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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Jurnal Celtic International Journal of Humanity Studies (IJHS) Journal of Language and Literature CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Riau Journal of Empowerment Indonesian Journal of EFL and Linguistics EBONY ELITERATE : Journal of English Linguistics and Literature Studies Prosiding Seminar Nasional Sastra, Bahasa, dan Seni (Sesanti) Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat LINGUISTS : JOURNAL OF LINGUISTICS AND LANGUAGE TEACHING
Jonathan Irene Sartika Dewi Max
Fakultas Ilmu Budaya, Universitas Mulawaman
Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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An Analysis of Actantial Model in the Avatar: The Last Airbender (2024) TV Series Arhim, Alya Natasha Zahrani; Max, Jonathan Irene Sartika Dewi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9, No 4 (2025): Oktober 2025
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i4.22202

Abstract

This research aims to reveal the actantial scheme and actantial roles of the major characters in the first season of Avatar: The Last Airbender (2024) TV series. Using the actantial model theory developed by A. J. Greimas and applying a structuralist approach, the researchers analyze the characters’ actions. Furthermore, the researchers use qualitative methods to collect and analyze relevant data. Based on the results of the analysis, the researchers identify three schemes, which are considered complete as they contain all the key elements: a subject, object, sender, receiver, helper, and opponent. The researchers also provide an analysis of the characters’ characterization to reveal their actantial roles in each scheme. The types of characterization that appear the most are characterization through dialogue between characters and the external actions of characters.
From structure to ecology: Interpreting Greimas’s actantial model in the Anthropocene Max, Jonathan Irene Sartika Dewi; Ariani, Setya
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22569

Abstract

This study looks at how Greimas' actantial model, ecocriticism, and interpretive research come together to analyze indigenous stories from Southeast Asia in the context of the Anthropocene. While previous applications of the actantial model have focused on heroism, obedience, and resistance in Indonesian folklore, they have not engaged directly with ecocritical perspectives. This research seeks to bridge this gap using interpretive research guided by Ricoeur's hermeneutics. This study explores how indigenous myths construct non-human agency, positioning nature as an active participant rather than a submissive site. The actantial model is applied to narratives such as The Origin of Paddy, The Myth of Batoq Ayau, and The Legend of Hudoq Kawit, and an academic article, Circular Commoning of Dayak Bahau, revealing how actants shape environmental discourse. Additionally, this study reinterprets transitivity, expanding its scope beyond conventional constraints to position environmental actants as central figures in narrative structures. Findings indicate that integrating Greimas' narratology with ecocriticism increases one's knowledge about human-environment interdependency, offering a fresh ecocritical perspective that challenges anthropocentric ideologies. By reframing narratives to reflect mutuality between human and non-human entities, this study contributes to sustainable ecological stewardship, reinforcing the ethical responsibility essential for environmental resilience in the Anthropocene.
GENDER STRUGGLE OF MAIN CHARACTER IN EDITH WHARTHON’S THE HOUSE OF MIRTH NOVEL Nusantara, Fergie Eka Wahyu; Nasrullah, Nasrullah; Max, Jonathan Irene Dewi Sartika
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5742

Abstract

Feminism examines every gender gap, from identity, discrimination, and exploitation. One of the focuses in the study of gender identity is gender struggle and being present in novels. This research discusses the gender struggle for female characters, namely Lily Bart in Edith Wharton's novel The House of Mirth. The purpose of this study is to identify the existence of gender struggles experienced by the character of Lily Bart and describe the development of characters in these struggles. This research uses qualitative research methodology and gender struggle studies. Furthermore, the theory used in gender struggle includes several experts (Paddy MacQueen, Bell Hooks, several other experts) and Jonathan Webber's theory of character development. In this case, the forms of struggle are characterized in character development analysis which seeks to find changes in the character of Lily Bart and its correlation to her struggle. The development of the character of Lily Bart is described in three phases. In the initial phase introduces the main objectives, the second phase changes due to conflict and challenges, and the third phase becomes the result of character change. The results showed that the character of Lily Bart as the main character in the novel shows a gender struggle. The forms of gender struggle that are experienced include facts of life, dream, love and affection. In this case, the forms of struggle are characterized in character development analysis which seeks to find changes in the character of Lily Bart and its correlation to her struggle.
Prejudice toward Indian Characters in Gore Verbinski's The Lone Ranger Film Zuhdi, Ahnaf; Natsir, Muhammad; Sartika Dewi, M, Jonathan Irene
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.11075

