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All Journal E-JURNAL LINGUISTIK Linguistika RETORIKA: Jurnal Ilmu Bahasa Jurnal Kajian Bali LINGUAL: Journal of Language and Culture JURNAL PENDIDIKAN TAMBUSAI International Journal of Language and Literature Linguistik Indonesia Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Pustaka : Jurnal Ilmu-Ilmu Budaya Udayana Journal of Social Sciences and Humanities (UJoSSH) Kulturistik : Jurnal Bahasa dan Budaya Austronesian: Journal of Language Science & Literature Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) EduInovasi: Journal of Basic Educational Studies Litera : Jurnal Bahasa dan Sastra Ulil Albab Langua: Journal of Linguistics, Literature, and Language Education Open Access DRIVERset e-Journal of Linguistics
Ida Ayu Made Puspani
Udayana University, Denpasar, Indonesia
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Social Sciences Other

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Analysis Compound Words on The Song Lyrics of Ardhito Pramono "A Letter to My 17 Year Old" Album Dewi, Ni Kadek Mila Purnama; Puspani, Ida Ayu Made; Qomariana, Yana
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini bertujuan untuk menganalisis kata majemuk dari jenis dan makna konteks pada setiap kata majemuk yang ditemukan karena dengan menganalisis lagu dapat membantu pendengar untuk lebih memahami makna dari lagu terkini favoritnya. Penelitian ini bertujuan untuk menjelaskan jenis-jenis kata majemuk dan makna kontekstual setiap kata majemuk yang terdapat pada lirik lagu album “A Letter to My 17 Year Old” karya Ardhito Pramono. Dalam konteks ini, kata majemuk adalah kata yang tersusun dari dua (atau lebih dari dua) batang atau akar. Teori kata majemuk yang penulis analisis menggunakan teori Lieber (2009). Sumber data penelitian ini adalah seluruh lagu dalam album “Surat Untuk Usiaku 17 Tahun” karya Ardito Pramono. Terdapat lima lagu dalam album tersebut, dan penulis menerapkan metode kualitatif untuk menganalisis data dan alasan pemilihan topik penelitian dan pertanyaan penelitian. Setidaknya penulis mengungkapkan bahwa melakukan analisis morfologi harus menjadi cara yang baik untuk memahami makna sebuah lagu.
Analyzing Conceptual Metaphors Through Michael Bublés ‘Call Me Irresponsible’ Album I Kadek Roycke J. Kamandanu; Ida Ayu Made Puspani; Ni Ketut Alit Setianingsih
Austronesian: Journal of Language Science & Literature Vol. 3 No. 3 (2024): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.3.3.2024.113-121

Abstract

The study “Conceptual Metaphor in Bublé’s Call Me Irresponsible Album” explores how metaphors in song lyrics can complicate understanding. This research categorizes and analyzes metaphor types found in Michael Bublé’s album, specifically focusing on 13 songs such as “The Best Is Yet to Come,” “Everything,” and “That’s Life.” Lyrics were sourced from Genius.com, and a descriptive qualitative approach guided by Lakoff and Johnson’s conceptual metaphor theory was employed. Three main types of conceptual metaphors structural, orientational, and ontological were identified in the analysis. Structural metaphors (56 instances), orientational metaphors (42 instances), and ontological metaphors (39 instances) were found to compare different concepts, often relating to themes of love and relationships. These metaphors contribute connotative, affective, and social meanings to the lyrics, influencing interpretations. The study highlights the importance of metaphor analysis in understanding how metaphors enrich song lyrics but also pose challenges in interpretation. By systematically categorizing and scrutinizing metaphors, this research enhances our comprehension of the nuanced meanings embedded in Bublé’s music, shedding light on the intricate interplay between language, metaphor, and thematic content in popular music.
Figurative Language Used in Happy Place by Emily Henry I Wayan Yogiswaa Mustika; Ida Ayu Made Puspani; Yana Qomariana
EduInovasi:  Journal of Basic Educational Studies Vol. 5 No. 1 (2025): EduInovasi:  Journal of Basic Educational Studies
Publisher : Intitut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/edu.v5i1.6604

