilibrium is settled in the end. The binary oppositions are examined from three elements of narrative which are the characters, the conflicts, and the setting. Eight binary opposition pairs develop the meaning of the myth. They are Safety-Danger, Outsider-Insider, Sturdiness- Defenselessness, Physical-Psychological, Cautiousness-Negligence, Life-Death, and Low-High. Thus, the meaning delivered myth of Batoq Ayau still has a relevancy to the condition of human beings today where being vigilance to the environment issues is truly needed.
GENDER STRUGGLE OF MAIN CHARACTER IN EDITH WHARTHON’S THE HOUSE OF MIRTH NOVEL Fergie Eka Wahyu Nusantara; Nasrullah Nasrullah; Jonathan Irene Sartika Dewi Max
Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) Prosiding Seminar Nasional Bahasa, Sastra, dan Seni (Sesanti) 2021
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

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Abstract

Feminism examines every gender gap, from identity, discrimination, and exploitation. One of the focuses in the study of gender identity is gender struggle and being present in novels. This research discusses the gender struggle for female characters, namely Lily Bart in Edith Wharton's novel The House of Mirth. The purpose of this study is to identify the existence of gender struggles experienced by the character of Lily Bart and describe the development of characters in these struggles. This research uses qualitative research methodology and gender struggle studies. Furthermore, the theory used in gender struggle includes several experts (Paddy McQueen, Bell Hooks, several other experts) and Jonathan Webber's theory of character development. In this case, the forms of struggle are characterized in character development analysis which seeks to find changes in the character of Lily Bart and its correlation to her struggle. The development of the character of Lily Bart is described in three phases. In the initial phase introduces the main objectives, the second phase changes due to conflict and challenges, and the third phase becomes the result of character change. The results showed that the character of Lily Bart as the main character in the novel shows a gender struggle. The forms of gender struggle that are experienced include facts of life, dream, love and affection. In this case, the forms of struggle are characterized in character development analysis which seeks to find changes in the character of Lily Bart and its correlation to her struggle.
Archetypal Analysis of Amy Dunne in Gone Girl Film Syaputri, Yoshsyta Eka Ahdiyat Virzinia; Kuncara, Singgih Daru; Dewi M., Jonathan Irene Sartika
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 8, No 4 (2024): Oktober 2024
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v8i4.9102

Abstract

This research analyzes the Gone Girl film protagonist character which is Amy Dunne. The purpose of this research is to find the archetypes representation of Amy Dunne using Jung's theory. The data were generated from the actions and dialogues from the film script and Amy's representation of the archetypes. There are four kinds of archetypes in order to acknowledge the representation of archetypes. They are ‘persona’, ‘shadow’, ‘anima and animus’, and ‘self’. With the archetypes and characterization assistance in analyzing the archetypes represented by the main characters, it is found that Amy Dunne shows archetypes from her. The archetype itself has four types, and Amy shows four types which are persona, shadow, animus, and self. While analyzing this film, with the help film’s characterization method the researcher found that the ‘shadow’ dominates Amy Dunne’s character. It can be stated that the shadow was the archetype that most accurately depicted Amy's personality. the researcher hopes that this research will be useful for readers about those archetypes that can occur in everyday life and that people can show different personalities to their surroundings.
Transitivity Analysis of Taylor Swift's Lyrics in Midnights Album Dewi Max, Jonathan Irene Sartika; Vivian, Yofi Irvan; Putra, Bayu Arsiadhi; Kuncara, Singgih Daru
Indonesian Journal of EFL and Linguistics Indonesian Journal of EFL and Linguistics, 8(2), November 2023
Publisher : Pusat Pelatihan, Riset, dan Pembelajaran Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21462/ijefl.v8i2.688