Abstract

This research deals with prejudice in The Lone Ranger film by Gore Verbinski. Prejudice is an unfounded attitude of dislike or hatred towards a particular person or group of people based on judgmental beliefs without regard to the unique characteristics of a person or group of people based simply on their membership in that group. The researcher analyzed the prejudiced aspects by characterizing the characters experiencing treatment in this film. This research used a qualitative research design. The data were generated from the speech, action, and thoughts of the characters portrayed in the film. The researcher revealed that the stages of prejudice action in this film are committed by white people and experienced by the Indian People. In conclusion, the four stages of prejudice experienced by the characters were anti-locution, discrimination, physical attack, and extermination. Therefore, the researcher concluded that the difference between both races such as their skin tone, or their behavior is what generated prejudice toward Indian characters.
Prejudice towards African American Characters in 12 Years a Slave Film Hidayah, Nur; Ariani, Setya; Sartika Dewi M, Jonathan Irene
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.9919

Abstract

Prejudice is a thought or assumption that is not necessarily true of a person or group based on their membership background. There are some hostile actions in prejudice, namely: (1) Antilocution, (2) Avoidance, (3) Discrimination, (4) Physical Attack, and (5) Extermination. With Allport's theory of prejudice, the researcher analyzes a film called 12 Years a Slave. The film is analyzed more deeply to find subtitles and scene pieces that contain elements of hostile actions in prejudice. To get the elements of prejudice in the film, the writer uses character theory and characterization to find elements of prejudice that occur in the characters in the film.  This study used a qualitative method because it requires a deep understanding of a phenomenon that occurs.  In the results of this study, the researcher found that there are four types of acts of prejudice, namely: (1) Antilocution, (2) Discrimination, (3) Physical Attack, and (4) Extermination. The most frequently used act of prejudice in this film is a physical attack. Based on the research in this study, the physical attacks in the film occurred because of the lack of self-control of white people over African Americans. More deeply, another reason is because of the mode of justification for the violence that white people against African Americans through the Bible. Lastly, because of the legalization of the sale and purchase of slaves, there was a sense of ownership that allowed white people to do anything to their slaves.
Ecocriticism analysis in Eating Our Way To Extinction (2021) documentary film Utami, Sri Suryanti; Max, Jonathan Irene Sartika Dewi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23006

Abstract

This study aims to analyze how ecological crises are categorized and interpreted through the element of setting in the documentary Eating Our Way to Extinction (2021). The film is selected as the object of study because it emphasizes the urgency of environmental destruction driven by the global food system, particularly practices of animal agriculture that have wide-ranging impacts. This research applies Greg Garrard’s ecocriticism within a qualitative descriptive method, employing categories such as pollution, wilderness, apocalypse, dwelling, animals, and the earth as analytical indicators. Through this framework, the analysis explores how ecological issues are represented not only as scientific facts but also as cultural narratives that shape audience perception. The findings reveal that ecological phenomena including deforestation, biodiversity loss, overfishing, water and air pollution, greenhouse gas emissions, and climate change are interpreted through story, narrative, atmospheric, temporal, and symbolic settings that structure the film’s message. These results demonstrate that setting is not merely a background but a central device that conveys the interconnectedness between human activity and ecological damage, thereby strengthening the persuasive force of the documentary. The study highlights how the use of setting contributes significantly to the film’s ecological discourse and offers a valuable perspective for ecocritical studies of visual media.
PREJUDICE IN "THE AFRICAN DOCTOR" FILM Marnani, Niken Indah; Lubis, Indah Sari; Max, Jonathan Irene Sartika Dewi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 3 (2022): Juli 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i3.5899