Abstract

This undergraduate thesis examines the pragmatic study of the figurative language used in the 2023 fiction novel Happy Place written by Emily Henry. The novel, set against the backdrop of a beautiful seaside town, explores themes of love, friendship, and self-discovery through the lives of Harriet and Wyn. As figurative language is an essential tool for evoking emotions and enriching a story, this research aims to explore how Emily Henry employs various figures of speech, such as metaphor, simile, hyperbole, and personification, to deepen the readers' connection with the characters and their experiences. The study focuses on two primary research inquires: (1) what are the meanings of figurative language found in “Happy Place” Novel by Emily Henry (2) What are the types of the figurative language found in “Happy Place” Novel by Emily Henry. The study aims to identify and describe the language styles in the movie using Perrine's (1982: 61) theory of figurative language, which classifies and explains the meanings of various figures of speech, this study systematically analyzes the textual examples. Furthermore, Abrams and Harpham (2009) theory is utilized to examine the types of figurative language that contain in the dialog or narrative found in the novel. The findings of the study indicate that figurative language in Happy Place serves not only as a stylistic device but also as a fundamental tool for emotional expression and character insight. Through metaphors and other figurative devices, Henry portrays the complexities of human relationships and personal growth, enabling readers to experience the characters’ inner worlds more vividly. The study concludes that figurative language enriches the narrative, deepens the thematic exploration of love and identity, and enhances the novel’s emotional impact.
Expressive Speech Acts in the Comments Section of One Direction’s Youtube Channel Putra Danan Jaya; Putu Lirishati Soethama; Ida Ayu Made Puspani
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5065

Abstract

This study examines expressive speech acts in the comments section of One Direction’s YouTube video titled “10 Years of One Direction.” It aims to identify the types of expressive acts used, explore their communicative purposes, and determine which type is most frequently employed. The research uses Searle and Vanderveken’s (1985) classification—which includes acts such as thanking, apologizing, congratulating, praising, sorrowing, boasting, blaming, and greeting—and Leech’s (2014) categorization of speech act functions (competitive, convivial, collaborative, and conflictive). Using a descriptive qualitative approach supported by basic quantitative analysis, the study analyzes 70 selected comments from the video. Results show eight types of expressive speech acts: thanking, congratulating, praising, sorrowing, blaming, happiness, boasting, and regretting. These acts mostly serve convivial, collaborative, and conflictive functions. Notably, sorrowing was the most frequent, appearing in 28.57% of the comments, indicating a strong nostalgic and emotional response among fans. The findings highlight how digital fan communities use expressive language to share emotions and build collective memories.
STRUCTURAL METAPHOR IN THE NOVEL A MAN CALLED OVE BY FREDRIK BACKMAN Tilem Sedana Yogi, Ida Ayu; Puspani, Ida Ayu Made; Lirishati Soethama, Putu
Kulturistik: Jurnal Ilmu Bahasa dan Budaya 33-38
Publisher : Universitas Warmadewa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22225/kulturistik.10.1.12477

Abstract

This article entitled Structural Metaphor in The Novel A Man Called Ove by Fredrik Backman, aims to identify and analyze structural metaphors and their underlying meanings. The data were collected from dialogues and narrative passages, specifically phrases, clauses, and sentences within the novel. Employing a documentation method and note-taking technique, the study was conducted using a descriptive qualitative approach. The analysis was presented in informal through descriptive discussion in paragraph form. The theories applied in this study were the theory of metaphor proposed by Lakoff and Johnson (2003) to analyze the type of metaphor, especially structural metaphor. This study focused on finding structural metaphors out of three types of metaphors, and also focused on analyzing the meaning of the metaphor. The result of the study shows that there are representations of structural metaphor in the novel, and all the meanings implied by each of the metaphors are found, highlighting their central role in expressing grief and emotional transformation. These metaphors illuminate the protagonist's internal struggles and reveal universal aspects of the human experience, such as loss, grief, resilience, and the search for connection.
Duplication, Fragmentation, and Overlapping: Linguistic Landscape Dynamics of Tourist Attractions in Gianyar, Bali Sang Ayu Isnu Maharani; Ketut Artawa; Ida Ayu Made Puspani; Ketut Widya Purnawati
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p14

