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Translation Shift Of English Noun Phrases Into Indonesian In The Movie Of Enola Holmes Ni Kadek Sindiasti Rahanita Prativi; Ida Bagus Putra Yadnya; Ida Ayu Made Puspani
ULIL ALBAB : Jurnal Ilmiah Multidisiplin Vol. 1 No. 7: Juni 2022
Publisher : CV. Ulil Albab Corp

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Abstract

This study is entitled “Translation Shift of English Noun Phrases into Indonesian in the Movie of Enola Holmes”. It was formulated to studying regarding shift of English noun phrases into Indonesian. The data were taken from a movie entitled “Enola Holmes”. As the data involving two languages, the data were taken from two sources in which involving the movie English spoken text and the Indonesian subtitles. It was collected through observation by using note-taking technique concerning shift and translation equivalence undergone by the English noun phrases into Indonesian. The data were then analysed using comparison technique through descriptive qualitative method. The theory used in this study was proposed by Catford regarding translation of shifts. In the process of translation, it was discovered that the result concerning shift have appeared several times within the study in the process of translation of English noun phrases into Indonesian. From the result found in the data analysis, it was discovered that there is changes in terms of structural form between the SL and TL.
An Analysis of Billy Joel’s Song Lyric Vienna Using Psychoanalytic Literary Criticism Theory Vanesa Liu; Putu Lirishati Soethama; Ida Ayu Made Puspani; Ni Ketut Alit Ida Setianingsih
Jurnal Langua Vol 6 No 2 (2023): Langua: Journal of Linguistics, Literature, and Language Education
Publisher : Program Studi Pendidikan Bahasa Inggris, ISDIK Kie Raha Maluku Utara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.8039221

Abstract

Psychoanalytic criticism employs Freud's and following theorists' "reading" techniques to interpret texts. It is argued that literary texts, like dreams, reveal the author's unconscious desires and worries; a literary work is an expression of the author's neuroses. It is possible to psychoanalyze a specific literary character, however it is generally accepted that all such characters are reflections of the author's personality. A remarkable characteristic of this method is that it affirms the significance of literature by utilizing a literary key for decoding. Freud himself penned, "The dream-thoughts that we first encounter in the course of our analysis often blow us by the unusual form in which they are expressed; they are not clothed in the prosaic language typically employed by our thoughts, but are instead represented symbolically through similes and metaphors, in images resembling poetic speech". This analytical attempt, like psychoanalysis itself, seeks evidence of unresolved emotions, psychological conflicts, guilts, ambivalences, etc. within a potentially disjointed literary work. The author's personal childhood traumas, family life, sexual difficulties, and fixations will be reflected in the conduct of the literary work's characters. Yet psychological material will be expressed indirectly, disguised, or encoded (as in dreams) via concepts such as "symbolism" (the repressed object represented in disguise), "condensation" (many thoughts or individuals depicted in a single image), and "displacement" (anxiety located onto another image by means of association). Many artists expressed their thoughts, anxiety, and buried dreams through song lyrics. One of which is Billy Joel with his song Vienna. The qualitative research method was used to analyze the data in this study. The lyrics of Vienna’s song are analyzed utilizing psychoanalytic literary criticism theory as the guidelines. The findings show that this song contains many elements of psychoanalytic through the metaphors that Billy Joel used in the lyrics.
Verbal and Visual Sign in Midsommar Movie Posters I Wayan Arya Wedananta; Ida Ayu Made Puspani; I Wayan Mulyawa
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 2 (2025): Agustus : Jurnal Riset Rumpun Ilmu Bahasa
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i2.6122