Abstract

Prejudice is a hateful behavior towards someone based on their membership with the minority group. Someone counted in a minority group will get a prejudice act. This phenomenon frequently happens in literary works. Based on Gordon Allport’s theory, prejudice has several kinds, which are: antilocution, avoidance, discrimination, physical attack and extermination. As for the response given from the victim when receiving prejudice treatment, it can also be called the victim's of prejudice behavior. There are 2 behaviors: extropunitive and intropunitive. Prejudice is depicted in a film entitled The African Doctor. The film tells about prejudice which is done by French toward African – American. This research aims to reveal kinds of prejudice that experienced by African – American as a character in the film and to know the behaviors of African – American when they experienced prejudice. This research was conducted by using a descriptive method and qualitative approach. In this research, the researcher took the data from the scenes of the film and the conversations of the characters in the film. The result of the research shows that there are four of five kinds of prejudice portrayed namely antilocution, avoidance, discrimination, and physical attack. In addition, there are two victim’s behaviors of prejudice that portrayed in the research, which are extropunitive and intropunitive behavior. Prasangka adalah perilaku kebencian terhadap seseorang berdasarkan keanggotaannya dengan kelompok minoritas. Seseorang yang termasuk dalam kelompok minoritas akan mendapat tindakan prasangka. Fenomena ini sering terjadi dalam karya sastra. Berdasarkan teori Gordon Allport, prasangka memiliki beberapa macam, yaitu: antilokusi, penghindaran, diskriminasi, serangan fisik, dan pemusnahan. Adapun respon yang diberikan oleh korban saat menerima perlakuan prasangka juga bisa disebut dengan perilaku korban prasangka. Terdapat 2 perilaku: ekstropunitif dan intropunitif. Prasangka digambarkan dalam film berjudul The African Doctor. Film ini berkisah tentang prasangka yang dilakukan oleh orang Perancis terhadap orang Afrika – Amerika. Penelitian ini bertujuan untuk mengungkap macam-macam prasangka yang dialami oleh orang Afrika-Amerika sebagai karakter dalam film dan untuk mengetahui perilaku orang Afrika-Amerika ketika mereka mengalami prasangka. Penelitian ini dilakukan dengan menggunakan metode deskriptif dan pendekatan kualitatif. Dalam penelitian ini peneliti mengambil data dari adegan film dan percakapan para tokoh dalam film tersebut. Hasil penelitian terdapat empat dari lima amcam prasangka yang digambarkan yaitu antilokusi, penghindaran, diskriminasi, dan serangan fisik. Selain itu, terdapat dua perilaku dari para korban prasangka yang tergambar dalam film penelitian, yaitu perilaku ekstropunitif dan intropunitif.
THE IDEA OF CAPITALIST EXPLOITATION IN VICTORIAN ERA REPRESENTED IN CHARLES DICKENS’ OLIVER TWIST NOVEL Ni, Ling Chen; Nasrullah, Nasrullah; Max, Jonathan Irene Sartika Dewi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6374

Abstract

In Victorian era, Capitalism was known as an economic system in which power was dominated by private ownership. The work system applied in Capitalism influenced the life of Victorian era and literary works recorded it. The aim of this research is to identify the idea of capitalist exploitation that exists and to describe how capitalist exploitation is represented through character, characterization, and setting in Oliver Twist novel. This research uses a theory by Mariano Zukerfeld about the types of capitalist exploitation which appear through alienation, reproduction, and attention. This is accomplished through library research and the use of a Historicism approach to identify capitalist exploitation in the Victorian era. The result of this research shows that capitalist exploitation is mostly experienced by Oliver Twist as a representative of the lower class. The researcher can conclude that the lower class character, which emerged from the working class, has been subjected to various forms of capitalist exploitation, such as exploitation through alienation refers to labor power, exploitation through reproduction refers to labor product, and exploitation through attention refers to labor time.
Personality of the Main Character in Eat,Pray,Love Novel by Elizabeth Gilbert Ramadani, Dian; Valientien, Nita Maya; Max, Jonathan Irene Sartika Dewi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.7283