Abstract

With its rich array of tourist attractions, the Gianyar region in Bali features numerous outdoor signs that contribute to its complex linguistic landscape. This study investigates linguistic landscape patterns and text typologies using a qualitative research method based on observation, note-taking, and photography. The analysis follows the linguistic landscape framework by Landry and Bourhis (1997) and the multilingual text typology by Reh (2004). Findings reveal that the linguistic landscape of Gianyar’s tourist sites falls into cultural, village, museum, nature, and man-made categories. Outdoor signage patterns are classified as top-down and bottom-up. Top-down signs predominantly feature duplicating and fragmentary text typologies, while bottom-up signs incorporate duplicating, fragmentary, and overlapping structures. These findings enhance the understanding of the linguistic landscape in Gianyar, providing insights into its multilingual environment, particularly within public spaces and tourist destinations.
Duplication, Fragmentation, and Overlapping: Linguistic Landscape Dynamics of Tourist Attractions in Gianyar, Bali Sang Ayu Isnu Maharani; Ketut Artawa; Ida Ayu Made Puspani; Ketut Widya Purnawati
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p14

Abstract

With its rich array of tourist attractions, the Gianyar region in Bali features numerous outdoor signs that contribute to its complex linguistic landscape. This study investigates linguistic landscape patterns and text typologies using a qualitative research method based on observation, note-taking, and photography. The analysis follows the linguistic landscape framework by Landry and Bourhis (1997) and the multilingual text typology by Reh (2004). Findings reveal that the linguistic landscape of Gianyar’s tourist sites falls into cultural, village, museum, nature, and man-made categories. Outdoor signage patterns are classified as top-down and bottom-up. Top-down signs predominantly feature duplicating and fragmentary text typologies, while bottom-up signs incorporate duplicating, fragmentary, and overlapping structures. These findings enhance the understanding of the linguistic landscape in Gianyar, providing insights into its multilingual environment, particularly within public spaces and tourist destinations.
Question Tag Features Used by Female Characters in The To All The Boys Movies Oemardi, Putri Azizah Meysi; Setianingsih, Ni Ketut Alit Ida; Puspani, Ida Ayu Made
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 15 No. 1 (2026): Februari 2026
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/6yc4dt14

Abstract

This study entitled Question Tag Features Used by Female Characters in the To All The Boys Movies. The aims of this study are to identify the kinds of question tag features in the women characters and describe the context of the situation of the conversation containing question tags in the To All the Boys movies. The source of the data was taken from the conversation of “To All The Boys” movies. The research design was descriptive qualitative research. The analysis was based on the three-question tag from Holmes’s theory; they are the modal tag to ask for information or confirmation of the information, affective tag to reduce the force of an impolite request, and the facilitative tag to invite the listeners to take a conversation and comment. This data was also analysed based on the context of the situation from Holmes's theory. The result shows that there are thirteen data from the conversation in the movie to perform the question tag. The feature of question tags that occurs dominantly in the movie is a modal tag. The six cases comprise a modal tag of two cases, a facilitative tag of two cases, and a softeners tag of two cases. Meanwhile, for the context of the situation factors that most influence the speaker to use question tags are participant, setting, topic, and function. Based on the result of the study, it is fruitful to suggest the students of English Department to do further analysis about the three of question tags used in other resources like movies, novels, or articles. Keywords: Question Tag, To All the Boys, Movie
Function and Meaning of Metaphors in The Palm-Leaf Manuscript of Cilinaya Written in Sasak Language and its Translation Sarwadi; Ida Bagus Putra Yadnya; N.L. Sutjiati Beratha,; Ida Ayu Made Puspani
e-Journal of Linguistics Vol. 13 No. 1 (2019): January
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/eJL.2019.v13.i01.p05

