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All Journal Jurnal Pendidikan Akuntansi (JPAK) Jurnal Penelitian Pendidikan IPA (JPPIPA) JURNAL OBOR PENMAS Borneo Nursing Journal (BNJ) Journal Civics and Social Studies Jurnal Obor Penmas: Pendidikan Luar Sekolah Multidiciplinary Output Research for Actual and International Issue (Morfai Journal) INTERNATIONAL JOURNAL OF CULTURAL AND SOCIAL SCIENCE Journal of Public Health Education Universitas Muhammadiyah Yogyakarta Undergraduate Conference Proceeding Joal : Journal of Applied Linguistics Jurnal Pengabdian Inovasi dan Teknologi Kepada Masyarakat Mimbar Pendidikan Indonesia Prosiding Seminar Nasional Pengabdian Kepada Masyarakat Journal of Research and Publication Innovation Cendekia: Jurnal Pendidikan dan Pemberdayaan Masyarakat Jurnal Pengabdian Masyarakat dan Riset Pendidikan Journal of International Multidisciplinary Research Jurnal Pendidikan Tari Getek : Jurnal Pengabdian Kepada Masyarakat AFADA: Jurnal Pengabdian Pada Masyarakat Macca: Science-Edu Journal Jurnal Pendidikan Tuntas Jejak digital: Jurnal Ilmiah Multidisiplin IJMST Galen: Jurnal Ilmu Farmasi dan Kesehatan
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Journal : Jurnal Pendidikan Tari

 1 
Pelatihan Tari Srimpi Pandhelori Gaya Yogyakarta di Jakarta: Kontinuitas, Transformasi, dan Strategi Pelestarian Sulistiani
Jurnal Pendidikan Tari Vol 5 No 2 (2025): Pendidikan Tari untuk Meningkatkan Kepercayaan Diri dalam Membangun Keterampilan
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.529

Abstract

One way to develop culture, particularly in the field of Yogyakarta-style classical dance, is through training outside the palace walls. One type of dance that can be learned is the Srimpi Pandhelori dance. This dance's existence has spread to various cities such as Jakarta. This study aims to analyze the form of Srimpi Pandhelori dance training conducted by dance communities in Jakarta. Throughout the journey, there has been a transformation in training methods and challenges faced in maintaining traditional values. The method used is ethnochoreology with an approach of literature study, observation, and interviews. The results of the study explain that the training and performance activities carried out by three different institutions are part of a cultural preservation strategy that is adaptive to the times. This study also emphasizes the importance of maintaining the rules as a collective memory that represents Javanese cultural identity. Ultimately, it is recommended that the Srimpi Pandhelori Dance training strategy in Jakarta continue to be developed by utilizing digital technology more optimally.
PELATIHAN TARI LEGONG SEMARANDANA GAYA PELIATAN OLEH NI KETUT PUTRI MINANGSARI DI WULANGREH OMAH BUDAYA Ida Ayu Julia Maharani; Ida Bagus Ketut Sudiasa; Sulistiani
Jurnal Pendidikan Tari Vol 6 No 1 (2025): Inovasi dan Penguatan Metode Pembelajaran Seni Tari yang Berorientasi Pada Keterl
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.614