Abstract

Psychoanalysis is a theory that is used to analyze the human psyche where the behavior that occurs is due to the mindset that is controlled under the human consciousness. One that can be influenced is the human personality which is described through literary works such as a novel. The purpose of this study is to identify how the personality of the main character depicted in Eat, Pray, Love novel. The researcher uses qualitative methods. The data used in this study are utterances and dialogues. The results of this study indicate that there are three aspects of personality structure found in Eat, Pray, Love novel. The aspects are id (biological aspect) has a role to fulfill the inner satisfaction to get pleasure, ego (rational aspect) plays a role in controlling the inner satisfaction by the id and prioritizes reality, and superego (moral aspect) focuses on morality where it comes from parental teachings and norms that exist in society. These three aspects bridge other to regulate the steps taken by Elizabeth as the main character in the novel.
A Critical Discourse Analysis of Ideology Represented in Amy Tan's The Joy Luck Club Novel Ananda, Hairani Alfi; Kuncara, Singgih Daru; Max, Jonathan Irene Sartika Dewi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 4 (2023): Oktober 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i4.8593

Abstract

This research is conducted to explain ideology represented through transitivity and modality in Amy Tan’s The Joy Luck Club novel. Thus, CDA is a thinking concept and approach in this research comprises three dimensions in analyzing those are description, interpretation, and explanation. As a result, the researcher reads the data and uses descriptive qualitative method finds Jing Mei Woo uses all the processes in transitivity and modality to represent her negative liberty except Lindo Jong does not use existential process only. In representing their positive liberty, Jing Mei Woo does not use existential and high process only. While, Lindo Jong does not use behavioral and existential process but uses all levels in modality process. When responding to others, Negative and Positive Liberty of Jing Mei Woo and Lindo Jong are shaped by material, mental, relational, behavioral, and verbal process. While, Negative Liberty of Jing Mei Woo is shaped by median level but for Lindo Jong by low level. Positive Liberty of Jing Mei Woo is shaped by median and high level but Lindo Jong by all of the levels in modality those are low, median, and high. In the beginning, Jing Mei Woo defends her ideology which is more colored by American than Chinese beliefs. Otherwise, Lindo Jong wants them to balance between American circumstances and Chinese characters and beliefs. To sum up, both characters face the same phase of using negative liberty before finally using positive liberty. A sequence of moment becomes lesson to them then to be wiser before feeling, thinking, behaving, deciding, saying, and finally doing action based on positive liberty.
Co-Authors Aisy, Rihhadatul Alamsyah - Ananda, Hairani Alfi Arhim, Alya Natasha Zahrani Aries Utomo Arifin, M Bahri Arifin, M Bahri Asril Gunawan, Asril Augusta, Maximilianus Rafael Sangga Bayu Aji Nugroho, Bayu Aji Bayu Arsiadhi Putra Chairani, Muhammad Atthariq Christyanti, Irene Jessica Dahri Dahlan Dahri Dahlan, Dahri Fatimah M Fergie Eka Wahyu Nusantara Hamzah, Muhammad Qusairi Hutami, Rattania Dwi Indah Sari Lubis, Indah Sari Jaya, Saskia Chaerunnisa Kawulusan, Frans Rivaldo Mardiana Mardiana Margareta Ngore Marnani, Niken Indah Masrur Moch Erik Oktavuari Mubarok, Ahmad Muhajir, Fatimah Muhammad Natsir Muhammad, Harry Isra Munti, Ayu Haritsa Nasrullah - Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Nasrullah Ni'mah, Sofia Ni, Ling Chen Nita Maya Valiantien Norma Atika Sari Nur Amalia Fhadila Putri Nur Fadilla, Devi Ayu Novia Nur Hidayah Nusantara, Fergie Eka Wahyu PURWANTI PURWANTI Rahayu, Famala Eka Sanhadi Ramadani, Dian Ririn Setyowati Saninah, Dhiyaul Setya Ariani Sindy Alicia Gunawan Singgih Daru Kuncara Sinurat, Yobel Rudy Kevin Romasundi Sudirman, Eka Pratiwi Syaputri, Yoshsyta Eka Ahdiyat Virzinia Tarukallo Wilson Utami, Sri Suryanti Valientien, Nita Maya Wilma Prafitri Winora, Anisa Yofi Irvan Vivian Yofi Irvan Vivian, Yofi Irvan Zamruddin, Mardliya Pratiwi Zuhdi, Ahnaf