Abstract

The research analyzes 20 songs in Midnights (3 a.m. version), a record-breaking album by Taylor Swift using Halliday’s transitivity framework and Simpson’s stylistic approach to the lyrics that are regarded as a form of verbal play. The objective is to prove that the transitivity choice is stylized for supporting the theme building of songs in Taylor Swift’s Midnights album. The transitivity analysis is taken as the tool to reveal the mind style impregnated in the lyric texts. Three dominant types of processes found are the human experience of the external world (material 41,09%), the internal world of consciousness (mental 16,89%), and the identification and classification to relate one aspect of the experience to another (relational 29,11%). These three dominant proccesses build the ideational meaning of the music album which reflects the songwriter’s view of the world. The songs are found to be taking four subjects of experience which are being in love, being in a bitter relationship, facing self-contempt, and scheming revenge. Such construe of the world is represented by the transitivity processes found in song lyrics enunciating one’s outlook on reality through song lyrics. The findings of the result are contributive to English learners who have an interest in examining texts of popular culture.
PENAMAAN IBU KOTA NUSANTARA PADA MEDIA MASSA DARING KAJIAN ANALISIS WACANA NORMAN FAIRCLOUGH Purwanti, Purwanti; Gunawan, Asril; Max, Jonathan Irene Sartika Dewi
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Edition: Sesanti (Seminar Nasional Bahasa, Sastra, dan Seni) 2023
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v0i0.13145

Abstract

Isu pemindahan Ibu Kota Negara (IKN) Indonesia ke wilayah Kalimantan Timur menuai pro dan kontra. Berbagai aspek dalam proses pemindahan IKN menjadi sorotan khalayak. salah satunya, dalam hal pemberian nama. Penamaan dapat diartikan sebagai bentuk kata untuk menyatakan sebuah panggilan, atau sebutan kepada orang, tempat, barang dan lain sebagainya. Umumnya penamaan mempertimbangkan beberapa aspek, salah satunya kekhasan yang dimiliki oleh wilayah tersebut. Sehingga kecenderungan penamaan identik dengan kumpulan hal-hal yang bersifat filosofis. Hal ini lah yang memicu munculnya teks berita diberbagai media yang berkaitan dengan penamaan IKN. Tujuan dari penelitian ini adalah untuk mengetahui dan menganalisis wacana yang dibangun melalui media massa daring mengenai topik penamaan Ibu Kota Nusantara. Penelitian ini membahas bagaimana wacana penamaan Ibu Kota Nusantara dibangun melalui media massa daring. Metode yang digunakan dalam penelitian ini adalah metode kualitatif dengan jenis penelitian kepustakaan melalui pendekatan analisis teks model analisis wacana kritis Norman Fairclough. Analisis wacana media massa daring ini dilakukan dengan tiga dimensi yaitu teks, praktik diskursif, dan praktik sosial. 
PATRIARCHAL RECONSTRUCTION IN PEREMPUAN KEUMALA BY ENDANG MOERDOPO: A STUDY OF HORNEY’S THEORY OF PSYCHO-FEMINISM Nugroho, Bayu Aji; Sudirman, Eka Pratiwi; M, Fatimah; Max, Jonathan Irene Sartika Dewi
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 9, No 1 (2023): CaLLs, June 2023
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v9i1.12121

Abstract

This study formulated the following problems: (1). How is the depiction of patriarchy in “Perempuan Keumala” novel by Endang Moerdopo? (2). How is the form of patriarchal reconstruction in in the novel according to Karen Horney’s theory of psycho feminism? Those research problems aim to find out the correlation between patriarchal forms of culture experienced by women and the patriarchal forms that appear in the novel. This study uses Qualitative Descriptive analysis method. It is a method in which researchers attempt to describe what they have read according to the primary and secondary data sources. The researchers use Karen Horney’s theory of psycho feminism which stated that women’s resistance is generated from their parenting style and social environment.  Women’s resistance is psychoanalytically divided into three forms: moving towards people, against people, and moving away from people. Those movements cause women to have several self-defense mechanisms: displacement, sublimation, identification, and repression.
STYLISTIC ANALYSIS ON ROALD DAHL’S POEM TELEVISION Dewi Max, Jonathan Irene Sartika
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Vol 6, No 1 (2020): CaLLs, Juni 2020
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v6i1.2709