Abstract

This study investigates the verbal and visual signs embedded in the promotional posters of Midsommar (2019), a psychological horror film directed by Ari Aster. Drawing on Dyer’s (1982) theory of visual signs, Saussure’s semiotic model of the signifier and signified, and Cerrato’s (2012) theory of color symbolism, the research analyzes how linguistic and visual elements work together to convey layered meanings. Using a descriptive qualitative approach, five official film posters were examined to identify how signs construct thematic messages and emotional tones. The findings reveal that the posters deliberately juxtapose serene imagery with unsettling symbols, creating a tension between aesthetic beauty and psychological horror. Verbal cues such as taglines and titles signal themes of ritual, trauma, and emotional transformation, while visual signs—such as costume, color palette, facial expressions, and symbolic objects—reinforce the film’s narrative of cultural disorientation and personal collapse. Color symbolism, particularly the use of red, blue, and white, plays a key role in evoking mood and implying deeper psychological and ritualistic meanings. Overall, this study demonstrates that Midsommar’s posters function not only as promotional tools but also as rich semiotic texts that foreshadow the film’s ideological and emotional content, offering insight into how horror and beauty can coexist within cinematic visual culture.
Analysis Compound Words on The Song Lyrics of Ardhito Pramono "A Letter to My 17 Year Old" Album Dewi, Ni Kadek Mila Purnama; Puspani, Ida Ayu Made; Qomariana, Yana
Jurnal Pendidikan Tambusai Vol. 8 No. 2 (2024)
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

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Abstract

Penelitian ini bertujuan untuk menganalisis kata majemuk dari jenis dan makna konteks pada setiap kata majemuk yang ditemukan karena dengan menganalisis lagu dapat membantu pendengar untuk lebih memahami makna dari lagu terkini favoritnya. Penelitian ini bertujuan untuk menjelaskan jenis-jenis kata majemuk dan makna kontekstual setiap kata majemuk yang terdapat pada lirik lagu album “A Letter to My 17 Year Old” karya Ardhito Pramono. Dalam konteks ini, kata majemuk adalah kata yang tersusun dari dua (atau lebih dari dua) batang atau akar. Teori kata majemuk yang penulis analisis menggunakan teori Lieber (2009). Sumber data penelitian ini adalah seluruh lagu dalam album “Surat Untuk Usiaku 17 Tahun” karya Ardito Pramono. Terdapat lima lagu dalam album tersebut, dan penulis menerapkan metode kualitatif untuk menganalisis data dan alasan pemilihan topik penelitian dan pertanyaan penelitian. Setidaknya penulis mengungkapkan bahwa melakukan analisis morfologi harus menjadi cara yang baik untuk memahami makna sebuah lagu.
Analyzing Conceptual Metaphors Through Michael Bublés ‘Call Me Irresponsible’ Album I Kadek Roycke J. Kamandanu; Ida Ayu Made Puspani; Ni Ketut Alit Setianingsih
Austronesian: Journal of Language Science & Literature Vol. 3 No. 3 (2024): Austronesian: Journal of Language Science & Literature
Publisher : CV Wahana Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59011/austronesian.3.3.2024.113-121

Abstract

The study “Conceptual Metaphor in Bublé’s Call Me Irresponsible Album” explores how metaphors in song lyrics can complicate understanding. This research categorizes and analyzes metaphor types found in Michael Bublé’s album, specifically focusing on 13 songs such as “The Best Is Yet to Come,” “Everything,” and “That’s Life.” Lyrics were sourced from Genius.com, and a descriptive qualitative approach guided by Lakoff and Johnson’s conceptual metaphor theory was employed. Three main types of conceptual metaphors structural, orientational, and ontological were identified in the analysis. Structural metaphors (56 instances), orientational metaphors (42 instances), and ontological metaphors (39 instances) were found to compare different concepts, often relating to themes of love and relationships. These metaphors contribute connotative, affective, and social meanings to the lyrics, influencing interpretations. The study highlights the importance of metaphor analysis in understanding how metaphors enrich song lyrics but also pose challenges in interpretation. By systematically categorizing and scrutinizing metaphors, this research enhances our comprehension of the nuanced meanings embedded in Bublé’s music, shedding light on the intricate interplay between language, metaphor, and thematic content in popular music.
Figurative Language Used in Happy Place by Emily Henry I Wayan Yogiswaa Mustika; Ida Ayu Made Puspani; Yana Qomariana
EduInovasi:  Journal of Basic Educational Studies Vol. 5 No. 1 (2025): EduInovasi:  Journal of Basic Educational Studies
Publisher : Intitut Agama Islam Nasional Laa Roiba Bogor