Abstract

This research was compiled by Ida Ayu Julia Maharani with the title "Legong Semarandana Dance Training Style Peliatan by Ni Ketut Putri Minangsari at Wulangreh Omah Budaya". This research is the preservation of traditional Balinese dances, especially Legong Semarandana in the Peliatan style, outside the area of origin. The training conducted showed a unique and authentic training strategy at Wulangreh Omah Budaya, South Jakarta. The purpose of this study is to explain the process and results of the training of the Peliatan style Legong Semarandana dance carried out by Ni Keut Putri Minangsari, there are methods, strategies and design of training and examine the effectiveness of training in forming skills. This study uses a descriptive qualitative approach. Data collection was carried out through direct observation of the training process, interviews with trainers and students, and documentation. Data analysis was carried out with reference to training theory by Dale S. Beach and the principles according to kamil. The results of the study show that the training is carried out in a structured and tiered manner based on the level of students' ability. The superior strategy in the form of direct training in Peliatan village has a great impact on technique and character appreciation. Evaluations are carried out periodically to improve performance. This research proves that the training conducted by Ni Ketut Putri Minangsari is effective in preserving the Peliatan style Legong Semarandana outside Bali.
TARI GITEK BALEN SEBAGAI REPRESENTASI KESENIAN BETAWI Maulita Meysanti Setiawan; Ida Bagus Ketut Sudiasa; Sulistiani
Jurnal Pendidikan Tari Vol 6 No 1 (2025): Inovasi dan Penguatan Metode Pembelajaran Seni Tari yang Berorientasi Pada Keterl
Publisher : Program Studi Pendidikan Tari FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/JPT.615

Abstract

The Gitek Balen Dance is a Betawi dance created from the development of the Betawi Mask movement. This dance has become a medium of representation of Betawi culture and continues to develop until now, both in movement, musical accompaniment, and costumes. This study explains how the Gitek Balen Dance represents Betawi culture through movement, music, and costumes, as well as how the form of its presentation has evolved since its creation until 2025. Using a descriptive qualitative approach and Ferdinand de Saussure's semiotic theory. Data collected through interviews, observations, and documentation studies of creators, dancers, and three dance studios, the Gitek Balen dance features elements of Betawi culture through a system of signs on movement, gamelan mask music, and distinctive costumes. This dance has three versions of presentation and is now part of the curriculum in one of the studios and art schools. The Gitek Balen dance is a new dance creation that reflects the dynamic soul of young girls. The simplification of movement and the form of the dish shows adaptation to needs, but its essence and existence are maintained until now.
Co-Authors Abao , Anrom G. Abdul Saipon Adek Halim Arrasyid Adzani, Alifa Maula Adzidzah, Herlingga Zahra Nurul Agus Suyatna Ahmad Hamdan Al Hikmatul Karimah AL Alfitriani Siregar Almira Deacika Destari Almira Andres Juansah Arizqi Ihsan Pratama Asno Azzawagama Firdaus Aulia, Gita Bambang Subali Brillian Dini Ma. Iballa Dewi Puji Rahayu Dhea Amalia Asri Diana Mufidati Ellianawati Elmalky , Ahmed Mahmoud Zaki Elpidayanti Fatiha Ulfa Fikri Haikal Gita Pebrianti Habibi , Ahmad Rizky Nusantara Helmi Hilma Safitri Holfinur, Zamzam Ida Ayu Julia Maharani Ida Bagus Ketut Sudiasa Innifia Anisa Pradini Irfan Syaifully jafar, muhammad idris Kayla Azira Ratnapuri Kustiningsih Leny Suryani Lia Rohayani Lia M. Agung Fadillah M. Wahyu Pradana Mahrita Marhamah . Maulana , Adrian Maulita Meysanti Setiawan Mayangsari, Nindya Mayzia Sabiha Fidhinillah Minuk Riyana Mirandha Mirsa Astuti Nina Noor Fazariah Handayani Novitasari, Nastiti Nurina Nursilah pohan, Masitah Punagi Purnama, Hendy Putri Nimi Usti Rapita Aprilia Rines Onyxi Tampubolon RONALD FRANSYAIGU Sadrack Luden Pagiling Sandra Putri Yulita Septriani, Meti Setiartiti , Lilies Sherina Ayuni sitti rahmi, sitti Solihat, Melisa Susi Sampelobo Talirongan , Hidear Tarwijo Tetep Triani Rahmadewi Tunnoor, Saidah Undang Rosidin Wanti Priyah Ningrum Wina Fauziyah Yonarlianto Tembang Zahra Khurulia Aini