Abstract

The effect of a poem is deliberately designed by the poet to make it meaningful and emotionally attach the reader. Just like Television poem by Roald Dahl which employs the language features, puts them as foreground, and affects the readers in meaning making. The structure and figurative languages in the poem creates the tone that can raise people awareness of the bad impact of television for children growth and on the other hand gently reminds today’s parents about the goodness of reading books. This study gives empirical evidences of such impression by showing the poetic devices and the language features applied by the poet.
Representation of Women’s Struggle in Red Snake: Sister in Arms Film Saninah, Dhiyaul; Dewi M, Jonathan Irene Sartika; Prafitri, Wilma
General English Education Vol 5 No 2 (2025): EBONY- Journal of English Language Teaching, Linguistics, and Literature
Publisher : The Study Program of English Education of Palangka Raya University 

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37304/ebony.v5i2.18830

Abstract

Feminism is a movement advocating for gender equality in society, addressing issues that impact women, and against gender-based violence and harassment. This study examines the gender conflicts faced by female characters in the film Red Snake Sister in Arms. This study seeks to elucidate the challenges faced by women shown in the film Red Snake Sister in Arms. The depiction of gender conflict illustrates women's efforts to assert their aspirations within society. This essay employs a qualitative technique and adopts a feminist theoretical framework. It utilizes McQueen's theory for gender conflict and Petrie and Boggs' theory for characterization, focusing on the film Red Snake Sister in Arms. The manifestations of gender conflict include the pursuit of love, the quest for aspirations, and the confrontation with life's realities. researchers affirm that female characters are portrayed as embodiments of gender conflicts in the film Red Snake Sister in Arms. This is illustrated through the acts of female characters and representations of gender conflicts. This is also exemplified by other characters that oppose the gender battle.
Co-Authors Aisy, Rihhadatul Alamsyah - Ananda, Hairani Alfi Arhim, Alya Natasha Zahrani Aries Utomo Arifin, M Bahri Arifin, M Bahri Asril Gunawan, Asril Augusta, Maximilianus Rafael Sangga Bayu Aji Nugroho, Bayu Aji Bayu Arsiadhi Putra Chairani, Muhammad Atthariq Christyanti, Irene Jessica Dahri Dahlan Dahri Dahlan, Dahri Fatimah M Fergie Eka Wahyu Nusantara Hamzah, Muhammad Qusairi Indah Sari Lubis, Indah Sari Jaya, Saskia Chaerunnisa Kawulusan, Frans Rivaldo Mardiana Mardiana Margareta Ngore Marnani, Niken Indah Masrur Moch Erik Oktavuari Mubarok, Ahmad Muhajir, Fatimah Muhammad Natsir Munti, Ayu Haritsa Nasrullah - Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Ni'mah, Sofia Ni, Ling Chen Nita Maya Valiantien Norma Atika Sari Nur Amalia Fhadila Putri Nur Fadilla, Devi Ayu Novia Nur Hidayah Nusantara, Fergie Eka Wahyu PURWANTI PURWANTI Rahayu, Famala Eka Sanhadi Ramadani, Dian Rattania Dwi Hutami Ririn Setyowati Saninah, Dhiyaul Setya Ariani Sindy Alicia Gunawan Singgih Daru Kuncara Sinurat, Yobel Rudy Kevin Romasundi Sudirman, Eka Pratiwi Syaputri, Yoshsyta Eka Ahdiyat Virzinia Tarukallo Wilson Utami, Sri Suryanti Valientien, Nita Maya Wilma Prafitri Winora, Anisa Yofi Irvan Vivian Yofi Irvan Vivian, Yofi Irvan Zamruddin, Mardliya Pratiwi Zuhdi, Ahnaf