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47467/edu.v5i1.6604

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This undergraduate thesis examines the pragmatic study of the figurative language used in the 2023 fiction novel Happy Place written by Emily Henry. The novel, set against the backdrop of a beautiful seaside town, explores themes of love, friendship, and self-discovery through the lives of Harriet and Wyn. As figurative language is an essential tool for evoking emotions and enriching a story, this research aims to explore how Emily Henry employs various figures of speech, such as metaphor, simile, hyperbole, and personification, to deepen the readers' connection with the characters and their experiences. The study focuses on two primary research inquires: (1) what are the meanings of figurative language found in “Happy Place” Novel by Emily Henry (2) What are the types of the figurative language found in “Happy Place” Novel by Emily Henry. The study aims to identify and describe the language styles in the movie using Perrine's (1982: 61) theory of figurative language, which classifies and explains the meanings of various figures of speech, this study systematically analyzes the textual examples. Furthermore, Abrams and Harpham (2009) theory is utilized to examine the types of figurative language that contain in the dialog or narrative found in the novel. The findings of the study indicate that figurative language in Happy Place serves not only as a stylistic device but also as a fundamental tool for emotional expression and character insight. Through metaphors and other figurative devices, Henry portrays the complexities of human relationships and personal growth, enabling readers to experience the characters’ inner worlds more vividly. The study concludes that figurative language enriches the narrative, deepens the thematic exploration of love and identity, and enhances the novel’s emotional impact.
Expressive Speech Acts in the Comments Section of One Direction’s Youtube Channel Putra Danan Jaya; Putu Lirishati Soethama; Ida Ayu Made Puspani
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5065

Abstract

This study examines expressive speech acts in the comments section of One Direction’s YouTube video titled “10 Years of One Direction.” It aims to identify the types of expressive acts used, explore their communicative purposes, and determine which type is most frequently employed. The research uses Searle and Vanderveken’s (1985) classification—which includes acts such as thanking, apologizing, congratulating, praising, sorrowing, boasting, blaming, and greeting—and Leech’s (2014) categorization of speech act functions (competitive, convivial, collaborative, and conflictive). Using a descriptive qualitative approach supported by basic quantitative analysis, the study analyzes 70 selected comments from the video. Results show eight types of expressive speech acts: thanking, congratulating, praising, sorrowing, blaming, happiness, boasting, and regretting. These acts mostly serve convivial, collaborative, and conflictive functions. Notably, sorrowing was the most frequent, appearing in 28.57% of the comments, indicating a strong nostalgic and emotional response among fans. The findings highlight how digital fan communities use expressive language to share emotions and build collective memories.
Duplication, Fragmentation, and Overlapping: Linguistic Landscape Dynamics of Tourist Attractions in Gianyar, Bali Sang Ayu Isnu Maharani; Ketut Artawa; Ida Ayu Made Puspani; Ketut Widya Purnawati
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p14

Abstract

With its rich array of tourist attractions, the Gianyar region in Bali features numerous outdoor signs that contribute to its complex linguistic landscape. This study investigates linguistic landscape patterns and text typologies using a qualitative research method based on observation, note-taking, and photography. The analysis follows the linguistic landscape framework by Landry and Bourhis (1997) and the multilingual text typology by Reh (2004). Findings reveal that the linguistic landscape of Gianyar’s tourist sites falls into cultural, village, museum, nature, and man-made categories. Outdoor signage patterns are classified as top-down and bottom-up. Top-down signs predominantly feature duplicating and fragmentary text typologies, while bottom-up signs incorporate duplicating, fragmentary, and overlapping structures. These findings enhance the understanding of the linguistic landscape in Gianyar, providing insights into its multilingual environment, particularly within public spaces and tourist destinations.
Question Tag Features Used by Female Characters in The To All The Boys Movies Oemardi, Putri Azizah Meysi; Setianingsih, Ni Ketut Alit Ida; Puspani, Ida Ayu Made
Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris Vol. 15 No. 1 (2026): Februari 2026
Publisher : Program Studi Sastra Inggris, Fakultas Ilmu Budaya, Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/6yc4dt14