Abstract

The palm-leaf manuscript of Cilinaya is one of the manuscripts which is stillimplemented in the life of the Sasak ethnic people. The writer conveyed massages to the readersusing different figurative expressions, one of which is metaphor. This current study is a product-oriented translation study in which the qualitative descriptive approach was applied. The palm-leaf manuscript of Cilinaya was used as the data source. Based on the result of analysis anddiscussion, it can be concluded that several metaphorical expressions are used to praise abeautiful girl that everybody is proud of. Those metaphorical expressions are Duh mas mirahkembang mete, Duh mas mirah serining kasur, Duh mas mirah buaq bulu, Neneq bini, Dun dendare masku, Dendare, dende, Duh mas mirah dende ayu. In the Sasak language, a metaphor willhave different function and meaning if the morpheme „be‟ is inserted in the expression „lauhdaye’ to form „belauk bedaye‟.
Application of Transposition Procedure to the Translation of Emotive Words in Kṛṣṇa Text I Wayan Suryasa; I Nengah Sudipa; Ida Ayu Made Puspani; I Made Netra
e-Journal of Linguistics Vol. 13 No. 1 (2019): January
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/e-jl.v13i1.49070

Abstract

The current study is aimed at investigating the application of the transposition procedure tothe translation of the emotive words found in Kṛṣṇa text. The emotive words used are based on thecognitive scenario. There are five emotive words described. They are happy, sad, fear, anger,envious, and ashamed. The transposition procedure was appplied to the replacement of one wordclass by another. There is no change in meaning. The transportation procedure can be appliedintralinguistically, referring to as particular language. The original expression is the base one and theresult is the transposed expression. The highly versatile translation procedure is transposition. Thestylistic value of the transposed expression is sometimes substantially different from the baseexpression. Transposition can render the nuance of style, and used as a main means of finetuning thestylistic elegance of the translation product.
Co-Authors Christina Made Dwi Utami Dewi, Ni Kadek Mila Purnama Dewik Yuwandani Harvin Thedeolin Finsen I Gede Juniasta Datah I Gst Agung Triana Rakanita I Gst. Agung Triana Rakanita I Gusti Ayu Arnita I Gusti Ayu Gede Sosiowati I Gusti Putu Ega Ananda Wigraha I Kadek Roycke J. Kamandanu I Ketut Artawa I Made Budiarsa I Made Netra I Made Yoga Dwi Angga I Nengah Sudipa I Nengah Suryawan I Nyoman Sedeng I NYOMAN SUPARWA I Wayan Ana I Wayan Arya Wedananta I Wayan Jason Karenski I Wayan Mulyawa I Wayan Mulyawan I WAYAN PASTIKA I Wayan Resen I Wayan Suryasa I Wayan Yogiswaa Mustika Ida Ayu Kade Dwijati, Ida Ayu Ida Bagus Putra Yadnya Indri Novita Sari Ira Yunita, Ni Nyoman Ayu Mas Ketut Widya Purnawati Kezia Ariantji Turangan Laksono Trisnantoro Lirishati Soethama, Putu Made Ayu Diah Prabandari N.L. Sutjiati Beratha, Ni Kadek Jenni Lestari Ni Kadek Sindiasti Rahanita Prativi Ni Ketut Alit Ida Setianingsih Ni Ketut Alit Setianingsih Ni Ketut Sri Rahayuni Ni Komang Pariadi Ni Luh Hani Rainna Wati Ni Luh Ketut Mas Indrawati Ni Luh Nyoman Seri Malini Ni Luh Nyoman Yenni Priyastini Ni Luh Putu Krisnawati Ni Luh Sutjiati Beratha Ni Made Ariani Ni Made Erfiani Ni Made Suwari Antari Ni Putu Triska Riana Dewi Ni Wayan Pering Muliawati Ni Wayan Sukarini Nissa Puspitaning Adni Novita Mulyana Nurul Muthiah Jawas Nyoman Triguna Aditya Oemardi, Putri Azizah Meysi Prabhaswari, Putu Indry Putra Danan Jaya Putu Cindy Aprilia Dewi Putu Lirishati Soethama Sang Ayu Isnu Maharani Santi Indriani, Ketut Sarwadi Sarwadi sarwadi Setianingsih, Ni Ketut Alit Ida Susini, Made Tilem Sedana Yogi, Ida Ayu Vanesa Liu Wati, Dessri Finiya Yana Qomariana