Abstract

This study entitled Question Tag Features Used by Female Characters in the To All The Boys Movies. The aims of this study are to identify the kinds of question tag features in the women characters and describe the context of the situation of the conversation containing question tags in the To All the Boys movies. The source of the data was taken from the conversation of “To All The Boys” movies. The research design was descriptive qualitative research. The analysis was based on the three-question tag from Holmes’s theory; they are the modal tag to ask for information or confirmation of the information, affective tag to reduce the force of an impolite request, and the facilitative tag to invite the listeners to take a conversation and comment. This data was also analysed based on the context of the situation from Holmes's theory. The result shows that there are thirteen data from the conversation in the movie to perform the question tag. The feature of question tags that occurs dominantly in the movie is a modal tag. The six cases comprise a modal tag of two cases, a facilitative tag of two cases, and a softeners tag of two cases. Meanwhile, for the context of the situation factors that most influence the speaker to use question tags are participant, setting, topic, and function. Based on the result of the study, it is fruitful to suggest the students of English Department to do further analysis about the three of question tags used in other resources like movies, novels, or articles. Keywords: Question Tag, To All the Boys, Movie
Function and Meaning of Metaphors in The Palm-Leaf Manuscript of Cilinaya Written in Sasak Language and its Translation Sarwadi; Ida Bagus Putra Yadnya; N.L. Sutjiati Beratha,; Ida Ayu Made Puspani
e-Journal of Linguistics Vol. 13 No. 1 (2019): January
Publisher : The Doctoral Studies Program of Linguistics of Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/eJL.2019.v13.i01.p05

Abstract

The palm-leaf manuscript of Cilinaya is one of the manuscripts which is stillimplemented in the life of the Sasak ethnic people. The writer conveyed massages to the readersusing different figurative expressions, one of which is metaphor. This current study is a product-oriented translation study in which the qualitative descriptive approach was applied. The palm-leaf manuscript of Cilinaya was used as the data source. Based on the result of analysis anddiscussion, it can be concluded that several metaphorical expressions are used to praise abeautiful girl that everybody is proud of. Those metaphorical expressions are Duh mas mirahkembang mete, Duh mas mirah serining kasur, Duh mas mirah buaq bulu, Neneq bini, Dun dendare masku, Dendare, dende, Duh mas mirah dende ayu. In the Sasak language, a metaphor willhave different function and meaning if the morpheme „be‟ is inserted in the expression „lauhdaye’ to form „belauk bedaye‟.
Co-Authors Christina Made Dwi Utami Dewi, Ni Kadek Mila Purnama Dewik Yuwandani Harvin Thedeolin Finsen I Gede Juniasta Datah I Gst Agung Triana Rakanita I Gst. Agung Triana Rakanita I Gusti Ayu Arnita I Gusti Ayu Gede Sosiowati I Gusti Putu Ega Ananda Wigraha I Kadek Roycke J. Kamandanu I Ketut Artawa I Made Budiarsa I Made Netra I Made Yoga Dwi Angga I Nengah Sudipa I Nengah Suryawan I Nyoman Sedeng I NYOMAN SUPARWA I Wayan Ana I Wayan Arya Wedananta I Wayan Jason Karenski I Wayan Mulyawa I Wayan Mulyawan I WAYAN PASTIKA I Wayan Resen I Wayan Suryasa I Wayan Yogiswaa Mustika Ida Ayu Kade Dwijati, Ida Ayu Ida Ayu Tilem Sedana Yogi Ida Bagus Putra Yadnya Indri Novita Sari Ira Yunita, Ni Nyoman Ayu Mas Ketut Widya Purnawati Kezia Ariantji Turangan Laksono Trisnantoro Made Ayu Diah Prabandari N.L. Sutjiati Beratha, Ni Kadek Jenni Lestari Ni Kadek Sindiasti Rahanita Prativi Ni Ketut Alit Ida Setianingsih Ni Ketut Alit Setianingsih Ni Ketut Sri Rahayuni Ni Komang Pariadi Ni Luh Hani Rainna Wati Ni Luh Ketut Mas Indrawati Ni Luh Nyoman Seri Malini Ni Luh Nyoman Yenni Priyastini Ni Luh Putu Krisnawati Ni Luh Sutjiati Beratha Ni Made Ariani Ni Made Erfiani Ni Made Suwari Antari Ni Putu Triska Riana Dewi Ni Wayan Pering Muliawati Ni Wayan Sukarini Nissa Puspitaning Adni Novita Mulyana Nurul Muthiah Jawas Nyoman Triguna Aditya Oemardi, Putri Azizah Meysi Prabhaswari, Putu Indry Putra Danan Jaya Putu Cindy Aprilia Dewi Putu Lirishati Soethama Sang Ayu Isnu Maharani Santi Indriani, Ketut Sarwadi Sarwadi sarwadi Setianingsih, Ni Ketut Alit Ida Susini, Made Vanesa Liu Wati, Dessri Finiya Yana Qomariana